My Top 10 Long-Awaited U.S. Anime Releases from This Year| Blogmas 2017 Day 2

Posted by Takuto

Hey everyone, welcome to day 2 of Blogmas, or as everyone else calls it, the “12 Days of Anime!” This year was pretty BIG for us anime collectors in the states; several titles that had gone unlicensed for the looooongest time were FINALLY license-rescued and saw physical releases this year. Most were given that Blu-ray touch for the first time ever, and some even lucked out by getting an English dub, despite the YEARS of neglect. That’s pretty awesome of them.

Particularly, from 2016 September to the earlier parts of 2017, Funimation led the rescue front, releasing long-awaited titles like Haruhi Suzumiya, Code Geass, The Vision of Escaflowne (via Kickstarter), and more. For this post, I’ll be highlighting my favorite titles that I picked up from this year alone. So yeah, these are my top 10 releases from least to most anticipated. Here we go!

TOP 10 U.S. ANIME RELEASES IN 2017

Honorable Mention: The Disappearance of Haruhi Suzumiya

This film needs no introduction, as it means A LOT to many, many, MANY fans out there. Unfortunately, at the time of writing this, I have not seen Haruhi Suzumiya. BUT, I did manage to snag one of the last copies of the collector’s edition before they went out of stock, as well as a copy of this film when it came out. In other words, I’m saving it for one epic rainy day, but should I had seen it by now, I’m sure it would’ve been close to the top. GOD BLESS FUNI for saving this film and bringing it to Blu-ray with the rest of the franchise!

This set’s simple red-lettered theme is to DIE for

#10 The Vision of Escaflowne

Escaflowne may have been my first Kickstarter I campaign to participate in, but it most certainly won’t be my last. Recorded over with a brand new English dub (I did try out the old one, wasn’t too big a fan), Escaflowne was a blind buy, and I have to say it was a pretty neat show. Surprisingly, I haven’t reviewed it yet, but maybe after I get around to the film I’ll just review the entirety of the franchise. While this limited edition Kickstarter exclusive box is fairly nice looking, it’s nothing compared to the gorgeous hand-drawn art style of the collector’s edition. At least the reverse covers make it look like a complete set.

I showed the back side of the box because the front is the same as the little art pamphlet. It’s also cooler.

#9 Miss Hokusai

By far the oddest entry on this list that you will read, this film has some very odd history. To be fair, I hadn’t heard of this film before either—it wasn’t until I came across a English trailer on YouTube featuring Erica Lindbeck that I immediately put everything that I was doing now to rush and preorder it on Amazon. There was just an underlying charm or witty humor in its delightful trailer, and Erica’s brief yet strong and somehow resilient portrayal as the lead (presumably the titular Miss Hokusai at the time) was enough to convince me it was worth it. The film ended up being fairly good, nothing like a Ghibli film (though it’s not really fair to compare like that). I think a second rewatch would have allowed me to place it higher up on this list.

MAH GURL, KILLIN’ IT

#8 Code Geass: Akito the Exiled

Ever since I heard that more Code Geass existed—and it served to fill in events that took place during the series—I knew that Akito was a must. And though it doesn’t quite live up to the original’s masterful characterization and story (not even close, but it’s a tough show to beat), I did enjoy this little set of OVAs—the dub was pretty solid too, complete with accents! And ooh look, pretty art cards!

Shin Godzilla was definitely a highly-anticipated release, but I’m just reusing pics here to save me time 🙂

#7 Sailor Moon Crystal Season II

Now, y’all already know that I love me some Sailor Moon, especially Crystal for its more accurate take on the manga’s rich story of betrayal and tragedy. Despite what anyone says about the CG animation or the ridiculously long legs, I still love Crystal, almost as much as the original; for me, both are necessary to bring out the depth of Usagi’s tale. That said, Crystal II was definitely a step down from the first. The plot was fine, accomplishing what took R +30 episodes in like 12, but the same main problem prevents Crystal from matching its predecessor—the characterization (particularly of the villains this time around) is incredibly weak. Aside from Usagi, Mamoru, and Chibiusa, there is very little time left for everyone else. I still love this saga, however, and I CANNOT wait to pick up Crystal III! The English dub is excellent for this one, BTW.

The holographic finish on these Crystal covers is gorgeous—I only wish there was a consistent theme between all of them.

#6 Sailor Moon R The Movie

Anyone remember when this film was subtitled “Promise of the Rose” by Dic? Yeah, well I still call it that >.< and I have no regrets. Though a technically A-OK film, much of the nostalgia was lost with the removal of the English insert song “The Power of Love,” which I still jam to daily! The original Japanese song is, to be fair, still kickass. I didn’t get to witness R The Movie on the big screen like everyone else, but now I’ll be able to watch it whenever I like!

I think this cover art was exclusively created for Viz’s release, so HUGE props to them on that cause it’s absolutely gorgeous.

#5 Sailor Moon S

YASSSS SAILOR MOON S AND THE OUTER SCOUTS!!!! Of all the releases to come before it, this was the one I was most excited for—and boy did it live up to its reputation! You see, as a child, I watched this series on like 4 or 5 VHS tapes. Those tapes chronicled all of the Sailor Moon knowledge that I had, until I picked up Viz’s first release of it and watched the whole thing in sequential order. My childhood self was absolutely SHOOKETH to find out just how dark the real, uncensored story was. I’m still partially in disbelief at S‘s ending. But alas, the show goes on, and I cannot wait for SuperS in the spring!

Viz’s other Sailor Moon DVD sets continue to look pretty bland, but at least they look nice together as a set.

#4 Your Name

Does this film even need an introduction? I mean, seriously, it was advertised like hell in 2016, and has been praised ever since. And you know what? It’s deserving of every good thing said about it. Now that I own the Blu-ray myself, I’ll elaborate more on this one in a review and theater experience coming up soon, heh heh heh. But for now, know that this one was a short, painful wait, yet one made all the more worth it because of the immediate NEED to experience it all over again.

THE HOLOGRAPHIC FINISH ON THE SLIP COVER IS EVERYTHING. I tweeted my reaction to this surprise and Funimation retweeted it, causing it to blow up to 200 likes in one day. I’m famous now.

#3 Steins;Gate The Movie – Load Region of Deja Vu

In terms of looooong-awaited releases, this entry is hard to beat. I’m a huge Steins;Gate boy. In fact, it’s in my top 5 favorite anime of all time. When the film first came out in Japan, of course I -illegally- streamed it somewhere on the internet, and I have no regrets for doing so, as little did I know that it would not see a U.S. release for FOUR YEARS. Well, after a little bit of time travelin’ myself, four years are up, and now I can relive—what I like to believe is—one of the most perfect films to follow up an anime series. Long story short, I’m very happy to have this, and to FINALLY listen to J. Michael Tatum, Trina Nishimura, and the rest of the spectacular English dub in all their glory!

I’m at a loss for words. The art parallels between this set and the series is just so damn clever.

#2 Hyouka

We’re down to the last two—IT WAS SO HARD TO PICK. But of course it made a spot in the top five! Hyouka‘s lead, Oreki Houtarou, has been the face of this cafe for years now. That said, you can probably expect this to be one of the most celebrated releases for me in recent times. Hyouka was one of those Funimation license rescues that took FIVE years to get here. This is why, upon its announcement, that many thought the show would receive the sad DVD/sub-only treatment. Boy were we surprised. Not only would it get the Blu-ray combo pack special, but IT GOT A FREAKIN’ DUB. To make things even better, THE DUB IS FANTASTIC!!! (Sadly, there was no LTD ED box, but I made my own thanks to Simply Gee’s help, so we’re good I guess.) No words can honestly express my excitement, but there is still one title that deserves the real gold here . . .

I was absolutely stunned with how much official artwork Funimation was able to obtain for these releases. Where they don’t have a cozy official box to slide into, the art more than makes up for it. Also, what do you think of my own DIY box? 😛

#1 Gosick

I watched this show in the spring of 2014. That’s three years ago, but it’s not as long as some fans have been waiting for. Gosick is SIX, almost SEVEN years old. SEVEN, and it had gone unlicensed for all this time. Some of you may argue that Hyouka is far better than Gosick, both as mystery shows and physical releases. And you know what, I kinda agree. But riddle me this: How much do you value the first anime you ever watched? Gosick is not that title, but it was one of the firsts that wowed me as a youngster—everything from the silly, lovable characters, the old-fashioned European atmosphere, and that EPIC ending theme that triumphantly rang at the end of each episode just enthralled me, it really did.

And just like with Hyouka, holy crap—Funi was able to get like every single cover from the Japanese releases, and used them in a practical way that features all at once. I JUST LOVE THIS SO MUCH. (Also, another homemade box.)

So here we are, so many years later, and so many anime have gone by since. On over 20 occasions, I was THIS close to just buying a bootleg of this series (heck, not sure how, but it supposedly even came with a soundtrack!). But I had faith, a near-unwavering faith that one day, however long it would take, someone would save this show. Once it left Crunchyroll a few years back, I had officially lost all ties with it—but I still carried my faith with me. And then Funimation finally lifted my prayers: “GOSICK Blu-ray/DVD English Dub & Sub COMING SOON.” That’s all it took to make this year awesome for me as a collector and a fan. Even though the dub is merely serviceable, I still have the sub; Even though it didn’t come with a fancy box to house the two parts, I made my own; EVEN THOUGH it took SIX YEARS to be rescued, it’s always better late than never.

God, I love Funimation. And for all these reasons and more, this why I love the exciting, unpredictable industry that is anime.

(still praying for ya, Tales of Symphonia and Black Rock Shooter—you got this!)

Let me know if you had any favorite anime releases from this year! Heck, I didn’t even get around to the magic happenin’ at Sentai lately (to be fair, I haven’t picked up their latest LTD EDs yet, though—still lookin’ at you, Haikyuu)! This wraps up Blogmas Day Two of the 12 Days of Anime! Thanks for reading, and I’ll catch you all tomorrow!

– Takuto, your host

Animepalooza’s 50 Otaku Facts Tag! | Blogmas 2017 Day 1

Posted by Takuto

Hey everyone, it’s Thursday! The 12 Days of Anime AKA Takuto’s 2017 Blogmas officially begins now! For the first day’s festivities, we’ll kick off by getting to know a bit more about me, the host here at the cafe. Instead of immediately responding to AniYouTuber Gigi of Animepalooza’s 50 Otaku Facts Tag a couple months back, I decided to save it for something like this, the 12 Days of Anime, when it might pack a little more interest.

So strap yourself in for a long list of 50 more things you may or may not have known about Takuto! Also, I decided to frame the order and type of “facts” by answering along with Gigi’s video (I copied, whoops), so thanks gurl for the indirect tag and the outline to follow, haha!

50 Otaku Facts Tag

The first anime I ever watched (knowing that it was indeed an anime) was Negima!?. That is, the Shaft one with Motsu the frog.
The first order I made when I consciously decided to start collecting anime was from RightStuf in 2014 and I believe it was parts one and two of A Certain Scientific Railgun S, DVD only.
My favorite anime genres are sci-fi, psychological (thriller or not), and mystery. I also enjoy comedy, sports, and, though not a genre, survival games.
My favorite anime of all time is (oh god I can’t pick), hmm, Evangelion.
My favorite psychological anime is Neon Genesis Evangelion (that’s why).
My favorite sports anime is Free! (because it actually encouraged me to do sports in the first place).
My favorite sci-fi anime, besides the aforementioned Eva, the 1995 Ghost in the Shell. For series, I love Psycho-Pass AND Psycho-Pass 2.
I started my blog because I wanted to have a cozy place on the internet where I could freely express my anime happenings with other fellow fans. I also love archiving shit. No literally, it can be anything, just let me organize it and file it away so it looks pretty and neat.
My favorite Pokemon are Bulbasaur, Chansey, and of course, Pikachu
I also love 80s and 90s retro anime, my favorites being Ghost in the Shell, Neon Genesis Evangelion, and Sailor Moon.
When I was growing up, I “played” Sailor Moon just like half of us all did. Rather than choosing a single scout, however, I took on a blend of Jupiter’s powers with Uranus’s appearance. In other words, I wanted to be the hot one.
Two genres that I cannot stand, for the most part, are (also) ecchi fanservice and straight up “moe” (the cute-girls-doing-cute-things skit, yeah, not a fan, sorry!).
I also am enthralled by Clamp’s art style, but seeing as how I’ve only watched one anime with that style (Code Geass, which I LOVE), I cannot completely judge the rest.
My English voice actor husbando is Micah Solusod (and J. Michael Tatum, it goes back and forth).
My English voice actress waifu is (OH NO THERE ARE TOO MANY TO PICK), uhh, I’ll go with Jamie Marchi, the baddest bitch of them all.
I also agree that the Sword Art Online proposal scene was pretty sweet and romantic. Just don’t expect me to make you sandwiches all the time once we’ve wed.
I believe the most underrated anime is Robotics;Notes. GO WATCH IT.
My favorite type of anime characters are strong, bold, fierce-and-they-know-it *QUEEN* females and teen males who don’t know what they’re doing with their lives (because I can relate).
My anime waifu for laifu is Saber (shh, don’t tell Junko Enoshima or Mami Tomoe), my anime husbando being *EROS* Yuri.
While I haven’t seen any boy idol anime yet, I did enjoy Love Live! and even parts of Cheer Boys!!.
My favorite reverse harem anime is, by far, Ouran High School Host Club.
My least favorite horror anime of all time is Corpse Party. That crap is just dumb.
It took me three tries to watch Blast of Tempest and you know what? It’s actually pretty good.
I had watched Sailor Moon as a kid a long time ago on VHS. That’s right, I basically watched the same 6-10 tapes (like 20 episodes) over and over and over again and never got sick of them. Same goes for Yu-Gi-Oh and Pokemon. Now, thanks to Viz’s re-releases of the beloved series, I am watching the ENTIRETY of Sailor Moon (with the Viz dub cause it’s amazing) from episode one to, eventually, 200. All I know about the Stars‘s ending is that they’re all floating in the clouds naked. Same.
I AM NOT A COMPLETIONIST BY CHOICE. It’s actually a curse, and thanks to my hyper-focus abilities, I can barely start watching a second anime without completing the first, no matter how much it sucks. At least this means I’m loyal.
I ALSO love the Yuri!!! On ICE fandom more than the anime!!! Don’t get me wrong, I totally give the series a hot 10/10, but without the wonderful fandom theories and fan-artists, YOI just wouldn’t feel as magical as it is. Bless you all.
I, too, tend to have a horrible habit of shipping seemingly unrelated couples. It doesn’t help when the official companies release artwork EXCLUSIVELY exhibiting two such individuals that have no relation to another whatsoever (looking at you, Free! and Fate).
Eros Yuri and Minami is my YOI crack ship. Phichit is always invited, though.
When I marathon anime (Evangelion, Ghost in the Shell, etc.), I marathon HARD. I’ll even set aside time on break just to thoroughly explore a franchise. That said, I usually can’t review anything on my blog afterwards because I’d exhausted all of my cares by that point (plus, the series is over–HOW DO I FIND ANOTHER ONE AFTER IT??).
The first Nendoroid I ever purchased was of Makise Kurisu from Steins;Gate, and she still stand there beautifully in the spotlight on my shelf.
The first figure I ever purchased (besides the Kurisu Nendoroid) was a two-for-one of Eren Yeager and Saber Alter.
Free! is a sports anime. Gigi . . . GIGI . . . they swim, practice, go to meets, set goals, and make new friends through it all. Sports anime. LOL.
GIGI FREE! ETERNAL SUMMER IS BOTH SLICE-OF-LIFE AND SPORTS, YOU HAVE TO ACCEPT IT AS BOTH, just as how SouRin and SouMako are BOTH a thing. Ok, maybe a bad analogy, but still. As for slice-of-life anime, I only like them if that nature of it is underneath a larger genre. Ex: Steins;Gate (slice of life and sci-fi), School Live! (slice of life and horror), Free! (slice of life AND sports).
My favorite English dub is surprisingly Ouran High School Host Club‘s! Something about the cast selection just really meshes well together for me. I also do adore the dubs for Code Geass, Steins;Gate, Evangelion, and KILL la KILL.
I prefer English dubs to English subs. Why? Sure, the sub may be a more “accurate” interpretation of the director’s vision, but things heard in my own language tend to resonate with me more than when I have to read it. I do love both, though.
Like Gigi said, if a show is in a regular release (no SAVE classics edition) PLUS it has a decent rating, there’s a good chance I’ll buy it cause SAVINGS.
And also like Gigi, I hardly ever by anime or manga unless it’s on sale. It’s expensive enough as is.
I honestly have not read a lot of manga, but some of my favorites include Orange, Seraph of the End, and (for the little I’ve read of it), Pandora Hearts.
I’m a strong believer in the philosophy that true horror (as a genre) is inherently terrifying, as in it shouldn’t rely on cheap gore fests just to render itself as scary. This often times results in me just looking for mystery anime more than horror titles. A couple of my favorites are Another and Higurashi.
One #relationshipgoals scene for me would be the moment, in Code Geass, when Lelouch is captured and his Zero persona is nearly revealed–until C2 suddenly appears donning the Zero attire, shocking not only the characters (and Lelouch himself), but the viewer, too. She’s gotcha back, Jack. What a woman.
Not to sound weird, but I get incredible chills whenever a character reaches their pinnacle moment of despair–that rare, dark realization that “This is the lowest I can get,” and “There is no turning back.” Instances would include Fate/Zero‘s finale with Kiritsugu, Homura’s transcendence in Madoka Magica: Rebellion, and the entirety of Danganronpa. Despair, dEsPaIR. DESPAIR.
“The anime that made me get my Crunchyroll subscription” was, I believe, Kiznaiver, because I FINALLY wanted to be a part of the simulcast-watching community.
Yuri, yaoi, or loving heterosexual relationships of any kind do not bother me. To quote Gigi, “Any love in anime is some good love.”
I don’t watch a lot of hentai. Like, basically none.
“Best Girl” in anime is the one who knows exactly what she wants and how to get it. Junko Enoshima, Satsuki Kiryuin, Asuka Langley Soryu, Mami Tomoe, you get me.
If I could get a relationship where the other side accepted me for whatever I liked (all this anime nonsense), then I’d be set for life. Bonus points if they have the same hobbies as I do, and “you’re a winner” if you stay up all night and day teaching me how to play all the anime-like video games. I NEED A TUTOR AND A FRIEND.
Five anime characters that are most like myself are Oreki Houtarou (Hyouka), Junko Enoshima (Danganronpa), Asuka Langley Soryu (Evangelion), Shu Ouma (Guilty Crown), and Mikaela Hyakuya (Seraph of the End).
Asuka Langley Soryu–IF YOU ALREADY COULDN’T TELL–is best girl.
The one property that I want turned into an anime is (besides adaptations of Fate‘s first 3 Holy Grail Wars) The Legend of Zelda. For books, I think seeing Huxley’s dystopian novel Brave New World as an anime would be pretty wicked.
Regarding anime, my life’s goal is to get around to watching EVERYTHING that has ever piqued my curiosity. Whether it was a title that just aired, will air, or was lost sometime 30 years in the past, I want STILL want to see it. And hopefully I will.

There you have it! Fifty more things to know about my anime-watching career! I’ll leave a link to Gigi’s channel (Animepalooza) right here in case you want to see fifty neat things about her. Also, for fun, I’ll go ahead and tag anyone who is interested in sharing more about themselves–yes YOU, go for it! Just share 50 Otaku/anime-related facts about yourself and tag me back so I can read it! That’s it, super easy.

This wraps up Blogmas Day One of the 12 Days of Anime! Thanks for reading, and I’ll catch you all tomorrow!

– Takuto, your host

Takuto WILL Be Participating in The 12 Days of Anime! | Blogmas 2017 Introduction

Posted by Takuto

Hey guys, been a while!

Initially, I was just planning on sliding through finals week, then returning to the blogging scene for my OWLS post. Well, that OWLS post doesn’t come out for another week or two, and with my last final being just next Tuesday, I thought I’d hop aboard the holiday hype train with the “12 Days of Anime” since it technically starts next Thursday, the 14th! My version is a little different, though. Or rather, it has very few rules or restrictions (partially because I’m super lazy to impose order upon something that, if actually accomplished, is a feat in itself). It’ll be 12 straight days of blogging, which is very different than the typical NOTHINGNESS that I usually post. But what can you expect during these 12 days?

Favorite anime moments from 2017—these will include the top-tier scenes that I bore witness to in the anime I watched this. They may include moments from simulcasts, or even shows that I just now got around to seeing (like Ergo Proxy, for one). They’ll usually include spoilers, but I’ll warn you in advance. 🙂
Best anime-related happenings that occurred this year—from special events to the announcement of sequels or English releases, these will be celebrations of accomplishments from this year relating to anime. AKA it’s “Which anime news updates were my favorite!”
Full-series reviews of shows I watched from 2017—it’s just as it sounds, and it might include titles from both the backlog or those that are hot off the press.
Stuff about me—not sure how much these may encompass right now (for all I know, I might already have enough material to work with), but these kinds of posts are for, in the event, when I don’t feel like writing a review (which is often, because, you know, I’m lazy). They could include long-withheld blog award nominations or tag posts. You’ll just have to wait and see!

From Thursday, the 14th all the way up through Christmas Day, that Monday, the 25th, I’ll be posting DAILY, and though they may be short posts, it’ll still be my way of interacting with you all before the new year arrives—in that sense, it’s as if Takuto’s Anime Cafe will be open from dawn to dusk, welcoming all who are looking for warm drinks and conversation throughout the holidays!

Each day, I will also be looking back on the OWLS blog tour posts by month, starting CLEAR BACK IN MARCH HOLY CRAP (because I procrastinated on reading those). Lastly, anyone remember when I tweeted out my iPhone home screen, which was littered with bins of posts to read by all of you? Yeah, I’m going through those one day at a time, too, because I WILL NOT LEAVE ANY STONE UNTURNED FROM THIS YEAR. It’s all or nothing, and this will clear the slate for all of the great reads in the new year. Looking forward to all that you guys will be writing, by the way.

Lastly, I DO happen to have a couple posts planned, those mainly being my December OWLS entry and one big-ass comparative analysis on the works of Makoto Shinkai. It’ll likely be my last big blogging project this year, so please look forward to that!

Ladies and gentlemen, my name is Takuto, your host at my Anime Cafe, a small underground shack in the vastness of the web that caters hopefully heartwarming reviews and promotes relaxation. I post infrequently—with no schedule to contain me whatsoever–but I hope you still enjoy the things I write and the random stuff I say, be it an in-depth story analysis or about the latest obsession plaguing me.

To celebrate the holidays this year and honor all of my long-time customers (and the new ones, like you, perhaps!), I’ll be opening the doors for 12 consecutive days. Expect a flurry of posts, a messy mish-mash of all of different writing styles that make me, well, me! I can’t wait to follow any of you on your own “12 Days of Anime,” too, so be sure to comment below if you are starting one! Let’s usher in the new year as we anibloggers always do—by reading, writing, and celebrating all of the friends we’ve made, and the long-lasting friendships to come! Until December 14th, this has been

– Takuto, your host

Hooked on Light Novels: The Amazon USED Blind-Buy Game! | Cafe Talk

Posted by Takuto

Hey all,

I’m back with another “Cafe Talk” (woohoo it returns!), which is, for all my newcomers as of late, a free-flowing, comment-welcome segment that tends to lean towards anime “happenings,” or perhaps loose conversations related to my life and what’s new.

Today I wanted to discuss something that I’ve really been hammering down on in my updates (no, not my Danganronpa obsession). It’s reading, yup, I’ve gotten back into poppin’ open books and inhaling the words off of the pages. Specifically speaking, I’ve been getting into light novels more, partially to get to know them better (what they are, why they are so popular), but more so because I’ve been craving some light, short reads featuring our favorite anime characters. And what do you know? That’s exactly what a light novel is!

I do not own this image.

Now, I have those couple series that I’ve been following on my own (Monogatari, Sword Art Online), but I was in search of something different at the time, a fresh tale featuring beautiful characters and all their cool adventures and mishaps. So I turned over to Twitter as a tool (and not just a place to retweet Yuri!!! On ICE artwork) to find out the kinds of light novels you guys are into right now. This way, I could also incorporate my Twitter with my blog more. Thank you to all who replied—it was very helpful, as I think I found some great contenders!

BEFORE I tell you the titles I plan to read, I want to let you know a bit about me: I’m a collector, a buyer of books, movies, and everything in between. This tends to put me at odds with libraries, as I find myself unable to simply rent/check out my entertainment—I NEED TO OWN IT, to hold it knowing that it’s MINE. Isn’t this terrible!? Gosh, I’m the worst, haha, but I might’ve found a remedy to my dilemma . . .

Through Amazon’s USED books system (or eBay), if the volume I desire is available for, say, around $5 (shipping included), I’ll buy it, and hopefully review it, too! Doesn’t it kinda sound like fun? The idea just sorta came to me, and so long as I can get the books for cheap and have time to read them, well then, the more used literature, the better!

(I will ALSO be taking recommendations for single-volume/very short manga stories!)

AND SO, after weeding out the ones that didn’t intrigue me via synopsis, I present you with the following titles I picked up and the wonderful people who recommended them to me:

Mel—Seraph of the End—Guren Ichinose: Catastrophe at Sixteen

Simply Gee—Book Girl and the Suicidal Mime

Lethargic Ramblings—The Empty Box and Zeroth Maria

Moonlitasteria—Harmony

Myself—A Certain Magical Index

As of right this moment, November 16, I’ve yet to actually purchase Guren Ichinose or The Empty Box, but I WILL, I promise!!

So what do you guys think? Is this a great way to interact with the community, read the works that excite some of you, and give used books a nice home, or is it a terrible waste of money and a poor way to pick up new novels? You ought to let me know! If you see any improvements to this “game” that I can make, let me know those, too. And lastly, if you have a little spare cash, I encourage you to join in on the madness!

Should all of this go smoothly, look out for another spontaneous Twitter call, as I could end up reading one of YOUR favorites so long as it is daring enough to meet the requirements of the game! ‘Till next time, everyone!

– Takuto, your host

Before the Black Out: More Human Than Human | OWLS “Diplomacy”

Posted by Takuto

Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” As part of the OWLS blog tour’s eleventh monthly topic, “Diplomacy,” I decided to incorporate my loose thoughts on Blade Runner: Black Out 2022 into this glance at the past, the present, and the future of the franchise’s iconic sci-fi world. The matter at hand: In an age rife with incredible development, improvement, and achievement, when did humanity lose its defining future–its ability to reason compassionately?

Whenever we have a disagreement with someone, we use our words to express our thoughts and opinions. However, there are those who would rather use fists instead of words—those who forget that being “right” isn’t the most important thing, and those who lose sight of compromising and acknowledging differences in opinion and belief. Diplomacy is an important skill and tactic that not many of us have or are able to utilize properly especially in “social media wars” for sensitive issues and anime discourse—we just express our opinions without really listening.

We will be exploring some of the best negotiations scenes in pop culture media and discuss how effective these diplomatic moments are and what we can learn from them. We will also discuss why communication and listening are important traits to have, and whether or not there are other means to enforce peace.

I’ll be taking this in a bit of a different direction, like say, what happens in a world without diplomacy—a world without choice—where issues can’t merely be talked through, but require brute force to get a point across. War is necessity. I’m talkin’ about the dawn of a revolution, the beginning of the blackout bigger and darker than the world had ever known. Welcome to Blade Runner.

Thanks Lyn for the prompt (this month’s theme was admittedly tricky for me, so I hope you all enjoy a VERY different OWLS post)!

A brief discussion on the 15-min fall 2017 anime short “Blade Runner: Black Out 2022,” produced by Cygames, directed by Shinichiro Watanabe (Cowboy Bebop). It serves as one of three short films based on the original film by Ridley Scott as an intended sequel to fill in the events before “Blade Runner 2049.” SPOILERS only for “BLACK OUT 2022” will be present.

A Dystopian Vision of Our World, the Not-So-Far-Off Future

Set three years after the events of Blade Runner, we are presented with a vision of Los Angeles in 2022: a grim, metal and rain-coated field of shacks and skyscrapers that continues beyond the horizon as far as the eye can reach. It’s an overcrowded metropolis in which millions of people roam the streets, shoulders practically touching, yet people couldn’t feel more disconnected on a personal level. The scene is gloomy, very neo-noir in tone, and the only sense of organization comes from not the city’s inhabitants, but its layout and structure; a handful of massive, sprawling, and imposing ziggurats distinguish between the penniless street-dwellers and those empowered with privilege.

Between the maze of ominous alleyways and towering steel spires, one would find two types of species: the living, us standard human types, and the manufactured, bio-engineered androids coined “replicants” (these happen to be new Nexus-8 models, mind you, which mean that their lifespans are programmed to be just as long as a normal human’s—a significant improvement since the four-year lifespans of Nexus-6 models in the original Blade Runner). Already faster, stronger, and smarter than humans, this latest replicant enhancement robbed humans of their final upper edge against the robots, and unfortunately, this didn’t settle well with the populous.

Hunters, fighters, and police began their assaults on a race that didn’t even get to choose its genes—their maker, in fact, was human, so why the cause for outrage? Human nature, that’s why (cue events of 1982’s Blade Runner). Replicants were brutally hunted down, more killed than imprisoned. Feeling the urge, the drive, the right to power over all they create and manipulate, unjust violence by humanity broke out everywhere, and it’d only be a matter of time before the Replicants as a whole decided to fight back. In their rise, humanity fell further to the lowest levels of jealousy, corruption, and greed.

A Means to an End

FINALLY, we get to Black Out 2022, a brief tale that begins at the climax of the Replicant Revolution, a stage craftily set by what I’d imagine to be many painstaking hours of sorting out the details so that the franchise’s history flowed smoothly with the coming of Blade Runner 2049. We find a young female, a replicant named Trixie, in the streets being approached by a group of thugs when Iggy, a once-soldier replicant, bursts onto the scene and rescues her. Iggy had left the battlefield once he realized that, in the war on terror, BOTH sides were using replicants as disposable pawns. Flash forward and together the two team up with other members of the underground replicant freedom movement to destroy the Tyrell Corporation’s database of registered replicants, so that replicants can no longer be hunted, as well as plunge Los Angeles into the dark ages via atomic bomb. Heaven and hell are for the humans—now, THIS life, is all the replicants have.

Too often, these war shows about rebellion cause us to contemplate the same questions: How did things turn out this way? Was this really the only way to win? Did we even really win anything in the end? And you know, I find them to be more rhetorical than anything. Rather than asking a serious question and expecting a straight answer, these questions merely exist to put a point out there. How did things turn out this way? Well, because we kept agreeing to disagree, that’s how. But really, perhaps it’s because, somewhere deep down in the darkest of our human selves, we wanted this result—this form of means to bring us to the end. As the saying goes, “If you go down, go down fighting,” right? Then WHAT is so wrong about rigging a bomb to protect the lives of millions of ill-fated replicants? (rhetorical question, just think)

Maybe there isn’t a way outta this one. Sometimes, words alone are not enough to probe individuals to act. Replicant injustice was akin to a crueler version of slavery by the time of the revolution—it was humanity who created beings capable of achieving self-realization and freedom, and it was humanity who purposefully dangled that freedom in front of their innocent, unknowing faces, far beyond their grasp. I hate to admit it (and no, I don’t condemn the use of atomic bombs, ever), but maybe the replicants were right on this one.

According to basic psychology, Kohlberg’s theory on moral development might have an explanation to the justification of rigging the great black out of 2022:

Of his 6 stages, the last is the rarest case of man, one in which he weighs universal ethical principles. Gifted individuals like Ghandi or Martin Luther King Jr. fit this bill, as they pass judgments based on universal human rights (whether it’s for or against the law, this is inherently right/wrong). They tend to disregard law and social agreement for what is believed to be the greatest good for all, kinda like groovin’ to the beat of their own drum. Whoever is leading the Replicant Revolution is likely such a charismatic character, one who is seeking an end where replicants can live freely regardless of how many laws they have to break getting there. Now, back to the Blade Runner . . .

If Only We Could Talk Things Through

BEHOLD, THIS is the future you asked for, humanity. THIS is the world in which you gave all of your power up to an oppressive state that knows all and sees all, and thus it created more slaves. THIS is the route where humans essentially reduced a complex lifeform into a machine. This is . . . the black out is . . .

It’s the world you deserve.

Call me bitter, but there’s a time and place for war, there really is. When some people get their head SO far up their asses that they close off their mind to new ideas and thoughts, it’s time for change. And that is EXACTLY what the replicants did and in the most peaceful way possible. Through the black out, two lowly replicants transcend their original purposes to become free-thinking individuals.

The film ends just as it began: Iggy walking away from a storm of ash and flames with an eye patch, symbolizing that he, like Trixie, has cast aside his original purpose as a replicant soldier (replicant IDs are located under the eye), transforming him into a cold warrior fighting for justice and the freedom of his kind. Now, in theory, all men are equal, and the means of terrorism have brought upon a glorious end: all of the world is painted black. There is no record of who is or isn’t a replicant. Is it an ending of hope? Well, if you find their actions to be “stage 6 justification” like I do, then it might be. Enslavement of any kind should never be tolerated, and as such, sometimes we need action to prove a point—much like asking a rhetorical question. To quote MLK Jr., “Injustice anywhere is a threat to justice everywhere.”

Blade Runner: Black Out 2022, as with the rest of the franchise, shows us a future void of diplomacy. It’s a world where those who are inferior neither get a voice nor a chance to negotiate their terms of living. There is no fairness. There is no thoughtfulness, or sensitivity, or care given to the replicants. To change the treatment of their kind, the replicants had to think bigger and above themselves—to a region of thought that even most humans fail to fathom—accurately becoming, as ironically as the Tyrell Corporation proclaims, “more human than human.” And it is through the awe-inspiring darkness of the black out that we see the light.

“Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.” – MLK Jr.

Once again, I didn’t even get to discuss the art and animation of the world of Blade Runner in the anime style—which is perhaps the single most interesting element about this entire short film!!! Guys, 2022 is seriously beautiful, both fluid and engaging during the action scenes, and simply breathtaking in terms of landscape. JUST LOOK AT IT. MY GOD, what I’d give to just walk through the blue, rainy, compact streets of the city!! It’s like a dirtier, grittier version of Ghost in the Shell, and if that means anything to you then you ought to give the franchise a watch.

Speaking of, this is NOT RECOMMENDED for a blind watch. You won’t get any of it. It’s designed to serve as a one of three prequel short films to the latest Blade Runner 2049, and boy did they help a ton! So yes, start with the 1982 Blade Runner, as I highly recommend it, then make your way up. For Black Out 2022, I’ll gladly place it under the “Cakes” menu for future reference.

This concludes my November 10th entry in the OWLS “Diplomacy” blog tour. A new friend of mine, Irina (Drunken Anime Blog) chose to explore how her otome stories and games taught her that you can’t please all the boys with your charming diplomatic ways. Then look out for Lita (Lita Kino Anime Corner) tomorrow, November 11th with, well, it’s a surprise! Thank you so much for reading, and until next time, this has been

– Takuto, your host

LISTEN TO THIS. “Almost Human” by pop-singer Lauren Daigle is an interesting choice for an ED theme, and I wouldn’t have picked a different one. SO GOOD!!

Filling the Danganronpa Void | End of October Update 11/5/17

Posted by Takuto

Hey everyone, what’s up? Another Spooktober has come and gone and very little blogging has been done. But where there’s a lack of writing there has been an influx in watching—just as much as last month, if not more!

As for school, first year of college is still smooth sailin’. With midterms out of the way, it’s now a barren wasteland until Fall break is over, after which the bomb that is “finals week” will be dropped. But until then, I’ve been trying to read more—and it’s been successful! Now if only I could feel motivated to write about it all . . .

Anyway, let’s take a look at what I’ve read/watched this past “spoop month” and see my desperate attempts at filling the Danganronpa 3 void end in utter failure. (And yes, the itch still has yet to be scratched.)

RECENTLY FINISHED:

Tsuredure Children—My GOD, what I would have given for a continuation of this mess of high school romances. It’s not even that good, which is why I’m so confused as to how I became so addicted to it all. Maybe the 12-min per episode run-time was a key part, or that I streamed it dubbed via Funimation Now as my weekly comedy. Either way, I’m sad that it’s over—and just when it was getting sooo good! Likely won’t review, as I don’t have much to say, but it ends just as cute as it begins, which is enough for me.

Knight’s & Magic—I should’ve taken the warnings on this one. No joke, it kinda sucked. I didn’t care for any of the characters (nor do I really remember any of them), and the story gave up on my interests. I wanted to continue learning more about the interactions and affects of combining giant mecha knights with magical forces, but instead it turned into a show “save the kingdom from the enemy evil blah blah blah.” I won’t review this either because of how little I have to say about it, though I’m glad that I did finish it.

The Dragon Dentist—Another hyped show that turned into disappointment . . . sort of. A 2-episode (40 min each) short from Studio Khara (Rebuild of Evangelion) with Hidaeki Anno somewhere behind the desks, I was STOKED for this show. Only putting his name on two titles since Eva 3.33, this and Shin Godzilla, I was eager to see how this one played out in his journey to Eva‘s end. While episode one was quite pleasant, episode 2 unfortunately became, well, I’m not honestly sure what. It definitely had similar ideas that the OG Eva did, but didn’t have the same strong execution due to the short run-time. Eva is a big story to tell, after all, so you can’t just throw in a similar ending and call it so. Sentai Filmworks just released it with a dub, so maybe if it goes on sale I’ll pick it up and give it another go.

SHIMONETA—AHAHAHA S-O-X, S-O-X, S-O-X!!! Funimation Peep Show host Cookie Stratford hooked me up with this little title after previewing it at last year’s Naka-kon. FINALLY it went on sale, so bought the blu-ray! (I did stream the dub in its entirety just to double-check that it was worth the money—in which it absolutely was.) I’m ecstatic to have some more “fun” titles on my shelf, as a majority of shows that I do own require you to basically analyze your existence in the universe, and that’s just no fun when I want to fool around on a late Friday night. So here it is, cock, balls, and all! And you know what? I enjoyed every second of it.

Danganronpa Another Episode: Ultra Despair Girls (PS Vita)—Don’t be fooled by the listing of this game title on my list, as there’s no way I have the money for a Vita right now, let alone the 20+ hours it’d take to complete this massive part of the franchise. Originally, I was watching walkthroughs of it via YT, living vicariously through the silent player as they traversed the game’s ins and outs. After making it a bit over half-way in, I realized that I COULD NOT wait any longer to watch Danganronpa 3, so talked it over with the Twitter fam (thx Gigi) and was directed to some “Recapitations” of the game’s story on the YT. WHAT A LIFE-SAVER, as Ultra Despair Girls just isn’t as neat as the rest of the franchise’s entries. It is still pretty cool though—soon after finishing the recap, I quickly found myself going back to the walkthroughs to watch the “animated” portions of the end, another 5+ hrs of video, but who cares—it was still a thrill ride! I then watched a recap for Danganronpa Zero and was all set for the ultimate despair: Danganronpa 3.

Danganronpa 3: The End of Hope’s Peak High School—The viewing of this crazy third season(s) is as follows: Future Arc episode one, Despair Arc episode one, Future Arc episode two, Despair Arc episode two, so on and so forth. As such, here are my individual thoughts on each arc:

Despair Arc—Starting with this one because it end before Future does, Despair Arc was basically everything that I wanted from a Danganronpa prequel and more. And much, much, much more. With the knowledge of Zero (an unlicensed light novel—you can find a 20-min recap of this on YT too, bless), Despair Arc combs together all of the grittiness, backstabbing, and betrayal of the viewer’s trust that we’ve come to know and love. Simply put, it’s a story of hope that ends in despair, and I wouldn’t have had it any other way.

Future Arc—Though wildly unimpressed throughout a good majority of the GREAT Danganronpa‘s supposed “end,” once episode eight hit it was balls-to-the-walls insanity. Seriously, if there’s ever been an incredible comeback mid-season, Future Arc is where it’s at! I rushed to the end, eagerly anticipating each wild episode of this chase against the clock until series’ grand finale . . .

Hope Arc—I won’t lie, it was kinda anticlimactic, hahaha, but I still love this show too much to complain, goddammit! Such a rewarding finale for all the blood that was shed, all the darkness that was traversed, and while I would have asked for another end-all situation, what we got was still excellent. It’s a shame that I’d be spending the next month or two trying to fill the void left by this show alone, but hey, it’s an opportunity to explore new shows, right? (plz send Danganronpa recs plz send Danganronpa recs)

Chivalry of a Failed Knight—No joke, the only reason I watched this show (on YOUTUBE NO LESS BAHAHAHA) was because Luci Christian was the English voice of Stella, the female lead. I was expecting it’d be a harem story about a hero of zero somehow defeating the number one ace . . . and sure enough, that’s exactly what I got. Nothing to write home about, but I have no regrets watching, either. High production quality on the animation front, not to mention that it had a kickass OP and ED!

Riddle Story of Devil—Danganronpa knock-off #1 presents itself in this game of assassins killing each other just to off a single girl—Haru Ichinose. “Why her” remains the big question behind the game itself, and though it sounds like the perfect formula for a DR follow-up, it couldn’t have been worse. Seriously, each death is foreshadowed by that character getting the episode’s spotlight (a reoccurring problem with a currently airing title which I’ll discuss soon), leaving no fun in determining who would live or die. At least the dub was good. Morgan Berry needs to be the MC more often. Also, Jamie Marchi always plays best girl. Always.

The Perfect Insider—Alright, we’re getting somewhere with this one. Recommended by our pal, the Otaku Judge (thanks man!), this one’s a locked-room murder in which a rag-tag group of individuals must piece together the puzzles. I remember it being a big hit when it aired a couple years back, and while I wanted to follow it, time got the better of me. Guess this was a good thing, because I got to save it for future me when I needed it most, and boy, Judge, did this one get me closer to hitting the mark! Though a bit confusing (and towards the end a bit contrived), it seeks a more philosophical, slow-burning case vs. DR‘s fast-paced madness. Both can be appreciated for their own merits, but yes, this one is worth seeing, and hopefully I’ll get to review it soon!

Blade Runner: Black Out 2022—The last prequel short film in a trilogy designed to fill in and expand upon the world of the latest Hollywood hit, Blade Runner 2049, Black Out is unique because it is the only “anime” part of the franchise, the rest being live action. Feeling an inkling to revisit the cluttered and damp world of the 2017 Ghost in the Shell, Blade Runner 2049 instantly became a must, and I set aside my DR hunt to revel in the OG Blade Runner and it’s 2049 prequel trilogy. Black Out was not only epic, but absolutely stunning on the animation front. It’s no wonder considering that Cowboy Bebop director Shinichiro Watanabe was invited to direct this short film, as Blade Runner was his biggest inspiration for creating sci-fi during his younger days. Before I knew it, I found myself with my dad in the theaters on the last day of showing, and we had a blast. Such an incredible franchise with wondrous world-building that’ll leave you in utter awe and terror of the near future. Still thinking about this one now . . .

Devil Survivor 2 The Animation—Aaaannnnd we’re back to Danganronpa hunting, this time for a game-turned-anime series about kids fighting against a mysterious alien force and time itself before their world reaches its end. Very cool premise, but ruined NOT due to the short runtime, but IMO because of the game’s gimmick—each of the 12 or so characters possess a smart phone that allows them to summon demons to fight against the aliens. I think it would’ve been much more enjoyable had the characters fought the aliens themselves somehow (special skills, weapons, whatever) because the demon-fighting thing just wasn’t doing it for me. Now, I realize that it defeats the entire premise of the game this way—I know—but with the demons out of the way, there would have been more room for character interaction, and the motives for survival would’ve been all the more crushing when they met their fate on the battlefield. Not a complete wreck of a show, but it EASILY could’ve been made better. Excellent animation, BTW, with a great OP and chilling ED to beat!

Harmony—The second Project Itoh film, Harmony is set in a world where good health is king, and the hospital basically runs government. Everyone is consumed with medicine to the point where it becomes their ruler, not the other way around. People have lost their sense of identity, what with having perfect health and nothing to complain about. Tuan, a high-ranking military officer is sickened by everyone’s kindness in this age of monotony, of perfect harmony. And just when she thought she couldn’t hate it enough, a blast from her past causes mayhem in the present, as systematic killings and mass suicides suddenly take over the world. Out on a mission to stop the one robbing everyone of their utopian futures, Tuan comes to understand why she thinks the way she does, as well as what being human means to her. It’s a grossly underrated film, and though the CG action at the beginning can be a bit jarring, what is in store for the viewer far usurps any awkward animation sequences. Do not let the “meh” community rating stop you from trying out this film—it requires a bit of thinking, but it’s well worth the watch for any fans of dystopian fiction i.e. Huxley’s Brave New World. Might review!

CURRENTLY WATCHING:

Welome to the Ballroom—Not much to say, as I’m a bit behind on this seasonal title. The addition of the new girl throws some chaos into the mix, but I think it’s slowly helping the show all things considered. Also, I’ve come to appreciate the new OP, so that helps. Looking forward to it!

Juni Taisen: Zodiac War—Five episodes in and all I can PRAY is that it stops doing that formula thing I mentioned earlier. One of the novel’s (OG source) biggest complaints is that this formulaic system of deaths does continue as a prominent force, so I hope the finale at least has some shock saved for us. And I swear, if Rat wins, I will jump off a cliff.

Electromagnetic Girlfriend—Ahh yes, continuing the DR hunt. Rated highly as a short 2-episode (40 min each) horror mystery show, I’m surprised I haven’t heard more about this series. Probably due to the lack of localization. Anyway, I’ve watched one of two episodes and I can say that, while short, it does have some decent twists and turns in it. Not quite scary [yet], but engaging and will likely end with a decent rating from me. And the background art is incredible, holy shit. The anime follows a delinquent teen and his little stalker friend, a mysterious girl with long black hair claiming to be his knight from another lifetime. Interesting . . .

Ergo Proxy—In my final efforts to secure a decent sci-fi mystery show, I’ve settled on this classic anime that has sat on my shelf untouched for a good while now. Though drab in terms of color scheme and quite on the slooooow side, I can already feel Ergo Proxy shaping up to be a much better show than half the entries on this list! It almost reminds me of a crossover between Star Wars‘s setting and Avatar the Last Airbender‘s humor. IDK why, it JUST DOES. An unraveling story of what is likely to be self-discovery in a dark future without much individual identity, Ergo Proxy manages to keep me interested by leading me on with new elements to the world at every turn. It’s also a bit of a cop/detective story, much like Ghost in the Shell: Stand Alone Complex. Overall, I like what I’m getting, I only wish it were a bit more, hmm, thrilling.

CURRENTLY READING:

A Certain Magical Index Light Novel Volume One—This was one of those late-night Amazon pick-ups, but like I mentioned last update I’ve been in the mood for some light novels, particularly to understand how and why they are written, as well as to take advantage of what they are—fairly cheap and disposable fiction meant to be read on a whim; you follow the stories you like, and drop the ones you don’t. Having already watched both seasons of the anime, I’m glad Index continues to be interesting even in novel format, and I’m eager to pick up the second volume soon! Also, did you hear the fantastic news?? INDEX 3 IS COMING IN 2018, REJOICE~!!!!! It’s just ironic that I started reading the original source now after all these years. Oh well.

Murder on the Orient Express—BOI, you already know. Fall’s been mystery season for me, clearly, and what a better bang to end it on than with classic Christie and her film adaptation of the same name. I’M. SO. EXCITED. FOR. THIS. FILM. Having just rewatched bits of Hyouka (and my guy Oreki bringing up Christie in a case of his), my inspiration to check out the actual book from the library shot up, and now here I am. About 1/3 into the book with no serious evidence given yet, my blind guess for the killer is . . . the maid, cause it’s always the maid LOL. I don’t know, but I can’t wait to find out!

BLOGGING PROJECTS:

In regards to last month’s update, I DID not only end up reviewing Death Parade, but I used it as the focal point in my October OWLS post, WOOHOO! Such a neat show, it came just at the right time to match the month’s theme! If you want to read my thoughts, click below!

Also, prior to OWLS I FINALLY put together my thoughts on Shin Godzilla in post that has surprisingly gotten a decent amount of traffic, appreciation, and EVEN a feature on another cool person’s blog (thank you all so much)!! It was really hard putting that one together, not gonna lie, so it’s nice to see the payoff. In case you missed it, here ya go!

The End of Spooky Season

GOODNESS ME, that’s a lot of titles, no? And to think, I’ve also been rewatching Hyouka, Gosick, School Live, and Paprika as a part of the spoopy holidays! October has become a favorite holiday of mine, which is odd considering that I used to hate it. The cool weather and downtime have allowed me to explore reading and watching much more, and hopefully they’ll bring me back to the blogosphere soon. I’ve got two little nominations to attend to, plus a new Cafe Talk in the works, so look forward to, YES, learning even more about me!

How did you spend your Halloween season? Also, any good manga/light novel you’ve been reading lately? I want to know! Also, and last call (maybe), if you know a anime, game, or book that’s even remotely like Danganronpa (whodunnit mystery thriller survival game), PLEASE LET ME KNOW!!! I’m in quite rut, and the obsession has grown so large that I’ll even be cosplaying a male version of a certain “despairing” character in March, upupuPUPUPU!!! ‘Till next time everyone!

– Takuto, your host

I’ve Finally Been Recognized as Lovely! (One Lovely Blog Award)

Posted by Takuto

Hey guys,

THE NOMMIES RETURN upupuPUPUPU! It’s been so long since I’ve been awarded one of these—it’s my first “Lovely Blog Award,” in fact! I also just happened to find a 20-min pocket of time, so why the heck not. This’ll be short, and you might learn a thing or two about me here in the next minute, so that’s cool. Special thanks to Mel (Mel In Anime Land) who happened to grace me with this nomination a couple weeks back. (I told you I’d get to it!) Check her out!

Ok, ok, here are the rules:

Thank the person who nominated you and link their blog
Add the One Lovely Blog Award to your post
Share 7 things about yourself
Pass this on to as many people as you like (max 15)
Include this set of rules
Inform your nominees

And sorry, I won’t be nominating anyone because let’s face it: I can hardly keep up with everything as-is, plus this thing has likely made its rounds by now, haha. If you follow me or are just stopping by, go ahead and take this one on—I’m awarding anyone who feels willing to share more about themselves, for if you are reading this, you likely have good taste (and a lovely blog for sure, hehe :P).

Alright, let’s go!!

1. I was high school Homecoming Royalty

The king, in fact, hehehe! Why bring up high school now though (I mean, wasn’t it “the worst time of everyone’s life)? Well, my high school years weren’t half bad, my senior year being the saving grace. I also mention it now because, just a week ago, I got to hand off the crown to my sister, who is now the ruling queen—isn’t that kinda neat?! [insert “My Little Sister Can’t Be Royalty Just Like Me?!” light novel series here] Makes me wonder where she got it from, certainly not me, right? Ahaha, I kid, but seriously, it was tons of fun. To my class, who I know will never read this but regardless, thank you for all the laughs and the memories—it was an honor serving as your king over the past year~!

Would you have ever guessed it? Now you can can say you are friends with royalty 😀

2. I’m a night owl

Like Mel, I get most of my work done once the moon comes out. This can be a real inconvenience considering how, well, most people play by the sun, but somehow I make it through . . . by staying up late, waking up early, and feeling exhausted 24/7.

3. I LOVE granola bars

No, it’s like, really, really bad. Breakfast, lunch, snack, repeat. I am OBSESSED. I also like all kinds, simple chocolate chip or some kind of yogurt ones being my favorites. In fact, I hate nuts, but eating granola bars with nuts has given me a slight appreciation for them. Guess there are pros and cons to every addiction.

4. I LIVE for mystery stories and survival games

This is probably why anime like Gosick, Hyouka, Future Diary, Another, Higurashi, Fate/Zero, and, holy god, Danganronpa, my most recent obsession (besides the granola bars). I’ve traversed the entire franchise, watching the first anime many years ago, a Let’s Play of the second game last summer, and more Let’s Plays/video summaries of the other entries just these past couple weeks. I’m still searching for SOMETHING to fill the Danganronpa 3 void, so if you’ve got any recommendations, now’s the time to share . . .

5. I’ve done music all my life and honestly, it’s meh

Sad but true. I’ve dedicated at least 4/5 of my life to something that . . . well, I’m not sure why I’m still involved with anymore. I play the cello (in a symphony, a quartet, and a small trio), and I can’t help but wish, everyday, that I was doing something else: painting, drawing, reading, writing—anything! The only reason I’ve stuck with it is because of the pushy music staff here. If they weren’t so clingy and even rude sometimes, I would have wanted to stick around. But crappy people are everywhere, so for once, I don’t even know what the moral of this story is supposed to be. Call it wasted potential or a future regret like all the others, but I don’t think that’ll stop me from retiring. When I’M ready, I’ll start up again on my own time. Like, “Can I please just move on with my life?”

6. I’m trying to get into light novels more

From the little research I’ve done, Japanese light novels are designed to be affordable, dispensable, and easily digestible written works, either as standalone novels or for a much larger series. They are relatively easy to publish, and that’s awesome for budding authors. What I don’t like is that many, especially now (like all media), rely heavily on the infamous “light novel tropes” to sell copies and hook readers, and while on paper it’s like “whatever,” many animation studios as of late have decided to spend all of their time and manpower on adapting these often times cliche, poorly written books. That said, I want to get into light novels more (which is why on Twitter I asked for suggestions). I want to understand them better, and maybe see if I can, sometime down the line, craft my own.

7. I am a collector, not a renter

That’s right, I don’t go to the library, nor do I occasionally stream shows. Instead, if I can score big sales and [blind] buy a ton of crap I know I won’t get to for 7 years, I’m gonna do it!! It’s actually gotten really bad, haha, so much so that I went on a no-buy (that didn’t last) and realized that “OMG, if I actually watch and read the stuff I actually have, it wouldn’t just have to sit there!” A novel idea, I know. If it’s any consolation, I do buy my stuff at THE BEST price one could ever find it at, so I do know a good deal when I see one. Unfortunately, if I avoided shopping during sales, then that would save money, too.

But enough of that smart thinking stuff. Time to go blow $80 on Sentai DVDs of shows that I wouldn’t buy otherwise unless they were $10 a piece. 😛

That wraps up this award. Did you learn anything interesting about me? Did you sympathize with my problems or just find me to be a big whiner? Either way, I’m curious! Again, if you want an excuse to talk about yourself, I nominate YOU to do so! Just let me know if you did so I can read it and share it. Again, big shout-out and thank-you to Mel for the nomination—it was fun! ‘Till next time guys!

– Takuto, your host

Death Parade: That’s Just the Name of the Game | OWLS “Dreamers”

Posted by Takuto

Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” As part of the OWLS blog tour’s tenth monthly topic, “Dreamers,” I decided to incorporate what would have been my standard Death Parade review into this retrospective look at beauty stopped short by a cruel twist of fate.

Every individual has a goal or ambition that they devote their whole life to with passion and courage—whether it’s landing your dream job, traveling, or finding the love of your life. However, there are those who spent their whole life working towards a dream, but were cut short due to an unexpected occurrence. Those people are left only to dream and wonder about the possibility.

We are not going to focus on the individuals that achieved their aspirations, but instead look at characters that weren’t able to. We will explore what happens to characters who had their wings forcefully cut off, as well as those who gave up before they even started their journey.

I’m a little late to the Death Parade game, but better late than never, right? Also . . . IT’S FRIDAY THE 13—KARMA IS GOING TO EAT ME ALIVE AND SPIT ME OUT. Thanks Lyn for the prompt!

A brief discussion on the winter 2015 anime “Death Parade,” produced by Madhouse, directed and based on the original story by Yuzuru Tachikawa. SPOILERS WILL BE PRESENT.

“Welcome to Quindecim”

What awaits us in the afterlife? Is there even such a place? As we understand it, nobody will remember how they died. There is living, and then the moment after death. So how did I get here—and why is there a bar in the afterlife?

Such is the state of mind of those who—fortunately or not—awaken in a mysterious bar remembering only that they lived, and that they are now here at a chic bar called the Quindecim. You cannot escape, but you are invited to participate in a game where the value of your soul is on the line, and weighed by none other than the discreet bartender Decim himself. Darts, bowling, air hockey—your typical watering hole time-wasters. Terrible joke, right? Honey, that’s just the name of the game.

As pairs of strangers stumble into the ethereal pub, they quickly ingrain it within themselves that winning is absolutely dire to making it out alive. Little do they know that despite having come from different walks of life, human nature is unchanging, including the worsts parts of it. That precise moment of despair declares the true winner and loser, and just like an arbiter Decim passes judgement based on the revelations alone, sending them to either heaven or hell following the game—that is until, however, the arrival of a strange black haired woman causes Decim to reevaluate this cruel system of judgement he employs upon his poor guests, as well as his own existence as a heartless arbiter.

“Tell me, bartender . . . we’re already dead”

Death Parade centers its focus on three important themes: the act of passing judgement upon others, self-realization, and death itself. What’s really special about this anime is how it breaks down these notions and turns them on their head, causing the lives of the characters in the show to fall short of any real achievement or happiness:

3. Judgement For one, Decim does not believe that the games bring out the true hearts of his guests, but that true shock and terror for one’s own being does instead. He draws forth these intense emotions by the games: slowly, he might re-implant the memories of their deaths back into their minds; or perhaps, he’ll break or disable a function necessary to win the game in order to see how those essentially “cheated on” accept these brutal circumstances. Actions define your character, after all. But could you even call this fair judgement? Decim thinks so.

2. Self-Realization All of our guests awaken without a clue as to how they got there. None of them even remember how they died, which is crucial to the game Decim wishes them to play. As the matches progress and the memories begin trickling back, these individuals start to reveal their true colors to one another, some exploding with hypocritical violence like they used to back when they lived, others merely crying at the tragedies that befell them pre-death. What’s common between both the winners and the losers is that they are all struggling while coming to terms with the realities that fate has placed them in. That shock is a lot to take in. All at once, you remember the person you used to be: the sins that you committed, or the evils that were done to you unknowingly—how you were stabbed in the back, or how you yourself took another’s life. Here, self-realization isn’t used to instill individuals with hope, but rather complicate matters, causing some to break because of the pain.

1. Death One of the anime’s greatest secrets is revealed come episode two: the guests who believe that they’ve just been kidnapped or imprisoned are, in fact, deceased, presumably stuck in a purgatory of sorts until the arbiter judges them, sending them to either heaven or hell. That’s when the second great secret is revealed: there is no life after death, only reincarnation or the void. Adding more trauma to the hopeless situation, Death Parade anticipates that its viewers are left praying for the purest of the two guests, only to have that purity snapped by the ultimate revelation: There are no second chances, in life and after it.

Why do it all? To Show us Chiyuki, a Dreamer

This is the name of the black haired woman with no name, no memories, but a passing thought: she knows that she’s already dead. Inconveniencing Nona, Decim’s “boss,” the nameless woman is granted a working shift at Decim’s side until . . . hmm, well we don’t really know how long she was supposed to work, just that towards the latter half of the series memories of her past life start resurfacing, creating an unstable existence trapped with little time left to remember everything. Luckily, she does, only to realize that she, too, was ruined long ago.

She was heralded as one of the nation’s top ice-skaters, and as a child growing into an adult, everyone only saw her for that, an athlete. Chiyuki was thrilled with the praise and success, but overtime (especially as a full-grown adult woman) we get the feeling that she wanted to be more than that—to be known for who she was, not what. And nobody cared to explore that side of her. She was judged by the world for what she accomplished, not how she lived.

To balance the scales, Chiyuki is sent as an assistant to Decim to judge souls herself. She finds herself frequently bumping heads with Decim’s cool demeanor, though, frequently voicing her human emotions and opinions quite loudly—about how wrong Decim is, or how unfair the things he does are. She opens Decim’s eyes to the way of the world, allowing them both to tragically realize that, whether it’s in life or whatever comes after, no soul deserves the unbearable weight of judging others.

She was judged, she had a realization, and then she died. But not in the traditional sense. No—her death came with losing what connected her to others: ice-skating. After suffering a career-ruining injury, she was forced to give up her passions, aspirations, and biggest dreams of becoming one of the greatest ice-skaters to ever live—THIS was what truly killed her, for now, without a purpose, she merely exists and walks along a destination-less path. When Decim shows Chiyuki the world without her in it, she realizes that her suicide marked the finality of her regrets, not her death. The pain she caused her mother absolutely tore her apart, and she is left heartbroken because she wished she had valued her own life.

Where Justice Lies

Given the once-in-a-“lifetime” chance to return to the living, Chiyuki denies the ultimate wish. Why? Why wouldn’t she want to apologize and reunite with her mom?? Causality, that’s why; give and take. When a soul leaves the earth, a ripple of cause and effect impacts the lives of others. By reclaiming the impossible—a second chance at everything—her soul is exchanged for another. This brings us back to the first theme, where YOU do not get the chance to weigh another’s life, nor the sorrows that would come with that stranger’s death. The revival of one brings about the unfair ruin of another, and if justice has taught her anything by this point, it’s that this is the greatest taboo.

At the story’s end, we find out that Decim’s existence is part of an elaborate experiment crafted by Nona all for the sake of searching for a better judgement system. Though Quindecim’s tactics are arguably fairer than the ones we have now, it’s still a far shot from true justice. That begs us to ask the essential question:

How long will it take to find where justice lies, and at the smallest cost possible?

Death Parade takes an exceptionally accurate stab in the dark and concludes that, though trial and error brings us inches closer towards the light, true justice still lies many, many lifetimes away. In a story rich with irony where dreams are crushed and lives are weighed like pennies, those parading into the bar of the afterlife died long before they even realized they lived.

“I don’t regret the things I’ve done. I regret the things I didn’t do when I had the chance.” – Chiyuki

Man, I didn’t even get into the slick animation (with amazing texture designs), atmospheric and emotional soundtrack, or the other characters besides Chiyuki and Decim, but perhaps I’ll leave that all up to you to explore yourself! It is, after all, regarded as a “Cake” here at the Quintaku. 🙂 But yeah, Death Parade, it’s a wild ride for sure, though I can’t help but feel that it, like its poor characters, had its expectancy cut short. I doubt there’ll ever be more, considering it’s an original source (the best kind of anime), but who knows, maybe Lady Luck will throw us a curve ball, or an extra toss at the dart board. (Just please, avoid the eyes. That would suck immensely.) Let me know what you thought of this anime!

This concludes my ~spooky~ October 13th entry in the OWLS “Dreamers” blog tour. The incredible YouTuber Gigi of Animepalooza *FINALLY* put together a video captioning the flawed life and broken dreams of Yuri!!! On ICE‘s KING JJ which you can view right here! Also, look out for our fearless leader Arria’s (Fujinsei) post about the lovely Silver Spoon this upcoming Monday, October 16th! Thank you so much for reading, and until next time, this has been

– Takuto, your host

Shin Godzilla is a Terrifyingly Realistic & Meaningful Ode to History | Review

Posted by Takuto

A brief discussion on the summer 2016 Japanese film “Shin Godzilla” (also known as “Godzilla: Resurgence”), produced Toho, co-directed by Hidaeki Anno and Shinji Higuchi, based on the original story by Anno (Evangelion).

*I am not overly familiar with the Godzilla franchise (meaning I cannot properly decide whether it is a particularly “good” or “faithful” addition), but I do respect it and the impact it has had on the Japanese people and the rest of the world.*

“A God Incarnate. A City Doomed.”

This is how Funimation captions the deadly film containing the biggest, baddest Godzilla known to mankind, and accurately so. (He’s literally the tallest in the franchise!) But before the King of Monsters surfaced from the deep, it was just another quiet day for Japan. Chaos quickly floods the scene when a giant, strange gilled creature explodes from the ocean’s surface and begins tearing through the city.

Prioritizing citizen safety above all else, the government attempts to keep the situation under control, only to realize that their technicalities and formalities are useless in the face of true terror. It’ll take a rag-tag team of volunteer scientists, engineers, and public safety officials to come up with some sort of way to combat this seemingly perfect lifeform. “But time is not on their side—the greatest catastrophe to ever befall the world is about to evolve right before their very eyes.” – Funimation

More Than BOOMS! and BANGS!

Despite boasting action (it’s a Godzilla film for crying out loud), there’s a surprising amount of substance, particularly a possible social commentary on the hierarchy of the Japanese government and they way the nation handles foreign affairs during war time. Specifically, we are frequently shown how frustrating and slow policy can be. The film’s first half centralizes on political officials arguing about who should do what, when, and their reactions to the unbelievable events unfolding—most were consumed with disbelief, in fact, except for the young yet forward-thinking Deputy Chief Cabinet Secretary Rando Yaguchi, our basically-main character (and wow, what a title).

We join Yaguchi in his frustration against the higher-ups, as well as his struggle to make amends with the innocent lives lost because of the government’s inability to act early on. While those above him in rank merely wish to hold fast to their comfortable, well-paying seats, shrugging off the impending doom that is about to likely kill them all, Yaguchi pulls together every asset that he can to find out what Godzilla is, and solve the mysteries surrounding Goro Maki’s research on the subject. It’s sad to admit how painfully real the execution of this all is.

Unlike the other officials who merely bicker about bureaucratic protocol and semantics (and not take things seriously), Yaguchi deals with exactly what’s in front of him. He knows he’s trapped within the system’s web, but he doesn’t fear questioning those above him in order to do his job correctly and honorably. Actor Hiroki Hasegawa conveys the complexity of Yaguchi’s character impressively, balancing fitting facial expressions for each emotional hit: a mix of concern, anger, sadness, and confusion.

As I side note, I thoroughly enjoyed the excitement that came with watching Godzilla transform from the weird gilled lizard on all fours to the menacing tower of terror we’ve come to know and love. It was so much fun! One small small complaint that I did have was (and I’m not sure if this actually counts) that I couldn’t really tell if the CG done on Godzilla was “good” or not. Seriously, I couldn’t. Was he creepy lookin’? Sure, but I’m not sure how this makeover compares to previous ones. Also, while his explosive beams later on looked absolutely terrifying, I didn’t like the cheesy sound effects for the explosions—they felt like they were missing a low boom to ’em, or perhaps an epic bass you’d expect from a Hollywood explosion.

Intense Dialogue, and the Engrish Doesn’t Help

Most of the film’s complaints are targeted at the lead female, Kayoko Ann Patterson, portrayed by Satomi Ishihara, whose unfortunate script is loaded with English-heavy dialogue. In an interview, she even stated “Sometimes it’s so frustrating, I just want to cry,” and by NO means is any of this her fault—that’s a director issue. Her character is meant to seem very American, and while we definitely get that feeling, I can’t help but think that her normal Japanese speaking would’ve sufficed the whole way through. Anyway, I still love Kayoko to death because of how her character acts as an excellent foil to Yaguchi’s—both see themselves in higher positions, but for now, they work together efficiently with what they’ve got in their own ways.

The Engrish problem is solved by switching the language settings to Funimation’s English dub, which is especially wonderful because the subtitles just fly by! Shin Godzilla is a film about talking through the problem, and less about any spectacular human actions. The political nonsense in the first 20 minutes, as well as the ending with solving Maki’s quote (which I’ll get to) are much easier to understand with the dub. If you don’t mind live-action dubs, do give this one a go—it could help immensely with understanding the film’s main messages.

Understanding the Legacy of the Atomic Bomb

More than having knowledge of the franchise, it’s historical context that is needed for full emotional effect here. Japan was rocked not once but twice by an evil that shouldn’t have even been unleashed on the planet: the atomic bomb. History has learned that the destruction that follows an atomic bomb is not cool. It’s not something the U.S. or any country should glorify, and this film makes sure of that. Godzilla was birthed once the long-term effects of radiation poisoning revealed themselves as something just as fearsome and frightful as the bomb itself—gosh, perhaps worse.

This brings us back to the film, which could stand an allegory for nuclear war and its long-standing effects, Godzilla itself mirroring the disastrous earthquakes, tsunamis, and radiation that hit the poor nation all at once. Unlike normal action films where you’re just waiting in anticipation for the bad guy to unleash their awesome powers, I was left not cheering, but shaking with fear of the results that, very closely, mimic an atomic bomb. The theme of destruction is a powerful one, a scary one, and that’s how this film shocked the viewers—the moment Godzilla unleashes its wrath is one that can only be witnessed . . . and feared.

The People that Made this Experience Special

1. Sharla (Sharmander on YT)—Being one of my favorite YouTubers, it’s rare to ever hear about her work life as a dialogue coach, and so I was ecstatic once she put out a video saying that she worked with the cast (particularly Yaguchi and Kayoko on those stubborn English lines) and Anno himself.

2. Shiro Sagisu—Known for his epic music in Evangelion, Shiro gives the film a really neat character. His famous “intense operations planning” music that plays throughout the franchise makes several appearances in this film, and though it felt overplayed at first, a second watch through with the dub made it all feel like it blended seamlessly, as if Eva and Godzilla were truly “a match made in kaiju heaven!”

3. Hidaeki Anno—THIS MAN puts me through so much stress, and yet I can’t ever look away whenever I hear his name involved in a project. He is the reason I jumped into this foreign franchise, after all, so that’s got to mean something, right? He perfectly combs together realism, destruction, and rebirth in such a way that merits a masterpiece with every work. In Shin Godzilla, he took me back to the first time when I saw Evangelion and was impacted in such a way that I’d never be the same without it. I’m glad Anno took the break between 3.0 and the final Rebuild film, because hey, sometimes we have to “Do as we please,” and I respect that.

Thank you for giving me my Evangelion fix—it was an incredibly enjoyable experience!

“Do as you please.”

These are the few words left by the enigmatic Maki, and yet, they remain the strongest message within the work. It’s something so simple, to do as you want to, though I get the impression that it’s not a common Japanese lesson taught. No, this isn’t a wish or a passing thought, but a statement aimed DIRECTLY at Japan. Towards the end of the film, the Prime Minister must either give consent to or deny the United States’s declaration against Godzilla: “Take care of it now, or we will nuke it.” That’s right, history will repeat itself. Japan would risk losing the pride and dignity it spent so many years recuperating to the humiliation of starting at ground zero once again.

With the titular creature MIA towards the end and the U.S.’s threat, it almost begs the question: Are humans deadlier than Godzilla?

But oh, “Danger is an opportunity for personal growth,” remarks the U.S. President in the film. Yeah, not for this country. The true climax of the film comes down to a duel between philosophies—to accept help and then rebuild, or own up to the situation. And when Japan finally does decide to take matters into its own hands, fighting the way only they do best by studying their enemy, the scientific team makes work of the King of Monsters in a way that, without spoilers, makes me proud to be human. Using science, mankind’s greatest weapon, the team transforms the impossible into plausible—theory into reality.

It’s that moment when you realize you CAN stand for yourself WITHOUT having to kill another being—THAT is the big takeaway. Take pride in the things you can create and accomplish together, NOT destroy. And finally, for ONCE in your overly obedient life, do as YOU please, NOT what the others want.

Shin Godzilla is incredibly smart, realistic, meaningful, and genuinely scary at times. Most of all, my god, if this film had come from my country, I’d be overflowing with pride, too.

“Accountability comes with the job. A politician must decide to own it or not.” – Rando Yaguchi

(None of these screenshots belong to me. No copyright infringement is intended.)

Have I been completely Godzilla-fied? Haha, not quite, but I will definitely be keeping an eye out for future installments, including the wildly anticipated CG Godzilla film directed by Gen Urobuchi, another one of my favorite directors in the industry! Shin Godzilla may not be anime, but I’ll let it slide into the “Caffe Mocha” selection as grade-A movie material for sure, and for everything it stands for. Shout-out to Scott (Mechanical Anime Reviews) for hyping me up about it, and for covering the film way better (and quicker) than I did here.

Lastly, thank you so much for reading, as this was a film that has grown to mean a lot to me. I’m dying to know what you thought about Shin Godzilla, especially regarding its production, so let me know your thoughts in the comments! Until next time everyone, this has been

– Takuto, your host

Chill Season is Here | End of September Update 10/3/17

Posted by Takuto

Hey everyone, what’s up? I did a header image thingy for an update! Like it?

Cool weather is finally here, ahh, yes, no more 100-degree F days. I’m in college now, in case you didn’t know that, and hey, I’m surviving (yay)! While I haven’t been utterly dumped with challenging homework yet, I am keeping busy, what with symphony orchestra and the long hours of practice that accompany it.

With all this “extra time,” I’ve done a lot of anime watching, some manga reading, and more posting. That’s always exciting. Now I have to get over the second slump—catching up on the millions of comments I’ve left unanswered. If I haven’t hunted you down in my posts yet, don’t worry, I will! I just need more energy within myself to keep the conversation going, and that can be tough. Blogging is a social sport, after all.

But slowly and steadily I am catching up. Painfully slowly, but it’s better than no progress at all. Anyway, let’s briefly check out what I’ve watched, read, and written within the past couple months!

RECENTLY FINISHED:

Netoge: And you thought there is never a girl online?—I’ve finally signed up for a Funimation Now account, and this was one of the first shows I decided to watch. At the time, I was looking to satisfy simple needs: pretty characters, comedy, and a dash of nerd humor. And what do you know, Netoge was perfect for the job! I loved this show, and I’m not gonna lie, being able to stream a dub LEGALLY felt pretty good. This was my first time hearing Dallas Reid as Hideki “Rusian” Nishimura, and though I spent a lot of time deciding whether I liked him or not, I finally decided that if I kept needing to debate it, then he likely did a good job at it. We’ll likely hear A LOT more from Dallas Reid in upcoming dubs, I can just feel it. Anyway, fun show. Would watch more, but I likely won’t follow the novels.

Saga of Tanya the Evil—After Netoge, I was craving something gritty, loaded with dark humor and kickass characters. Remembering Tanya from a couple seasons back as a big hit, I booted up the first episode on Crunchyroll and couldn’t put it down after that. Solid action, fantastic cast, and an engaging story of man vs. fate, or in this case, “bird mouth” Tanya vs. the cruel God who laughs from on high. It was just such a solid production that it left me here screaming, “WhErE iS sEaSoN tWo?!” I definitely plan to follow Tanya’s scheming and mocking of God in the novel series, which sees its first release I believe this winter. Awesome, high energy show that never lets up. When I watch the dub, expect a review!

Aria the Animation—I participated in the huge Aria Kickstarter by Nozomi Entertainment AKA RightStuf back in September. At first, I donated blindly at the limited edition. Then I thought, “How stupid am I? Am I really going to blindly throw $60 at a title I don’t even know if I’d like??” And just as I questioned myself, Crunchyroll put the first season on their site to help with the campaign. After a watch of the first season, I can comfortably say that my gamble was a worthwhile one. Hopefully the +$200 that went into it will be everything that I wanted and more.

Sailor Moon S—Awww yeah, I continue to knock through Viz’s releases of the beloved 90s series and I absolutely loved every bit of it! As a child, this was basically the first anime I was ever introduced to without knowing what anime was. It brought my whole experience of running around with sparkly ribbons and costumes full circle, and by the end (which I had never previously seen or known), I couldn’t help but melt down into an emotional wreck. I could never review a series that’s this close to heart, let alone slap a numerical rating on it, but maybe for an OWLS post or something I’ll get to dig out this series once again. Looking forward to seeing Crystal III this winter with all my heart—PLANET POWER!!!!

Death Parade—This one you might recognize from my birthday haul! And while it’s quite up on this list, I actually started it in August and finished it just a day ago (hahaha that’s what I get for trying to watch it with my sister). Anyway, it was a wicked cool trip through the afterlife, and can’t help but think that the series needed something more for its ending . . . maybe for a future installment, right? It wasn’t as 10/10 masterpiece as everyone was making it out to be, but it was dark and fun, which is what exactly what I pegged the series for. Maybe I’ll review it, maybe I won’t. We’ll see.

Code Geass: Akito the Exiled—Another from the b-day haul, yay! After breezing through the original Code Geass this past summer with my siblings, I was craving more of the universe. This calling just happened to be answered by Funimation’s rescue release of this spinoff, which takes place between the two halves of the original series overseas in the European Union. The dub had accents for the French and other nationalities represented, which was kind of a neat touch. I especially loved Jeannie Tirado’s resilient yet caring Leila Malcal. CG was used for the mechs this time around, and while one might find that originally distracting, the wild and dynamic movement and cinematography made for some excellent fights. My only great disappointment with it was the lack of involvement from returnees LELOUCH VI BRITANNIA and Suzaku Kururugi, as they were the main reason I even wanted more Geass. Oh well, cool show nevertheless.

Shin Godzilla—It’s not anime, but it certainly counts for the reason I wanted to watch it: Evangelion. Director. Hidaeki Anno. Need I say more? Well, HAH, I wont’ actually, because a review of this titanic hit is coming very soon, so keep an eye out!

Orange (anime and manga)—YES, I read some manga, and YES, it was an entry ruled off of the loooong backlog!! When the books were released and the anime adaptation of it aired, the ONLY thing people talked about was Orange. That popularity has since calmed down greatly, but the series is still definitely not one to be missed—especially that manga, dang! (I can officially recommend some manga to people, this is so fun!) The anime dedicates one episode to each chapter or two, so the pacing is absolutely flawless in terms of time/scene adaptation. Each frame of the manga held so much gorgeous facial expression, and the characters were each quirky yet very attractive. I wish the anime kept up with the quality on that front, but hey, taking a picture is easier than a video, I get it. Also, the manga was significantly more emotional than the series was. I’m not sure if that was just because I knew how it was all going to end, but hmm, yeah if someone wants the tear-jerker route, read the books. Both are still wonderful!

As a last note, though I never did actually cry, I was significantly touched by the morals of friendship, and how something so simple as friends can create beautiful moments and prevent terrible tragedies. It’s all about treasuring what we have, together, and living within each moment, not through them. I based my entire September OWLS post on the Orange manga, so if you’d like a spoiler free rundown on what it presents us with, consider checking it out! It gained a lot of traffic, and I consider it to be one of my bests posts because of how it was received. So, thank you if you decide to read it (link right here)!

Re:CREATORS—OOH, OOH, now THIS is a show that saved itself during its run!! I was so happy with how it ended, and I won’t lie, I didn’t think the series had it in itself to finish with both story and emotional satisfaction, but it did, and because if that I do plan to review it! Until then, my lips are sealed—just go watch it!!

Katsugeki TOUKEN RANBU—Katsugeki had it all: incredible animation production, excellent digital effects by Ufotable, epic music by the composer of Fate/stay night [Unlimited Blade Works]‘s score, a solid franchise, and, of course, an overly supportive fanbase. So where did it go wrong? My theory is that it simply didn’t use the weight of each mission to fully impact the characters. From what I gathered, this is supposed to be a predominately character-driven franchise, so by not involving all of the characters, it walked away with only a couple of decently developed studs. Not to offend the fangirls, but it didn’t help when they decided to add a second wave of characters—the flashy First Unit—into the mix. Now you have +12 characters running around and all I can say was that the finale was very pretty. It was all more along the lines of “not my cup of tea” than “it sucked.”

My Hero Academia Season 2—Bro, who wasn’t watching MHA this past season, cause like, dang! I thought the first was pretty good, but this second pulls out all the stops, especially with the famous TOURNAMENT ARC in the first half. Hell, I marathoned that shit cause I didn’t want to watch it at the time, and even though the Hero Killer/Hosu Incident Arc was a bit of a slump for me, I realize the importance it will have on not only the heroes but the villains as well. I won’t say too much more because I’d like to review it, but let’s just say it inspired me so much that I’ll be cosplaying the KING Todoroki #bestboy. Also, the first OP and the second ED were FIRE, man! Can’t stop listening!

DIVE!!—So many thoughts. So much conflict. I think I like this show? See, I’m on the fence: I’ve admitted to the fact that this show did not turn out so well, but you can still like something that’s complete trash. I want to believe there is something of sustenance in this show, and that’s a very hard thing to do. It looks like I’ll be a bit against the crowd on this one, but don’t worry, I know that it’s garbage LOL. Review coming soon for sure!

CURRENTLY WATCHING:

Tsuredure Children—Last spring’s trashiest show made its way to my Funi account and now I’m watching the dub. Not the greatest dub, but it’ll suffice for what I’m after: romantic nonsense. I want to watch curious kids fail miserably and hilariously with their love lives . . . is that sad? Beats me, but Tsuredure is defs fillin’ the cup up! It’s lighthearted, humorous, and charming in its own way, so sure, I’ll keep tagging along.

Knight’s & Magic—Started this one yesterday night out of straight curiosity since half of the crowd said it was awesome and the other half hated it. I tend to like things that nobody else does, so here I come Ernesti! Episode one was good so far, but I can totally understand why people thought him being from another world was kinda pointless. I mean, in Saga of Tanya of Evil, it was part of the dude’s sin cycle, but here, IDK, Ernesti could’ve been a child genius and that would’ve rolled better with everyone. Anyway, the main reason I want to watch it is because the mechs look cool, so there’s that.

I Hear the Sunspot—This is actually a manga that was recommended by Simply Gee over on YouTube. She found it to be lighthearted, soft, and simple; a story that doesn’t need to do very much to make our hearts warm. And she’s absolutely right. It follows a squirrely young college boy named Taichi who can’t seem to hold a job without getting into fights. This particularly sucks because he’s always hungry, that is, until stumbles upon Kohei, a quiet fellow college student who has a hearing disability. The two make a deal: Taichi be his note-taker and Kohei will provide him with free lunch!

Thus we watch the two struggle to understand just what they mean to one another, and how a problem isn’t too big of a problem when two people deal with it together. It’s got just the faintest touch of shounen-ai, but don’t let that turn you off—in fact, it’s half the magic. You’ll never know how friendly the two will get, but I’m willing to follow them throughout this standalone volume. Apparently it’s author Yuki Fumino’s first manga (which is overly impressive, my god), and due to its success, a sequel is on the way, hooray!

FALL SIMULCASTS:

Fate/Apocrypha—I’m starting to understand characters, motives, and plugging their historical pasts with the present war. Apocrypha is getting better, but it’s still pretty rough given that only one servant has bit the bullet and we’re already halfway into this thing. I just hope they don’t start knockin’ down characters one by one. That always sucks. I don’t have much else to report on this one other than that it’s still engaging, action-packed, and rich with ancient lore. Did I ever mention the soundtrack? Besides the twisted Egoist OP (which I did finally decide that I like), the epic strings and main melody behind the show is just fantastic!

Welcome to the Ballroom—Ballroom is, ergmm, more fun to watch when it’s moving. There are SO many still shots it’s insane! And this is done by Production I.G.—aren’t they a powerhouse in the anime industry? That’s not to say that each frame is bad (cause they’re all friggin’ gorgeous), but man, it’s a sports show that requires a great deal of movement—so GIVE IT TO US, PLEASE! Otherwise it can sometimes be hard or embarrassing to watch. On several occasions during the first half’s Tenpei Cup, Tatara makes a comment on Gaju’s moves (“so powerful;” “oh he messed up here;” “he’s doing ___ move”), but then we see . . . nothing, it’s a SINGLE FRAME. Between the lack of movement, the loss of the season’s good first OP and ED, and the introduction of a potential new partner, I just hope Ballroom knows what it’s doing in this second half.

Food Wars! The Third Plate—Not much to say. It’s more Food Wars! and that’s about the best thing you could have for this fall season! I’m eagerly awaiting a tango with the Totsuki Elite Ten (dat alliteration tho) and all of the funny antics to follow! Cheers to more food porn!

Juni Taisen: Zodiac War—The only reason I’m going to watch this series is because it sounds like the Holy Grail War. It’s a survival game; personifications of each Zodiac animal come to life and duke it out for the chance to make a wish come true (or at least I think that’s what it’s about). Sounds cool, looks cool, sure, count me in.

Blogging Projects

Let’s see, in the last “Cafe Talk” I wrote about how “Having Unpopular Opinions Can Suck,” where I finalized my thoughts on the 2017 Ghost in the Shell Live-Action (spoiler alert: I loved it), as well as how frustrating it can be when nobody takes your side. There, I’ve jotted down just a few of my own “unpopular opinions,” so if you’re curious or feel I’m relatable, check that out. I’ve shared several great conversations with people on that post in the comments section, which is awesome—that’s what it’s there for!!! I’ll see if I can get on and answer some more soon!

I also recently partnered up with fellow gaming blogger NekoJonez on his expansive Legend of Zelda project, which brings in 13 of us to tackle the entire franchise from the first game to the latest. It was a surprisingly great deal of fun, especially at the end with those last couple hours before show time, and I made some awesome friends while reminiscing on a greatly beloved title. Honestly, it opened my eyes to the possibility of future collabs and projects with bloggers, but perhaps I should build up my own personal brand a bit more, right? Who knows, but I had a very fun time, and that’s all that matters in the end. Here are the games I covered if you are curious about Gaming Takuto!

The Great Sea: Phantom Hourglass

The New World: Spirit Tracks

I’m Tired of Playing Catch-Up

Whew! What an update! It’s just as large as last time’s, which means I need to get back to monthly ones, not this bimonthly nonsense! I mean, who wants to stick around for nearly 3,000 words of “I did this, and that, and didn’t do a lot of something else . . .” But inconvenience is how I roll, right guys? Haha, moving on.

I guess my biggest challenge right now isn’t “not wanting to write” as much as I’m sick and tired of playing catch-up! There are just WAY to many posts I want to read and comments that I need to respond to that, when I find myself going to draft another post, I just sigh at all of the responsibilities that should come first: responding to my readers, to my guests. What kind of host leaves their customer without their order? Not a very good one, that’s for sure. I’ll work on this more for this month as my biggest goal, and hopefully I can get out of this rut that I’ve sat in for MONTHS now.

I’m tired of playing catch-up, so I’ll change that. 🙂

I’m curious to know what you guys are following this fall season! Also, did you read any good manga or light novels recently? The new SAO series coming soon makes me want to purchase and read the Alicization books, as apparently it’s the best part of the franchise so far. But time is short, so we’ll see. ALSO INDEX III WAS ANNOUNCED HOLY CRAP I THOUGHT IT’D NEVER HAPPEN!!!! Now if we could just get an adaptation of Railgun’‘s Level Six Shift Arc, I could die happily with that franchise. I hope nicer weather has made its way to you as it has me, cause I’m partying in my fall jackets and hoodies now! Hahaha, take care you guys, until next time~!

– Takuto, your host

	ashleycapes on Samurai Champloo: Serving Stir…
	crimson on End of February 2026 Update: L…
	momomanamu on End of February 2026 Update: L…
	Takuto on Being a kid at the Studio Ghib…
	Takuto on Recounting My Summer Japan Tri…

Takuto's Anime Cafe

reflection and relaxation

Author: Takuto

My Top 10 Long-Awaited U.S. Anime Releases from This Year| Blogmas 2017 Day 2

Animepalooza’s 50 Otaku Facts Tag! | Blogmas 2017 Day 1

Takuto WILL Be Participating in The 12 Days of Anime! | Blogmas 2017 Introduction

Hooked on Light Novels: The Amazon USED Blind-Buy Game! | Cafe Talk

Before the Black Out: More Human Than Human | OWLS “Diplomacy”

Filling the Danganronpa Void | End of October Update 11/5/17

I’ve Finally Been Recognized as Lovely! (One Lovely Blog Award)

Death Parade: That’s Just the Name of the Game | OWLS “Dreamers”

Chill Season is Here | End of September Update 10/3/17