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5 Ballistic Reasons You Should Watch Girls und Panzer

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That’s right, not just ordinary reasons — Ballistic reasons. What does that mean different for this top five list? Not much, actually. There’s no point in my reviewing this popular girls-meets-tanks anime because I’d just be saying the same darn things as everyone else. So instead, here are five reasons –ballistic reasons– you should be watching or have already watched Girls und Panties. Take notes.

ONE: There are tanks.

They’re teenage girls squatting in hefty, musty, roving WWII metal boxes of death. Sure, cute girls, but dude, freaking tanks. It makes the Strike Witches look like basic b*tches with iron high-heels. The tanks are designed using 3DCG, but who gives a flying flip? It’s good CG –hell, it’s great CG–and none of the fight scenes are too jarring to make you cringe. These authentic armored panzies (not pansies you pansy) move with such vigorous power that it’s a crime not to stare at their treads and drool. Everything from their movement (drift in episode 12 doesn’t count) to the metallic texture and oil stains just seems legit. This alone should be enough of a push, but since you’re still hesitant, here’s four more reasons for Girls und Privies.

TWO: Their town is on a big boat.

Okay, aircraft carrier. Same thing. In a world where every town and city alike is set adrift on the Atlantic, competition is inevitable. Look here, England’s boat is nearly twice as big as Japan’s. To get your mind out of the gutter, it means that this English team has more funding than the Japanese one. I know these aren’t the main lands on each carrier, but guys, the spirit of competition is out there and everywhere! When you participate in tankery, you not only represent the team or family or the city, but the culture as a whole. Need to pick up some floral tank air fresheners? Stop at your local Ooari outlet, park the ship, then shop ’till you drop, cause it’s gonna be a long ride across the Pacific to Saunders.

THREE: Racism is not funny.

Oh c’mon, you know it’s good stuff. While I don’t appreciate racism, the teams in Girls und Prejudice are basically a hodgepodge of cultural stereotypes. Japan (or is it supposed to be Germany, I digress), England, the United States, Russia, and even Italy all get their faces poked fun at in explosive tank warfare. England (AKA St. Gloriana) calmly drinks tea (pinkies up bruh) and fights with organized justice; the United States (AKA Saunders) boisterously storms with overwhelming numbers and even cheats in their fight, yet proves they still have much to learn; Mother Russia (AKA Pravda) *cue heavy accent* takes to the ice and snow to out-maneuver any opponent who opposes their almighty Katyusha. HAIL. You’ll laugh, trust me.

FOUR: As much as they succeed, they fail.

Not everyone likes a daughter who abandons the family career to pursue their own. Threatening to stray away from the family style is also a huge no-no. In the Girls und Pussies world, girls are the tough ones — they’re the ones riding the tanks, after all! These gals have to suck it up and rub some dirt on their wounds in order to persevere in a world where failure is eminent. These old tanks are smelly; they’re too old and rustic; the treads keep snapping off; these seats are too cold (yet we’ll keep wearing skirts cause thigh gap). All this and more, we root for the underdog, and we get this natural high to shout with them when the odds are against them. They transform failure into lessons, as it should be.

FOUR 1/2: The English dub sucks, but the soundtrack is loaded with incredibly addictive war anthems provided by the marching band.

FIVE: The battles are smart and engaging.

If there’s anything you’ve taken from this lazy-ass list, it should be this. All of the combat performed in Girls und Paint Jobs is highly entertaining. For every wreck the Ooari girls get themselves into, they, as a collective, somehow manage to hash out a plan and take action in a fairly believable manner. You’ll be so left on edge, in fact, that your Panzers you vor will be in a knot, hah! Tactical, intriguing, and always dishing out suspenseful scenarios for our Anglerfish Team, the art tankery itself is by far Girls und Pedophiles’ highest vantage point.

So there are five solid reasons to hit up Girls und Please-share-this-post. I was trying to be humorous with it all, so you should let me know if I passed in the comments. Seriously though, I love this anime! It’s a “Cake” for me! I haven’t seen the OVAs (on purpose, cause there’s supposedly no tank combat and outside the tank, GuP is so boring) or the new movie, but maybe I will if it gets localized. Do you have any other strong reasons to watch Girls und Panzer? Let us all know, thanks for dropping by, and until next time, this has been

– Takuto, your host

Still not convinced? Here’s a clip. Just . . . watch it.

 

 

Bakemonogatari Review

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So I decided to take up another large anime project and have settled on the Monogatari series. Famous for its dialogue-driven stories full of supernatural phenomenon, I thought “hey, sounds like a blast.” What I got instead, sugar coating scraped off, was a hit-or-miss subtitle-heavy anime that, with all careful decision in mind, I might not explore to its fullest.

“Ghostory” centers on Koyomi Araragi, a high school boy who, after surviving a vampire attack, became half-vampire himself, giving him various powers such as regeneration and heightened vision. To the best of his abilities, Araragi lends a helping hand to five different girls who have also become entangled with ghosts and spirits. His first encounter with the sadist tsundere Ms. Senjougahara Hitagi, however, sets him down the path of frustration yet eventually love.

I came into this anime expecting dark, twisted stories about ghosts and the occult, but instead I got a romance harem. *sighs* The series is divided into five different arcs – one for each girl – and while each one is interesting and rounds out a particular character to a considerable degree, the lack of coherence to each story chops up Senjougahara and Araragi’s overarching relationship. In an anime filled with nothing but dialogue, each arc manages to keep the story fresh, but their relationship suffers heavily.

In terms of character dialogue, there is nothing wittier than this, well, besides Okabe and Makise from Steins;Gate. Crafty wordplay, playful teasing, and intense argumentative banter are so well presented in Bakemonogatari that often times than not, it’s even worth reading in subs. Sure, some of the comical value of the puns is lost, as I sadly do not know Japanese, but the interactions are still super entertaining. A downside to this factor is that these quirky conversations can last the span of half an episode, where the characters are just standing around or sitting on a park bench. AS SUCH, THE SHOW CAN BE EQUALLY BORING.

Another disappointing thing was that arcs would begin mysteriously and uber creepy (YESS!!), but then they sometimes build up to a lackluster finish. For instance, I really liked how “Nadeko Snake” started, but man, it was such a boring finish. This show was good, but not a masterpiece by any means, and I honestly don’t know if I want to watch the second season.

Each of the girls have been “cursed” so-to-speak by an apparition, and as a result carry some sort of deformation that affects their body: Hitagi’s physical weight was stolen from her, Mayoi can’t seem to return home, Suruga’s arm became that of a monkey’s, so on and so forth. In addition to their dilemmas, each girl is a personification of various anime girl stereotypes – but with a twist. Take Hanekawa: class rep, studious, kind, but has parental problems at home. Suruga is the loud athletic girl, but she’s extremely perverted as well as a hardcore lesbian! These additions not only help personalize characters, but they feel more realistic, too.

Watching all of the characters interact with each other is where this anime shines. Because the show has such a small cast, each of the characters are explored and developed quite thoroughly. Even Araragi is hilarious to watch, witnessing his switch from lolicon to pervert, serious man to joker! The comedic skits are fast-paced while the “return fire” in arguments are just as quick-witted! Great voice acting, especially for Araragi and Senjougahara, also helps to bring out the sass talk!

Animation studio Shaft brings it all together with its attractive presentation. Silhouettes, background shadows, geometric lining, extreme symbolism and color balance are all presented with such unity that it’s truly remarkable to watch! Not to mention, varying camera angles and flash frames attempt to keep those long conversation scenes as exhilarating as possible. Also, it’s hilarious to watch the characters anger Araragi; I love all of the cartoon faces that he makes!

About the flash frames, though –  while some shows flash a couple of words that can easily be read, Bakemonogatari seizures us with occasionally paragraphs of plot-important text. I found myself slamming the pause button every five seconds during the episode openings where they are most abundant.

As for OST, the fight scenes are not necessarily well-supported, but the lengthy conversations have several strange and upbeat scores playing in the background. While the OST is not worth mentioning, the fourth opening “Ren’ai Circulation” by Kana Hanazawa and the fifth opening “Sugar Sweet Nightmare” by Yui Horie are both really catchy!

Bakemonogatari is a very surreal anime built around cursed characters that try to fight their own nightmares. They speak cleverly, some a bit smart-assy than most! I strongly recommend walking into this anime with an open mind, as lots of information are thrown at you – and you gotta read fast! Underneath all of the jokes is a memorable cast of colorful and deep characters, each complete with a story of their own no matter how grim, and it’s all about diving into their personal hell and finding the cure so that they can be at peace once again.

“If I kill you, that means I’ll be the one closest to you when you’re on your deathbed. Isn’t it romantic?” – Senjougahara to Araragi

+ Incredibly well-developed characters with entertaining dialogue

+ Sense of “something’s not quite right” establishes great tone

+ Shaft’s unique animation adds to the series quality

– Lots of subtitles to read

– Drastically boring during periods without suspense

Haha, Senjougahara, I’m not sure if that’s romantic, but it’s definitely true (and freakin’ weird)! If you want, you can watch the first 12 episodes of Bakemonogatari on Crunchyroll for free, and you’ll have to find the last three episodes somewhere . . . umm . . . on the web. What did you think of this anime? Does it get better after the first season? Staplers and head tilts!? Let me know in the comments, thanks for reading, and until next time, this has been

– Takuto, your host

Kill la Kill Review

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It’s been a while since I have been wowed like this. Mocha-quality Kill la Kill strips down a basic yet stupid idea, over sexualizes women, showcases butt-naked men, and gets rough, rowdy and ridiculous all for the sake of boldly venturing where not many anime go. The burning question at hand: “Why do humans wear clothing?”

Hot-blooded high school girl Ryuko Matoi is in search for “the girl with the scissor blade;” the same girl who killed her father. Her clue hunt has led her to Honnouji Academy, a militaristic school structured by the “Goku uniforms,” uniquely ranked suits that grant students superpowers. As such, there is a fine line drawn between the mighty and the weak. Law and order is maintained through the school’s “Elite Four” and their supreme student council president, Satsuki Kiryuin, who rules over the domain with unquestionable judgment and absolute authority.

As the unwavering Lady Satsuki and fierce Ryuko meet face-to-face on the bloodstained battlefield that is Honnouji Academy, the threads of fate begin to unravel, and the whole school – as well as the world itself – is at risk of destruction.

Starred uniforms that give students unimaginable power? Yep, it sounds stupid. Very stupid. But through countless fights against a variety of opponents, Kill la Kill makes it work. Why they were made, how they were made, and what they actually are made of are all concepts that the anime explores thoroughly. Don’t try to wrap your head around things – Kill la Kill is NOT a “concentration-necessary” show.

Though fast-paced, the show never seemed rushed. Starting from the fateful encounter, the series gradually builds up to about the ¾ point, after which like any other 26-ish episode anime, it becomes a dramatic and serious blaze to the finish! The anime never seems convoluted in plot and serves as a great storyteller.

Ryuko Matoi is our main heroine. She will do anything to uncover the truth about the powerful Scissor Blade and to avenge her father, including “sacrificing” her body to Senketsu, one of the most powerful sailor suits in existence. While she’s hot-blooded and eager to fight aggressively, Ryuko always seems have issues with Senketsu; the two struggle to agree on matters and as a result have bonding troubles. “Losing her way” would be the proper term to explain her conundrum.

But Ryuko undergoes numerous transformations that make her easily likable and somewhat old-fashioned. Her character reminds me of the typical heroine, yet one embodying the resolve of the classic male hero, too. Because we get to see both sides to her, feminine and masculine, Ryuko becomes a relatable and rather enjoyable lead female – one of the best I’ve seen!

On the other side of the coin is Satsuki Kiryuin, the commanding figurehead and rival to Matoi. A Machiavellian leader, Lady Satsuki is calculating, observant, influential, and above all, sexy. Her iron rule comes from her infamous tagline, which I’ll put in quotes at the end of the review.

In a very similar style to Ryuko, Satsuki exemplifies the feminine and masculine qualities of the archetypical hero. While I can’t leak too much for spoiler’s sake, I can say that she carries a softer side as well. Satsuki is brilliant and inspirational – a rare beauty and one of my favorite characters in general! “HAIL SATSUKI-SAMA!!”

The supporting cast can be broken down by simple goals and stereotypes. The Elite Four consists of 3-star fighters who serve and protect their Satsuki at all costs: the guardian, the fighter, the brains, and the little girl you should probably be terrified of. “Nudist Beach,” the organization opposed to the Goku Uniforms also resembles the usual resistance team.

One other character to point out is Mako Mankanshoku, a goofy, hyperactive student at Honnouji Academy. After literally diving into Ryuko’s life, the two become best friends. Even though she is the moe girl, Mako and her wild family stand as a constant reminder to Ryuko as to what a good family is. Mako is a bit too much at times, leaping in at the last minute to save Ryuko from inescapable doom, but beyond that she is entertaining, friendly, and loving.

Animation by Trigger – hate it or love it. The style is rough, extreme, and lacking in detail. It’s a great change of pace compared to the typical class room setting, however, the obnoxious bold lines sketched all over the place occasionally take things too far. Tension, comedy, and impact are perfectly-balanced strengths, shown best through the very first 10 minutes of the show. Sometimes the animation is very expressive and does the show justice, but other times it’s indistinguishable. The best things about the animation are the communicative facial expressions and high-energy fights. Trigger clearly wasn’t scared to show anger and explosive rage, as they hit that ball out of the park!

For the OST, this is by far Hiroyuki Sawano’s best work. Superior tracks such as “Blumenkranz” are pure evil (fitting for the f*ck-tastic villain Ragyo, might I add), while Satsuki Kiryuin’s theme or Jakuzure’s anthem match their character PERFECTLY. And as much as I hate Nui Harime, even her theme gave off this bizarre feeling of creepy. I NEVER got sick of Kill la Kill’s over-the-top, epic soundtrack! 😀 (PS: 2nd OP “ambiguous” by GARNiDELiA is really awesome)

The only possible turn-off is the surplus of fanservice. Naked men from Nudist Beach and Kamui crop-tops with miniscule panties are overbearing. The director probably wanted to attract as much attention as possible, and hey it worked; thin straps covering well-endowed breasts and sword-wielding beauties? Yep, that’ll stop traffic. But also consider this: the show rebels against clothing, so doesn’t the nudity in a sense support the main message . . . ?

Kill la Kill is great because it is not afraid to show some skin and express itself boldly, however brash it seems at times. It doesn’t hold back when it comes to furiousness, fiery combat, or majestic speeches – it let’s all hell loose, and it’s fantastic. I full-heartedly recommend Kill la Kill for an awesome story, memorable protagonists, and the best rainbow-haired, purely evil antagonist IN EXISTENCE – just get past the nudity first and you’re golden! If you like action and overwhelming emotions please do yourself a favor and check it out. Its nearly mindless-fun approach to storytelling might intrigue you.

“Fear is freedom! Subjugation is liberation! Contradiction is truth! Those are the facts of this world! And you will all surrender to them, you pigs in human clothing!” – One of the greatest leaders to live, Satsuki Kiryuin

Thanks so much for checking out my thoughts on Kill la Kill! I love this anime so much it’s crazy! IT HAS A VERY SATISFYING ENDING. If you enjoyed the review, hit that like button – I’d really appreciate it. Feel free to drop a comment below, too! Until next time, this has been

– Takuto, your host

Negima! (season one) Review

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After watching Negima!?, I just had to check out its first season, which I have to say I was a little disappointed, as prequels are usually better than sequels. This season was darker than its successor especially towards the end, which changes the entire picture of what Negima! is.

Season one of the Negima franchise starts off similar to its sequel. Negi Springfield, a 10 year-old wizard in training, is transferred to Mahora Academy in Japan, which is an all-girls school. Here, he fights with a vampire, makes pacts with middle school girls, teaches English and searches for his father. The major difference between this series and the next is that this one focuses on the girls more and the other magicians besides Negi. Minus the Star Crystal plot and the Black Rose Baron, you can check out my Negima!? review for a better synopsis of the plot. Personally, I prefer the second series.

The actual story doesn’t really progress until episode 20. Yes, you heard me. 20. Up until then, it’s all about the girls and a more in-depth look into their lives beyond the school. Specifically speaking, we get a look on why Ayaka Yukihiro, class representative, acts the way she does (I love that episode to its entirety!). When class 2-A travels to Kyoto, Japan, for a cultural trip, Negi and co. encounter Fate, an antagonist who is better described in the manga. Fate desires Konoka Konoe, who, unknowing to the class, possesses a rare magical background, which I will not spoil! Because Fate is thrown it the series to make up for the manga, he seems very unexplained and random, which I did not fancy.

During the climax of the series, Asuna gets dark. If you’ve seen this series, you know what I mean. Not gonna lie, I cried. A lot. It was a simple yet tragic story that I will never forget. To this day, I can’t watch the last couple episodes without getting all worked up. This plot device really shows that Negima! isn’t all fun and games; it does have a more depressing movement to it. It was such an unexpected twist that it literally changed my view on the Negima series.

In this first season, the characters are better defined. Unlike the sequel which only shows comedy, these characters reveal some sad memories. As I mentioned earlier, Ayaka gets a nice treatment in this series. To be revealed later, Ayaka’s brother actually died during birth. Negi reminds Ayaka of her to-be little brother and that is why she loves him. In the second series, she just comes off as a creepy shotacon, so it’s better to view her from this series than the other. Regardless of her attractions, I love Yukihiro as a character!

Not gonna lie, none of the tracks stick out. Besides I think “Magical Battle” and this one relaxing theme which I still have never found :/ , there is nothing else that I can recall. Season two has a more memorable soundtrack than this one. One moment that I can remember, however, is the following day of the grand plot twist. Holy crap! It starts with a sad cello soloing and more instruments are added until the weight is to heavy to bear. At that point, I break down in tears. Whoever wrote that song did very mature job! The opening, “Happy*Material,” is also a very motivating song to listen to. Its playful chords and different vocalists (who are, BTW, the Japanese cast for the girls) make it a magical and, get this, “happy” song to listen to!

For being animated in 2005, I thought it was decent. I haven’t seen many older anime so I can’t really judge this one. It’s not distracting to any degree, but there some awkward animation pauses where the “camera” just stops on a character after they are done talking. Because of this, dialogue doesn’t flow to well sometimes. On a side note, I did watch the English dub for this one; it’s fairly well done, but nothing superb. Unlike the second series, the view isn’t anything crazy like frames flying across the screen, so take it how you will. Some think that is distracting, but with the second series in particular, I thought it was a nice touch.

I feel like I keep comparing this season to its sequel, but one really can’t help it. The second season embellishes on what the first season failed while the first season dives into concepts that were not explored in the second. Both series balance each other nicely. As such, I was entertained a decent amount. The character stories are interesting enough but the small individual arcs do get kinda boring after a while

The Negima franchise keeps with a fun, magical atmosphere, yes, but the first series not so much. I know it was the first adaptation, but still. It’s good, but not great or stunning. Motsu is not in this one, so it gets old just watching the same characters attempt and fail at various tasks. Though it seemed thrown in, the ending did actually improve my score of this show. Negima! is a series that you can watch a few times and still not get too bored, which is a good thing for sure! All in all, if you are a fan of the sequel, go ahead and pick this up. Otherwise, it may not be worth your time.

Presently, FUNimation’s Complete Series of Negima! sits on my shelf performing its magical mayhem while awaiting its next viewing.

Thanks for reading!

– Takuto, your host

Negima!? (season two) Review

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This anime has a special place in my heart as it is the first I had ever seen, besides random encounters with Sailor Moon, Yu-Gi-Oh!, Pokemon, etc. I watched it in the spring of 2012. For those of you who don’t know, Negima!? is slice of life, fantasy adventure, comedy, magical girl, fanservice anime. With that being said, it is an honor for it to be the first that I review! First review – here we go!

Negima!? revolves around Negi Springfield, a 10 year-old genius wizard who had just graduated from the Magic Academy, a school for wizardry and magic. As part of his training, Negi and his talking ermine fairy friend Chamo are transferred from their home in Wales, England to Mahora Academy in Japan, which is an all-girls school. His mission – to teach English class there while seeking out a partner to help in his sorcery. With this partner, Negi must form a pact, or “Pactio!” which involves a kiss on the lips. The partner then may have their contract invoked in order to use magic. The plot rolls along, however, when the loudmouth obnoxious Asuna Kagurazaka, student No. 8 in his 2/3-A class of 31 girls, sees him using magic. From here on out, Negi eventually makes partners out of his entire class, all while encountering twisted fairies, magical worlds and the darkness.

When I first watched this series way back when, I found it to be ridiculously awesome, probably giving it more credit then it actually deserved. The concept is easy, but not astonishing in any way, to understand, as most of the terms are thoroughly explained in the first episode. I found myself always wondering what would possibly happen next, then again I was younger when I first watched it. The surprises Negima!? had in store were nicely executed. This series also has a lot of cultural references, which made the experience a knowledgable one, too.

Negima!? has one of the largest casts that I have ever seen; 31 girls plus a few more is a handful to keep track of. Nevertheless, Ken Akamatsu, the creator, displayed valuable and unique traits for each of the girls. A decent amount of screen time (for a cast this large) was given to each one, which allows the viewer to love more than just the main eight or so. It was silly, at one time, I had all of the girls memorized! Looking back, it was a huge waste of time trying to remember all of them!:D Since it is a comedy, all of the cast members each have their individual quirks that make them stand out. This makes the dialogue for the English dub especially fun to listen, as the voice actors really get distinct in their respective character(s).

While characters in Negima!? made me laugh, they did not make me feel anything else. Aside from Anya, Negi, Nekane, Evangeline, Asuna and maybe Yue, the others were pretty static. I guess if the creator spent an episode for each one, then the plot would never advance. But, maybe a couple episodes dedicated to the side characters instead of useless boobage and banter would have been more beneficial.

I distinctly remember the OST, opening, and ending for this anime, which is a good sign. The OST for this show is small, which means the tracks are used over and over again. However, they are good songs and tend to fit the mood better than anything else. Some themes such as Nekane’s or the Chupacabra Research Society’s are especially easy to recall, for they are breathtakingly sweet and outrageously hilarious respectively. The series’s opening “1000% SPARKING” is really catchy and motivational and is also sung in English in FUNimation’s dub. Personally, I prefer the English one. The same is for the show’s ending “A-LY-YA!” – it is such a fun song.

Previous anime I had seen include Sailor Moon and Pokemon, so Negima!?‘s animation was a treat (no offense to those classics). The artwork was presented in one of the most memorable fashions. Sometimes they would have different camera angles in boxes and these boxes would just be floating and shaking on the screen depending on who is talking. Sometimes the background would be super ornate – like reeeally cool – and during other times it would just be one solid outline color. I recall even a few times they would include real life photos and crop them in. The differentiation in presentation made the show more exciting, as it was more of a show for humor over plot. Characters were drawn with individuality, so you could remember how certain characters acted just by looking at them. These people were also drawn in a simple yet fitting way to match with the background. In other words, the characters were easy to see but did not stick out like black on white. Negima!?‘s unique animation is definitely its highlight.

Overall, Negima!? was quite the entertaining show. Its mix of stupid comedy, quick jokes and decent plot make it a good first-time anime for those who are interested in the culture. I can say that I was fairly entertained. While this anime lacks in individual character development, it makes up for that in its one-liner character descriptions. Each character really does have an individual personality, and part of the experience is figuring out what roles certain characters play. A downside to this, however, is trying to balance this enormous cast with each of the single impacts on Negi Springfield. A tip from me is to just roll with it because you’ll pick up on who Negi hangs out with right off the bat.

As I mentioned at the beginning, Negima!? has carved a very special place in my heart and I will never forget it was my first anime. Whenever I see or hear make a joke with similar wordings, I immediately reference this series before any other. I find myself still drawing Motsu’s face on all of my papers! Motsu and Shichimi were, by the way, the driving forces of comedy!! I love them both so much! This show in particular is one that you could watch a few times over and still have fun doing so, as there is so much detail work put in to the setting, the character designs and the funny dialogue. A warning, however, is to enjoy it the first time through because if you spend your whole time fussing over the details, you will miss Negima!?‘s quick wit and crazy charm.

Currently, FUNimation’s S.A.V.E. edition of Negima!? “balances rather precariously” on my shelf, “In a good way.”

Thanks for reading!

– Takuto, your host