Overfly, To Be So Close Yet So Far Away | PART V & FINALE: In Defense of Fairy Dance

Posted by Takuto

This is part five and finale of the five-part series “In Defense of Fairy Dance,” a collection and comprehensive analysis defending the positive aspects of Reki Kawahara’s “Fairy Dance” arc in Sword Art Online. Research was gathered from the anime (sub and dub versions) and volumes three and four of the light novel series. This is in NO WAY written to justify all of the second half of the series, nor is it to say that it is particularly well-written. Instead, it is a half-full glass of the neat things the series did, and why I enjoyed myself with most of the content despite the glaring flaws. HEAVY SPOILERS EXIST.

Well readers, we’ve reached the final stretch! Instead of boring you with another wave of novel quotes and anime screenshots, I decided to go out on a limb [insert World Tree joke here] and bring in sound to this comprehensive analysis. Specifically, Sword Art Online’s second ending (my favorite song) “Overfly” by Luna Haruna. For this post, I’d like to seek the great YouTuber and vocalist Amanda Lee and her cover of “Overfly” to wrap everything up, as its lyrical brilliance encompasses the heart and soul of the “Fairy Dance.” Even though the multi-meaningful lyrics can be applied to practically all characters in the franchise (dramatic irony and all), I want to tag-team with AmaLee and let one Sylph in particular shine above the crowd.

I DO NOT OWN “OVERFLY” OR THIS COVER. THE SONG BELONGS TO LUNA HARUNA AND THE COVER BELONGS TO AMANDA LEE.

First, a note from AmaLee herself. If you read the description box, she quotes:

“I wanted to chime in about this song (rare, I know!) If you’ve watched the anime you can probably see that this song is written from Sugu’s perspective. (spoiler warning) Throughout the song she’s realizing that her love is one-sided and is trying to deal with that heartbreak. I know many people don’t like Sugu but I just want to give her a big hug after singing this song~ ;;;A;;; I the lyrics are extremely touching because everyone knows the feeling of wanting something so badly but ultimately knowing that no matter what you do, you can’t make it happen. Betcha didn’t think this song was that bittersweet when you heard it in Japanese!”

Oh yeah, then why the Asuna picture instead of Suguha? How does this play into the sad irony we’ve thoroughly established?

Ah yes, the truth is polarizing. Onto the song!

ENGLISH “Overfly” Sword Art Online (AmaLee)

Hands up high Raise them high

And cast your worries to the sky

There’s no doubt Not one doubt

As I make my wish and let it cry out

Two hands in the air not only represent a surrender, but also an “AGH, I give up!” action. And that’s exactly what Suguha’s doing here – She’s throwing her burdens and troubles towards the heavens in hopes that – without doubt – she will be able to dream without worry and just let it all out.

If I gathered all the love in my heart

That grows with every passing day

I would find a confusing puzzle

That changes and rearranges

Every day, Sugu’s love for Kazuto grows more and more. Love isn’t an emotion to stop by for an hour, sip on a drink, then depart. No. Each passing moment she shares with him adds to the complexity of the scenario – Should I love him, should I not . . . ? Sugu knows the chaos that would spread should she declare her love to her brother, and that not only hurts but confuses her. Shouldn’t she be entitled to pursue love passionately and freely? In this case, society (and some health studies) indicate otherwise.

Will I ever find my place? I’m not sure

Or will I forever feel insecure?

And the moment all the questions fade

I notice my tears

But I can’t hold them back

Will Sugu eventually find a place where she is comfortable with this forbidden lust? She doesn’t know. Perhaps she’ll be clutching that intangible and silly reality forever, like a kid at a carnival still waiting by the Ferris wheel with a ticket despite it having closed hours ago. However, the moment she thinks she’s come up with a solution and/or breaks the ice, Sugu is reminded about how wrong that love is, and cries indefinitely.

Maybe it’s too late

I’ve lost my chance

All of my questions shall go unanswered

Will I keep fighting to find the light or

Will I descend to a bitter end?

It might even be too late! I mean, Kazuto loves Asuna with a desire unlike any other; Perhaps Sugu should just throw in the towel now. I mean, the two are a good match. What would you do – Pursue love passionately and vigorously, or end the struggle only to wallow in more regret, guilt, and heartbreak?

Hands up high Raise them high

And cast your worries to the sky

If you can’t stand

Then take my hand

And I will rise to fight by your side

My beating heart is burning on

And as it races I realize

There’s no doubt Not one doubt

As I make my wish and let it cry out

Chorus time. Toss up those hands in prayer, as all will eventually be fine. Here, I imagine Leafa’s personality peeking through the clouds. The fierce Sylph warrior is reaching out to Kirito’s hand in an effort to help him rise and rescue his seemingly long-lost ‘wife.’ This encouragement, in turn, causes reinvention to take root within Leafa. “Now I have purpose,” and this excites her heart into motion. If he can pursue that wildly at impossible odds, so can she. The wish is back into focus.

I have always danced to my own beat

But you always throw me out of sync

‘Cause around you I am holding back

And I’m mastering a fake brave smile

Sugu is tough on the outside and on the inside. She’s in kendo, and damn good at it, too! Ever since, she’s had her own rhythm – her own ebb and flow. Even in ALO, flying through missions is the only thing on her mind. But romance keeps disrupting the waters; a heartbeat that keeps accelerating. Leafa has to act tough around Kirito so that he is not discouraged, even if her heart is overflowing with anticipation and mixed signals.

Maybe it’s too late

I’ve lost to my dreams

All of my wishes come true only here

If I wake up now, I’ll lose this moment

I fear my dreams will fade around me

Kazuto returned to the real world nicer than ever before, and that also offsets Sugu. “Why is he so kind to me?” As reality keeps tormenting her, indecision crawls back into the forefront. All of Sugu’s greatest dreams come true in the enchanting land of the fairies, ALfheim Online. She can fly, rest, make friends, and most of all, be truly free. If Sugu decides to “wake up” and choose Kazuto over ALO, she knows she’ll lose many things in the process, including her one true dream of flying higher than the clouds.

I’m so close yet so far

I can’t reach out to where you are

I’d give my heart I’d give my soul

But somethings are not in our control

“I’m so close, yet so far.” This is the ideal caption for Sword Art Online’s second half. It ties to Asuna and Kirito being in the same gaming world, yet not being able to meet up. It applies to Kirito standing over her real body in the hospital, yet not being able to say a word. It enforces the thought that Suguha has tragically fallen in love with her own brother, and despite them being closer than ever before (they live in the same house for chrissake), she feels so far apart. How about Leafa wanting to break the flight barrier? She’s so damn close all the time, yet the game has set it so that it’s impossible to breech. It’s all of that damn Dramatic Irony crap we’ve been delving into for the past two weeks!! Everyone on this cruel stage is willing to risk their heart and soul, but whether it be game admins, societal roles, or virtual connections, it’s not for them to decide the rules.

Your hand’s not meant for me to hold

And I’ll be lonely when you’re gone

I’m aware So aware

Only through my memory you’ll be there

A sister knows she cannot be with her own brother in matrimony. Thus, when Asuna and Kazuto go off and wed in the real world, Sugu will feel very lonely. Same with Kirito – Once he finds the princess he’s searching for, Leafa will lose her daring knight and precious friend. Only in reminiscence will she savor these wonderful joys.

It’s not the destiny that I’ve dreamed of

And as I cry I know this is goodbye

How can I ever reach you

When I can’t even see the sky?

She didn’t want to fall in love with Kazuto – That’s why she moved on to Kirito! But when Kirito proclaims his lover’s name, “Asuna,” she realizes that she was just another player in this punishing game of tag. Why she “can’t see the sky” could represent her tears filling and blurring out the view. Or perhaps another hint at the flight barrier which she cannot breech. Even more so could be that at the beginning of the song (and at the end here), Sugu cast her dreams to the sky, and that vision has now become muddied.

Hands up high Raise them high

And cast your worries to the sky

If you can’t stand

Then take my hand

And I will rise to fight by your side

My beating heart is burning on

And as it races I realize

There’s no doubt Not one doubt

As I make my wish and let it cry out

Regardless, the sky will always hold her heavy heart and greatest wishes. If Kirito needs help, then she will help him like he did for her. Simple as that, and this foreshadows the route she takes following the revelation (Sugu finds out) and the conclusion. Fighting with him excites her, and as her heart beats firmly, the Sylph now knows where she stands: In the sky, high above spiraling towers where her desires can cry out, yet out of reach for anyone else to hear. What else could “Overfly” mean?

Thank you for reading! Please, share any thoughts below and stay tuned for a brief REFLECTION!

(I own neither the anime nor the light novel series of Sword Art Online. All images and videos belong to A-1 Pictures and Reki Kawahara. “Overfly” belongs to Luna Haruna, and this English cover belongs to AmaLee.)

The Deadly Power of the Game | PART IV: In Defense of Fairy Dance

Posted by Takuto

This is part four of the five-part series “In Defense of Fairy Dance,” a collection and comprehensive analysis defending the positive aspects of Reki Kawahara’s “Fairy Dance” arc in Sword Art Online. Research was gathered from the anime (sub and dub versions) and volumes three and four of the light novel series. This is in NO WAY written to justify all of the second half of the series, nor is it to say that it is particularly well-written. Instead, it is a half-full glass of the neat things the series did, and why I enjoyed myself with most of the content despite the glaring flaws. HEAVY SPOILERS EXIST.

Much like with PART III, this section will focus on the dramatic irony behind ALfheim Online itself, along with VR gaming altogether. Again, we’ll be analyzing many of the quotes from the light novels to bring the truth to light. The anime does a fair job at captioning the satire of the entire ordeal, so bringing in further clips would only clutter the analysis. There are pictures, though. Many pretty pictures.

“Land of the Fairies,” Eh?

Don’t worry, Kazuto thought the exact same thing. I mean, what’s a bunch of fairies doing in games anyway? After nearly dying in a world of knights and castles, nobody wants to be a dumb fairy – They’re just bloated pixies. But when Kazuto questioned Agil, apparently ALO isn’t just another laid-back, casual MMO. No, in fact it’s “actually pretty hard-core,” as the system is set up to be entirely skill-based so that player skill is rewarded. PK-ing is encouraged as a result. Where each VRMMORPG tests its players, Leafa believes that pride is what was being challenged in ALO. “How hard could you struggle? If you lost, how would you regroup and hold your head high? That was the test, (24, vol.4).” Also, imagine losing to a bunch of fairies. That’s dumb.

Right off the bat irony is up and ready for a home run. That should be every viewer’s first thought – What’s so tough about ALfheim? The second arc’s game is totally based on athletic abilities rather than keyboarding techniques, essentially meaning that if you lose in-game, it means that you literally weren’t strong enough. It’s also funny how they mention it’s basically SAO with magic. Magic. Doesn’t ALO feel magical? Everyone has glittery wings that allow them to fly higher than in any other MMO, and who doesn’t want that? ALO must be a DREAM COME TRUE, no flaws whatsoever. HAH! What a joke.

The Sad, Scientific Truth behind ALfheim

I don’t want to turn this already-way-too-long series into a summary, so let’s just jog our noggins. Sugou inverted SAO into ALO, kidnapping +300 entrapped minds as tools to further his research. That being, to study and prove that if the brain could be significantly controlled, then so could emotions.

“’Ha-ha! You won’t be singing that tune for long. Very soon, I will control your emotions in the palm of my hand. Look, Titania. Can you see them? Thousands and thousands of players, diving into this expansive world, enjoying the game. The thing is . . . none of them has any idea that the full-dive system isn’t just a tool for mere entertainment!’ (102, vol.3).”

Games are meant to be innocent fun, nothing more or less. But here, the grand Fairy King has rewritten the rules and taken control of all pawns on the board. He cheats, abusing the gift of the virtual world to benefit his own research – And at the extent of risking human lives, to which he casts aside! Sugou is a villain in both pixels and cold blood, and I’d say he’s a good one at that. He is, after all, a scientist, and furthering one’s knowledge of the world whenever and WHEREVER possible is sincerely worth pursuing. While you can only go so far to justify his motives, Sugou is still a creepy bastard who treats his soon-to-be wife without any regard, and he also kidnaps kiddos and pokes around their brain while they sleep. His jealousy over Kayaba’s success drove him to be even more passionate, yet he was outraged when the creator sacrificed himself.

“’Mr. Kayaba was a genius. But he was also a fool. How could he utilize that incredible potential just to create a stupid game?’ (103, vol.3).”

But his methods are where I see the crowd diverge. His henchmen find it more humane than exposing test animals’ brains to open air and jamming electrodes into them. “I mean, all they’re doing here is dreaming.” Very true, it’s all one big farce, and the series mentions that research on the human brain is incredibly slow due to the, well, human subjects needed. It’s not like you can get folks to consent on the matter, though. Otherwise we’d be leaps and bounds ahead of what we know! His research is admirable, but Sugou’s methods cross the line of sanity. He’s also an ass, which adds to what makes pure villainy – hatred. He’s supposed to be unlikable, and I think we can all agree that he is without falter.

This is One Tree You Can’t Climb

After giving Kirito the info-dump as to the features in ALO, Kirito assesses that the World Tree – The Master Quest – is essentially unbeatable because the only indication to standing a chance involves guild cooperation. However, the prize is only awarded to a single race that completes the mission, and no one would compete if it just means forfeiting the prize to the other team.

A while later, Kirito truly understands the game’s irony. “’ALO’s a nasty game, testing its players’ greed like this. I’m guessing its designer is a real piece of work,’ (191, vol.3).”

Oh trust me, he is. He is the self-proclaimed “Fairy King.” He’s also a narcissistic fiend.

Even Leafa, while tackling the Tree at the end of the series, feels the unfairness in the omnipresent guardian knights. She’s starting to sense that this world isn’t built around the hopes and dreams that flying fulfills. Something’s amiss. I just love this quote:

“But now, for the first time, Leafa began to sense a kind of malice within the system. Some unseen force, which was supposedly keeping everything in a fair balance, was wickedly, cruelly swinging a bloody scythe at the players’ necks within this arena. There was no way to overcome this trap, (124, vol.4).”

And when Kirito finally resurfaces (because he’s too OP) he becomes speechless. He has some excellent mental grammar, though:

“The grand quest at the center of the game – to reach the city atop the World Tree and be reborn as true fairies – was nothing more than a giant carrot, endlessly dangled out of reach of the game’s player base? So not only was this battle’s difficulty set to the extreme, the door was locked by nothing more than the will of the game manager . . . ? (133, vol.4).”

THIS RIGHT HERE is the MOST SIGNIFICANT piece of DRAMATICAL IRONY found in the work. We’ve covered Suguha and Asuna, but this realization is the ultimate plot underlying Sword Art Online. Even the revelation to Kirito that Sugou – the nasty man trying to steal his girl IRL – is the mastermind doesn’t compare in shock value to this. The game is rigged. It was from the start to its game manager’s end. Those who fought for life in this world – to fly high among the stars and one day, a palace in the sky – is all for not. Hell, the option doesn’t exist. Just like you couldn’t log out of SAO, a freakin’ game, ALO’s master storyline isn’t designed to finish – EVER. What keeps players like Asuna and Kirito coming back to VRs if they only bring painful revelations and ironically cruel clickbait?

Treasures ALO Gave its Players

The irreplaceable positive memories and true friendships formed, that’s what. People form ideals off of scenarios like these. For Kirito, everything was just a game. “Kill what you want, take what you want.” After surviving SAO and enduring ALO, he’s seen enough to realize that “there are things you have to protect and uphold because it’s a virtual world, even if that makes you look stupid, (168, vol.3).” Paraphrasing from the novel: Though it sounds paradoxical, you can’t completely separate the player and the role-playing. Letting your inner greed run wild in the virtual world and that will come back to haunt your real-life personality. The player and the character are one in the same. That’s powerful; it’s an influential statement I’m sure actors, cosplayers, gamers, and the like can relate to.

For Leafa – No, for Suguha – she found true friendship along with hope and purpose through her wings of freedom. When rescuing Tonky from the three-faced giant, Sugu wasn’t going stand and watch the murder of something she’d labeled as a friend and given a name. There’d be no point to playing a VRMMO if it’s all fake! Even when they get out of Jotunheim, she reflects on the happy accident that arose from falling in the first place, and all of the rare experience and friendship they gained being side-by-side.

To think that Sugou can manipulate these emotions is catastrophic, and Asuna of all people knows this by heart. “The research being done here was one of the great taboos, like human cloning. It wasn’t just a simple crime. This was the destruction and desecration of the last vestige of human dignity: the soul, (59, vol.4).” Robbing humans of emotions doesn’t make them human anymore, yet the person reaping the souls of others is the most inhumane of all. It’s almost unfathomable, really, and I only wish the series took this issue more seriously.

Lastly, along with memories, friendships, and ideals comes initiative – the drive to take charge and change fate. In his final bouts, Kirito reflects that ultimately, a virtual world is just a game, and he thought it was all real. He ponders his desire to return to the deadly SAO just because he was that world’s strongest hero. This notion of might clouded his judgement upon landing in ALO to foolishly save the princess without professional help, and it sadly resulted in borrowed mental toughness, nothing more. “I must have been very happy regaining my imaginary power, crushing other players and satisfying my ugly pride and self-esteem, (151, vol.4).” And even though the hideous God of this world is in absolute dominance, Kirito still prays. To a God in the real world? To a system glitch? To fate itself?

The most logical choice is the one whom blessed him with strength in the first place. The God of that old world. And just like that, Kayaba shows up in disappointment at what has become of the ideals which blossomed from their duel – That the HUMAN WILL could surpass a COMPUTER. Kirito wins not because his stats were higher, or that his blade was sharper. He wins because his will overpowered Sugou’s corrupted vision. The God of Old indirectly causes the downfall of the New God by channeling his spirit into the knight that beat him in a past life. That’s golden irony.

Thank you for reading! Please, share any thoughts below and stay tuned for PART V & FINALE!

(I own neither the anime nor the light novel series of Sword Art Online. All images and videos belong to A-1 Pictures and Reki Kawahara.)

Wings of Freedom, Cage of Gold | PART III: In Defense of Fairy Dance

Posted by Takuto

This is part three of the five-part series “In Defense of Fairy Dance,” a collection and comprehensive analysis defending the positive aspects of Reki Kawahara’s “Fairy Dance” arc in Sword Art Online. Research was gathered from the anime (sub and dub versions) and volumes three and four of the light novel series. This is in NO WAY written to justify all of the second half of the series, nor is it to say that it is particularly well-written. Instead, it is a half-full glass of the neat things the series did, and why I enjoyed myself with most of the content despite the glaring flaws. HEAVY SPOILERS EXIST.

For this third part I think we’ll have a little more fun. Are you sick of dramatic irony yet? No? Good, because realizing how large of a role it plays in Sword Art Online’s second half could make or break the experience, and here at the café, enlightenment is something we strive for!

As I mentioned, today’s post a little different. Instead of analyzing one line for +1,500 words, I thought I’d briefly list quotes from the light novels hinting at the rich irony in play, this being the symbolism behind the fairy wings and the birdcage suspended in the heavens. It’ll largely be, once again, a look into Suguha and Asuna.

Wings of Freedom, a Look into Suguha’s Case

“But she knew that when it happened, Kazuto’s heart would be forever beyond her reach, (92, vol.3).”

Ah, this refers to the incest we glanced over due to its taboo nature and my modest stance with the whole thing. Regardless, isn’t it funny that the person whom she is closest to – they live together for crying out loud – is the one person whom she is not allowed to love? Siblings, cousins, or otherwise, that’s pretty cruel.

“. . . Leafa felt the heavy, clinging web of hassles descending upon her. The only thing she wanted from ALO was the feeling of flight, of escape from pressure. To cast aside her troubles and fly as far as she desired. Nothing more. But it seemed that was a naiveté born of ignorance. Perhaps it was just a fantasy of hers, that this virtual world where everyone had wings would be enough to help her forget the gravity of real life, (116, vol.3).”

Apologies for the lengthy passage, but this is the bottom line, the viewpoint through which Sugu sees ALO and gaming altogether. Stats, battles, monsters? She couldn’t give a ‘flying’ flip. How can we tell? She could’ve joined any other game, but she chose the one VR with flight capabilities – Wings of Freedom (no, not a tribute to the overly popular titan-slaying hit). After school when she logs on and becomes Leafa, she believes she can sprout her wings and take off, leaving her problems grounded. She wants to float around, to soar against the moon and the stars, to leave it all behind and fly away from her issues. She knows it’s a foolish thought, yet here she is still playing the same game.

“’I wonder . . . Why does everything have to come down to control-or-be-controlled? I mean, we have these wonderful wings . . .’ (120, vol.3).”

“The stronger she grew, the wider her range of activities. Just flying through the sky over unfamiliar territory was a thrill. But as she became one of the strongest sylphs in the game, along with her knowledge came hassles. In time, she felt she was just going through the motions. The obligation to fight for her race became an invisible chain shackled to her wings, (133, vo.3).”

Here’s that punchline again. Imagine having weighty responsibilities in the real world, like most of us do. These obligations are noisome, so we log on a play games to leave these worries behind if only for a brief moment. Now, just because she became attached to flight, Leafa has become a significant figure in the game, and her controlling guild leader has burdened her with unnecessary responsibilities. It’s just a game, sheesh! All the girl wants to do is fly, so quit dragging her off to be a battlefield celebrity!

“Suguha’s stature was far from large for a kendo athlete, but compared to Leafa the sylph, she was rather big-boned. When she moved her shoulders, stomach, or thighs, the muscles rose to the surface of the skin. She thought her breasts had grown quite a bit recently, too. She couldn’t help but feel that the inescapable reality of that body reflected her own inner conflict, so Suguha shut her eyes tight again, (132, vol.3).”

This is another long but good one. We don’t get this in the anime. Also, another point from my heart to Suguha. Sugu is a big-boned, short, well-endowed women. To her, she’s anything but a woman, that being her sylph idol. Leafa is slender, tall, big-chested (as well), yet just as strong, if not more so. That’s not fair. All of her painful kendo training and I look like this? That’s what she probably is telling herself. It doesn’t help that her bro is a perfect fem-boy – Even Klein wants a piece of Kirito’s meat. Sugu, I feel your pain. Any chance I get to create a virtual avatar, I change the hair color to blond (because I’m a brunette), change the eyes to bold blue (cause mine are dull brown), and chop off a good +50 lbs just because I CAN. I’d RATHER look like this! Having body-image issues makes us feel like we have done something wrong, and sometimes, kiddo, that’s just the way this world works.

“She’d be lying if she claimed that loving Kazuto as Suguha and being attracted to Kirito as Leafa didn’t fill her with guilt. But it was Kirito who had taught her that the world of ALfheim didn’t have to be just an extension of a virtual flight simulator, but another true reality. Because of that, Leafa had realized that the feelings she felt here were true, not just digital data . . . ‘This can’t be happening . . . This is so wrong,’ (101, vol.4).”

This is the grand reveal we covered in PART I, and might I add that the entire five or ten pages this encompasses could’ve been marked down as quote material. Obviously, the irony here is that Sugu loved her brother, but that was ‘wrong.’ Thus, she put her mind to VR games like he did and discovered flight. It wasn’t long before she buried those feelings and met Kirito, a gamer who brought a whole new level of experience to her. Her life feels forever revolutionized – that she’s moved on – until the boy (should’ve been obvious duh from the start, as the similarities are off the chart) reveals himself to be the knight she found new love in. She betrayed her own heart, and the guilt is incomprehensible.

“I was on top of the World Tree. The peak of the world. The place that Leafa . . . that Suguha had dreamed of for so long. But . . . ‘There’s no city in the sky’ . . . It was all an empty gift box. Past the enticing wrapping paper and ribbon, it was empty lies. How could I explain this to Leafa, after all of her dreams of being reborn as a high fairy? ‘This is unforgivable . . .’ (137, vol.4).”

Right before the fated reunion in the clouds, Kirito gets a peak at the world of fairies for what it truly is – A huge hoax. I put this here because, as he brings up, this was Suguha’s biggest dream: To soar through the clouds, and beyond. Now, Kirito is high above in the World Tree, only to realize that what the high and mighty sylph was clinging to this whole time was false. There is no master race, only one terrible, greedy man behind it all. Even though I’m not old enough, it’d be like breaking it to your daughter that the Tooth Fairy doesn’t exist . . . I still cry about that one, not that the idea broke my heart or anything, but that almost every other kid will have to go through the same trauma. Why even do it in the first place? You give me wings, ALfheim, but I’ll never truly be free?

Cage of Gold: A Look into Asuna’s Case

“The space between the bars was just wide enough that Asuna could have squeezed through if she tried, but the system prevented her from doing so. The intersecting golden bars stretched vertically before meshing together overhead in a dome . . . Which made this room a giant golden birdcage, hanging from the branch of an impossibly large tree – but no, that description wasn’t right. The birds who came to visit could come and go freely between the metal bars. It was a cell designed to hold a single prisoner: Asuna. A fragile, elegant, beautiful, but cruel cell. (98, vol.3).”

This is the punchline in Asuna’s case. Can you imagine the beauty of a floating golden birdcage with foliage wrapping around the bars and the horizon melting through each day? Don’t be fooled, as its beauty is insulting. The bars are purposefully positioned far enough to feed a sense of escape, but only after a natural attempt would one realize it was all a joke – You can’t actually squeeze through. Birds can weave in and out whenever they please (pair of black and white birds represent Kirito and Asuna’s relationship, BTW), stretching their wings wide outside the bars, and here you are not being able to move a wink. I’m surprised she didn’t go crazy on us and start talking to the birds.

Anyway, this “fragile, elegant, and beautiful” cell is more than cruel. It’s an insult to the prize it has imprisoned, and that mockery is pointed at ALO’s current Fairy Queen, Titania. Remember covering the story of Oberon and Titania in PART II? Well, how does the fairy world’s strongest fairy look now? That’s pretty ironic. Also, who puts a bird in a birdcage OUTSIDE ON A TREE?

“It was that world she longed for now, even more than the real world that she couldn’t be sure actually existed anymore. When she realized that tears were coming to her eyes, Asuna shook her head to get her feelings under control. Kirito was waiting for her in the real world. The only place she truly belonged was in his arms. She had to keep moving to make that happen. This hallway was not quite so long, (57, vol.4).”

So the cage has warped Asuna. While she would love more than anything to fight alongside her best friend and lover, after all she’s gone through, Asuna would rather rest in his arms. Is that weakness? No, that’s what we call settling down, hence the cabin in Aincrad and her “motherly” stance after this season. She just wants to relax with her love and put this cruel mockery of gaming behind her. But, even in desperate times, Asuna is always strategizing and being sneaky, much like her old avatar. Time passes when reminiscing on nice, old, happy memories, which is why the current hallway she is pacing, though identical to the seemingly never-ending one beforehand, went by so quickly, and she’ll cling to these memories to pull through.

“Suguha forgot to breathe when she saw the girl sleeping on the spacious bed. For a moment, she thought it wasn’t a person. It must be a fairy – one of the Alfs, the true fairies that lived on top of the World Tree. Such was the otherworldly beauty of the sleeping girl before her, (72, vol.4).”

Hmmmm, you can put this one together without my help . . . Funny how things turn out, huh? The irony is dripping wet.

“Asuna’s fighting, too. She’s doing her best to resist, to escape this world. There must be more that I can do, (87, vol.4).”

If Kirito’s not already got a sense of direction, then here’s his eye-opener. Asuna deliberately dropped a key card to them from above. She senses Kirito and Yui, and they sense Asuna. With passion starting to reignite, this is the excitement leading up to the fantastic, cataclysmic reveal! In other words, Suguha’s about to find out the cold truth that’s been staring her dead in the eyes.

“’I always believed . . . No . . . I still believe. I did in the past, and I will in the future. You’re my hero . . . You’ll come to save me anywhere, anytime . . . (158, vol.4).”

From peasant fighter, to powerful knight, to heart-warming wife, to caged princess, to freed women, Asuna has grown reluctant to struggling anymore. She hardly recalls the SAO days, let alone her own real home life. The cage has brought unnecessary strife and resignation to the resilient fighter. The quote, however, implies with “I did in the past” that she depended on him, and this could be tracing back to as early as when he saved her guild, or even when they first teamed up, though unlikely. Point is, I’m not surprised that she is tired of carrying the torch. She’s by no means weak all of a sudden, just that the front lines are a place of the past now. Everyone can have a hero in life.

“Her thin arms were resting in her lap, holding a shining, blue, egg-shaped object. Her NerveGear. The crown of thorns that had held her prisoner for so long was finally silent, its job finished, (173, vol.4).”

This is a statement of closure. Do you recall Suguha in her final moments spotting her “shining crown ahead of her” to place it atop her head? Notice how they are both identified as “crowns,” but for different reasons. A crown of thorns is one full of burden, imprisonment, and painful sin; horns, almost. Meanwhile, Sugu’s shining crown is a halo that will transcend her into a free being with wings. Again, both are crowns, but they crown the wearer for drastically different reasons. I honestly wish the story ended here, rather than with Kayaba’s cheap RPG maker egg. This crowning glory where one bestows themselves with it while the other relinquishes it is much more symbolic, much more touching, and much more . . . dramatically ironic.

Thank you for reading! Please, share any thoughts below and stay tuned for PART IV!

(I own neither the anime nor the light novel series of Sword Art Online. All images and videos belong to A-1 Pictures and Reki Kawahara.)

Asuna’s Position Cannot Define Her Personality | PART II: In Defense of Fairy Dance

Posted by Takuto

This is part two of the five-part series “In Defense of Fairy Dance,” a collection and comprehensive analysis defending the positive aspects of Reki Kawahara’s “Fairy Dance” arc in Sword Art Online. Research was gathered from the anime (sub and dub versions) and volumes three and four of the light novel series. This is in NO WAY written to justify all of the second half of the series, nor is it to say that it is particularly well-written. Instead, it is a half-full glass of the neat things the series did, and why I enjoyed myself with most of the content despite the glaring flaws. HEAVY SPOILERS EXIST.

Introductions out of the way, we’re now getting down to business. For this second session, I’ll be taking a look at the target reason why Sword Art Online has a big fat red “X” scarred across itself on many people’s anime list. Her name was Asuna the Flash: Fierce, courageous, vigilant, and a knight for the people. Notice how I said was.

In “Fairy Dance,” our superior heroine was reduced to a weeping twig of a fairy begging for her mighty Kirito-kun to save her from her perverted, slimy (in more ways than one) captors. This unnecessary shift from castle knight to caged canary puts a fowl taste in the mouths of many, but was Asuna really as pathetic as she seems, or, perhaps, was there a special kind of development in play underneath the foliage? Did our coined “Damsel in Distress” actually have an iron backbone under those glittering wings we so frown upon?

Titania . . . That Stupid Name

Finding Asuna alone in the first half of “Fairy Dance” (third volume) is pretty rare. Often her sleazy captor Oberon the Fairy King AKA Sugou is found loafing around her chamber, mocking her hero, her helplessness, and even the game itself . . . We’ll cover that later. What is known is that by being forced into ALO, Asuna is unarmed – but still dangerous, mind you!

The book doesn’t start her off too strong, though. Upon her entrance in chapter three (98, vol.3), our first impression is her ‘silent prayer to Him,’ “’Hurry . . . Hurry and come save me, Kirito . . .’” Yeah, not a good start to our favorite ruby knight. Already, we feel her frailness of being a caged princess, as she first clings to the thought of someone else rescuing her rather than escaping herself.

That all fades away when Oberon graces his darling ‘Titania’ with his presence. In Aniplex’s English dub for the anime, she snappily remarks,

’Stop calling me by that stupid name. My name is Asuna, Sugou.’

In comparison, the light novel uses

’And stop calling me by that stupid name. I’m Asuna, Oberon . . . I mean, Mr. Sugou.’

If you read that second one closely enough, Asuna still reveres Sugou as an adult, hence, the respective Mr. in front. The ellipses further implies a cautioning, while the anime, specifically Cherami Leigh’s role of Asuna, is clearly firm with an unwavering glare to match it. That is one tiny detail where the anime did a better job at maintaining “The Flash’s” fire.

Another variance in tone between the two versions is shortly after, where Oberon requests that Asuna ‘give her heart to him.’ In the English dub:

’Never. The only things I’ll give you are disgust and hatred, and nothing more.’

Ooh, that’s tough talk. How about the LN?

’You will be waiting until the end of your days. All I feel for you is scorn and disgust.’

Interesting. Both are equally fierce and nearly identical in translation, but that wordier LN quote (Japanese language probably has something to do with that) comes across as a bit more, say, romantic, no? Not romantic as in “Oh Sugou, I love you” but more like a sweeter sass than “Never.” That brings us to the next point.

Romantic VS (not-so) Sexy

Anime. Yup, that’s fan service, not motivation for Kirito.

I’ll stop here, but you get the point.

Here is a side-by-side, LN Left, anime Right, same chain scene. The LN looks more graceful, as if to be romantic. Little too submissive, but I think it’s better than the anime’s gritty, busty, shadowed version. The anime tried to be sexier, and it almost worked had we not gotten a full-fledged tongue rape by Sugou. Notice how the shackles are cruder in the anime as well. I realize the LN is cover art, but it is still there to represent the same scene or state of being.

Reading a scene versus watching the same scene visually are two completely different translations. In that regard, the Asuna in the LNs embodies this air of “romantically clinging to hope,” while the anime is more of an “Oh God please save me from this disgusting man.” Support for this comes from the repeated reference to other aspects of nature in the LNs:

The World Tree Warriors are moths, the Sylph are grasshoppers, the Cait Sith are beasts, Kirito is a cockroach, Asuna is a bird trapped in a cage . . . And this all makes sense considering ALfheim’s fairy world theme – Everything is supposed to be lovely, full of wildlife and excitement! Asuna also translates as more of a delicate, gold-shackled woman than the anime’s bustier bod meant to attract your eyes. She is an item for Kirito and Sugou in the anime rather than a prize to be revered and softly handled.

And that’s where people draw the line with the second half – Sugou’s ridiculously inappropriate touching of Asuna towards the end. Was it necessary? Arguably, I think yes. By then, we are asleep. Kirito will reach the top, kill Sugou, and save the girl. The end. So didn’t having the female physically exploited before the MC’s eyes by this atrocious monster fuel the excitement, the rage?! It’s completely disgusting and humiliating (and fan service) in the anime (not that it isn’t in the LN) but you cannot say it wasn’t effective. It was the most infuriating yet engaging moment in the entire second half!

As for the tentacle slug things that nearly raped her? Yeah, THAT is poor, stupid, and totally uncalled-for writing. An alarm system or perhaps HUMAN guards would have not only made more sense, but also would have purified the show even if just a tad bit more. This was plain disgraceful and distasteful, not to mention unjustifiable. *shudders*

Parallels with the Legend

Okay, so it’s not a legend, but Shakespeare’s “A Midsummer Night’s Dream” clearly was the basis for the second half’s cast. Oberon is the ruthless fairy king driven by jealousy and power. He is a man to be enthralled by jokes, and will wickedly pursue his lust by making an ass of his wife, Titania, his object, wife, and queen. Titania is the strongest female fairy in the land, and her struggle against her King’s will puts her foster son, whom she loves more and spends more time with, on Oberon’s wanted list – He even contemplates making him his servant! Now, whom do these characters sound like? I wonder . . .

By Bravely Leaving the Nest, POSITION DOES NOT DEFINE PERSONALITY

If you once thought that Asuna was a weak gal in ALO, think again. Sure, her sword was taken away, but the true sword is her commendable courage (call it corny, but it is true). Asuna could’ve been stuck in that damned cage forever and gotten her mind wiped clean had she been caught by Sugou – Yet this birdie still boldly left the nest. “’That ends today,’” she tells herself. The only sign of reliability at this point is her murmuring “’Kirito . . . I’ll do my best.’” That’s not, “Kirito, come save me when I get out.” That is “Kirito, you’re out there fighting, and I’ll do my upmost to match your spirit.” Know the difference.

And I’m so freaking sick of everyone calling her a “Damsel in Distress!” Urban Dictionary defines it as “a stereotype of portraying an unmarried female who needs to be saved.”

Asuna is married. Childlike in execution, but nevertheless an item with the Black Knight in the first half.
She doesn’t need saving – She’s doing it herself! Why else would she risk her life in the game and in the real world? Kirito is trying her hardest, and she knows she must reinforce her own backbone with the thought that they will both be reunited TO ESCAPE BY HERSELF. This Asuna is just as clever and observant as her red counterpart. Look how she figured out a way to sneak out using the mirror; How about when she did escape, saw the 300 trapped players, and muttered that she would save them, too; Or when she did find a logout source, was pulled away, but took the key with her only to give it to her best fighting option – Her daughter and husband down below the clouds. And she did this all without pissing off her captor enough to have him wipe her mind. She’ll push his buttons and resist as long as she can without closing off any chance of escape.

Asuna shook her hair back, puffed out her chest in resolution, and strode forward purposefully, the way she had once done in a different world . . . ‘I won’t stop. I’m getting back to the real world, alive. I have to see him again,’ she swore to herself, and then resumed her march. (202, vol.3)

Guys, she’s an incredibly talented and valiant spirit on the inside, so please do not let that piece of cloth they call a dress and her whimpering in disgust hamper that belief. This, above many moments in the franchise, shows her true willingness to live and free herself (struggled with when she first arrived in SAO) – That iron will to push through the impossible is the mark of a true heroine. I admit that I’d rather watch her slice and dice demons on the battlefield, but I can, to a degree, at least understand the position/inner conflict (to live, and to do so freely), and why it the series took this route. It’s setting up Kirito as the main hero and Asuna as a secondary character for future content. Again, I don’t prefer it, but observing Asuna endure in this manner was still nevertheless intriguing if you look past the fairy glitter. Queens can be just as resilient as the mighty knights they call upon.

Thank you for reading! Please, share any thoughts below and stay tuned for PART III!

(I own neither the anime nor the light novel series of Sword Art Online. All images and videos belong to A-1 Pictures and Reki Kawahara.

Dramatic Irony Causes Suguha’s Terrible Fate | INTRO & PART I: In Defense of Fairy Dance

Posted by Takuto

This is part one of the five-part series “In Defense of Fairy Dance,” a collection and comprehensive analysis defending the positive aspects of Reki Kawahara’s “Fairy Dance” arc in Sword Art Online. Research was gathered from the anime (sub and dub versions) and volumes three and four of the light novel series. This is in NO WAY written to justify all of the second half of the series, nor is it to say that it is particularly well-written. Instead, it is a half-full glass of the neat things the series did, and why I enjoyed myself with most of the content despite the glaring flaws. HEAVY SPOILERS EXIST.

Welcome to ALfheim Online, a virtual realm where you and your friends can soar the skies of a fantasy world, fight enemy fairy clans, and, one day, reach the top of the World Tr—

Why fool ourselves? Nobody likes the “Fairy Dance” arc. Well, I shouldn’t say everyone, as those who merely dismiss the entirely new plot, characters, and atmosphere just to watch it for fun most likely don’t realize all of the sudden, arguably hypocritical, dishes the second half of the infamous Sword Art Online brings to the table.

But is it as “downright lazy, sexist, and stupid” as opponents claim? Do the underlying themes of dramatic irony, devotion towards love, true freedom, and misunderstanding of the bounds of humanity’s evil even matter if our favorite character gets her sword taken away? Can we merely cast these intense messages aside? Never, and this compilation will hopefully show you why.

Accompanying me on this journey will be the third and fourth volumes of the series because hey, “The books are always better than the movies, right?”

FIRST, learn the difference:

IRONY . . . the expression of one’s meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect.

DRAMATIC IRONY . . . a literary technique, originally used in Greek tragedy, by which the full significance of a character’s words or actions are clear to the audience or reader although unknown to the character.

“You’ve been met with a terrible fate.”

Kawahara hints Suguha Kirigaya’s love for her brother Kazuto from as early as page 20. While we’ll eventually find out that they are not blood related, incest is its own beast to be tackled at a later date. All we know is that she is love-struck, and that love will be her driving focus to improve herself. She doesn’t discover this truth for herself until seeing the pain in Kazuto’s eyes when she visits the hospital with him for the first time. Just as they were spending sunrises together, training, happy as can be, Suguha immediately withdraws her heart, for she “realized what her heart truly desired, and that it was in a place she could never reach, (74, vol.4).” It is at this time where, for Suguha, the gaming world is all she can rely on. The real world will bring pain – a pain which sharing with anyone can destroy you from the inside out – and she knows this well.

Tragedy likes following Sugu around, though, as now it is Leafa’s turn to shoulder her agony. After her hospital visit, Sugu hits up ALO to vent. “If she cried here, she knew she’d never be able to give up on this. Instead, she’d cry a bit in the fairy world. Leafa was always peppy and energetic; she’d be back to laughing in no time, (74, vol.4).” Crying here means giving up, and girl’s got more backbone than that. So she thinks, “Ah, Leafa’s a good chap, she’ll fix me up right away!”

Wrong. Leafa was fighting her own battles regarding Kirito love, and now she’s got a war. From here on, Sugu will scarcely leave the virtual world. One reason is the quest at hand, to reach the World Tree, but the other is to avoid the tragic reality waiting for her back home. How do you confess your love to a sibling? I honestly don’t think you can without it corrupting the relationship. Holding it back as tightly as you can is the only safeguard (forgetting about a loved one is hard to do when you LIVE with them), so what better place to store the key than in an intangible world.

As the “stabbing pain deep in her heart” continues to ring, Leafa awakens in Alne following their overnight venture to “wait for the pain to turn into liquid so it could drip from her eyes.” When further confronted by Kirito, she replies, attempting to put a smile on her face, “’Well, Kirito . . . I . . . I’ve got a broken heart,’ (76, vol.4).” To which he charismatically responds:

’You’re allowed to cry when it’s hard – there or here. There’s no rule that says you can’t express your emotions in a game.’

I’m not the biggest Kirito fan, but that line was just the “bit of awkwardness” Leafa – no, Sugu – needed to hear most. “’I love my brother,’ she told herself . . . ‘But I can’t speak this feeling aloud. I have to keep it trapped deep in the deepest part of my heart. That way I might actually forget about it one day.’” This will have to be the tying point for her, and she’ll try her damnedest to bury her lust. If SAO and life itself has taught us one thing, however, it’s that everything comes to an end.

Suguha finds out

It’s a catastrophic moment we saw coming since episode one of the second half, yet here it is, and it’s even more devastating than we could’ve imagined.

On page 102 of volume four, Suguha breaks down. Her efforts to conceal her “wicked thoughts” have been all for not when her knight in black armor Kirito reveals that cursed name of the princess he is searching for: Asuna.

’I . . . I . . .’ Her feelings turned into tears and tears into words before she could stop them. ‘I-I betrayed my own heart. I betrayed my love for you . . . ‘I was going to forget, to give up, to fall in love with Kirito. In fact, I already had. And yet . . . and yet . . . I’ . . . ‘I was so happy when you came back from SAO. I was so happy when you started treating me the way you used to. I thought you finally saw me for who I was’ . . . ‘But . . . after this, I’d rather you kept being cold to me. Then I wouldn’t have realized that I love you . . . I wouldn’t have been sad to learn about Asuna . . . and I wouldn’t have fallen in love with Kirito to replace you!!’

‘. . . Sorry . . . ‘

The ball just dropped. Readers and audience members only look to the floor in guilt and self-loath just like Suguha. Her slamming the door is the final sound to finish off her tirade, and it’s scary effective. Her thoughts of holding it in and shoving it down her throat are worthless now. For once, I have to give Aniplex’s English dub the props for providing the best reenactment of the performance. Cassandra Lee Morris absolutely crushes the role, vocalizing herself like she would in Sugu’s feet and topping it off with a tear-filled shattering cry.

Video posted by NintendoxWolf on YouTube. I do NOT own Sword Art Online.

The secret’s out, and this could arguably be where the curtain closes for SAO. The dramatic irony for Sugu, if you haven’t already guessed, is the multilayered thought she loves her brother, but that is, quote, “wrong.” So instead, she abandons her love to fall for Kirito, a bishounen badass whom she feels so alive with on quests. She’ll escape the harsh reality for a fantasy world of electrons only to discover the black avatar is none other than the boy she tried so hard to hide her heart from in the first place.

The legacy of this tragic yet classic scene

This scene is not only the most emotional and gut-wrenching part Sugu will ever shine in, but also a decent hit on Kazuto. All this time, he has known the Net to be a place where everyone has a “secret inner side.” It’s now that he questions his own familial and relationship status with his cousin: “Who is this person, exactly? Do I really know them? (105, vol.4).” This guilt is almost as heavy a burden as being responsible for killing off his first group of friends back in Aincrad. You should realize by now that it’s nearly impossible to knock Kirito off his feet – And Sugu did it verbally in less than two minutes.

As much as tragedy has woven these two fates together, SAO will once again prove that gaming and friendship can mend the bonds once broken by the game. Knowing that her knight would wipe his tears aside and grab his sword, Suguha reaches out to her “shining crown ahead of her” and “set it on her head.” Though its resolution was shamefully brief (a mere shrug to the side cause Asuna comes first), SAO fans of the dramatic irony device will revel in this classic scenario for years to come, and its outstanding effects it set on Suguha will not be forgotten so long as we remember the sacrifices she made to truly grow wings and take off.

Kawahara is guilty of adding more females to the story not only because he claims it’s easier to add a new face to give the MC a new relationship, but also because he likes the idea (Afterword vol.3). However, the light novel series is a monumental step up in terms of more cohesive understanding and better execution of elements like dramatic irony. In comparison to the anime, the “boobs and butts” are also much less distracting and in your face, being a bouncy visual production and all. I’m sure it’s meant to be pleasing to the eyes, yet I believe it deflowers Kawahara’s vision given the much more intricate and meaningful (and appropriate) actions, pauses, romantic elements, and thought processing found in text.

I realize that that her situation could be very difficult to imagine yourself in, but gosh dang, you’ve got to give a teen girl props for trying her hardest yet still falling into heartbreak – Not once, but twice. You may not like Suguha or Leafa – You may even detest SAO – but understanding both sides to every argument is half of life. The other half is of course being able to place your judgment on an issue. All I can recommend is that if you feel “lost” or ashamed of SAO, do try reading the original light novel series to possibly formulate a new outlook on the series that means something to you. I managed to uncover many of the less-apparent literary devices, dramatic irony being one, and that opened up a whole new window of exploration. Also, I just want to give Sugu a big ol’ hug after everything she’s been through, that poor, poor girl.

Thank you for reading! Stay tuned for PART II!

(I own neither the anime nor the light novel series of Sword Art Online. All images and videos belong to A-1 Pictures and Reki Kawahara.)

The End of EVA-Week: Voicing CONCERN for the Rebuild | Cafe Talk

Posted by Takuto

Hello cafe-goers, welcome to cafe talk, a segment where I ramble and you are more than welcome to ramble with me! Today’s post is the last one (for some of you thinking, thank goodness he’s done) concerning my recent EVA-Week, a celebration centering around the official English release of Evangelion 3.33. I hope you have enjoyed what has come out, and I ask you to join me on this last little voyage to Tokyo-3 for the foreseeable future . . . maybe . . . ?

Here is the calendar on my board. I’ve been filling in the days with their respective colors as they pass.

This goes more along with my 3.33 review which was recently posted. I thought dividing this into two parts would tremendously help cut down on the word count (it is so far the largest post on this blog)! This comprehensive aftermath will also explain the mindset I currently have with both Neon Genesis Evangelion and the Rebuild, so SPOILERS EXIST FOR ALL OF THE EVANGELION FRANCHISE.

Three groups of people exist when it comes to the franchise, and here are my thoughts on them:

Those who interpret the Rebuild as its own series of 4 stand-alone films.

Stand-alone meaning that I could watch 1.11, not look back, and be satisfied with what I got; the film should be able to support itself without additional knowledge like most movies. I’ll admit, this method works fairly well for 1.11 and I dare say 2.22 if you decide to overlook the last ten or so minutes. With 3.33, this all falls apart – and NOT because of the 14-year gap. I was honestly thrilled when Anno decided to take such a ballsy risk, and it would’ve worked if

A) the events between the gap were explained by the end (Shinji’s confusion is decently handled, so putting it at the beginning would be all for not);

and B) The mental states of each character, not just Shinji, were further delved into. This viewpoint, I believe, is defunct due to the lack of both of these. Sadly, 3.33 just doesn’t stand by itself no matter how you look at it (my review will further explain why).

Those who interpret the Rebuild as its own singular story, requiring knowledge of all 4 films.

This interpretation kinda piggy-backs off of the first, but in more of a coherent fashion. It is comparable more to a series, in that imagine if you watched the films back-to-back in one long slew (taking out credits, disc switches, etc.). This helps support the idea that the third leg of a four-person race is most tiring, complex, and occasionally (if you already assume how it’ll end), most climactic. I swam the 100-yd free, which is down-back-down-back. Without a doubt, that second down is the hardest part, as you have to manufacture your own adrenaline rush. For ROE, this means that 3.33 decides to take a more emotional approach and build up to the “beginning of the end,” much like a typical plot diagram. Still, this method lacks explanations for the unreasonable character motives and those deep psychological treats we savored in NGE. This viewpoint will be defunct should the last film present itself similarly to 3.33 or add nothing “new” like 3.33 did (I say “new” lightly, as causing the Fourth Impact isn’t something to just shrug off).

HEAVY THEORY/POSSIBLE SPOILERS FOR THE FUTURE AHEAD, TREAD CAREFULLY

Those who interpret the Rebuild as a rehashing of the original series, and believe elements between the two stories are interchangeable or that the Rebuild continues the story . . . somehow.

This is the wacky one. 1.11 is basically an exact copy of the first six episodes of NGE, only introducing Lilith earlier, showing off the red sea and the corpse outline on the hill, and sliding down the Angel appearance count by one – That’s it. It’s a wonderful remake of the original and deserves more appreciation. 2.22 is the break, the deviation. We get Asuka, but less Asuka (her name is even changed, WTF). Rei is kickin’ out hormones like crazy. Misato fails to tell her own story. Ritsuko is sidelined. Mari has little purpose other than to contrast against the others and be different. It’s a high-quality film, just a little lacking in the character department (nothing that the remaining two films can’t fix, right?). Then 3.33 comes along and breaks the flow. This is Anno’s different route, and unless that theory about the Rebuild being a successor to The End of Evangelion is true– That it might all be a “dream,” another world route, or a chance to redo the past – then this is what we get. This viewpoint FORGIVES EVERYTHING that the Rebuild has caused thus far, as we fans can just plug n’ chug the backstories and memories, but should this fantastical theory prove false then this viewpoint is defunct as well. It is a well-constructed theory with much evidence, though. Then again, there’s the keyword. Theory.

I have much concern for this series, this franchise, at this point in time. Making 4.44, 3.0+1.0, Shin Evangelion Theatrical Edition 😐| – WHATEVER you want to call it – a masterful conclusion to the Rebuild series like The End of Evangelion was so many years ago is nearly impossible (unless something like option 3 happens, but it sounds all too easy). Its lack of characters which thought for themselves and had psychological issues that were conquered by individual experience and self-evaluation doesn’t even feel like the same Evangelion. And god dammit, SHOCK VALUE that receives no logical explanation is a SIN. Should the last film fail, ROE will be remembered as a series loaded with Grade A+ animation and soundtrack, a high-powered story full of twists and turns, and an emotional ride for some that found their calling with it. But hardly will you hear them say, “That doctor chick with the blond hair was an excellent character full of dynamic and emotional struggle,” because kid, the Rebuild‘s Ritsuko Akagi is not such a powerful woman.

Here is EVERYTHING referenced throughout The Revisit of Evangelion, or EVA-Week. It is mainly here as a compilation for me to look back on and remember all the fun times we had. You’re more than welcome to browse the menu and comment/reminisce with me 🙂

Happy Valentine’s Day: You Are (Not) Alone

Neon Genesis Evangelion Review

The End of Evangelion Review

Evangelion: 1.11 You Are (Not) Alone. Review

Evangelion: 2.22 You Can (Not) Advance. Review

The Revisit of Evangelion: We Have Begun Third Impact | Cafe Talk

Evangelion’s Rebirth isn’t so Sweet after this Disposable Death | Review

THIS IS WHY WE CAN (NOT) REDO | Comprehensive Review

ATTENTION: 2 More Treats EVA Fans Might Have Missed!

The End of EVA-Week: Voicing CONCERN for the Rebuild | Cafe Talk

This concludes the EVA-Week celebration here at the cafe . . I’m starting to get emotional now, trying to hold back the tears! If you stuck around to read, like, or even comment with your own meaningful thoughts once, I thank you! This series means a lot to me, to many of us, and we just want to see it do well – So damn well we cry our eyes out and meld into the proverbial sea of life. Do you have any similar thoughts on the subject, or are you completely indifferent and just watch it for the giant robots? How do you prefer to interpret the Rebuild? Any other interpretations?? Let me know so we can party hard in the comments! Thanks for celebrating this joy with me, and may the inevitable conclusion of a lifetime rock our world!~

– Takuto, your host

I’m gonna be humming “A Cruel Angel’s Thesis,” “Beautiful World,” and “Canon in D” for the next several weeks, aren’t I. . .

The Revisit of Evangelion: We Have Begun Third Impact | Cafe Talk

Posted by Takuto

Ladies and gents, children of all ages, welcome to a very special week here in the cafe (and to another wonderful cafe talk!). One fateful year ago from this upcoming Valentine’s Day, I was (not) alone (click to read the backstory). I had previously spent the first two weeks of the month building up to this day: Canceling holiday meetups, telling my family “see ya,” leaving my girlfriend (HAH, no such thing exists now and then :/), and even preparing snacks. To what end? I was determined to introduce myself into the fantastical world of the (in)famous mecha anime Neon Genesis Evangelion (click on link for my thoughts!!!!!). Primarily, I just wanted to watch the Rebuild films, but seeing as I didn’t know what they were (and that they were just tempting me at the store since childhood), I thought I’d just sit through the series so that I could get to the meat.

Well, I got myself into much more than a robot fight, mind you.

I ABSOLUTELY fell in love with everything the franchise had to offer. For days-weeks-heck, this whole YEAR after, I spent my time endorsing myself into whatever I could get my grubby little paws on. I finally got to buy those two films, went eBay dumpster diving for the original Platinum litebox release of the series, and even dipped my toes in picking up that controversial movie we all love but don’t understand (some hate it for that mere factor): The End of Evangelion (click link for my cool thoughts on it!!!) . And you know what? I even got (well, my cool bro picked them up for me on a music trip of his :D) the last two volumes of the manga, 13 and 14, just to coincide my experience with the last volume’s release. That’s right. I’m edgy~

I even formatted some pictures on Google (thank you respective artists) and printed posters!!! Wow, not sure if that’s cool or lame . . . I think I’m pretty cool . . . o_o

Flash forward one crazy year, and here I am again, (not) alone. But I have other plans for this V-Day which I’ll advertise in a future post. This week is Evangelion week in the cafe – Specifically, my “Revisit” (get it, Rebuild, Revival, “Revisit,” oh I am so damn clever) to the beloved Tokyo-3. After what, 3 or 4 years of waiting, coincidentally, FUNimation finally decided to release the third installment of the Rebuild franchise: Evangelion 3.33: You Can (Not) Redo. It was officially released this past Tuesday, February 2nd (yes, a fan such as myself had it on pre-order ;)), and in celebration of its release and my anniversary of uncovering the franchise for myself, I declared this Eva week, and spent a good chunk of Monday and Tuesday rewatching my favorite episodes (“The Day Tokyo-3 Stood Still”).

Aren’t you loving how this all pans out for me? Coincidence after coincidence, lucky me ~

Here is how the week’s been running so far, and will proceed as planned:

2/1 Monday – Rewatch favorite episodes of NGE between 1-13

2/2 Tuesday – Rewatch favorite episodes of NGE between 14-26

2/3 Wednesday – Rewatch Evangelion 1.11

2/4 Thursday – Rewatch Evangelion 2.22

2/5 Friday – Watch Death & Rebirth

2/6 Saturday – Watch Evangelion 3.33

2/7 Sunday – Rewatch Evangelion 3.33, with siblings (movie theater, click here for backstory)

You’re probably sittin’ there gagging, “Takuto, why bother with Death & Rebirth? Isn’t it just a sh*tty retelling of the series followed by the first episode of The End of Evangelion?”

Why yes . . . well, apparently, I suppose? I never included D&R during the grand binge of ’15, so I’ve only been going by speculation. It’s time I grow a pair and see what I think, though, right? Can a true HUGE fan of the franchise say they love it to death if they haven’t absorbed all of it? That’s my thinking at this point, at least, so I paid the $15 bucks just to have it in my collection (because collecting is fun).

I’ve rambled enough! Won’t you join me on this epic conquest to reestablish, reaffirm, rekindle, and revisit this anime classic (gosh, one would think we were about to do something again, wouldn’t they, sheesh)??!! If not, well, the door’s right over there (just kiddin,’ go find another one of my reviews to munch on until the cool kids are done partying LOL)! I mean, we’ve been with each other since the beginning, so let’s finish the third lap on the track that has been etched in anime history: 3.33, here we come!! You can expect a review of both Death & Rebirth and Evangelion 3.33 at the end of the celebration, and hey, if you haven’t already checked out my old reviews of parts in the franchise, click on the links scattered above. They could sure use some lovin.’ 🙂

I’ve already changed my wallpapers, blocked out the world, and prepared tons of snacks. Oh wait, SHHHH, the movie is starting!!!!!!!!

We have begun Third Impact once again, everyone. Join me in this segue so the End. “The end of every world has a beginning, and this is (not) the world we thought we knew.” It’s time to Revisit and Redo.

– Takuto, your host

Cafe Talk #5: 10 Places In Anime I Would Hate to be Found DEAD In

Posted by Takuto

Dying sucks. I mean, I’ve never done it myself, but it looks pretty rank. In the Halloween spirit, I could have just posted an ordinary “Top 10 Horror Anime” or something to that appeal, but I realize there are plenty of great lists already floating around the community at this time. Besides, I probably haven’t even seen ten horror anime. But back to dying. I know it’s depressing in real life, but in anime, where anything and everything is exaggerated to so much as a head tilt, deaths can pretty . . . graphic, and most are so tragic we feel as if we lost a sibling, or a mother, or a dog. Also, in the instance of Another or Higurashi, death is unusually cruel to witness and done so in the strangest of places. So what I’ve decided to do is compile my top ten places in anime I would hate to be caught dead in. Dying sucks, so enjoy! HAPPY HALLOWEEN!

By the way, there are ***SPOILERS*** for the following anime, in no particular order:

The Future Diary, Psycho-Pass, Higurashi, Steins;Gate, Madoka Magica, Deadman Wonderland, Sword Art Online, Another, [C] Control, and Attack on Titan

Though . . . If casinos were this flashy, I might spend a quarter or two . . .

# 10. From [C] Control, The Financial District

Do you know how to spend your money wisely? If not, you better learn fast! Because here, if your game of Pokemon results in your defeat, then you better expect to return home to an entirely different world. That’s right, put your money on the wrong slot and the collateral damage is astronomical! You could lose your job, your house, your family, and even your own life. And it’s all because you wanted to play the lottery. Shame.

What lies beyond this vault stays beyond this vault.

# 9. From Psycho-Pass, The Vaults of Sybil

Do you ever feel like you witnessed something that you shouldn’t have? Well b*tch, you just done it. You can’t “unsee” the computational law enforcement enterprise that runs the ‘utopia’ with an iron fist. The Chief is probably waiting behind the damp steel wall with the Dominator under her whim, ready to unleash your termination. Now your splattered body lies on the cold, hard, metal ground, just awaiting a mindless cleaning robot to sweep you into the trash. I would say curiosity killed the cat, but you’re a human, and I know you’re smarter than a domesticated fur ball. How embarrassing.

“Gather ’round, kids, it’s time for another game!”

# 8. From Deadman Wonderland, The Deadman Wonderland Amusement Park

Really, a horror amusement park? It’s cliche, but still a ruthless place to waste your life in. Imagine all of the cute bird costumed-people lined around the stadium, the audience thinking it’s all just apart of the thrilling show! NO. These security guards are armed with machine guns and rifles, and won’t think twice about your sorry corpse. Escape isn’t an option at Deadman Wonderland, so the only way to leave is by living and risking it all in the games, or by dying while the death is quick and painless. All the crowd would do is point and laugh at your decapitated head. That’s sickening!

Where would you go? What would you do?

# 7. From Steins;Gate, Any Lost World Lines

World line Theory. Whether you believe it or not, it’s a thing in this time-traveling masterpiece. So Okabe uses the microwave time machine to repetitively go back and save his friends from an ominous organization. After overworking his brain for 25 episodes, Okabe finally will get to sit on the couch and do whatever mad scientists do best. But what if this supposed “savior world line” still contained tragedy? The movie dives into that, but consider this different position: What if you ended up in a random world line where the microwave gets destroyed and your friends aren’t there anymore? What then? Let’s say that your family doesn’t recognize you either, and refuse to let you in, believing that you died in this timeline. You’ll now spend your remaining days roaming the sweaty streets of Akihabara until you die of depression. In a lost world line void of your existence, you were just a null concept, unmemorable and nonexistent. Scary AF.

I know, it looks so, sooo tempting – Don’t even think about it! Just go download ALO or something.

# 6. From Sword Art Online, The World of Aincrad

That’s right, of only 10,000 recipients of the first-ever virtual reality video game, how exhilarating! Upon your full-dive, however, there’s no escape. In a mere month, 1/5 of all players died, and you very well could have been one of them. Kirito eventually finds Asuna and also happens to know a lot of the ins-and-outs due to beta testing, so he’s all set with a dandy life. What about you? This is your first time, but you don’t get nearly as lucky as “The Flash.” You’re pretty pathetic as it is, and you don’t get along with others, so a guild is out of the question. Solo-playing might be the only way to go! WAIT, this is a trapped room – no Teleport Crystals allowed, too! They’re pouring in from the right and the left, and no one can hear your senseless yelping! It only takes 12 seconds to deplete your dinky life meter. As you fade and start to shatter, all you can do is pity yourself.

I suppose it’s more notoriously known for this giant hole. Talk about fine landscaping!

# 5. From The Future Diary, The Gasai Estate

Y’all know what goes on in this house, so I won’t even start. Even if you were a welcome guest and your terms were fair with Ms. Yuno, “you know” she’s got one giant, stark, pink eye aimed in your direction. The lights are out, so Yuno will take care of whatever you need. Thirsty? She’ll get you some water from the tap. Hungry? She’ll slice you an apple. Bathroom? Just down the hall, but only use the restroom. One turn to the left or the right will take you to a dark, damp, foul-smelling cage with two rotting corpses and vomit in it. Where were Yuno’s parents this evening?? “Oh, they went out, but don’t let that bother our private time together, Yuu-ki~”

It’s quiet . . . too quiet . . .

# 4. From Attack on Titan, Outside Wall Maria

Up for a game of tag? Great, they’re it, RUN, HIDE, not that it’ll do you any good because they can just sniff you out like bacon on a Sunday morning. Have you ever seen a mouse scrambling around a maze trying to find the prized cheese? It’s a horrifying sight, the poor cheese! Now, remove the walls and throw in 100 more mice. That’s just a square mile or two outside Wall Maria, where death is the only option – Just how long can you keep on running? Even the monarchy smells your fear from the Interior’s comfy walls!

What kind of childish nightmare is this!? It’s like my own vomit vomited on itself!

# 3. From Madoka Magica, A Witch’s Labyrinth

Your partner just got shredded into pieces by the Witch’s minions, and now they’re after you. Can you hear the chant? It’s for you. They split into groups and run with their fluffy axes of death, feeding on your trail of anxiety and fear. Run faster on the multi-colored ribbon road, dodge the cotton men, AH, there are the henchman! RUN the other way, go, HURRY! They’re catching on to you. Finally, She feels your presence and hope has just been swallowed. The wall behind you seals up with puffy candy and She licks her lips, ready to taste your despair. You shoot magic, she slithers out of the way. She wraps her slimy body all around you, ready to feast, but she can’t help it – that’s just the cycle of things. And just like a cycle, she swallows you whole, never again able to see the light of the real world. Why did I say yes? Was my wish even worth it? I guess you’ll never know . . .

Any day with these kiddos is a day closer to death. It could come at any time.

# 2. From Another, Class 3-C (Yomiyama)

“Things that were never properly buried come back to haunt the high school of the damned.” The worst part about sitting in this close-to-death class is know that you can and will die, you just don’t know how. The Calamity will consume you and the spread bloodshed by any means – you just have to die. A knife, a pole, a car, a fall, even an umbrella will do the trick. And your fellow classmates and family members will continue to perish aimlessly until the dead is sent back to death. That’s creepy!

I just can’t! NOPE, not gonna do it!

# 1. From Higurashi, Shion’s Underground Torture Chamber

Like Yomiyama, all of Hinamizawa is one large blood-red target, but Shion’s “Fun-Fun Underground Torture Chamber” takes the cake for my most-feared location out of all of the anime I’ve seen. I won’t even sugarcoat this one like I did with the others, because you all know of the horrid sh*t that goes on in this hell hole. The hard, brown, dirt ground with cells built into the cavern. A splintery table with rusty metal clasps that will hold your shaking body as Shion readies whatever ancient instrument she pleases. Now I’m shivering, and it’s not because of the cold rain outside or low thermostat (or my heart lol)! Higurashi, you win, so take your scary-ass setting and get outta my cafe!

So to recap, dying sucks. It can be even worse, however, depending on WHERE you get spirited away. This Halloween season, do yourself a favor and DON’T visit any of these horrifying places! You’ll thank me later, I know it. If you are so daring as to dive back into these terrifying settings, then please, please make sure you return in one piece. I’d feel bad for anyone who had to spend their holiday scraping up your sorry corpse 😀 If you had similar thoughts, hit the like button! I have been waiting so long to write this post you have no idea! My question for you: Where in anime would be a terrible place to die? In the meantime, thanks so much for reading, and have a spooky Halloween!!

– Takuto, your host

Cafe Talk #4: “HARMONIZE WITH ME MAGGOT!” (a Ren-fest experience)

Posted by Takuto

Grab some hot apple cider or a chilled fruit drink because it’s finally time for another “Cafe Talk!” Chinese food, old men in capes, and bee swarms – This one’s a doozy but I’ve managed to get it all (and no, I’m not just trying to reach to a wider audience)! I won’t be leaving an outro at the end like I usually do, so if you have had similar experience you HAVE to let me know in the comments! While you’re at it, feel free to hit the like if you enjoyed the story 🙂

First some prior knowledge:

I frequent a Renaissance Festival every year with my family and I absolutely love the art of it. It started off as my siblings and I performing music with a Celtic group in “The Chapel,” but when the academy went under we stopped going because we had to and started actually enjoying the festivities.

Flash forward and I’m eating Chinese food on a Friday night. I know right, great way to spend the day. But after devouring my beef fried rice, my fortune cookie did as they usually do: It told my future.

Next week, green is a lucky color for you.

So I got super paranoid and tried to remember to wear green throughout the week. I think I managed to fit one day in, sporting a regular lime Nike shirt, but nothing “spectacular” happened. In fact, I was probably even more exhausted that day . . . But Saturday came around ( I realize that a new week would have passed the Friday right before, but it’s a fortune cookie, and their magic can be a bit iffy at times), and this was our family’s planned day to wake up at the freakin’ crack of dawn, dress like ~~fools~~ epic knights, elves, what have you, and arrive at the Renaissance Festival at 10 AM-ish. Due to my crazy student life (also noticeable by the lack of posts, sorry), I had virtually no time to prepare a costume like I usually do. So what did I end up with?

My makeshift Attack on Titan cosplay outfit. It’s the stereotypical neat jacket, the tight-ass white jeans, that leather skirt thing, a plain gray shirt, and my brother’s old Ren-fest-bought leather boots that resembled giant socks after so much wear and tear. Lastly, a short leather cloak with metal clasps with a freakin’ awesome hood that I bought in the previous year or two to function as the Scouting Regiment’s symbolic flare. Seems legit, so no biggie.

Long story short, I had a fantastic weekend. My weirdo sister kept SnapChatting pictures of an old man in a red cape, crown, and shades who, I’m SO SORROW OLD MAN, looked like a fool. My mom ordered a delicious apple-pie-ice-cream-thing-which-has-a-name-that-escapes-me, and was pretty much attacked by bees that buzzed around occasionally (they left after a while). The sad part in that is that my mom hardly orders anything for herself, but at least she liked the dessert! Anyway, she ended up buying herself a damned nice black cloak and a fancy blue corset, so it all worked out.

Seriously though, awesome weekend! But the story doesn’t end there . . .

We spent the whole day there. Tired in my sock boots, we were making our last rounds of enjoying the smell of roasted peanuts and turkey legs, the cloudy atmosphere, the assorted wooden structures in the hills, and the cool 60-degree HEAVEN until we ran into a large group of young adults. I looked down as per usual and kept to myself, but then an enchanting cosplayer in a white and red fox outfit called:

“MY YOUNG TITAN SLAYER, come hither ~!”

Something like this.

F*ck.

What do I do?? EVERYONE was looking at me, but I couldn’t even notice them I was so nervous. I bumbled around but quickly accepted my fate. This could have been a call of sorts, you know?

Honor took over me, and I did the fist over heart salute like they do in the show. Everyone smiled.

I approached the now nicknamed fox demon woman and, after a bit of small talk – her spewing compliments about my wondrous leather one-of-a-kind Scouting cloak – the tall man in the group towering over me (whom I now just noticed) gave a hearty chuckle. The fox lady and the others coaxed their bud into saying something that I’m not sure he himself was wanting to say or do, but he did:

“I can do an impersonation of Keith Shadis’ abridged voice from the YouTube video.”

“Well,” I sputtered, “You have to do it now.” hehehe

And then, clearing his throat, he yelled the scene during training camp right before he twists Armin’s neck. He yelled it loud and proud, starting with the “sweet mother” part.

“Do you sing?”

“No,” I sputtered, according to the skit.

“HARMONIZE WITH ME, MAGGOT!!” woooaaahhhHHHHHHHHHHHHHHH

“WAHAHAHAHGAGAGAAGAHAHHAHHAHAHHAHAH!!!!” I screeched at the top of my lungs.

Then he twisted my neck, gently of course. And it was awkward for everybody.

Oh Internet, how you . . . scare me sometimes. But seriously, where’s the lie?

It was the first time anything like this had ever happened, but oh boy, how I’ll never forget. Everyone around was sharing good cheer, smiling and laughing. I, like everyone else, applauded his and my efforts to pull it off.

That’s when the fox-lady burst out how cool of a guy I was, and then she asked a fatal question:

“Wah, you’re so freakin’ awesome!! Do you have Facebook or something so that I can contact you?”

Ouch. Yep, I’ve got no social media. Just an email, a phone number, this cafe, and of course my MAL . . .

WAIT?!? Doesn’t every anime fan under the sun have a MyAnimeList account??

Too bad I didn’t think of that in time.

I replied with a weak “no,” and she and the rest were like, “Bummer, well this was so much fun, anyway! :D” I had missed my chance at a real-life stranger-to-friend situation. I had failed as a human. I mean, I didn’t want to just give my email, isn’t that a bit too personal for not having even getting to know each other?

But then she glimmered with hope. “Do you go to any conventions? Maybe we can meet up again sometime for something silly like this!”

“NAKA-KON!” I probably shouted hoarsely. Maybe there is a chance at redemption now!

“Cool! Well then, we’ll be seeing you around!”

And that was that. Two seconds of fame but no way to ever get it back. Perhaps this spontaneous coincidence was meant to be. Heck, a nearby girl in Scouting Legion cosplay ended up being right behind me, and after hearing our skit, she ran up to me with a high-five and we took a picture. So one with her, and one with the other big group. Proud memories to cherish as an anime fan!

We had no Armin since I have dark hair, but hey, pretty much.

So what was the message in it all? It is what it is, or it’s all ultimately left up to Fate? I’m not really too sure myself. But as for my fortune cookie I hinted at in the beginning (but sadly managed to squeeze no luck out of), what color was my Scouting Regiment cloak – the very thing that spotted me out from the crowd?

Oh damn it all.

🙂

– Takuto, your host

Cafe Talk #3: Sacrificing My Soul to Simulcasts

Posted by Takuto

Ahh, konnichiwa, it has been a while since I last sat and talked with you guys ~

Everyone in the aniblogger community has been spreading the good cheer about all of the fantastic new 2015 summer shows, yet Takuto hasn’t peeped a word. Why isn’t he speaking to us???

The answer is simple. This season, I wish not to sacrifice my soul to simulcasts. Let me fill you in.

Last spring included the largest amount of simulcasted anime that I have ever followed at one time. I’ve only been watching anime like this for two years now, my first technical simulcasts being A Certain Scientific Railgun S and Free! – Iwatobi Swim Club (two fine anime, might I add), but when you up the count to +7 anime, it can be a bit hard to juggle your thoughts.

Who is this? What is that? WHAT IS GOING ON NOW!?

The season started off phenomenally! There were too many shows with interesting concepts and superb animation that I couldn’t resist myself! It was a free cake eating contest and I was the judge, who could blame me.

But that’s when I made my first mistake.

Best not to mess around with cake . . .

You see, the more shows you add to a watch list, the greater amount of stories you’ll have to keep track of. While it was all fine and dandy for the first five or so episodes, I found myself eventually caring less and less as the season went on. Dan Machi made me ‘hoop and holler’ for more SAO-quality fantasy, but I was sighing more and more by the end. Plastic Memories ripped out my coal-black heart with intense robot x human drama, only to spend all of its remaining tickets, despite the other thriller rides it could have ventured through, on one boring-ass unmemorable Ferris wheel ride.

LITARALLY.

Really? I didn’t even know it had started! AHAHAHA [Gendo Ikari abridged voice]

On top of it all, I feel inclined to not only finish the shows (damn you, completionist me) but to write a review containing all of my thoughts just to feel closure. And unless it’s a rant, it’s quite frustrating to write about a show that was just ‘meh.’ Do you ever feel this way?

Though I had my fair share of disappointment, there were stand out shows like the rather vulgar Food Wars! Shokugeki no Soma, the enduring Sound! Euphonium, and occasionally more twisted Fate deliciousness. *drooling mouth at production quality*

With all of the confusion stacking up on my plate, I didn’t dare start an already-completed show that had been chillin’ in my dusty backlog. So I stuck it through, thank heavens, and have emerged enlightened! After clawing my way out of the pits of weekly trials, it occurred to me that, and hold your seat folks, here it comes, OH GAWD:

Why don’t I just wait the season out, in the meanwhile start hacking at my back log, and see which shows came out on top from you guys?

*gasps* This might actually WORK!

Sure, I’ll be sad not to chase after new sights with all of you, but I have my own personal nightmares that, in due time, need to be faced head on. As they say, “The list of anime only grows longer, not shorter.” So that’s the scoop. Takuto will ‘man the battlestations’ while you lot are off fighting in the summer simulcast war, and upon your return, shall present your finest treasures to the café king!

I will keep my soul thank you very much and hope for the best that this summer turns out great! I already keep eying Charlotte, Snow White with the Red Hair, and God Eater among several others, so hopefully they yield bountiful fruit. But regardless, how are you? Do you ever feel the weight of many simulcasts just crushing your soul at times? What’s piqued your interest this 2015 summer? We are well into the introductions for shows, and your guys’ reactions are enjoyable to read, so the judging can commence! Comment below – let’s chat!

And just watch: I’ll more than likely buckle in and hit up the first episode of Gate or Prisma Illya. 🙂

Because ” By the Gods, you are one sexy beast”

For now, however, if you’ll excuse me, I have some more Code Geass to watch *mischievous hehehe* Until next time, this has been

– Takuto, your host

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Takuto's Anime Cafe

anime reviews and relaxation

Cafe Talk

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The Deadly Power of the Game | PART IV: In Defense of Fairy Dance

Wings of Freedom, Cage of Gold | PART III: In Defense of Fairy Dance

Asuna’s Position Cannot Define Her Personality | PART II: In Defense of Fairy Dance

Dramatic Irony Causes Suguha’s Terrible Fate | INTRO & PART I: In Defense of Fairy Dance

The End of EVA-Week: Voicing CONCERN for the Rebuild | Cafe Talk

The Revisit of Evangelion: We Have Begun Third Impact | Cafe Talk

Cafe Talk #5: 10 Places In Anime I Would Hate to be Found DEAD In

Cafe Talk #4: “HARMONIZE WITH ME MAGGOT!” (a Ren-fest experience)

Cafe Talk #3: Sacrificing My Soul to Simulcasts