Hitorijime My Hero: Unrequited Feelings & Forbidden Love || Review

A brief spoiler-free review of the 12-episode Summer 2017 anime “Hitorijime My Hero,” animated by Encourage Films, directed by Yukina Hiiro, and based on the manga by Memeco Arii.


Forbidden Love

Few teenagers are more hopeless than Masahiro Setagawa. The poor kid got roped in with the wrong crowd from a young age and now serves neighborhood thugs as their errand boy. He may have believed in heroes as a kid, but not anymore. His life takes a drastic turn one day when Kousuke Ooshiba, a local menace dubbed the “Bear Killer,” swoops in to take down the other gang members, saving Masahiro from their grueling low-life ways.

Time passes for Masahiro, and as he and his former friend Kensuke Ooshiba start attending high school, Masahiro is once again reunited with Kousuke—only this time, Masahiro is a student and his childhood hero has become his math teacher! First a hero, then a best friend’s older brother, and now “Mr. Ooshiba!?” To make matters even more complicated, Kensuke’s childhood friend, Asaya Hasekura, returns to his life with the request to be more than just friends this time around.

It’s starting to look busy in the Ooshiba household, and while Kousuke’s own feelings urge him to protect Masahiro like he once did, this sudden entanglement of the boys’ lives creates quite a complex web of relationships. As Kousuke’s lover, Masahiro will eventually have to decide for himself: to resign himself to his unrequited feelings, or to pursue a forbidden love.

This is one of those anime where the 3-episode rule most definitely doesn’t apply. The opening episodes of this shounen-ai school drama hone in on the relationship between Kensuke and Asaya, which is actually the parent story of Memeco Arii’s manga. After that quickly gets resolved, we shift the focus back to Kousuke and Masahiro’s “Teacher X Student” romance for the remainder of the series, which is significantly messier. Obviously, it’s an age-gap romance, which isn’t my thing personally, but at least the characters carry the weight of the show well . . . I mean, they do, right?

masahiro and kensuke

Poor, Poor Masahiro

I really need a shirt that says “Masahiro did nothing wrong, y’all are just bullies,” cause MAN, this guy has it rough. Living alone (save for his prostitute mother), Masahiro is one of those kids who was forced to grow up fast. While he cooks fantastic meals for Kensuke and his school friends and diligently cleans the Ooshiba household better than momma Ooshiba even could, these are conditioned responses. With his mother out every night, Masahiro has to cook for himself, and when she comes home a drunken mess, it’s Masahiro cleaning it all up the next morning. He doesn’t belong out on the streets with those thugs, but he doesn’t belong in his own home, either.

AND THEN you have a dude like Kousuke who comes in all grown-up and “mature” just to toy with Masahiro’s heart and throw him into gay panic mode. I don’t really know how to feel about Kousuke. Like, he knows Masahiro is immature in life and in love, and yet Kousuke continues to mislead Masahiro with his words episode, after episode, after episode. He’s supposed to be the “hot teacher seme,” I get it, but I couldn’t help but find some of his actions to be somewhat disrespectful.

The other couple of Hitorijime My Hero doesn’t make things much better for Masahiro. Kensuke is your typical fluffy uke who enjoys snacks and fun, innocently going about his friendships with the youthful naivete of a shounen protagonist. I suppose he is the first to accept Masahiro and his older brother’s forbidden love, which is heartwarming cause #family. And Asaya may be the best-looking boy in this series, but DAMN, the dude is HEARTLESS. I think it was supposed to be funny how Asaya would adamantly give Masahiro the cold shoulder and instead demand he cook for him, but I never laughed. (The other male classmates also used him like this, umm, the heck??) All the guys in Hitorijime My Hero besides Masahiro just felt so selfish. Fear not, there’s a happy ending waiting for everyone, but the road to getting a smiling Masahiro has its fair share of irritating bumps.

hitorijime school

Big-Chill BL Energy

Let’s talk art. Encourage Films is a new studio for me, but Hitorijime My Hero appears to be their leading title—and that’d make sense, because the series is one good-looking BL anime. Seeing Memeco Arii’s original character designs fully animated and chasing after their lovers is really something special. Had I watched this series years ago, I probably would’ve fell even harder for the characters. If you’re wanting a more down-to-earth shounen-ai romance, I would pass Hitorijime My Hero based solely on animation alone.

The entire soundtrack is also fits the mellow vibe of the series. Takeshi Senoo (most notably known for his work on the equally chill Aria the Animation) provides amazing orchestral magic to accompany the drama of the series. He balances the slice-of-life energy of quiet lo-fi beats with the more intense romantic pull of gentle string harmonies, almost as if the OST were for a feature film and not a series. It’s simply wonderful, just like the aesthetically pleasing OP “Heart Signal” by Wataru Hatano and the soft ED theme “TRUE LOVE,” which is sung by the various seiyuus from the series.

Now, it IS Pride Month, and it’d be a crime if I didn’t give special praise to the incredible dub directed by none other than David Wald! (He also directed the Love Stage!! dub and voices the bartender in this show!) Austin Tindle’s Masahiro is just a friggin’ gem, I love how nervous and klutzy he sounds all the time! David Matranga’s Kousuke is BIG SEXY energy (the way he said the F word, woah), which feels surprisingly natural for his character. Hearing Daman Mills as pretty boy Asaya was the biggest surprise for me, and I love how he kept the guy so snide and cruel towards others but would call Kensuke nicknames like “babe” and “Kenny” like it was nothing. Speaking of, Alejandro Saab can do NO WRONG as Kensuke, the purest boi!! Even if the characters were hit-or-miss for me at times, I cannot deny that they had superb VAs behind the mic with excellent scripts to follow, too.

masahiro crying

Not the Best, But a Huge Step Up

While I seem to be pulling these LGBT titles out left and right, I actually haven’t watched that many BL anime. Maybe that’s because I know that BL anime kinda have a rep for not being nearly as good (or respectful) as their manga counterparts. That said, I’m not trashing BL anime (if anything, we can only use more!), but Hitorijime My Hero feels like a huge step in the right direction.

Despite the rudeness of the characters towards poor Masahiro, Hitorijime My Hero feels like a very real, human story (unlike the absurd comedy that is Love Stage!!). I know friends who have gone through exactly what Masahiro did, and maybe that’s why I felt so strongly for this kid. He’s a real boy. Fictional, but also just like that one confused, caring, love-struck individual we may know in our own lives—and even through smiles, that person doesn’t actually have the happiest life. It happens, but if we can be there for people like Masahiro—much as how Kousuke, Kensuke, and everyone else was there for him—hopefully we can become our own kind of hero for these people.

masahiro and kousuke night


Don’t worry about what the world wants from you–worry about the world you want. Sometimes, when your heart is telling you what it wants, you just have to listen. — Kousuke Ooshiba


Afterword

I feel like I did this one dirty, but sometimes you just gotta call ’em out when you see it. (I mean, I get that Kousuke was a “bad boy,” but he literally BROKE A GLASS DOOR to enter Masahiro’s apartment JUST because he didn’t answer his phone, I can’t with this guy.) But what did you think of Hitorijime My Hero? Do you also stan Masahiro or did you think he had it coming for him? Let me know down in the comments. I welcome Hitorijime My Hero as a “Coffee” title, and recommend it if you’re looking for a BL anime that’s probably better than most, but still not as good as Love Stage!! IMO. Maybe I’m wrong—you tell me!

My next Pride Month post will be over another yuri manga, the first volume of Dr. Pepperco’s Goodbye, My Rose Garden, so please look forward to that! Thanks for reading, and ’till next time!

– Takuto

Love Stage!! – A Coming-Out Worth Celebrating || Review

A brief spoiler-free review of the 10-episode Summer 2014 anime “Love Stage!!,” animated by J.C.Staff, directed by Kenichi Kasai, and based on the manga by Eiki Eiki.


A Shocking Reunion

Izumi Sena comes from noble blood. Not the stuff of knights and kings, but family fame. His mom’s a famous actress, his father’s a successful producer, and his loud, obnoxious older brother is currently Tokyo’s biggest rockstar. It would surprise anyone to hear that the youngest Sena wasn’t in showbiz. But Izumi didn’t ask for any of this. Instead, Izumi aims to become a manga artist, despite possessing no talent for the craft! In fact, the only way he’s been able to completely avoid the limelight is thanks to his reclusive otaku hobbies.

I suppose “completely” isn’t the right word, though. Technically, Izumi cross-dressed as a girl for a wedding commercial skit ten years ago, which still haunts him to this day. But, a decade after the shoot, the same wedding company wishes to put together a 10th anniversary ad—and staring the original child actors for the project, no less!

This reunites Izumi with Ryouma Ichijou, who’s gone on to become a popular actor. Little does Izumi know that Ryouma’s been looking forward to this day ever since he fell in love the first time they met! As he did then, however, Izumi’s feminine appearance and unisex name still have Ryouma believing that little boy was actually a girl. BUT, even after discovering the truth, Ryouma can’t seem to shake off his feelings. Thus kicks off a series of troubles for Izumi’s big coming out—and in more ways than one.

Love Stage!! is a short romance comedy series based off the original BL manga. Most of the fun in watching comes from the hilarious drama that ensues between Izumi and Ryouma. Whether you’re a fan of BL or not, these two idiots will make you squirm and squeal—and I mean that in a good way. They’re genuinely funny and good-natured, as well as have an amazing chemistry together (even if their initial meeting would technically be viewed as an assault).

Even then, Ryouma spends the entire series redeeming himself and righting this wrong by actively trying to support Izumi and his personal endeavors. Ryouma loves Izumi, no two ways about it. It now becomes a matter of whether Izumi is willing to return that affection or deny the country’s favorite rising star actor.

izumi and ryouma romance

Lovable Leads, Hilarious Heart

As I mentioned above, the leads of Love Stage!! are easily what make this series so enjoyable and accessible, too. Izumi is a lovable character. His earnest dreams of being a mangaka (when clearly he has no skill whatsoever) probably ring true to many fellow otaku. Izumi just wants to give back to the medium that has given him so much, and his pursuit is a noble one, if not a tad far-fetched. Still, he works tirelessly and dedicates his entire being to making the manga of his dreams, and I admire his unwavering perseverance.

In contrast to Izumi’s cute appearance and large round eyes, Ryouma’s leading features are his charm and captivating presence. The guy is straight SEXY, no doubt about it. But, as we get to know him beyond his actor persona, we see that he’s also just as hardworking and determined to achieve his dreams as Izumi. This includes, of course, getting together with the crush of his childhood.

There’s this ongoing gag in the series that Ryouma is bad at everything he does for the first time, but quickly improves with dedication and experience. Whether allowing people to meet his true self, making friends, or moving things to the bedroom (heh heh), you can only imagine the hilarious outcomes from Ryouma’s “first time” with anything!

The two also have their own family, friends, and industry rivals that spark plenty of entertaining dialogue. For instance, the Sena family manager, Rei Sagara, has a no-nonsense tolerance for anyone’s shit (except when he’s willing to let cute little Izumi slide past him). As a caretaker of sorts, Rei acts more as a doting mother than his own mom, which I suppose doesn’t say much since she’s so full of herself (in the most fabulous way possible). As he realizes his own feelings, Izumi slowly starts coming to Rei with all his questions about life, love, and sex with another man. Their relationship is adorable and handled with surprisingly good guidance.

Rei also helps manage the relationships between Izumi and his brash brother, Shougo, Ryouma’s own manager Shino, and even Ryouma himself sometimes! He’s seriously great, and as the series progresses, we find that many of the cast actually share relationships with one another behind closed doors. Such developments really up the character drama and intrigue!

izumi rei shougo

The Best-Looking (and Sounding) BL Anime

I admittedly haven’t seen much BL anime, but from what I understand, this has got to be one of the best currently out on the market. J.C.Staff really went ham on this one. Bright colors constantly dominate the screen, enhancing the light romantic feel for the series. The characters themselves look very attractive, what with their bold expressions, blushy cheeks, and rainbow-colored hair and eyes. It’s nice to see a simple BL anime adaptation look just as amazing as most other high quality rom-com titles.

A lot of people don’t talk about it, but the music is also shockingly good. Yes, the ED “CLICK YOUR HEART!!” by Kazutomi Yamamoto is an absolute bop, but I’m talking about the OST. Composer Ryousuke Nakanishi is probably most famous for his work on The Devil is a Part-Timer!, so you already know he’s got the balance between comedy and drama down pat. I often found the music to carry the emotions almost better than the dazzling visuals did—but then again, I would be remissed if I didn’t talk about the fantastic English dub performances.

This is probably THE best Sentai Filmworks Dub I’ve ever listened to, PERIOD. (Ok, maybe one of them. They’ve really knocked it outta the park recently!) Even with his squeaky voice, Greg Ayres does a fantastic Izumi, providing just the right tinge of embarrassment and self-pride for each of Izumi’s little stunts. Adam Gibbs’ Ryouma is the real winner here, though, cause MY GOD, this man made even me all hot and bothered. Gibbs sounds just as brash and big-headed when he should, but also shows off a softer, more innocent side to Ryouma that is just as captivating as his ambitious, energetic side. Izumi and Ryouma were perfectly cast!

But it doesn’t stop there. David Wald—who graciously lent his own experience as a gay man to bring this dub to life—not only directed Love Stage!!, but also voices Rei Sagara with a snappy, matter-of-fact voice that only he could bring. It’s also always a pleasure to hear John Swasey doing the dad thing as the illustrious Seiya Sena, and the very same to Monica Rial’s lovely (if not hilariously self-absorbed) Nagisa Sena. Lastly, Tia Ballard is sprinkled around as various voices, and she’s always a pleasure to hear in any capacity!

izumi ryouma young

A Coming Out to Celebrate

I honestly came into Love Stage!! thinking it’d be a lot more problematic than it was. Thankfully, I found the series to be one of the most fun watches I’ve enjoyed in quite some time. While it has a somewhat rough start, Love Stage!! only gets better as the plot progresses. Almost everyone in the cast means well to one another, and it’s heartwarming to see so many icons watching each others’ backs. My only wish was that we got a second season to complete the story, as these 10 episodes (plus the hysterical OVA) adapt half the completed manga story.

Whether you’re gay, straight, or somewhere in between, you’ll probably love this series if anime rom-coms in general are your thing. The visuals are extremely pretty, the music’s wonderful, and the English dub is cooked to gay perfection (should you choose to eat your anime this way). I know it was a fight to get this thing dubbed, but BOY did they it to ’em, and for that reason alone I find that Love Stage!! is a coming out worth celebrating.

izumi and ryouma close up


Somewhere in this world, there is a door that leads me to my dreams. I don’t know where that door is. I may not find it in my entire life. And even if I do find it, it may be locked to me . . . — Izumi Sena


Afterword

As a blossoming adult, a budding actor, and definitely a gay man, Izumi’s big coming out story is full of ups and downs. I really cannot recommend this series enough, especially now that I’ve finally seen it! So cute, and sooo good!! Because the story has yet to truly finish, I’ll welcome Love Stage!! as a “Cake” here at the cafe, a title too sweet to miss out on—and especially that dub though, wow, we’re really making history! I’m late to the party, but you should let me know your thoughts on the series down in the comments for sure! I think this would make a great intro title to anyone new to BL. My next Pride Month post will be over Ogeretsu Tanaka’s Escape Journey, so please look forward to that. ‘Till next time!

– Takuto

2019 Holiday Haul #1 – Black Friday Sales || RightStuf & Sentai

Hello all!

Apologies for dropping off suddenly for another two weeks, I was ridiculously busy with finals (and pretty much everything else since Thanksgiving). But finals are OFFICIALLY behind me as of last Wednesday. I took a couple more days off to relax with family, and now I’m back. Glad to be here in this space once again!

As the title of this post implies, this is the first part of MANY a holiday haul posts, some being orders made during the sales, others being orders that were placed months ago and are now slowly trickling in. I hope you stick around with me as this month of holiday sale shenanigans goes on.

With part one, I’m taking us back nearly three weeks now to the Black Friday sales of our favorite online retailers for anime goodness: RightStuf and Sentai Filmworks!

First up from the epic Sentai sale this year is the Princess Principal LTD ED set. This thing is absolutely stunning, with gorgeous gold foil printing layered over a soft matte box. The spine alone speaks volumes about the quality of this set.

Peeking inside, we’ve got the Blu-ray, the signature Sentai box-of-stuff, and not one, not two, but THREE art books. WOW. The first is a storyboard collection for the first episode, while volume two contains character art, scenery, the goods etc. The third is loaded with staff and cast interviews, which is perfect for fans of the sub. Personally, I have no idea what this show is even about, aside from the fact that it’s got steampunk vibes and it was dubbed in English with ACCENTS. I’m shook.

Gosh, there’s so much to love about this set. I originally told myself that I’m holding off on Sentai LTD EDs due to space, but I couldn’t resist this one for just $40 (although it did go even cheaper the next sale :/).

Also, ALSO, the box isn’t full of nicknack stuff that I wouldn’t care about. Instead, it’s got a lovely cloth poster (with unique art!) and a metal steampunk coaster set, which I am legit currently using. Nice one, Sentai!

I picked up some other Blu-rays from the sale for other’s gifts, but they won’t go in my collection so I won’t bother showing them off. Instead, you can indulge in Love Stage!! with me—and yes, it’s got the new dub! I haven’t actually seen this series, so this’ll be a fun one for me to dive headfirst into, heh heh.

Onto the books, we’ve got the two newest volumes of my favorite LN series, SAO volume 17, “Alicization Awakening,” and A Sister’s All You Need. volume 5. Really hyped to continue reading the War of Underworld story!

Next is the third volume of Our Dreams at Dusk, another series that I’m waiting to have the volumes of before starting, as well as some VOFAN stuff. Here’s the novelization of Makoto Shinkai’s 5 Centimeters per Second: one more side and VOFAN’s art/storybook Colorful Dreams. I bought it thinking it’d be your typical art book, but instead it ended up being an anthology of 1-4 paged short stories with full art spreads. Hopefully it’s a good one.

Last for this haul is the long-awaited Millennium Actress Blu-ray release by Shout Factory! Continuing with the rescue of Satoshi Kon’s masterpiece films, I’m stoked to see what the buzz has been about this one. Since this one is technically a pre-order from the Shout Factory store itself, it came with an exclusive lithograph/poster of the release’s cover. Not sure what I’ll do with it yet, but it’s nice to have!


And there you go, the first haul of many for this holiday season! I didn’t realize it until I had all of the items together, but there’s a beautiful blue-green theme going on here. It’s certainly nice when odd stuff works out like that, isn’t it? Anyway, let me know your thoughts on any of these pick-ups down in the comments. Thanks for reading, and I’ll see you tomorrow!

– Takuto, your host

Typhoon Noruda: A Storm of Emotions || Review

A brief spoiler-free review of the 30-minute 2015 anime original film “Typhoon Noruda,” animated by Studio Colorido, and directed by Youjirou Arai.

typhoon noruda storm brewing.PNG


Thunder in the Distance

On the eve of his middle school culture festival, Azuma has a fight with his best friend Saijou after suddenly deciding to quit their baseball team. Azuma’s reasons are his own, but Saijou just can’t understand why his friend would depart from the sport they’ve been playing together since childhood. Any time for reconciliation is cut short by the shattering of a glass window in their classroom, and the fierce winds of a typhoon rocking their little island.

Right before the rain hits, Azuma notices a girl who, despite wearing their school uniform, doesn’t actually attend their school. Or at least, she shouldn’t. Shrouded in mystery, the girl quickly flees, and the storm rages on. What connects this enigmatic girl to the typhoon that is shaking up their island, and can Azuma and Saijou’s friendship be saved by this tempestuous storm of emotions?

As far as characters go, Azuma and Saijou aren’t the most memorable boys out there, but they tell their story well enough to convey their frustrations with miscommunication and self-esteem. They are charming in their own way, Saijou embodying the “prince” of the class, confident and always willing to lend a hand, and Azuma being a total introvert just wanting to mind his own business and figure out what kind of person he truly wants to be. Dynamic as they are different, they really do mirror the interplay between thunder and lightning, rain and wind—one following the other in this clash of ambitions.

saijou and azuma.PNG

To save a young girl, two boys must first save themselves. Azuma uses the girl’s dire situation to prove to himself that he can help other people, and Saijou takes Azuma’s abrupt disappearance to reflect on their relationship. I can’t really say anything about the mystery girl without spoiling the entire plot, but I find her mere presence and willingness to lend an ear to a complete stranger to be proof that people are—as they have always been—worthy of redemption.

Soaked in Aesthetic

What immediately draws the viewer to Typhoon Noruda is the animation, no two ways about it.  From the sparkling rain to the leafy trees, busted wooden floorboards, and colorful school festival debris blowing in the wind, the attention to detail in crafting this turbulent environment truly paints the picture of a severe tropical thunderstorm.

The film looks incredible, with fluidly animated and expressive character designs, and the titular storm intensifying in the background. And the ash-colored clouds, how they move with such majesty, as if to shout, “Behold the storm!” Talk about a stunning sight. Down to the last drop, Studio Colorido produces a visual spectacle, and an ode to all us thunderstorm lovers. It’s as if a Makoto Shinkai setting and Mamoru Hosoda characters were married off and bang, Typhoon Noruda. Well, Comix Wave Films was listed in the credits, so it’s no wonder the Shinkai aesthetic feels so present here. 

typhoon clouds.PNG

For sound, Typhoon Noruda is supported by your standard string orchestral soundtrack, 15 minutes worth of music that follows the characters through to the climax. The real gem here is the credits song, “Arashi no Ato de” or “After the Rain” by Galileo Galilei, which is so good it gets its own official VEVO video, how about that. Seriously though, reminiscent of youthful days and fleeting childhood, this ED theme was how I was introduced to the film—and it’s arguably better than the film itself!

Lastly, John Swasey directs a solid dub, Greg Cote conveying the honesty and extroverted nature Saijou’s rash character, and Adam Gibbs nailing the discomfort and insignificance of Azuma’s naivete. I found myself really relating to Azuma through Gibbs’ performance, as I certainly know what it feels like to be the social outlier in class.

saijou and azuma blue light.PNG

Rain or Shine, We’ll Make it Through

Just as it sounds, Typhoon Noruda is a school fantasy short film anchored around youth and friendship. Despite only 26 minutes to tell its story, the film does follow a decent progression of exposition, rising action, and climax, never sticking on one plot point for too long. By the end, the conflict between the two boys feels decently resolved, and you’re only left briefly pondering a bit of the fantasy aspect (which I won’t spoil for you). It’s not perfectly convincing by any means, but for a mere half hour, the experience of the storm itself makes the film worth watching.

Simply, Typhoon Noruda is an entertaining, endearing story about insecurities and self-expression. As a small indie project from Studio Colorido, the visual and audio quality of the piece far outshines any looming clouds one may have about the plot and characters. Save this one for a rainy day, and you just might find yourself whisked away by the storm, left only to the freeing pleasure of having watched two relatable teenagers face life head-on—and leave their misgivings with youth behind with no regrets.

Noruda and the storm.PNG


Remember, cherish what you have. — Noruda


Afterword

I remember chatting with Neha over at Biblionyan, saying how I’ve been wanting to watch this film for sooo long, and how I even owned the Blu-ray yet just left it sitting on my shelf! Well, part of me was saving it for a rainy day (literally) to soak in the entire ambiance of stormy afternoons, which I finally got. I talked more about that feeling in my most recent “Cafe Talk,” so be sure to check that out. Anyway, I’m really glad that I enjoyed the “Cake” worthy Typhoon Noruda. It’s not a novel piece by any means, but for 30 minutes of unfiltered thunder and rain, what’s to lose?

I’d love to hear whether or not you enjoyed this recently licensed title by Sentai Filmworks! If you’ve yet to see it, but have been wanting to as I was, I pray for a cloudy day on the forecast just for you! Until next time, this has been

– Takuto, your host

Sentai Filmworks 2019 Summer Sale HAUL!

Hello all!

Just as the title says, I caved and spent $107 at Sentai Filmworks’ summer sale. They always go all out, and you know I can’t resist $10 anime Blu-rays.

Seeing as how one of my 2019 blog goals was to post more of my hauls (as I tend to buy a lot but not tell anyone, shhhh), here we are. Let’s get this box sliced open and see what’s inside!

First up is The Ambition of Oda Nobuna and BTOOOM!, two series that I’ve wanted for quite some time, but for entirely different reasons. BTOOOM! I’ve heard is an awesome survival game show, one of my favorite sub genres of the overarching thriller genre, so there’s that. But Oda Nobuna has been a long-awaited buy. I watched it in the summer of 2016, and enjoyed it immensely for some reason. Glad to finally have her in the collection—or should I say, on the throne where she belongs!

Here’s a couple more pickups I’ve been meaning to make for a while: Tokyo Magnitude 8.0 and Love, Chunibyo, and Other Delusions!: Take On Me, the movie. I’ve heard nothing but stellar things about the former, but it was always out of stock whenever I tried to buy. Happy to have these after all this time!

I wasn’t actually planning on ever watching Knights of Sidonia, let alone buying it. Yet, it would seem even titles produced by Netflix expire on Netflix, meaning it was $20 now or a missed opportunity forever, and I thought hey, CG space fights sound pretty aight.

I used to TORTURE myself over whether to settle for DVD or pay practically double for Blu-ray back in the day. Thankfully, with Blu-ray prices steadily declining and DVDs going extinct, I’ve been limited to the obvious choice. It would seem that everyone’s trying to get ahold of this beloved title, however, so it was DVD for both sets or eBay Blu-ray hunting for one of the OOP collections. I chose laziness. Settled for less, perhaps, but was it really worth the effort to begin with? Only time will tell.

Last, but certainly not least, is Sentai’s massive Patlabor Blu-ray collection, which contains ALL of the classic series. That’s like, 47 episodes, 3 movies, and a boatload of OVAs. And it was just $40! A no-duh purchase for a sci-fi fan like myself, right?

Here’s what the inside cases look like. Love the coordinating art and the blue, white, orange color palette. The silver shine on the “box” also adds a nice industrial feel to the release. Did I mention the window on the box sleeve is really neat, cause it is.

And here’s the back, since I’m feeling generous and all (and I’m totally not exploding with happiness for the quality of this release). They even included a little timeline for all this animated stuff—how thoughtful! Speaking of time, I heard the first film just had its 30th Anniversary this past Monday, July 15th! What a perfect way to celebrate the franchise and its success! (Plus, a wonderful way to end this post!)


I love hauls. No matter the contents, no matter the amount, they bring me so much joy. Did you buy anything from the summer Sentai sale? Show me your haul over on Twitter or let me know down in the comments! Have you seen Patlabor, and did you like what you saw? Let me know that, too!

I typed all of this spontaneous post on my phone, so yay for mobile blogging. I’ll get around to posting a manga review here within the next couple days, so that’ll be cool. Same goes for a summer simulcast line-up . . . it’s, eherm, on the way, yeah. Otherwise, that’s all I’ve got, so till next time!

– Takuto, your host

Parasyte -the maxim- Review

I kid you not, as I was following this show during the fall season, I found myself acting in this more “unemotional or robotic” way. I didn’t really talk to people, I only ate and slept for energy, and I even recognized all of the unnecessary and disgusting things some of my friends do. Upon finishing my simulcasts as of late, I noticed what was manipulating me – possibly one of the most influential anime I’ve seen to date – Parasyte -the maxim-.

They called themselves alien beings, but we know them better as Parasites . . .

Izumi Shinichi is a lanky and awkward 17-year-old high school boy who lives peacefully with his mom and dad. One night, tiny aliens silently rained from the sky, burrowing themselves into humans and taking over their brains. As one of the worms tries to crawl into Shinichi’s ear, the headphones he wore while sleeping blocked the entrance. It tries to drill itself into his right hand, but Shinichi rips off the ear buds and ties them around his arm, preventing the bug from entering his brain.

Forced to coexist with “Migi,” the two form a close bond (literally!). And while the separately conscious pair stumble into other Parasites on the streets, the two form strategies and acquire new skills to ensure their survival.

Though I don’t care much for this survival of the fittest concept, Parasyte at the very least deserves the award for one of the most well-paced anime I’ve ever seen – and it keeps this effort up until about episode 18/24, after which it dramatically slows down to introduce the core villain, but picks back up again in the last couple episodes for a satisfying conclusion. The only con to this ending is the still-unknown origin of the Parasites, but hey, I really didn’t care about that by the end.

So an impressively-paced anime must include some interesting characters, right? Absolutely, and Izumi Shinichi’s dynamic yet gradual change from absolute human to slightly less than machine couldn’t have been more fleshed out than this! The struggles, externally and internally, of what it truly means to be “human” that Shinichi overcome are seriously scary – Do you think you could kill another (or several) human(s), one bearing a child at that? Sure, his foes are technically Parasites, but it’s damned hard to tell in some cases! Great developing character; an ideal lead for the “did nothing wrong” trope.

Representing the cold, harsh truth is Migi, Shinichi’s newly named right hand after the Parasite took over it. Because he is attached to his body, he receives nutrients from the food Shinichi eats, meaning that he has no need to kill humans for food. He doesn’t understand humans. The rational Migi values his own life over all others, threating to kill anyone whom Shinichi leaks the news to. As the series progresses, however, Migi slowly reveals a human side, and as it happens, Shinichi is absorbed more into the monstrous nature; the Parasite lifestyle. It’s a brilliant concept that is executed without flaw.

Shinichi and Migi deserve another round of applause for their superb voice actor and actress, Nobunaga Shimazaki and Aya Hirano, respectively. Shinichi’s confusion, transformation, and choking on blood sounds convincingly realistic, and Migi’s emotionless yet matter-of-fact speech is one of this show’s charms. Migi is so gosh darn cute – especially when he/it detaches from the arm and waddles around :3

The only other interest is Tamura Reiko, Shinichi’s substitute math teacher who is actually a Parasite. I won’t spoil the crimes that she commits, but she almost outdoes Shinichi in the transforming humanism aspect. She is a key character because, though she does kill to survive, Tamura is among the few that question their own origin by “experimenting” on other Parasites and humans. Let’s just say that when she’s taken out of the picture, the story as a whole loses some drive and fundamental curiosity.

Shinichi’s friend/love interest Satomi Murano is an annoying piece of sh*t.

If you enjoy more realistic animation, then you’ll enjoy what Madhouse has to offer. With the exception of the “anime eyes,” everything is pretty proportional. To me, the flesh-colored tones and dull colors are boring, but despite that the animation is indeed solid. The UNSENCORED BLOODY Parasite fights nice; intense and fluid in motion, using bright colors during quick and deadly execution. In contrast, emotional or romantic scenes feature cool/rich colors to mellow out the mood and add a sense of hearth.

And while Migi had some personality, all of the other Parasites were just the same monster; variety is not prominent in this anime.

I am torn when it comes to the OST. Parasyte is infamous for its use of dubstep BGM, even though there are killer monstrosities on the run. That, I can understand, makes for some lackluster encounters. On the other hand, there’s a music box-sounding track that plays during parts where you’re like, “Oh man, something really bad is going to happen any minute now.” The soundtrack is very enjoyable when it plays the right song, but otherwise it can draw away from the mood.

The first part of the strong opening (verse) “Let Me Hear” by fear, and Loathing in Las Vegas is really freakin’ cool, however, from the chorus and on the opening is just a screamo song. My thoughts aside, it fit the show quite well. The ending, “IT’S THE RIGHT TIME” by Daichi Miura beautifully wraps up each episode with melancholy and a longing to just go home. Though I absolutely love the song, it doesn’t fit well when some episodes end on the world’s largest cliffhanger. 😀

Parasyte -the maxim- succeeds at appealing to all levels of relationship: maternal, paternal, friendship, mutuality, comradery, and by distant acquaintance. Its address on the qualities of humanity attacks your very soul, challenging and questioning you as to what it truly means to be “human.” This anime does lack notable supporting and antagonistic roles, but it’s nevertheless an exciting story of power struggle. Because of its uncensored, slasher gore, the horror that is Parasyte is not for young or soft viewers. But for those who can handle the gripping thrill ride, do yourself a favor and check it out!

“I might be about to commit an irredeemable sin as a human being, but can I say that an organism has no right to live just because it’s harmful? Even if it is not beneficial to humans, to Earth, it may actually be . . .” – Izumi Shinichi

Parasyte -the maxim- has been licensed by Sentai Filmworks, so we can expect an English dub soon, fingers crossed – this is Sentai, after all. For legal streaming, the whole series is out there on Crunchyroll for FREE! Did you like this anime? Feel free to like and comment! Until next time, this has been

-Takuto, your host