I made an Instagram (and You should follow it) || Celebrating 500 Followers

Hello all, welcome to 2020!!

Happy New Year to everyone out there! It’s crazy how much I’ve resolved to change myself in this new decade within the past couple weeks. It is as if a light just suddenly clicked on and I was like, “Wow, ok 2020, let’s NOT keep on doing what we have been our entire lives and try something new for once!”

So I am: I’m taking the plunge into the world of Instagram in celebration of 500 blog followers. I only briefly mentioned my gratitude for achieving this milestone in a quarterly update post. But, to reiterate, I am eternally grateful for all of your support.

Every single like, share, or even comment just to say “hi” brings me so much happiness. At the same time, I can only wonder, you must have a lot of time on your hands if you’re willing to stop by my little blog, haha.

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Seriously though, thank you for sticking with me these past five years. I love interacting with you all, and I hope the Insta can bring us that much closer into each other’s lives. Many of you have been begging for me to get this, and I hope I can deliver the content you deserve!

You can follow my Insta adventures at the handle @takutoanimecafe

Thank you for a wonderful 2019.

Cheers to 2020.

Love you all!

– Takuto

The Conviction to Change in Bunny Girl Senpai | OWLS “Metamorphosis”

Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” For the OWLS blog tour’s first monthly topic of 2019, “Metamorphosis,” I wanted to take a look at one of 2018’s best shows (in my opinion), the most unusual tale of a high school boy who encounters many different teenage girls, each of which are struggling with a bizarre phenomenon tied to personal turmoil: the (in)famous Rascal Does Not Dream of Bunny Girl Senpai.

A brand new year means new beginnings and opportunities. We have a tendency to embrace the new year because it’s a time when we can start fresh. For this month’s topic, we will be exploring our favorite dynamic characters who undergo changes for better or for worse. We will analyze these characters’ transformations and how these transformations benefited or minimized these characters’ potential in becoming “great people/beings.” We will also use these characters as a way for us to reflect on our own lives and who we want to become. Lastly, we would like to say “Happy New Year, everyone!”

Much like last year’s “Revival” tour, January ushers in new beginnings and a fresh start for us all. Here’s to the first in a long line of wonderful months to come, and thanks Lyn for the prompt!

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A brief, spoiler-free discussion on the 13-episode fall 2018 series “Rascal Does Not Dream of Bunny Girl Senpai,” animated by CloverWorks, directed by Souichi Masui, and based on the light novel series by Hajime Kamoshida. 

Troubles in Youth, the Adolescence Syndrome

Also called “puberty syndrome,” this sickness of sorts rumored on the internet to be caused by sensitivity and instability during adolescence plagues young hearts and entangles several girls in weird experiences beyond the explanation of physics.

Sakuta Azusagawa, a second-year high school student, meets these girls that are experiencing this “puberty syndrome” over the course of one eventful year. The one to stand out the most, of course, is famous child/teen actress Mai Sakurajima, which he encounters in a public library wearing a bunny costume. Although he knows her to be a senior at his school, for some reason, no one else can see Miss Sakurajima in her scantily clad attire.

When did she become invisible? How did she become invisible? As Sakuta earnestly spends more and more time with Mai-san and tries to unravel her mysterious circumstances, Mai’s hidden emotions slowly reveal themselves and a relationship of love begins to blossom.

Mai Sakurajima isn’t the only one changed by Sakuta, though—energetic underclassman Koga Tomoe is stuck in an endless time loop until she confronts her inner feelings; Sakuta’s science club friend Rio Futaba has to deal with a doppelganger of herself running around; hardworking idol Nodoka Toyohama undergoes a sudden body swap with Mai-san, who turns out to be her sister; even Sakuta’s own sister Kaede is still recovering from her terrible past with adolescence syndrome. All the while, a figure from Sakuta’s past—his first love, Shouko Makinohara—makes an incomprehensible reappearance into his life.

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Love, Romance, & Schrödinger’s Cat

Sakurajima was a child star, adored by all and a household icon to boot. But following a couple-year hiatus caused by her transitionary high school phase and a conflict with her manager (her own mother), the teen actress fell out of the public eye. She suddenly became invisible, and the Adolescence Syndrome amplified that literal meaning.

Despite his convincingly bored and constantly horny exterior, Sakuta is a genuinely good guy. He’s honest, straightforward (a bit too much sometimes), persistent, caring, and is able to read into people surprisingly well. These qualities make him a perfect agent for change, which he acts upon to improve the lives of those he deems worthy of his friendship.

When going about “fixing” Sakurajima’s invisibility problem, Sakuta appeals to his super smart science club friend Futaba for advice. If anyone can believe him and break down the Adolescence Syndrome’s causes and cures, it’s Futaba. She postulates that the students’ collective forgetting of Mai-san was caused by the school’s atmosphere, and she makes the analogy of Schrödinger’s cat to explain how Mai’s existence cannot be confirmed by those who refuse to acknowledge her. Finally, Futaba proposes that if the atmosphere were to be shaken enough to awaken everyone’s memories, Mai-san’s life would return to normal.

With the school as the box and Mai-san as the cat, the Schrödinger’s cat tie-in helps to create a powerful metaphor for the change process. Unless we open the box and confront its contents, we’ll never know if the cat is dead or alive, thus it is half of both. Similarly, until we open up to others with our problems and allow each other to see why we are hurt, confused, or scared, we’ll never be able to understand one another, and thus our problems will prevail.

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In this case, Sakuta persistently sought after people who knew Mai-san’s personal life, including her mother (and sister as well later on), to unravel the reason for Mai’s actions and the consequences pressed by the Adolescence Syndrome. So, what did he find? Sakuta urged Mai-san to return to her acting career. After all, she loves show business. But what made things different this time is that she wouldn’t let her mother micromanage her life. Instead, she’d plant her feet and make the choices she wanted to make.

Just like Futaba the science whiz found, unless the name Mai Sakurajima was put back into the student body’s mind in a way that broke the static atmosphere, nothing would change. Determined not to give up on Mai even though he, too, had almost forgotten her forever, Sakuta came up with a daring last-minute plan to make everyone remember. And while confessing the love of your life to every single person at school by shouting from the baseball field was a bit over-the-top, you can definitely call Sakuta’s efforts in making Mai Sakurajima visible once again commendable. Quite praiseworthy indeed!

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Change to Last a Lifetime

On the subject of metamorphosis itself, one characteristic that makes Sakuta Azusagawa stand out as a “hero” type protagonist is his conviction to not only solving each problem plaguing our cast, but his focus on making lifelong changes rather than little remedies to temporary issues. Like, he could have just told Sakurajima to get back into acting or “broke the atmosphere” from the start. Instead, he devoted immense time and energy to reconstructing Mai-san’s mindset geared towards a fresh, new perspective on self-confidence. Considering how that involves rebuilding a mother-daughter relationship, I’d say it’s no small effort whatsoever.

The same could be said about the other girls, though. For Koga Tomoe, he didn’t merely get her to confront her feelings—he willingly went along with her repeated time looping until she felt comfortable being honest about the nature of a one-sided romance. Sakuta helped Koga get her friends back, her reputation back, and all because she was a true friend to him. Even with Futaba, the problem wasn’t just with eliminating the doppel—it was about filling the hole in her heart with friendship, youthful memories, and some good, honest fun.

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If there’s one big takeaway from Bunny Girl Senpai, it’s that deep down, we’re all just trying to keep the past out of the future, even if that means giving up on some of the things we love. It’s a romantic notion, don’t get me wrong, but that’s not how we should be living our lives—and Sakuta Azusagawa knows it.

Try as we might, we’ll never be able to completely let the past go. Whether its remnants haunt us in the present, like Mai’s longing to act again and Kaede’s desire to see the outside world, or our feelings keep us from moving forward, as with Koga and Futaba, there will always be something we hate about ourselves, something to regret.

What we can do, however, is do our best to live without said regrets—to think, act, and dream as if we are absolutely owning our lives. And if we don’t like how things are going, we CHANGE what we can such that we create the world we want to live in. The conviction to change is something that ultimately comes from within, and having close friends, even just a couple, can make this exciting way of living all the more within our grasp—we just have to be willing to reach out, change the atmosphere, and when we’re ready, open the box. 

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“No matter who you were before, how you look right now is who you are.”— Sakuta Azusagawa


Afterword

Whew! This one was a bit of a cram watch, but I’m glad I finished it for a post like this one. Despite seeming like a surface-level rom-com with pervy jokes and toilet humor, Bunny Girl Senpai is surprisingly full of complex metaphysical concepts. Through its amazing and mature lead characters, Sakuta and Mai, it’s able to weave in these interesting principles with thought-provoking conversations and an air of scientific wonder. If you’re wanting a harem-ish anime that offers more emotional and intellectual challenge (or Bakemonogatari without the abstract directing style), give Bunny Girl Senpai a shot. You might enjoy the chemistry (and petty banter) between the leads more than you initially think! Plus, the voice acting is great, the animation is pretty, and OP and ED themes are absolute BOPS.

As for the cafe, Rascal Does Not Dream of Bunny Girl Senpai is certified “Caffe Mocha,” a show from 2018 that’s simply too awesome to miss out on! Seeing as how I focused this post solely a few story/character points, I’d be delighted to hear your thoughts on the rest of the series down in the comments.

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This concludes my January 13th entry in the OWLS “Metamorphosis” blog tour. I tried going for a shorter, more condensed and focused form of writing for this OWLS post, so if you have any feedback on that I’d greatly appreciate it. Jack (The Aniwriter) went right before me and wrote about change and the liberation it can offer in Wandering Son, a series I really ought to watch! Now, look out for Megan (Nerd Rambles) with a post about everyone’s favorite tabletop pastime Dungeons & Dragons on Sunday, January 13th! Thank you so much for reading, and until next time, this has been

– Takuto, your host

All That Glitters IS Gold in “Land of the Lustrous” | OWLS “Revival”

Chances are that if you were linked here from another blogger pal, you might be new to this place. To those first-timers, “Hi, I’m Takuto, and welcome to my anime cafe!” As part of the OWLS blog tour’s first monthly topic for 2018, “Revival,” I decided to incorporate what would have been my standard review of Land of the Lustrous into a short, shimmering reflection on the main character’s journey of self-discovery, and how even though our emotional selves may fracture, we can still be pieced back together—and return stronger than ever before.

A new year implies “new beginnings.” Yet, rather than discussing the “new,” we will be discussing the “revival.” “Revival” has multiple definitions, but the meaning we will be focusing on is the improvement, development, or refinement of something. Our posts will be about characters that undergo a positive or negative transformation and what we can learn from them.

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Thanks Lyn for the prompt—what fitting way to kick of the New Year!


A brief spoiler-free discussion on the 12-episode fall 2017 anime “Houseki no Kuni” or “Land of the Lustrous,” produced by studio Orange, directed by Takahiko Kyogoku, and based on Haruko Ichikawa’s manga of the same name.

NOTE: The characters in this anime are genderless, and I will do my best to watch my pronoun usage.

Enter the Radiant Land of the Lustrous

Not all clothes are cut from the same cloth. In Land of the Lustrous‘s case, not all gemstones are cut from the same rock. Or are they? In a distant fantasy future, a new immortal and genderless life form called Gems (the “Lustrous”) roam what inhabitable remains of Earth are left. We’re not really told what happened, other than that the mainland in which the story takes place is under attack by the Lunarians (or “Moon Dwellers”), mystical cloud-like Buddha-looking beings who regularly abduct the Gems to turn them into jewelry—to turn a proud race into frivolous decor.

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Phosphophyllite, or simply Phos, is the youngest of the Gems, and though their 300 years on Earth has given them much time to play and mess around, having a hardness of only 3.5 makes them more fragile than glass on the battlefield. Set in a tribe-like school of sorts where one’s hardness determines whether they are deemed fighters or medics, Phos is neither suited for battle nor the books. As such, Phos is treated trivially, and is often met with belittlement or noisome glares by their peers.

Phos’s feelings of being an outcast diminish when Kongou (Adamantine), the master of Gems, assigns Phos the unique task of creating a natural history encyclopedia, an archive of the nature of their world. Though everyone—including Phos—knows that the pointless job is just to keep them out of trouble, no one could’ve imagined the incredible journey Phos was about to take, and the impact their transformation would have on their entire civilization.

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From the synopsis alone, Land of the Lustrous (what a cool title, BTW) already sounds plenty weird. The anime is categorized under the genres of action, fantasy, and seinen, but it proves itself even more interesting by also harboring an underlying mystery element. Who are the Lunarians, and why do they really want the Gems? What is Master Kongou’s relation with the moon people? What truly happened to humanity? Constantly, I found myself hitting the next episode button in eager anticipation of learning the secrets to this fascinating world. And the sudden loss of Amazon’s Anime Strike program (you will NOT be missed) allowed me to stream seamlessly without fear of paying double the price. I generally like to take my time watching a series; rarely do I gulp an entire series down in a single weekend, but I finished all 12 episodes in just two days. Yes, it was that entertaining. Not all my questions got answered, but it definitely ends ready for more, and it did encourage me to want to start reading the manga.

While its premise, setting, and characters are all quite creative, humanity’s nature is unchanging. Much like any child would, Phos experiences loneliness and a sense of uselessness, but through their peers, Phos also comes to understand important values like perseverance, respect, kinship, and the payoff of hard work. They also face the realities of their once thought-to-be fairy-tale world, revealing that life does have its cruelties. The anime’s messages are endearing, even if we’ve already seen them a hundred times, and that’s probably thanks to Land of the Lustrous‘s fantastic set of characters: the 28 Gems that make up this sparkling society.

Shine Bright Like a Diamond

Variety is the greatest spice of life, and Land of the Lustrous‘s gleaming cast of Gems is definitely the series’s leading feature. Ordered appropriately according to the Mohs scale of mineral hardness, the jewel people are all given characteristics that match the features of their own gemstone. Cinnabar is a soft toxic mercury ore (the same bold red used as a pigment); correspondingly, Cinnabar’s character only has a hardness of 2, and their ability to produce a lethal poison prevents them from interacting with the other Gems. And just as how diamonds are used for precious moments, and are regarded as the world’s prettiest jewel, “Dia” is literally a sparkling, pure, kind-hearted individual with hardness 10, and is almost always seen “engaged” (see what I did there) with a certain Gem.

The attention to detail here goes far beneath the surface, feeling much richer than some cheap gimmick. Here, an imaginative use of characterization births some of the most unique and heartwarming characters I’ve ever seen, and though each gem’s screen time is limited to showcase one another’s distinctive traits, you still get a wholesome feel for who most of these polished beauties are. I imagine that this show would be any mineralogist or gemologist’s wet dream!

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Shout out to all the fans and artists over on Twitter for convincing me to watch this show, and for making me love the characters beyond what the series presents! So much pretty artwork, and I can’t get enough of it! Oh yeah, and Antarcticite is best . . . Girl? . . . Boy? . . . Androgynous gem person!

This IS the Best CG Anime EVER

I was incredibly surprised with how 2017’s Kado: The Right Answer was able to shake up the CGI reputation in anime. It crafted a setting in which CG-animated elements not only worked, but actually enhanced the out-of-this-world story being told, as well as the wondrous anisotropic devices presented. Complaints were still to be made, however, most regarding that the normal people were also animated in CG when they totally didn’t need to be. In typical CG fashion, it made the character actions look a tad awkward.

But from characters to concept, Land of the Lustrous both fits as a CG anime AND looks absolutely stunning doing so. First, the CG mapping allows the character designs to appear consistently gorgeous. The beautifully colored jewel people’s hair radiates with a twinkling, glistening shine—something that could only be achieved using this 3D technique—and their fights against the Lunarians prove to be engaging, expectation-shattering spectacles! Not to mention, the 2D painted backgrounds are works of art all on their own! This 2D-3D blend was clearly well-thought out and executed marvelously, for all that glitters IS gold on the animation front.

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Before I leave the production side of things, I do want to mention that Yoshiaki Fujisawa’s soundtrack provides such an atmospheric, entrancing allure that I can only express in these words: it is a soundtrack suited perfectly for this anime.

Bonds Stronger Than Any Glue: Phos’s Transformation

As stated previously, Land of the Lustrous is a coming-of-age tale where a clumsy, useless, and worthless individual tries to find not only a reason to live, but a place to belong. It’s a story about being useful to those you value, even if those people don’t value your own effort to establish teamwork.

Like people, Gems can be brittle beings with fragile hearts. Phos both mentally and physically “breaks” several times throughout the course of the series. In the search to finally be useful to others, Phos seeks change. Phos just . . . wants to be special. Well, change of any kind comes at a price—to gain something new, something must be lost—and unfortunately, that price is the precious time of others. Or, at its worst, the life of a friend. With an almost foolish bravery and air of bad luck, Phos pursues many partners in an effort to improve—to refine those blemishes of their personality, and to forever eliminate the imperfections that cause them mockery and shame.

But change is scary. It can be painful, it can be sudden, and it can be dangerous.

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Every try, every fail—no matter what, Phos desperately continues to pursue a reason for being. And through each failure, Phos learns a priceless lesson about what it means to feel valued and helpful. Smash your frail legs? Find stronger ones to replace them. Fracture your tiny arms? Hunt for a material that can better weather the crushing pain of defeat. Lose a beloved friend:

Make them proud by living for them. Do what they couldn’t by becoming someone you would both be proud of. Being immortal means each rupture can and DOES lead to a chance to return stronger and shinier than before—to feel reborn anew, to feel revived. And Phos doesn’t let that precious opportunity go to waste.

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Putting the Pieces Back Together

Change involves suffering, but that grief is a necessity for growth. Phos will shatter again, and again, and again, picking up the sad, broken pieces of their shiny shell. Yet with the help of some friends, these shards can be pieced back together to continue fighting on. The bonds that Phos forms, unlike their lustrous figure, are unbreakable. It’s a powerful positive transformation, absolutely, but it comes at very critical costs.

Phos can do it, though. Slowly but surely, Phos comes to realize that self-worth isn’t determined by the people around you, but rather what YOU make of yourself. With great determination, Phos knows the road to truly reviving their spirit is paved with hardship and loss. The world is cruel, after all. But so long as we can hope to become better individuals—actively seeking to help others in return—change and improvement just might someday find us, too. And it’s that seemingly small sentiment that makes Land of the Lustrous shine brighter than all the diamonds in the night sky.

You’ll grow stronger. You’ll be fine . . . Somebody will figure out a way. You won’t get any worse. You must change. You must find courage. You’ll make it. But you don’t have time. – Voice from the ice floes, the reflections of our innermost thoughts

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As emotional as I make it sound, Land of the Lustrous is just such a cool, unique show unlike ANYTHING I’ve ever seen. It’s a neat twist on science matched with a budding mystery that I cannot wait to uncover in the manga! I’m awarding Land of the Lustrous with the “Cake” title, as it’s certainly an elegant show, but its lack of a “true ending” leaves many titillating questions unanswered. You ought to let me know what you thought of this anime or this post down in the comments, as this “hidden gem” (haha ok I’ll go home) was a big hit for some and a sleeper for many others!

Oh, and if you enjoyed this series, consider checking out Yuki Yuna is a Hero for scarily similar-looking antagonists (and overall concept of fighting), A Lull in the Sea for its similar take on village life and growing up, or lastly From the New World because, well, just trust me on this one. In the meantime, I’ll be praying for a classy LTD ED release of this show by Sentai Filmworks, hopefully complete with Yoichi Nishikawa’s end card art cause HOLY BAUBLES, them beauties!

This concludes my January 10th entry in the OWLS “Revival” blog tour. Moonid (Random Garage) went right before me and wrote a bit of a character analysis over Nightingale from the Chinese fantasy web novel Release that Witch. Now, look out for Zoe (Let’s Talk Anime) with ReLIFE, a title that I really need to watch, and Arata’s second chance at youth on Friday, January 12th! Thank you so much for reading, and until next time, this has been

– Takuto, your host

I Didn’t Feel Like Writing, That’s All!

The title says it all, but woah, long time no see, right?

Hi all, it’s Takuto, the host here at my anime cafe (whenever I actually decide to show up)! Before I go into the details of my absence, I do hope you’ve been doing well, and an extended “How do you do?” to the few of you who even followed me recently during this past month. It’s crazy to think that people would even read, let alone follow a slacking blogger, and for that I thank you, and welcome you, too!

The reason I haven’t been here is simple: I just haven’t felt like writing, that’s all! Nothing new to any of us, since we all go through that phase. But I figured over a month was pushing it, and that since I’m sorta back in the game I’d stop by here.

But EVEN though I’m here, I still don’t feel much umph for writing. I’ve watched A LOT of anime during this past month, so my passion for anime definitely hasn’t gone anywhere (which is VERY GOOD considering that blogging hiatus can sometimes indicate lack of love for the topic)!! I’ve even done some gaming which I’D NEVER do unless I was really trying to run from something.

It was just that, once I finished watching a show or film, I didn’t want to talk about it. Guess you could call me lazy, haha, or perhaps not feeling like wanting to shove my most recently watched title under a friggin’ black light with the reviews and all.

Another thing that stopped me was actually just that—formatting and good writing. An awesome and very helpful aniblogger by the named of Seasoned Prattle writes what to me is insanely high-quality posts. One of my favorites is about my current flu—writing when you simply can’t. Another recent post was about what I started talking about, formatting and the like, and it got me thinking:

What is my format, and am I jealous of Prattle’s work?

To answer both, I’m still not sure, and heck yes, of course I am.

But that’s when I realized, like you do, that I should “focus on doing me rather than constantly comparing myself to others (props to Shay for that encouragement).” I also did a little looking into Prattle’s site and found out that “they” are actually a team of four, not just one person—do fact-check me on this one if you know more or if I’m wrong—which only goes to reinforce the idea that I shouldn’t be comparing myself to four minds in one entity. Still admire Prattle’s work, so if you do read this, keep it up!

On this little self-reflection journey, Prattle and Shay told us readers and viewers alike that, as content creators, we should generally stress less. I can stress less, sure. I think what put me off most during this month was thinking that I needed to write with correct formatting, good grammar, interesting word choice, original thoughts, etc. And while those are certainly things to strive for, if they keep putting you down, you might as well not be writing at all, right!?

If I keep criticizing myself so harshly, which prevents me from posting at all, then I’ll never post, simple as that.

So here’s what I’m going to do—and this is NOT necessarily recommendable, but sometimes there are things that are more important than the rules. I’m going to essentially “care less” when I write. Until I get off my feet and bring the traffic back to this cafe, I’ll write without regards to the laws of formal writing. I’ll write knowing that some works won’t be as polished as my others. I’ll say the things I want to say in fewer words, straight from the heart to you. All this and more, I’ll write because THERE ARE NO rules to blogging. I’ll just get it out there and talk about it with you, and we’ll be dandy again.

Then maybe, just maybe, when the healing is done and the bells have rang, I’ll get back to the “correct format” and “catchy wordplay.” To “quality writing” and “original thoughts.” If you can stick it out with me until then, it would be greatly appreciated.

So YES, more posts are coming. They might not be the prettiest, but at least I’ll still exist. 


I’ll be slowly catching up on comments from my OWLS posts, as well as reading from all of you. For the most part I’ve probably caught your posts on twitter if you promote yourself that way, but if not, give me time and I’ll be there! Three posts quickly coming up will be:

– What I’m watching (normal update w/seasonal stuff since I’m back in the game!)

– My July OWLS entry (stay tuned)

– My actual thoughts on the Ghost in the Shell Live Action

Whether it’s wanting to discuss a show, dissect some themes, or even share the things I’ve bought, I’ll just do it. To get myself out there, I’ll imagine it, I’ll speak it, and I’ll change, and we’ll see if it works. Wishing you all the best, and I’m excited to write for both you and me again soon! Till next time~!

– Takuto, your host

Saki

Kiznaiver, Where Change is Worth the Pain | OWLS “Disruptors”

Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” As part of the OWLS blog tour’s first monthly topic, “Disruptors,” I decided to incorporate what would have been my standard Kiznaiver review into this discussion on peaceful protest. Something different to mix things up, right?

“To disrupt” has a negative denotation, but rather than looking at the verb in a negative light, we are going to use the verb in a positive way. It’s like the word “protest,” which has positive and negative connotations depending on the perspective of the person.

Disruptors: An individual or a group disturbing a system/set of social norms that they believe is destroying what is morally right.

I got this. Thanks Lyn for the prompt!

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A brief discussion of the spring 2016 anime “Kiznaiver,” produced by Trigger, directed by Hiroshi Kobayashi, based on the original story by Mari Okada.

When You Hurt, We All Hurt

Kids being subjected to horrific sociological experiments lurking within the shadows of a metropolis is a trend that, by now, anime is no stranger to. Just look at A Certain Scientific Railgun S and Terror in Resonance among others for proof. The newest “toddlers in test tubes” flick to come from Japan features kids not bound by grades, smarts, or other great potentials, but by blood–specifically pain–instead.

That’s right, they’re blood brothers (and sisters), and when one kiddo cries, the agony is divided. But like most scary psychological tests, the experiment is eventually caught, abandoned, and deemed a failure.

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Years later, seven teenagers–who would otherwise NEVER be friends with one another–find themselves confronted by Noriko Sonozaki, a bland yet mysteriously cruel high-schooler clad in a suit and long pale blue hair. She sets up an elaborate scheme to trap and force these clique representees into one small conflicted group in order to revive the “Kizuna System.” All of its members, or “Kiznaivers,” become connected through pain in a farfetched attempt to thoroughly understand what truly binds people.

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In a fashion very reminiscent of The Breakfast Club, the Kiznaivers must learn to get along with each other and accept one another’s differences and desires, or else risk receiving much more than a bad lab grade. Little do these wandering teens know that pain is not always a physical ailment.

 

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Disrupting the Social System

Whether lifting weights or running sprints, it’s easier to relate to people by saying “Ah god that sucked!” after the workout rather than during while you’re dying. Similarly, we quickly learn that it is not pain that binds the group, but the absence of that pain the minute the torture stops.  Basic application of sociology practices can easily tell us that breaking “social statics,” the order that holds society together, can lead to psychological effects both beneficial and disastrous. How are the three main broad modern perspectives of sociology displayed in Kiznaiver . . . ?

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First is the functionalist perspective. “Society is a set of interrelated parts that work together to produce a stable social system.” This refers to the seven deadly sins that reflect each character. I didn’t tell you about them? Oh, well, here’s a pretty infographic for that:

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I did not make this infographic. Character images belong to Studio Trigger.

Like The Breakfast Club was trying to strike home with at the end, society CANNOT function WITHOUT these individual traits, and that each of these traits–to a certain degree–exist within each one of us. Through a mutual hostility towards Sonozaki and the Kizuna System, consensus is achieved within the group . . . . that is, once they finally make the “high and mighty” Maki come around. They quickly realize that if each of one of them does not sacrifice himself to the collective, then their summer would be dreadful as hell. The dysfunctions that the group encounters, such as embarrassing reveals and aching hearts, do, in the end, lead to social change in order to fix their wavering social instability.

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Second is the conflict perspective. Oh yes, it wouldn’t be anime if our main cast wasn’t chased by idiots in ridiculous suits, racing against the clock to solve a simple equation of personality or reach the checkpoint in some quirky game. Sonozaki doesn’t like waiting for the pot to simmer, and we see this through her hiring of goons and manipulating of the higher ups to reach quicker means of an end. She exercises calm yet absolute control over her lab rats, and her form is only disturbed when Katsuhira Agata, our quiet protagonist, invites her in on the fun. Sonozaki may not be the best-developed of her kuudere kind, but her use of conflict as the prominent source for change adds a fair degree of speed and excitement to this show bombarded by melodramatic twists.

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Third is the interactionist perspective. The name’s self-explanatory. “It focuses on how individuals interact with one another in society.” Our crew of seven fall back on this perspective as they uncover their true selves and unravel the hearts of others. This perspective is interested in the ways in which individuals respond to one another in everyday situations, which is why Kiznaiver is rife with scenes where these unrelated characters are just eating or lying on the couch and talking to each other nonchalantly. Slice-of-life interactions and witty dialogue are what keep this anime afloat, after all. The show gets its edge from the characters’ constant defining and interpreting of each other’s actions.

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REMEMBER, They Didn’t Chose This Life

It’s easy to forget that our seven peeps weren’t chosen heroes, but actually lab rats of a terrifying experiment lost in the past. In other words, they didn’t chose to save society by disrupting the immoral, negative flow–they were FORCED to make change, and I think that’s why they struggled so hard. If anything, they dedicated themselves to taking down Sonozaki and the supposed system designed to achieve “world peace.” These kids just wanted to continue being normal . . .

Katsuhira, a victim unresponsive to pain,

Chidori, a silent lover in denial,

Tenga, a street thug to pass the time,

Maki, a bookwork undetected by her peers,

Yuta, a popular kid distanced from his past,

Niko, a spoiled delusionist by choice,

Hisomu, a hospital resident seeking pleasure,

Sonozaki, a child in fear of suffering . . .

But because these seemingly unrelated individuals were bound together by fear itself, they learned to welcome the bizarre, the wacky, and the weird that resided within each of their souls, and to protest against the elusive faults of a perfect society so that their new bonds of friendship could persevere through even the thickest of storms. In the final bout to save themselves, the Kiznaivers resolved to defy the social norms dictating their lives, for in the deepest, darkest, most-messed-up cores of each other, they found only themselves staring back.

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“Everyone wants to carve their scars into someone else. Everyone wants to connect with someone else.” – Noriko Sonozaki


Pay no heed to the slightly pessimistic tone there at the end–it’s supposed to be a good thing! Also, don’t feel bad if you didn’t recognize any of the science I was spittin’ out at the beginning. I just happened to be in the sociology neighborhood at school. So, what have you learned from this? Well, other than that Sonozaki is kinda a mad, lovesick bitch on sedatives, we found that sometimes it is not always the positives that make people seek change. The Kiznaivers were tired of wallowing around with cringy, disgusting insides that decayed their spirits.

To eliminate that self-pity, they helped each other, which in turn helped themselves find personal salvation, which finally led to an improvement within their squad, which was reflected as a mirror of society itself. By putting their differences aside, disrupting social norms, and coming together with a strong goal in mind, they effectively corrected some of the dysfunctions of society, even if only for a brief moment. That, is understanding. That, is change. That, is healing. There, look at me finding the positives!

Kiznaiver is by no means one of the best anime out there–I’d welcome it as a “Coffee” here at the cafe. But, if you look hard enough, you might be surprised with what’s actually lurking in the belly of the beast. Perhaps seven deadly sins? All 12 episodes of Kiznaiver can be found on Crunchyroll if I’ve at all intrigued you! If you liked The Breakfast Club, then this also might be for you. And if things just don’t jive with you too well, heck, at least Trigger’s animation and Yuuki Hayashi’s music are entertaining enough. Oh, and we can’t forget its true legacy, the opening”LAY YOUR HANDS ON ME” by BOOM BOOM SATELLITES.

This concludes my January 27th entry in the OWLS “Disruptors” blog tour. Please check out Pink-chan (Pinky’s Palace) who did a lovely job right before me (as did everyone else) discussing the modern dystopian classic PSYCHO-PASS, one of my top favorites, no less! Oh, and get psyched for one of my best blogger buds Lita (LitaKino Anime Corner) to wrap up this exciting month with Samurai Seven! Until next time, this has been

– Takuto, your host

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To disrupt, or not to disrupt: that is the question of change.