Death Parade: That’s Just the Name of the Game | OWLS “Dreamers”

Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” As part of the OWLS blog tour’s  tenth monthly topic, “Dreamers,” I decided to incorporate what would have been my standard Death Parade review into this retrospective look at beauty stopped short by a cruel twist of fate.

Every individual has a goal or ambition that they devote their whole life to with passion and courage—whether it’s landing your dream job, traveling, or finding the love of your life. However, there are those who spent their whole life working towards a dream, but were cut short due to an unexpected occurrence. Those people are left only to dream and wonder about the possibility. 

We are not going to focus on the individuals that achieved their aspirations, but instead look at characters that weren’t able to. We will explore what happens to characters who had their wings forcefully cut off, as well as those who gave up before they even started their journey.

I’m a little late to the Death Parade game, but better late than never, right? Also . . . IT’S FRIDAY THE 13—KARMA IS GOING TO EAT ME ALIVE AND SPIT ME OUT. Thanks Lyn for the prompt!

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A brief discussion on the winter 2015 anime “Death Parade,” produced by Madhouse, directed and based on the original story by Yuzuru Tachikawa. SPOILERS WILL BE PRESENT.

“Welcome to Quindecim”

What awaits us in the afterlife? Is there even such a place? As we understand it, nobody will remember how they died. There is living, and then the moment after death. So how did I get here—and why is there a bar in the afterlife?

Such is the state of mind of those who—fortunately or not—awaken in a mysterious bar remembering only that they lived, and that they are now here at a chic bar called the Quindecim. You cannot escape, but you are invited to participate in a game where the value of your soul is on the line, and weighed by none other than the discreet bartender Decim himself. Darts, bowling, air hockey—your typical watering hole time-wasters. Terrible joke, right? Honey, that’s just the name of the game.

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As pairs of strangers stumble into the ethereal pub, they quickly ingrain it within themselves that winning is absolutely dire to making it out alive. Little do they know that despite having come from different walks of life, human nature is unchanging, including the worsts parts of it. That precise moment of despair declares the true winner and loser, and just like an arbiter Decim passes judgement based on the revelations alone, sending them to either heaven or hell following the game—that is until, however, the arrival of a strange black haired woman causes Decim to reevaluate this cruel system of judgement he employs upon his poor guests, as well as his own existence as a heartless arbiter.

“Tell me, bartender . . . we’re already dead”

Death Parade centers its focus on three important themes: the act of passing judgement upon others, self-realization, and death itself. What’s really special about this anime is how it breaks down these notions and turns them on their head, causing the lives of the characters in the show to fall short of any real achievement or happiness:

3. Judgement For one, Decim does not believe that the games bring out the true hearts of his guests, but that true shock and terror for one’s own being does instead. He draws forth these intense emotions by the games: slowly, he might re-implant the memories of their deaths back into their minds; or perhaps, he’ll break or disable a function necessary to win the game in order to see how those essentially “cheated  on” accept these brutal circumstances. Actions define your character, after all. But could you even call this fair judgement? Decim thinks so.

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2. Self-Realization All of our guests awaken without a clue as to how they got there. None of them even remember how they died, which is crucial to the game Decim wishes them to play. As the matches progress and the memories begin trickling back, these individuals start to reveal their true colors to one another, some exploding with hypocritical violence like they used to back when they lived, others merely crying at the tragedies that befell them pre-death. What’s common between both the winners and the losers is that they are all struggling while coming to terms with the realities that fate has placed them in. That shock is a lot to take in. All at once, you remember the person you used to be: the sins that you committed, or the evils that were done to you unknowingly—how you were stabbed in the back, or how you yourself took another’s life. Here, self-realization isn’t used to instill individuals with hope, but rather complicate matters, causing some to break because of the pain.

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1. Death One of the anime’s greatest secrets is revealed come episode two: the guests who believe that they’ve just been kidnapped or imprisoned are, in fact, deceased, presumably stuck in a purgatory of sorts until the arbiter judges them, sending them to either heaven or hell. That’s when the second great secret is revealed: there is no life after death, only reincarnation or the void. Adding more trauma to the hopeless situation, Death Parade anticipates that its viewers are left praying for the purest of the two guests, only to have that purity snapped by the ultimate revelation: There are no second chances, in life and after it.

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Why do it all? To Show us Chiyuki, a Dreamer

This is the name of the black haired woman with no name, no memories, but a passing thought: she knows that she’s already dead. Inconveniencing Nona, Decim’s “boss,” the nameless woman is granted a working shift at Decim’s side until . . . hmm, well we don’t really know how long she was supposed to work, just that towards the latter half of the series memories of her past life start resurfacing, creating an unstable existence trapped with little time left to remember everything. Luckily, she does, only to realize that she, too, was ruined long ago.

She was heralded as one of the nation’s top ice-skaters, and as a child growing into an adult, everyone only saw her for that, an athlete. Chiyuki was thrilled with the praise and success, but overtime (especially as a full-grown adult woman) we get the feeling that she wanted to be more than that—to be known for who she was, not what. And nobody cared to explore that side of her. She was judged by the world for what she accomplished, not how she lived.

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To balance the scales, Chiyuki is sent as an assistant to Decim to judge souls herself. She finds herself frequently bumping heads with Decim’s cool demeanor, though, frequently voicing her human emotions and opinions quite loudly—about how wrong Decim is, or how unfair the things he does are. She opens Decim’s eyes to the way of the world, allowing them both to tragically realize that, whether it’s in life or whatever comes after, no soul deserves the unbearable weight of judging others.

She was judged, she had a realization, and then she died. But not in the traditional sense. No—her death came with losing what connected her to others: ice-skating. After suffering a career-ruining injury, she was forced to give up her passions, aspirations, and biggest dreams of becoming one of the greatest ice-skaters to ever live—THIS was what truly killed her, for now, without a purpose, she merely exists and walks along a destination-less path. When Decim shows Chiyuki the world without her in it, she realizes that her suicide marked the finality of her regrets, not her death. The pain she caused her mother absolutely tore her apart, and she is left heartbroken because she wished she had valued her own life.

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Where Justice Lies

Given the once-in-a-“lifetime” chance to return to the living, Chiyuki denies the ultimate wish. Why? Why wouldn’t she want to apologize and reunite with her mom?? Causality, that’s why; give and take. When a soul leaves the earth, a ripple of cause and effect impacts the lives of others. By reclaiming the impossible—a second chance at everything—her soul is exchanged for another. This brings us back to the first theme, where YOU do not get the chance to weigh another’s life, nor the sorrows that would come with that stranger’s death. The revival of one brings about the unfair ruin of another, and if justice has taught her anything by this point, it’s that this is the greatest taboo.

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At the story’s end, we find out that Decim’s existence is part of an elaborate experiment crafted by Nona all for the sake of searching for a better judgement system. Though Quindecim’s tactics are arguably fairer than the ones we have now, it’s still a far shot from true justice. That begs us to ask the essential question:

How long will it take to find where justice lies, and at the smallest cost possible?

Death Parade takes an exceptionally accurate stab in the dark and concludes that, though trial and error brings us inches closer towards the light, true justice still lies many, many lifetimes away. In a story rich with irony where dreams are crushed and lives are weighed like pennies, those parading into the bar of the afterlife died long before they even realized they lived.

“I don’t regret the things I’ve done. I regret the things I didn’t do when I had the chance.” – Chiyuki


Man, I didn’t even get into the slick animation (with amazing texture designs), atmospheric and emotional soundtrack, or the other characters besides Chiyuki and Decim, but perhaps I’ll leave that all up to you to explore yourself! It is, after all, regarded as a “Cake” here at the Quintaku. 🙂 But yeah, Death Parade, it’s a wild ride for sure, though I can’t help but feel that it, like its poor characters, had its expectancy cut short. I doubt there’ll ever be more, considering it’s an original source (the best kind of anime), but who knows, maybe Lady Luck will throw us a curve ball, or an extra toss at the dart board. (Just please, avoid the eyes. That would suck immensely.) Let me know what you thought of this anime!

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This concludes my ~spooky~ October 13th entry in the OWLS “Dreamers” blog tour. The incredible YouTuber Gigi of Animepalooza *FINALLY* put together a video captioning the flawed life and broken dreams of Yuri!!! On ICE‘s KING JJ which you can view right here! Also, look out for our fearless leader Arria’s (Fujinsei) post about the lovely Silver Spoon this upcoming Monday, October 16th!  Thank you so much for reading, and until next time, this has been

– Takuto, your host

Empire of Corpses Reanimates a Classic Tale | Review

A brief spoiler-free review of the fall 2015 anime film “Empire of Corpses,” produced by Wit Studio, directed by Ryoutarou Makihara, based on the novel by Keikaku Itou. 



Oh my, is it already passed Thanksgiving?! Woah, since I’ve been slacking I’ll make this one brief. Shall we visit the first of three films based on the late novelist Itou’s melancholic work and see if Wit Studio was able to breath life into his ambitious project?

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Zombies and Steampunk

Welcome to an 1800s London where zombies roam the streets! Not really, sort of. Scientists have played god with dead bodies long enough that they’ve patented it down to a system called reanimation. In other words, the Brits are reviving the dead. It’s not a foolproof process, however, for the key to understanding life itself–the soul–does not return upon reignition. Because these walking corpses are incapable of experiencing the joys and sorrows that life presents, they’re mainly revitalized to serve in the labor force.

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But every lab experiment comes with its breakthroughs, and that is exactly what befell Dr. Victor Frankenstein. Rumored to have been the first to successfully reanimate a corpse with a soul, the great mad scientist suddenly disappeared–his work supposedly vanishing with him. Inspired by his love for research and science, John Watson pursues hunting Dr. Frankenstein’s notes regarding the blueprints of the soul in order to revive his best pal, Friday. Throughout his journey, Watson unearths the terrifying truths of corpse technology, and how costly the science is for not only the living, but also for those who have long since passed on.

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What exactly makes up the “Weight of the Soul?”

I’d like to first point out that I understand why the film, despite its glorious visuals, was poorly received by critics. The first Project Itou film tries to dish out a lot of hard, unknown science, but above all make you feel emotional connection to the lead character Watson and his situation. Grasping the conceptual stuff is particularly tricky, and the ties between real life historical figures and their fantasy counterparts don’t seem to make understanding the basics much easier. It’s even arguable that the rules of the world presented are poorly laid out from the start. This build up of failed comprehension and attempt at emotional appeal led to a cataclysmic finale on both the story and visual levels.

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Beyond the messy climax, I did quite enjoy the relationship between Watson and Friday. Their exchanges (well, Watson’s actions and Friday’s silent responses) felt genuine, and above all, I think that matters more than a shaky concept deliverance does. When Watson felt curious or distressed, the actions were reciprocated on myself. Also, to go against the crowd, I really liked the female role. Though she mainly served as a reminder of the scientist’s goal–Friday serving as his ambition–I found myself wanting her to also receive a happy ending. The Russian scientist Nikolai could’ve used more screentime, but I digress since the show mainly revolves around Watson’s side.

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The Incredible World of Sherlock Holmes

Empire of Corpse’s strongest point easily lies with Wit Studio’s fantastic job in creating an atmosphere similar to a Sherlock Holmes film straight out of Hollywood! Such entrancing lighting, rich symbolism, and articulate detail in the machines and other devices absolutely blew me away. Each of the characters stand out beautifully in their own way, from the deadpan expressions of Friday to the stylish English outfits of a steampunk society. Action scenes would engage any viewer (I’m a sucker for vehicle chase scenes, so the opening really drew me in), and it all culminates into a finale so stellar it became a visual feast. I had to pick between absorbing or comprehending, and, well, I think you knew which won. I did notice Redjuice and Egoist accredited, which would also explain the Guilty Crown vibes.

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While I cannot recall any specific tracks, the music did do the show justice in contemplating the Sherlock Holmes tone. On the auditory side, huge props to the English voice cast and THE ACCENTS that tied so well with the concept and setting. Wonderful performances from Jason Liebrecht (Watson) and Micah Solusod (Nikolai).

Final Thoughts

Even if the concepts presented are a bit tricky to grasp near the end, this movie achieves in the feels department for me. Perhaps I was missing the context of the original Frankenstein novel for a few of those bits, but I did find it okay for the most part. It’s another demonstration on how far man will go to pursue knowledge above all else, an ultimate nudge to the idea that for us humans, some things are best not knowing.

“Beauty and sublimity are not what shape the future. It’s the willpower to try to actualize one’s words and feelings for someone else–DON’T YOU SEE!?” – John Watson

Final Assessment

+ Breathtaking visuals, fantastic steampunk design

+ Emotional attachment to Watson’s struggle with Friday

+ Fascinating project history, happy to see Itou’s work animated

– Started off simple enough, but lost its footing by the end

– “Weight of the soul” not explained thoroughly

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I’m signing off on the first Project Itou film with a hot “Coffee” rating here at the cafe! Understandably flawed, but still quite enjoyable. This was the finale to my Halloween break following Shiki, a title which I reviewed a week or two back if you’re interested. Shoutout to Crimson for recommending this movie to me!! What did you think of Empire of Corpses? Were you disappointed with the results or did you find it particularly noteworthy for anything? Let me know because parts of me (the living ones, at least) are still a bit conflicted! Until next time, this has been

– Takuto, your host

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I know it’s fan art, but LOOK at that mechanical detail!

Soul Eater Review

For just a mere $30 drop, the famous shonen anime Soul Eater has been a daily treat of mine now for the past couple of weeks. Notable for its perfect blend of action, comedy, and awesome characters, this show is responsible for pulling in many anime fans here in the U.S. But does the title live up to its grandiose reputation? I Takuto, your host here at the café, shall present my thoughts to you in a slice of colorful cake.

Everyone has a soul. In the world surrounding Death Weapon Meister Academy (DWMA), administrated by Lord Death himself, there exist evil humans and monsters known as Kishins, beings that have turn into evil demons by consuming an incredible amount of pure souls. To fight of these Kishins, warriors called Meisters team up with Weapons, people that can transform into various blades or arms.

Once a Weapon has collected 99 evil human souls and 1 witch soul, the Meister’s weapon will advance to a Death Scythe, recognizing you as one of Lord Death’s finest weapons. Not that this concept matters anyway.

Soul Eater follows Maka and Soul, Black Star and Tsubaki, and Death the Kid with Liz and Patty Thompson. While their goal is to gather souls for Death, they have the chief mission of defending Death City and the DWMA from all kinds of wickedly powerful creatures. When they are not on the front lines, however, they attend school and train to become the best!

As the anime introduces its main cast one by one, this seemingly honest idea of leveling up deviates towards a complex and deeper plot. What starts off as a repetition of kids going to school quickly erodes into a story of madness.  Along the way, Soul Eater pressures our heroes into crazy situations that, though obviously not comfortable for them, are extremely enjoyable for us as viewers. Simple values like friendship, bravery, and humanity are also used as mediums for character development, but they can be a bit overbearing at times, especially the way the show cradles some characters.

Maka is studious, short-tempered, and is always thinking of others, but above all, she is determined. Her Weapon, Soul, might just look like a cool guy, but he would actually risk life and limb to protect Maka. Despite the bickering here and there, Maka and Soul’s platonic bond matures into one of the most reliable ones in the series. It was a sheer joy to hear Laura Bailey as Maka, considering that the last I had heard from her was as Ayaka and Evangeline in Negima!?, and Micah Solusod was great as always!

Black*Star is brash, loud, enthusiastic, but more than anything annoying! Wanting to surpass God in terms of power, he provides the comic relief in the show with his ridiculous stunts.  He’s also a fail assassin, shouting his name to all to hear when he enters the scene. Following loyally behind him is Tsubaki, his kind Weapon who is willing to help however she can.

Death the Kid, the son of Lord Death, is calm, smart, and . . . . has an extreme OCD case where symmetry is everything? Yes – He is so obsessed with perfect symmetry that he is willing to stop and marvel at a giant mummy monster just because the sarcophagus is equal in all proportions.  If it weren’t for Liz and Patty, playful twin sisters, to comfort him, then Kid would never stay focused. Todd Haberkorn plays Kid brilliantly!

Other than the cruel witch Medusa (never heard that side of Luci Christian before – its freakin’ awesome!), the underlying antagonist that is frankly a genius in every way possible, the rest of the cast, to me, is meh. I mean, Lord Death’s cheery nature and Arachne’s evil blemishes, though she did nothing, are both definitely cool, but everyone else was either decent or really annoying – specifically Crona, Sid, and Mosquito. Then there’s Excalibur . . .

Nevertheless the likability overpowers and all of the characters are memorable. They each stand out at least a couple times to give you room to judge. Soul Eater functions best when it showcases one character at a time.

Studio Bones delivers a bright tone in a rather dark show, which is a hard thing to get right, but they nail it for sure! When scenes are meant to be light-hearted, bold colors on characters and backgrounds jump out. In contrast, the eerie, haunting parts –with a touch of Halloween – feel ominous. Praise to Eruka and Free’s encounter with the First Kishin – my heart literally jumped out of my rib cage; seriously terrifying!

The use of various angles, smooth animation, and unique moves makes for some of the most interesting action I’ve ever seen, and they’re fantastic! Never once do the fight scenes ever seem pointless or unnecessary. It helps that all of the characters support expressive faces to match the mood. However cartoonish and basic the animation seemed, it was executed with pure entertainment in mind.

Aside from the great English dub performance, sound remains nothing special. There are no memorable tracks other than “Psychedelic SoulJam,” but there are a couple new ones added for the “epic” final fights.

The first opening “Resonance” by T.M.Revolution fits the first half of the show perfectly with its spooky tune.  Meanwhile, the second opening “PAPERMOON” by Tommy heavenly6 beautifully exemplifies the second half. Both are super catchy, and my favorite ending of 4, #3 “Bakusou Yumeuta” by Diggy-MO’ raps out the quirky character styles!

Soul Eater does not have any filler (besides Excalibur. . .), but can be rather slow at times. Dangerous situations are drawn out, specifically that whole Arachnophobia vs the DWMA clash. Crona and Franken Stein dilemmas were especially a drag, considering the fact that I could have been watching more Kid and Soul kicking ass! Also, considering its 51-episode length, it’s a bit of a struggle to the end.

Other than that, Soul Eater is plain fun, offering great action, heartwarming themes, memorable characters, ano stupid comedy – DO NOT try to take this show seriously. Once the secrets of the Kishin are let loose in the first half, however, there is an extreme drop in interest towards the end. As such, this anime is not perfect because of the great distinction between the first and second arcs, and some of the characters can be extremely annoying. But it manages to stay consistent with one goal in mind, and that is one of the strongest points to the show; the end was pretty fair if ya ask me. Though it wasn’t the “best anime ever,” I still had a great time watching this it, and I thank those who recommended it to me!

“People need fear to survive. We experience it so we can grow stronger.” – Maka Albarn

FOOLS! Go watch Soul Eater if you haven’t already – it’s a classic in the shonen genre for a reason! Leave a comment below if you had similar thoughts towards this crazy show! I welcome all newcomers to the café and extend my thanks towards my followers 😀 Hit the like if you enjoyed my review and until next time, this has been

– Takuto, your host