HELLO cafe-goers, it’s Valentine’s day!! I hope you all are having a grand day, whether that’s spending time with that special sweetheart, relaxing with the fam, or crying to yourself as you watch anime and stuff your face with chocolates you bought on sale. Personally, I am tending to those last two options, but I won’t be crying because, in the strange annual spirit of V-Day, I plan to marathon an anime classic from the past! The previous menus have included:
2013 ~ Steins;Gate
2014 ~ Ouran High School Host Club/Gosick (couldn’t remember which)
2015 ~ Neon Genesis Evangelion
2016 ~ The Rose of Versailles
When I’m not chatting it up with my siblings, attempting to put together my thoughts on 3.33 (it’s coming soon, I swear!!), I’ll be attempting to knock this shojo classic out of the park! I picked it up for pretty cheap during a holiday sale, and thought, sure, what the heck – I only heard it was THE historical anime of the century! So yeah, hope you all have had a sweet day, and I promise, the conclusion to Eva-Week is on its way. See you all soon!
A review of the spring 1997 anime movie “Neon Genesis Evangelion: Death & Rebirth,” produced by Gainax and Production I.G, based on the original story and series by Hideaki Anno.
– View in browser, not app, for best experience –
I knew I would be disappointed with this film just by hearing all of the negative feedback it received. Now, would I have sent Hideaki Anno death threats? Lord, no, but I can understand why Death & Rebirth, despite its critically-acclaimed impact on the series, is often – and should be – skipped. To those who haven’t seen it, you’re probably thinking, “Why pass up more information to a series that lacks much explanation as is?” That’s because Death & Rebirth offers absolutely nothing new. Zilch, save for interspersed musical quartet scenes, a one-minute firsthand account of the Katsuragi Mission, and pretty half-way credits moment.
The following song just reminds me of all of the sh*t these poor kids went through. It’s sad, really:
The “movie” is actually two episodes: one 70-ish minutes and the other 30-ish minutes. Part one, Death, is a shotty recap of the first 26 episodes of the original Neon Genesis Evangelion.
Instead of taking the typical approach of sequential order used by most recap episodes, Death jumbles all of the scenes up and attempts to sort them out by characters. That’d be like saying, here’s 20 minutes of Asuka, followed by 10 minutes of Rei, then 20 minutes of Misato, etc. It fails incredibly, however, due to having inconsistent rhythm, nonsensical ordering, and honestly, all of the “meh” scenes from the original series. While I understand going for a psychologicalapproach to sort of line everyone’s emotional patterns, flaws, and triumphs up, that doesn’t mean you cut out all of the quality combat scenes that made Evangelion a fan-favorite.
I always thought this was going to be Death & Rebirth. WHAT IS THIS ARTWORK FROM?? That Angel looks B.A.
By the way, over 90% of the film is REUSED ANIMATON from the series. Wait, what?? The only new thing Death brings to the table is those lackluster quartet scenes mentioned above. Kaworu on first violin, Asuka on second, Rei on viola, and Shinji behind the cello. Even though we don’t get to see them play (cue typical Evangelion black screen and text), the film merely putting classics like the “Canon in D” or “Air” in the background, the assigning of their instruments speaks for itself. Don’t get it? Here:
Shinji Ikari, cello. First to arrive, set up, tune, and practice Bach’s “Cello Suite #1,” a soothing piece which weaves notes on all four strings together; arpeggio (yes I’ve played it, often overhead in media, but whatever). The cello is the closest string instrument to the human voice. Specifically, some say it was modeled after a woman’s — a mother’s voice. Shinji pilots Unit-01, which we all know by now contains the essence of his lost mother. The cello is a mirror to Shinji’s desire to be with his mother again. Also, it’s the only instrument in a traditional quartet that you can hide your chest behind.
Asuka Langley Soryu, second violin. Second to arrive, cheerfully giving Shinji a “good morning call,” unpack, tune, and burst out the first few bars of Bach’s “Gavotte in Rondo,” a busty and springy song full of independence and repeated melody. Want to know why they’re called “second violins?” Simple. It’s because they’re not first; that is what Asuka has been struggling with since the beginning – Always trampling over the competition with a fierce façade, yet falling so short in the last second.
Rei Ayanami, viola. Third to arrive, set up, tune, and wait patiently to start. I can’t remember what she practices (if she even did so), but she plays the viola, an instrument that has been joked about for centuries because it’s nearly impossible to hear. It’s shaped like the violin – an imitation, a clone, much like Rei herself – but it harbors the same strings as the cello. Remember that warm and fuzzy mother feeling I was talking about? Yeah. Starting to see the connection?
Kaworu Nagisa, first violin. Fourth and last to arrive, set up, tune, and become ready to play. I also can’t recall what he practiced, but the instrument speaks for itself. It’s the first violin: It guides the group, provides cues, gets all of the high licks, and impresses us most upon first glance. Kaworu was only around for an episode or two toward the very end, yet his impression not only on Shinji but the audience as well enraptured viewers. SPOILER: Kaworu is not only the last to show up in the film and to quartet practice, but is also the last angel. He’ll literally fly higher than everyone else, whether that’s over the planet or in the music. It is through his death (his final cue) that the show can ascend into its final stage.
Then there’s a 5-minute intermission which plays “A Cruel Angel’s Thesis” on acoustic guitar and another track from the original series . . . Yep, a real freakin’ intermission. That sh*t just made me laugh.
Rebirth, the second half (last third), is actually the first half of the film The End of Evangelion. As such, you should skip this copout and head straight on over to that masterpiece following your Evangelion experience!!
Supposedly, the animation and sound quality in Death & Rebirth is a huge improvement over the original series. I neither saw nor heard a difference, SOOOO, for those interested in my thoughts in those areas, please check out my review of the original series!
I get what Death & Rebirth was supposed to be: a grand compilation of the psychological sides of the main characters meant to “butter you up” for the true end. But it FAILS MISERABLY, and as such I only recommend it to EXTREME fans of the franchise. The content was great, but its presentation just doesn’t do the original series a bit of justice. The playing of Pachelbel’s “Canon in D” by our favorite quartet of psychologically-scarred NERV-lings was a nice end to Death, but since they aren’t actually animated performing (and it’s a crappy compilation), I’m not even going to personally rate it. Instead, I’ll be leaving Neon Genesis Evangelion: Death & Rebirth in the “Breads” section of the café NOT because it’s necessarily bad, just disposable for non-fans. Did I like it?
Let’s just say that in my case, more Eva is a good thing. A wonderful thing.
As always, I hope you found my thoughts interesting! Until the next part of Eva-Week, this has been
Ladies and gents, children of all ages, welcome to a very special week here in the cafe (and to another wonderful cafe talk!). One fateful year ago from this upcoming Valentine’s Day, I was (not) alone (click to read the backstory). I had previously spent the first two weeks of the month building up to this day: Canceling holiday meetups, telling my family “see ya,” leaving my girlfriend (HAH, no such thing exists now and then :/), and even preparing snacks. To what end? I was determined to introduce myself into the fantastical world of the (in)famous mecha anime Neon Genesis Evangelion (click on link for my thoughts!!!!!). Primarily, I just wanted to watch the Rebuild films, but seeing as I didn’t know what they were (and that they were just tempting me at the store since childhood), I thought I’d just sit through the series so that I could get to the meat.
Well, I got myself into much more than a robot fight, mind you.
I ABSOLUTELY fell in love with everything the franchise had to offer. For days-weeks-heck, this whole YEAR after, I spent my time endorsing myself into whatever I could get my grubby little paws on. I finally got to buy those two films, went eBay dumpster diving for the original Platinum litebox release of the series, and even dipped my toes in picking up that controversial movie we all love but don’t understand (some hate it for that mere factor): The End of Evangelion (click link for my cool thoughts on it!!!) . And you know what? I even got (well, my cool bro picked them up for me on a music trip of his :D) the last two volumes of the manga, 13 and 14, just to coincide my experience with the last volume’s release. That’s right. I’m edgy~
I even formatted some pictures on Google (thank you respective artists) and printed posters!!! Wow, not sure if that’s cool or lame . . . I think I’m pretty cool . . . o_o
Flash forward one crazy year, and here I am again, (not) alone. But I have other plans for this V-Day which I’ll advertise in a future post. This week is Evangelion week in the cafe – Specifically, my “Revisit” (get it, Rebuild, Revival, “Revisit,” oh I am so damn clever) to the beloved Tokyo-3. After what, 3 or 4 years of waiting, coincidentally, FUNimation finally decided to release the third installment of the Rebuild franchise: Evangelion 3.33: You Can (Not) Redo. It was officially released this past Tuesday, February 2nd (yes, a fan such as myself had it on pre-order ;)), and in celebration of its release and my anniversary of uncovering the franchise for myself, I declared this Eva week, and spent a good chunk of Monday and Tuesday rewatching my favorite episodes (“The Day Tokyo-3 Stood Still”).
Aren’t you loving how this all pans out for me? Coincidence after coincidence, lucky me ~
Here is how the week’s been running so far, and will proceed as planned:
2/1 Monday – Rewatch favorite episodes of NGE between 1-13
2/2 Tuesday – Rewatch favorite episodes of NGE between 14-26
You’re probably sittin’ there gagging, “Takuto, why bother with Death & Rebirth? Isn’t it just a sh*tty retelling of the series followed by the first episode of The End of Evangelion?”
Why yes . . . well, apparently, I suppose? I never included D&R during the grand binge of ’15, so I’ve only been going by speculation. It’s time I grow a pair and see what I think, though, right? Can a true HUGE fan of the franchise say they love it to death if they haven’t absorbed all of it? That’s my thinking at this point, at least, so I paid the $15 bucks just to have it in my collection (because collecting is fun).
I’ve rambled enough! Won’t you join me on this epic conquest to reestablish, reaffirm, rekindle, and revisit this anime classic (gosh, one would think we were about to do something again, wouldn’t they, sheesh)??!! If not, well, the door’s right over there (just kiddin,’ go find another one of my reviews to munch on until the cool kids are done partying LOL)! I mean, we’ve been with each other since the beginning, so let’s finish the third lap on the track that has been etched in anime history: 3.33, here we come!! You can expect a review of both Death & Rebirth and Evangelion 3.33 at the end of the celebration, and hey, if you haven’t already checked out my old reviews of parts in the franchise, click on the links scattered above. They could sure use some lovin.’ 🙂
I’ve already changed my wallpapers, blocked out the world, and prepared tons of snacks. Oh wait, SHHHH, the movie is starting!!!!!!!!
We have begun Third Impact once again, everyone. Join me in this segue so the End. “The end of every world has a beginning, and this is (not) the world we thought we knew.” It’s time to Revisit and Redo.
It’s finally arrived. 30 days later, we finally made it, minna! Enjoy the finale ~
I feel like I should be making some sort of elaborate speech, but truth be told, it’s just another day of the challenge XD. One last time, I shall be breaking the rules by uploading as many songs as I freakin’ can just to prove my point. What is today’s topic anyway? A theme song for a show about my life? Well, that’d be pretty boring, IDK, probably just some awkward little string pizzicato diddy. But if it’s like any TV show nowadays, the theme song’s grandeur would be exponentially higher than what the show actually makes out to be. So let’s just blow my life story out of proportion and get to rockin’!
These songs, by the way, will be considered the “opening theme” for a show about my life.
From Gosick, “Resuscitated Hope” by Lisa Komine
If my life was a mystery-occult-romance-drama thrown back in the 1920s, then my opening song would easily be this masterpiece. I’ve been waiting this whole challenge just to fit this song in the mix, and I think it’s more than appropriate here, wouldn’t you? The anime Gosick, by the way, is totally epic! It’s a rarity that surprisingly many people don’t know about, so go check it out as soon as you can. I guarantee you’ll fall in love with the time period and the characters, not to mention getting wrapped up in all of the intense mystery horror (too bad my life’s not like Victorique’s)!
From Haiyore! Nyaruko-san W, “Koi wa Chaos no Shimobenari” by Ushiro kara Haiyori-tai G
If my life was a rom-com-harem-fan-service-ecchi anime, then hells yeah this is what it’d sound like! Now, I haven’t seen the show at all, let alone this sequel, but with the way it bounces all around just makes me think of ecchi things. WOAH, Takuto, you’re a pervert? Well, as much as the next guy I suppose, but doesn’t this song sound kinda . . . naughty . . . ? Think about it.
😉
“Endless Tears” by CLIFF EDGE feat. Maiko Nakamura
If my life was a romance-intense-drama-heartbreaker, then here you go. “Endless Tears.” Yes, I know I’ve already talked about this one, but seriously, this is my drama-bomb cry-forever song. My life will most likely never be so complicated in the field of love (cause I’m a loner), but if things did take a drastic turn and BAM, sudden dramatic twists, then I can’t think of a better match. Enjoy it this last time ~
From The Heroic Legend of Arslan, “Lapis Lazuli” by Eir Aoi
If my life were a fantasy-tragedy-action anime, then you’ve got “Lapis Lazuli.” I mentioned a cover of this song, but try out the original sometime. It’s fantastic! It’s got just enough sass and swing to carry the melody, and the beat is perfect for imagining all kinds of exciting adventures over various lands. But I include tragedy because I feel a bittersweet longing in this song – a craving for something special. In the end, I don’t think I would ever find it, so I mark my ending as tragic. At least it was one hell of an adventure, right?
From In Search of the Lost Future, “Le jour” by Satomi Sato
If my life were a romance-drama-sci-fi-thriller, then I think this would be a decent fit. Now for those who have not watched this obscure anime (or haven’t even heard it before), don’t watch it. It’s sh*t. But it had several wonderful aspects to it that made me want to see it through to the end. What was the best thing I got out of it – this song, the opening. It’s rejoicing, tragic tone just reminds me so much of, well, myself! I probably didn’t match the genres up as well as I could have, but here it is nevertheless.
From Neon Genesis Evangelion, “A Cruel Angel’s Thesis” by Yoko Takahashi
If my life were a psychological-supernatural-sci-fi-thriller, then what else would you expect from me?? Honestly, if you didn’t expect this infamous song to hit the list, then you probably don’t know me LOL Seriously though, this song kills me every time – but in a good way, mind you. Eva always manages to remind me of how the world works for some odd reason, and that’s probably due to the way it destroys its characters over and over again until you can hardly not stop crying for them. It’s got giant aliens, giant robots, comedy, romance, tragedy, action, drama – Everything for me!! If my life were anything like this, then this would easily be my theme song without a doubt.
But my life is none of these exciting things, and most likely will never be so exquisite. I manage, day by day, facing the harsh reality like anyone else. I live a normal slice-of-life-rom-com whether I want to or not. As such, there’s really only one song that can capture my struggles:
From Kyoukai no Kanata, “Daisy” by STEREO DIVE FOUNDATION
It’s casual, light-hearted, but also has this relatable passion of feeling like another day is passing by. Fleeting is perhaps the word I’m looking for. While most episodes would take place in the classroom or at home, besides being the opening, this feels like the song that would burst out when I chase the one I love . . . whenever I find them. “Daisy” is very well-rounded, and as such I think it’s the ideal match. It’s slow-drumming groove and slightly delicate chord work timed with the incredible male singer transforms this into a song befitting of my average life. If you listen closely, you can hear the anguish of this normal life within the song, and its subtlety grabs me by the heart every time.
[listen to one of these as you read the rest for maximum feels]
This right here is magic.
And there you have it. 30 days; a ton of songs to listen to! I won’t lie, I’m pretty sad that it’s all over now 😥 We’ve gone through so much together in just these last 30 days. You’ve probably learned so many new things about me, whether they’re personal quotes or whatnot. Thank you for all of the support during this challenge 🙂 If you’ve stuck it through from day one to now, then you’re a really dedicated trooper! I found so much love from you guys, reading boat-loads of comments at three in the morning, or receiving text alerts all throughout the day (*sniffs, stifles back a tear). I’ll really miss this.
If you happened to miss a day during the challenge, or are curious to compare before and after certain days, then never fear. I’ve linked the challenge in the header menu above. If that’s too much work for you, I’ll just leave a convenient listing below. Click on a day and take in all of these feels!!
Did you have a particular favorite day of the challenge? If so, tell me down below – Let’s have a party in the comments! Wow, I guess I could go back to watching anime and writing reviews now. Also, I have a crap ton of lovely nominations for various awards to follow up with. I guess wherever the wind takes us next will be our new quest! Thank you all again for your support throughout this challenge. I had way too much fun writing for each of these special moments 🙂 WE DID IT! This challenge was so, so incredibly tiring, but well worth the new friends and songs that I got to meet and listen to. I recommend this 30-Day Song Challenge to anyone daring to take up 30 within a month. I thought it was supposed to be done day-by-day, but apparently other bloggers have been posting to their own liking, which I won’t lie, it probably would have been an good idea to try 😛 BUT I’m crazy like that, so there you go! Until next time everybody, this has been
Gosh, how I hope I’ll be just as happy as Asuna and Kirito when I get married. I mean, wouldn’t that just be a dream come true? This picture might come across a bit strong, but, umm, I like it a lot. Look at them, they’re so happy! Wait . . .
MY WEDDING?? Woah, slow down there, I’m fine with rockin’ the bachelor status for now (the fandom, it’s too strong)! Oh, but celebratory dancing? Yeah, I can do that. Let’s see, I’ve already used the Log Horizon waltz, so that’s a no; I think I’ve mentioned “Continued Story” like five times on this blog because it’s so incredible, so let’s do something new. OOH, I think I’ve got a couple!
From Sword Art Online’s OST, “Dance With Me” by Yuki Kajiura
You all know I’m a sucker for a good waltz 😉 In fact, I used this song for an English project because I thought it matched the tone of a poem I once read. Anyway, I think this is one of those sweet waltzes you could dance with your loved one. Just set your arms in theirs, and move – move freely and elegantly together , just like the graceful strings singing to the 3/4 time signature.
From Neon Genesis Evangelion, “A Cruel Angel’s Thesis” by Yoko Takahashi
CAUTION: Spoilers for the TV series in both videos
I swore to myself before the challenge commenced that I would include this song in somewhere. I think I found a hit.
So you know how wedding parties always seem to have some throwback music playing from the DJ or whatever? C’mon, the “Chicken Dance,” “YMCA,” we’ve all forced ourselves to groove to them, but why not jam out to something that you actually like? That’s why I chose this 1995 baby and decided to put the ring on her! Upbeat, catchy as all hell, and fitting for the style IMO – it’s the ideal party song! Yep, I’m totally playing this at my wedding. It’s official. Call me trash for picking a classic, but I honestly can’t get enough of this song – I never have. The English fandub is, by the way, nearly as phenomenal, so I’ll leave it to you to do the right thing and give it a listen. Trust me, “Geeky McGeekstein” does one of the best covers EVER! Lyrics are absolutely perfect for the show’s story, and her vocal recording has that vintage quality this old song carries 😀
BUUUUUTT, if I for some reason don’t acquire these songs for my wedding, then “Pachelbel’s Canon” will suffice XD There are too many great songs out there, I swear! Until tomorrow everyone (ooh, it’s Friday! *does a little jig), this has been – Takuto, your host
As said in my “You Are (Not) Alone” Valentine’s day post, I had a pleasant three-day weekend to binge-watch the infamous robot anime Evangelion, a timeless classic in the anime community. So what do I have to say about it? Well, I can fully appreciate Ender’s Game now.
Fifteen years ago, the Angels, gigantically scary extraterrestrial life forms, caused The Second Impact, a catastrophe which wiped out half of humanity and literally threw Earth of its axis. In present-day 2015, the Angels have returned in Tokyo. To counteract, a secret UN agency by the name of NERV has developed weapons – human fighting machines known as “Evangelion.” Though they can only be piloted by fourteen-year olds, for some odd reason cause its anime, the heroic Evangelion robots hold up against the Angels with ease – most of the time.
Shinji Ikari’s whole world is thrown into chaos when his asshole of a father, the head of NERV, demands that Shinji pilot purple Evangelion 01 during a sudden Angel attack, even though his own son is terrified of the thought. Regardless of what he truly wants, Shinji must courageously force himself head first into intense battles, diving deeper and deeper into despair and insanity to uncover his self-worth.
Shinji is a difficult character to talk about mainly because his life is a double-edged sword; pilot the Eva and win – everyone loves you. Lose, however, and you’re on everyone’s death list. He has a pussyattitude and his constant apologizing gets on many people’s nerves. To top off this train wreck, he specifically says that distancing himself from others is easier than being with someone. As much as I want to say he is a hero, he really isn’t, but rather the child that humanity must pity. That’s not to say that his life is hell, though, because it definitely sucks! I think a distressed youth such as Shinji was the most interesting viewpoint the series could have had.
Misato Katsuragi, the sexy chief of operations officer at NERV, takes timid Shinji under her wing, serving as the motherly figure that was robbed from him as a child. She is pretty messy, as she leaves beer cans and instant-made food containers lying all around the apartment. For most of the show, she serves as the comedy and fan service side of things, but she’s way more than that. In work, she is punctual, intelligent, and a captain, while at home, Misato is relaxed, carefree, and a lover. Misato is a fun and awesome gal, and Allison Keith portrayed her with a quality-matching English dub performance!
Asuka Langley Soryu pilots red Evangelion 02, and as such acts as Shinji’s partner for parts of the show. She serves the plot as Shinji’s opposite with her busty German speaking and ballsy/brash loud mouth. She too suffers from intense mental grief, shown physically through the way she feels the need to conquer everyone else – that she is better and above all others. The two fight a lot and over the course of the show, she opens him up to a more social, sexually-open life. I especially enjoyed Asuka as a character and her English voice actress, Tiffany Grant. She nailed the German, I tell you! 😉 “Wunderbar…” God damn, I can’t even…
The one whom I was disappointed with was Rei Ayanami. Then again, I’m not one for silent characters. With her blue hair and red eyes, you get the impression right away that something about her seems, hmm, fake? She pilots the prototype orange/blue Evangelion 00. To the plot, she is much more in The End of Evangelion. For now, however, she acts as Shinji’s “love interest,” though they don’t get really far between his shyness and Rei’s awkwardness and lack of communication. Rei is the opposite side of the same coin to Asuka: a peaceful, compliant fantasy girl to a demonic, enticing sex counterpart.
So that’s all, right? Nothing else to the characters? Of course not. Neon Genesis Evangelion’s cast is massive; I’d be spending several reviews recapping just the complexity these last four characters if I could. They are all wonderful, intricate, memorable, and most important of all – human.
All of the characters are pretty screwed up though. Towards the second half and end of the series, they all descend into their own personal hell, growing more insane due to the vibe the Evangelion give off until they eventually crack. Even the good doctor Ritsuko crumbles in madness. It makes you feel depressed, shameful, guilty – just all of the things that they feel, really.
And the plot is the same way. What started out as a regular mech series that has fighters cleverly taking down enemies ended up soiling itself in darkness and messed-up plot turns. However, the show’s real antagonist,” Seele,” lacks so much explanation that they are hard to understand. They pull random crap out of nowhere and it can be really confuzzling. Character motives become distorted and you ultimately end up with a show soaked in raw twistedness.
To the animation by low-budget Gainax – IT’S NOT AS BAD AS PEOPLE SAY IT IS. Frankly, I found the animation to give the show a unique feel to it. Yeah, it’s crap during a plentiful amount of scenes; there are freeze frames where nothing is moving for a freakin’ hour; the Evangelion and Angels are not given justice in Gainax’s animation – so what?! It makes you feel eerie; the dull tone and paleness makes the story more mysterious in a sense. Praise to the Rebuild films – ABSOLUTELY – but this anime makes do with its poor studio budget, and I appreciate that.
The soundtrack supports many militaristic themes for the engaging battles, but nothing really stands out. Even more emotional moments lack interesting tracks. I suppose it fits the mood well, but it’s not a brilliant score by any means. One of the main things I took from this experience was the addicting opening, “A Cruel Angel’s Thesis” by Yoko Takahashi. I kid you not; I never skipped this opening once when I watched the series. While the legendary lyrics don’t really match Shinji’s character, the song is still a must-listen! 😀
If you didn’t understand Neon Genesis Evangelion – that’s fine, did anyone? Just to name a few questions: Who can truly say when evolution has gone too far, as well as whether having a God is a good thing for humanity? As long as you grasped your own beliefs from this anime, then you have mastered the Evangelion experience, so-to-speak. Many believe this anime to be symbolic of life; some think Hideaki Anno was simply high when this show came out in 1995, and he probably was. Neon Genesis Evangelion truly masters character relationships, and is intelligent, creative, disturbing, unnerving, and downright weird. But at that, one hell of a ride. “Science has made us gods even before we are worthy of being men.” – Ritsuko Akagi
Thank you so much for reading my review over this timeless anime classic! Leave a comment below with any thoughts or questions you had. Hit the like and/or follow buttons for more content like this and until next time, this has been
As you all know, V-day is tomorrow, and I want to wish all of you a happy day full of love, family, friends and food! 🙂
I have been reserving this weekend to tackle one of anime’s most confusing titles, Neon Genesis Evangelion. I plan to watch the series first, then the End of Evangelion movie, and finally the remake movies, which I am most excited for. To be honest, I don’t really want to watch the series, just the movies, but hey, I better view this classic to its entirety!
For those who have seen it, do you have to watch the series? Or can you skip to the movies without losing too much detail? So puzzling!
Thank you to all of my new followers – you guys are the best! Also, thanks for reading my anime reviews – I greatly appreciate it! Happy Valentine’s Day from Takuto’s Anime Cafe, and until next time, this has been
Takuto's Anime Cafe 