30-Day Song Challenge Day 23: Cover Songs That You Like

Oh boy. It’s gonna be a full house tonight – and I won’t even get into instrumental covers, DARN. Enjoy the selection!

From Guilty Crown, “Euterpe” English Cover by Amanda Lee

It has begun, the AmaLee FAN RAVE! Gosh, this woman is incredible. All of her English lyrics are superbly written, fitting for any original song and show they come from. Not to mention, her voice is very easy on the ears; whenever I search for English covers, the voices tend to be a bit pitchy (whiny, scratchy, poorly recorded, what have you, still glad people try though), but not hers, uh, nope. She’s fantastic, and I love the way she always rhymes the lyrics ^.^ “Euterpe” is one of my all-time favorite insert songs from a show, and AmaLee covers it wonderfully.

From Puella Magi Madoka Magica, “Magia” English Cover by Amanda Lee

Now for the dark side of AmaLee. Dive into Hell itself with Madoka Magica‘s twisted, corrupt ending theme. What I like most about this cover is the way she transfers the lyrics into English. They’re simple, but incredibly powerful; intense and understandable. I used to have her dub memorized at one point, but time stole that from me (perhaps I should frequent this song more often).

From Attack On Titan, “Reluctant Heroes” English Cover by Amanda Lee

I swear to God, I never even noticed how bloody tragic this song was until I listened to this fairly recent cover. Since the original is sung by male Engrish and features loud rock instrumentals, this softer and sweeter feminine contrast shines even brighter. Her harmony is timeless, and the piano – LAWD, the piano! You’re bringing me to tears!

From Fate/stay night: UBW, “Brave Shine” English Cover by Amanda Lee

Sh*t, this is brilliant, like I can’t even. First off, the song is so EPIC, but then you have the English lyrics that make it understandable. I think people can better relate to music sung in their own language, don’t you agree? But it is necessary to give foreign songs a listen, too. Otherwise, you’re not sampling all of the lovely flavors the buffet of song offers, right? 😉 Great dub lyrics, on-point harmony!

From ALDNOAH.ZERO, “Heavenly Blue” English Cover by Amanda Lee

This is one of those songs that giving a new drum to changes the entire meaning of the work. Personally, I still prefer Kalafina’s to this new meter, but these lyrics are so, soo good, fitting for the show’s tone.

From Parasyte -the maxim-, “Let Me Hear” English Cover by Amanda Lee

I love everything that she does with this one. The remixing is intense, but it’s a subtle eeriness. I think it gives the show a whole new beauty, one that I can’t honestly get enough of. Pull the song out of its screamo rock context and you’re left with an emotional ballad about humanity.

From The Heroic Legend of Arslan, “Lapis Lazuli” English Cover by Horiphin

Sick of AmaLee yet lol? The recording itself may not be the brightest, but oh boy is this a gem of a cover. THESE LYRICS ARE PERFECT!!! It’s already one of my favorite songs, but once you put it in my native tongue, it nearly doubles the value of the entire experience! I hope this cover hits a million views someday, because it definitely deserves a listen. Did I mention that the lyrics were absolutely incredible? Hot damn.

From Negima!?, “1000% Sparking” English Cover by FUNimation 

FIRST ANIME SWAGGG. Part of me wishes that studios still dubbed their songs (maybe as an extra or something), because I really like this cover – In fact, I prefer it tenfold over the original! This song embodies a small warm spot in my heart, and it’ll never leave, so I had to throw this one out there. I hope you like the cover, too (ignore the audio issues, I know, audio skips are the pits)!

From Sword Art Online, “Overfly” English Cover by Amanda Lee

I know, you’re probably all sick of this name (show or singer or both), but before I head onto my number one cover (no, this list is not in order, just best for last), I had to mention that this “Overfly” cover is absolutely brilliant. I can’t even speak about how great this cover’s lyrics are without foaming at the mouth and collapsing. It is Miss Lee’s Magnum Opus in my eyes, and I always feel so alive when I give this a listen. The message transfers so differently in English, but it feels so righteous! This one I do have memorized 😉 and I hope you enjoy her beautiful voice one last time on this list ~

From Neon Genesis Evangelion, “A Cruel Angel’s Thesis” English Cover by Geeky McGeekstein

Here it is. My favorite English cover to ever exist for a song. These lyrics transcend the song, and the recording itself carries a quality that makes it feel vintage, much like the 1995 anime. I already mentioned this one a couple days ago, but it’s seriously one of the best songs and covers ever. I CANNOT think of another cover that surpasses this masterpiece! Top-notch singing and bloody fantastic English lyrics!!!!! (and no, I don’t care if you dislike it)

If you read all of this, then a high-five for you *slaps hands* Thank you so much for reading, and I hope you enjoy my selection. It’s quite the extensive list, but I couldn’t just leave one or two on this one. Besides, it wouldn’t be like me if I didn’t have you reading a freakin’ 10-paged B-essay every time I posted 😉 See you tomorrow!

– Takuto, your host

Parasyte -the maxim- Review

I kid you not, as I was following this show during the fall season, I found myself acting in this more “unemotional or robotic” way. I didn’t really talk to people, I only ate and slept for energy, and I even recognized all of the unnecessary and disgusting things some of my friends do. Upon finishing my simulcasts as of late, I noticed what was manipulating me – possibly one of the most influential anime I’ve seen to date – Parasyte -the maxim-.

They called themselves alien beings, but we know them better as Parasites . . .

Izumi Shinichi is a lanky and awkward 17-year-old high school boy who lives peacefully with his mom and dad. One night, tiny aliens silently rained from the sky, burrowing themselves into humans and taking over their brains. As one of the worms tries to crawl into Shinichi’s ear, the headphones he wore while sleeping blocked the entrance. It tries to drill itself into his right hand, but Shinichi rips off the ear buds and ties them around his arm, preventing the bug from entering his brain.

Forced to coexist with “Migi,” the two form a close bond (literally!). And while the separately conscious pair stumble into other Parasites on the streets, the two form strategies and acquire new skills to ensure their survival.

Though I don’t care much for this survival of the fittest concept, Parasyte at the very least deserves the award for one of the most well-paced anime I’ve ever seen – and it keeps this effort up until about episode 18/24, after which it dramatically slows down to introduce the core villain, but picks back up again in the last couple episodes for a satisfying conclusion. The only con to this ending is the still-unknown origin of the Parasites, but hey, I really didn’t care about that by the end.

So an impressively-paced anime must include some interesting characters, right? Absolutely, and Izumi Shinichi’s dynamic yet gradual change from absolute human to slightly less than machine couldn’t have been more fleshed out than this! The struggles, externally and internally, of what it truly means to be “human” that Shinichi overcome are seriously scary – Do you think you could kill another (or several) human(s), one bearing a child at that? Sure, his foes are technically Parasites, but it’s damned hard to tell in some cases! Great developing character; an ideal lead for the “did nothing wrong” trope.

Representing the cold, harsh truth is Migi, Shinichi’s newly named right hand after the Parasite took over it. Because he is attached to his body, he receives nutrients from the food Shinichi eats, meaning that he has no need to kill humans for food. He doesn’t understand humans. The rational Migi values his own life over all others, threating to kill anyone whom Shinichi leaks the news to. As the series progresses, however, Migi slowly reveals a human side, and as it happens, Shinichi is absorbed more into the monstrous nature; the Parasite lifestyle. It’s a brilliant concept that is executed without flaw.

Shinichi and Migi deserve another round of applause for their superb voice actor and actress, Nobunaga Shimazaki and Aya Hirano, respectively. Shinichi’s confusion, transformation, and choking on blood sounds convincingly realistic, and Migi’s emotionless yet matter-of-fact speech is one of this show’s charms. Migi is so gosh darn cute – especially when he/it detaches from the arm and waddles around :3

The only other interest is Tamura Reiko, Shinichi’s substitute math teacher who is actually a Parasite. I won’t spoil the crimes that she commits, but she almost outdoes Shinichi in the transforming humanism aspect. She is a key character because, though she does kill to survive, Tamura is among the few that question their own origin by “experimenting” on other Parasites and humans. Let’s just say that when she’s taken out of the picture, the story as a whole loses some drive and fundamental curiosity.

Shinichi’s friend/love interest Satomi Murano is an annoying piece of sh*t.

If you enjoy more realistic animation, then you’ll enjoy what Madhouse has to offer. With the exception of the “anime eyes,” everything is pretty proportional. To me, the flesh-colored tones and dull colors are boring, but despite that the animation is indeed solid. The UNSENCORED BLOODY Parasite fights nice; intense and fluid in motion, using bright colors during quick and deadly execution. In contrast, emotional or romantic scenes feature cool/rich colors to mellow out the mood and add a sense of hearth.

And while Migi had some personality, all of the other Parasites were just the same monster; variety is not prominent in this anime.

I am torn when it comes to the OST. Parasyte is infamous for its use of dubstep BGM, even though there are killer monstrosities on the run. That, I can understand, makes for some lackluster encounters. On the other hand, there’s a music box-sounding track that plays during parts where you’re like, “Oh man, something really bad is going to happen any minute now.” The soundtrack is very enjoyable when it plays the right song, but otherwise it can draw away from the mood.

The first part of the strong opening (verse) “Let Me Hear” by fear, and Loathing in Las Vegas is really freakin’ cool, however, from the chorus and on the opening is just a screamo song. My thoughts aside, it fit the show quite well. The ending, “IT’S THE RIGHT TIME” by Daichi Miura beautifully wraps up each episode with melancholy and a longing to just go home. Though I absolutely love the song, it doesn’t fit well when some episodes end on the world’s largest cliffhanger. 😀

Parasyte -the maxim- succeeds at appealing to all levels of relationship: maternal, paternal, friendship, mutuality, comradery, and by distant acquaintance. Its address on the qualities of humanity attacks your very soul, challenging and questioning you as to what it truly means to be “human.” This anime does lack notable supporting and antagonistic roles, but it’s nevertheless an exciting story of power struggle. Because of its uncensored, slasher gore, the horror that is Parasyte is not for young or soft viewers. But for those who can handle the gripping thrill ride, do yourself a favor and check it out!

“I might be about to commit an irredeemable sin as a human being, but can I say that an organism has no right to live just because it’s harmful? Even if it is not beneficial to humans, to Earth, it may actually be . . .” – Izumi Shinichi

Parasyte -the maxim- has been licensed by Sentai Filmworks, so we can expect an English dub soon, fingers crossed – this is Sentai, after all. For legal streaming, the whole series is out there on Crunchyroll for FREE! Did you like this anime? Feel free to like and comment! Until next time, this has been

-Takuto, your host