Battle Angel Alita: The Original Cyberpunk Classic || Manga First Impressions

First impressions for volumes 1-2 (Deluxe Edition Volume 1) of Yukito Kishiro’s manga series “Gunnm” or “Battle Angel Alita,” published in 2017 by Kodansha Comics.


Saved from the Scraps

Only the few and the fortunate are permitted to live in the shining space city of Zalem, a utopian metropolis which floats high above a desert wasteland. What trash and unnecessary dealings the people of Zalem find expendable are tossed into The Scrapyard, an enormous stockpile of waste below the city which is surrounded by a clustering of ghettos and shacks. This is where the rest of humanity–flesh and cyborg alike–eke out a living, surviving by grit and brute strength alone.

While scavenging a pile of discarded android parts, Daisuke Ido, a cyborg repairs doctor, finds the head of a young female cyborg amid the scraps. Dr. Ido builds a new body for the head and names her Alita. Although Alita’s memory upon activation is foggy and lost to her, she still wishes to stay by the good doctor’s side.

The caring relationship between the two is challenged when Alita discovers Ido’s night job as a hunter-warrior, a bounty hunter working for The Scrapyard’s government, and she decides to become one herself against Ido’s warning. While pinning down wanted criminals in the shadows of the slums, Alita awakens to her forgotten knowledge of fighting techniques. As it turns out, Alita is a warrior, though her origins are still unknown. With her newfound strength, Alita determinately fights for justice, recovering bits of her fragmented past to rediscover her original identity.

Lawlessness and Chaos

I love cyberpunk. Whether the clean-cut, glowing neon feel or the technologically clustered vision (as with Alita here), I enjoying seeing how different artists approach their worldbuilding. Whereas Ghost in the Shell is more cerebral-focused–showing how cyber enhancements in the brain transform humanity’s relationship with the Internet–Alita sticks to altering the physical body. The toughest of cyborgs that enjoy fighting in the arena are equipped with metal arms capable of lifting megatons. Might makes right in The Scrapyard.

When not admiring the glorious physiques of the various strongarm hunter warriors, we can look to the background art for cyberpunk influence. Often, pages of the comic will pass with little to no dialogue, leaving the reader to simply awe at the setting artwork and detailed landscape imagery. Yukito Kishiro structures the worldbuilding aspects of the series with elements of action or moments of self-discovery, imbedding the story of The Scrapyard within key character backstories or set pieces.

I’m especially referencing the ghastly yet vast and mazelike conditions of The Scrapyard’s sewer system–a seemingly bottomless world of gross infestation and hellish living for any creature. The bubbling bog’s curious plumes of stench contrast fantastically against the arid and metallic cityscape of the surface world. What binds them, however, is a prevailing sense of lawlessness and chaos.

If You Liked the 2019 Film, You’ll Love This

Despite having come to the manga from watching the 2019 live action film, I found Alita to read incredibly easy on its own. Each story element flows to the next well enough to warrant having the series on your shelf along with the film’s Blu-ray. Both the film and the manga have their own subtle differences (mainly concerning changes to the appearances of certain characters, or their omission entirely), but again, they both hold well on their own.

Perhaps the only major crime (as a film watcher) is the sad discovery that motorball isn’t in the manga at all! Or, at least not in the first couple volumes (*cries anyway*). Kodansha’s first Deluxe Edition volume ends on the film’s climax, so I’ll have to see how that cliffhanger is resolved in the manga. I wonder if it’s anything like the cool ending of the film . . .

Alita is, by and large, one of the most important titles in the cyberpunk genre. Its influence extends far beyond the main genre it belongs to, including the realms of action, adventure, science fiction, and even dystopia. What I discovered from my read of the first 10 or so chapters of the manga, however, was that all of the praise for Alita is well-deserved. Whether you liked the film as much as I did or not, you’re bound to love the empowering female narrative of the Battle Angel Alita manga even more.


“I believe that every human can choose her own way of life! We can choose to be ugly or beautiful!”

Alita


Afterword

I’m sure you’ll hear more about my Alita journey as I pick up more volumes, but we’re off to a fantastic start so far! Now the question is whether I should continue the series in the Kodansha Deluxe hardcovers or move to digital since, you know, it’s cost-effective (and saves a ton of shelf space)! I’ve got lots to think about.

One last thing! With all the cyborg skull-crushing and limb-smashing violence, Alita does lean more on the graphic side. Just wanted to let you know in case you are entirely new to the franchise. 🙂

Have you ever tried out this classic cyberpunk manga? Let me know in the comments! So far, I love the world and the characters in it, and that’s enough to keep me throwing money at this franchise. Thanks for reading these first impressions, and ’til next time!

– Takuto

Into the Abyss: Fire Force Manga Volumes 7-9

Loose thoughts on volumes 7-9 of Atsushi Ohkubo’s manga series “Fire Force,” initially published in 2016 by Kodansha Comics. Spoilers will be present.

CLICK HERE TO READ MY THOUGHTS ON VOLUMES 4-6


Enter the Forge

Coming off the shocking ending of volume six with the introduction of *assumed villain* Viktor Licht to Company 8, volume seven opens with new knowledge of Shinra’s world. As it turns out, much of the habitable land known to mankind was burned to a crisp at the dawn of the Solar Era. Countries that we are familiar with now no longer exist in this period as a result of spacial distortions. The planet is quite literally falling apart. Although the actual history is still unknown to us, Viktor isn’t afraid to confirm with the reader now that Amaterasu and the Tokyo Empire are definitely fishy in origin.

Taking on the other companies will prove difficult with their current team. Thus, Obi sends the innocent trio of Shinra, Arthur, and Sister Iris to try and talk a legendary blacksmith and mechanic over to their side: Vulcan, aptly named after the god of the forge. I appreciate the way Ohkubo quickly yet thoroughly introduced Vulcan and his “family” to us; unlike most other additions Ohkubo would make this late in the game, Vulcan isn’t an annoying guy.

Vulcan’s goal of bringing back animal life to the world—another detail I had yet to realize until now—is a noble one, and his frustrations with Haijima Industries is well understood thanks to his backstory. It was honestly moving to see that underwater projection, reminding us of how hot and dry the landscape often seems. I can totally see the anime dragging Vulcan’s history to the point of tedium, but the manga remains quick on its feet and moves past his angst.

Volume seven doesn’t stop there. The drama escalates when Shinra realizes that the White Hoods set a trap for Company 8 and Vulcan. It was an ABSOLUTE double-whammy to find that not only was the WHOLE Company 3 working for the Evangelist, but also that Lisa, a member of Vulcan’s “new family,” was also an Evangelist spy. Really, this caught me off guard. I had my sneaking suspicions that Company 3’s captain, Dr. Giovanni, was actually Vulcan’s grandfather, but this conspiracy was quickly snuffed out—and probably for the better.

Oh yeah, and Princess Hibana joins the fray with some SERIOUS heat. Glad Ohkubo is keeping her relevant both off and on the battlefield.

Shinra Meets Sho

THE CONFRONTATION WE’VE BEEN WAITING FOR. And honestly, it was just as short as I thought it’d be. So far, it would seem that the only edge Sho has over Shinra is his extreme speed, which is kinda lame cause I thought he’d have real nasty fire abilities. I suppose we have yet to see those, though, so for all I know Sho’s fire is just as potent as Shinra’s can be. Anyway, Sho has no wishes of joining our heroes, which was kinda already expected, just not as bitter.

To finish out the battle at Vulcan’s workshop, I found it perhaps most odd that Joker jumped in to fight off Sho from catching up to Shinra’s escape. Even more surprising was that Joker appears to be no match for Sho’s deadly speed. What is Joker’s aim? I thought he was with the Evangelist. Is he just a terrorist, or perhaps an anti-hero? I’m sure his story will come to light before too long.

As with Princess Hibana’s efforts in the previous volume, Ohkubo is really trying to keep all the characters he introduces on the table—which is fantastic. The majority of this eighth volume is spent on a mini training excursion in Asakusa. That’s right, Benimaru is back, BITCHES. I love this man, WOW, and I still don’t even know why. I just wish he’d join Company 8 more on their quests already cause y’all already know he can take Sho down.

Just as Shinra learns from Benimaru to focus his fire with traditional meditation techniques, Arthur also learns a thing or two about how to sense life on the battlefield. Arthur is such a ditz, but Ohkubo’s made this guy impossible to hate at this point. Benimaru’s wise teachings will already prove helpful as Obi takes the fight to the White Hoods in Fire Force‘s next big arc.

The Nether, a land of darkness that remains untouched by Sol’s holy light. In other words, the Tokyo subway ruins following the cataclysm many years ago. Man, Ohkubo’s world-building continues to astonish. Just when I think I have Fire Force‘s world all figured out, Ohkubo gently places new information to throw the reader off. He’s been slowly, carefully fleshing out this universe of fire and brimstone, and the results pay off when the reader can look at the lower gates to an ordinary subway and a chill runs up their spine. There’s definitely something wrong with this place . . .

Now that we’re here in the depths of the earth, it finally occurs to me that, yeah, there really aren’t that many scenes where our characters are exploring any subterranean location. Again, this obviously carries intent. The stress on Sol as a deity is really questioned throughout this volume and the end of the previous. Company 3’s Dr. Giovanni goes on a religious tirade praising the glory of the Evangelist and diminishing the light of Sol, but really, who is this Evangelist—and who or what is Sol? This self-inquisition adds so much to a world that, apparently, we still know very little about.

A Light in the Dark

At the end of volume eight we get our first fight: Maki vs. Flail. I CANNOT wait to see this shit animated, cause wow, Maki’s new gear is so freakin’ cool. Thanks to Vulcan’s handy-work, Maki’s able to utilize her little fire sputters in a much more advantageous way: they are the fuel for a set of giant floating armored hammers that can both attack AND defend with ease. The staggered armor plating on these pile-bunker-esque arms also matches Obi’s signature full-body shield, which is nice for consistency. In all, it’s just nice to see Maki shine on her own.

My favorite confrontation, however, was the explosive sniper duel of Hinawa vs. Arrow. Hinawa may just be the coolest guy in the company. His backstory is solidly written. His purpose and ties to the other characters makes absolute sense. And his abilities as a Second Generation, WOW, so fitting for him and useful on the field. Both snipers were almost willing to destroy themselves just to hit their target, which lends to itself humorous commentary in Arthur vs. Mirage (also a pleasant rematch, it’s nice to see how much Arthur has grown). The stark use of black and white during these panels also accentuates the flash of their bullets and arrows—the clash between two sharp, diligent minds.

The weakest fight was by far Tamaki vs. Assault. As opposed to her flame ability taking out her opponent, that damned “lucky lecher lure” or whatever ended up being Assault’s downfall. Gosh, my eyes cannot roll hard enough. It’s bad enough that I don’t care for Tamaki at all, but to see her fighting like this really degrades her character. I sincerely thought this was going to be redemption for the cat girl. Oh well, at least Sister Iris came in with that lead pipe to Assault’s head.

Lastly, there’s Obi and Vulcan vs. Dr. Giovanni and Lisa. This fight really shows off Dr. Giovanni’s cunning ways, but also Obi’s raw human strength as a non-powered soldier. Vulcan and Lisa do little aside from playing Romeo and Juliet, so the main draw of this fight is definitely on the ideology clash between the company captains. I just can’t wait ’till Obi rips that obscene mask off Giovanni’s head.

As Shinra frees Viktor Licht from the White Hoods, it quickly becomes apparent that something isn’t right here. Shinra has sensed Sho’s presence in the Nether since the beginning, but a strange vision of ashen demonic skeletons has me scared for Shinra’s life. I have a hunch that the grand conflict awaiting us in volume ten will not only prove hard on Shinra because of Sho, but because his own powers may decide to reveal their true colors.


We are forever beseeching the rising sun. Grant thy light to the undefiled souls.Sister Iris


Afterword

Lots of stuff happened in these past three Fire Force volumes. I have no doubt that the story is only to get a lot darker with the reveal of certain truths about the world in the volumes to come. I went ahead and ordered the next nine volumes (I know, I should moderate myself better), but I’ll be taking a break from the series until they arrive. Until then, what are your thoughts on the series so far? I’d love to hear, but no spoilers please! ‘Till next time!

– Takuto

CLICK HERE TO READ MY THOUGHTS ON VOLUMES 10-12