All That Glitters IS Gold in “Land of the Lustrous” | OWLS “Revival”

Chances are that if you were linked here from another blogger pal, you might be new to this place. To those first-timers, “Hi, I’m Takuto, and welcome to my anime cafe!” As part of the OWLS blog tour’s first monthly topic for 2018, “Revival,” I decided to incorporate what would have been my standard review of Land of the Lustrous into a short, shimmering reflection on the main character’s journey of self-discovery, and how even though our emotional selves may fracture, we can still be pieced back together—and return stronger than ever before.

A new year implies “new beginnings.” Yet, rather than discussing the “new,” we will be discussing the “revival.” “Revival” has multiple definitions, but the meaning we will be focusing on is the improvement, development, or refinement of something. Our posts will be about characters that undergo a positive or negative transformation and what we can learn from them.

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Thanks Lyn for the prompt—what fitting way to kick of the New Year!


A brief spoiler-free discussion on the 12-episode fall 2017 anime “Houseki no Kuni” or “Land of the Lustrous,” produced by studio Orange, directed by Takahiko Kyogoku, and based on Haruko Ichikawa’s manga of the same name.

NOTE: The characters in this anime are genderless, and I will do my best to watch my pronoun usage.

Enter the Radiant Land of the Lustrous

Not all clothes are cut from the same cloth. In Land of the Lustrous‘s case, not all gemstones are cut from the same rock. Or are they? In a distant fantasy future, a new immortal and genderless life form called Gems (the “Lustrous”) roam what inhabitable remains of Earth are left. We’re not really told what happened, other than that the mainland in which the story takes place is under attack by the Lunarians (or “Moon Dwellers”), mystical cloud-like Buddha-looking beings who regularly abduct the Gems to turn them into jewelry—to turn a proud race into frivolous decor.

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Phosphophyllite, or simply Phos, is the youngest of the Gems, and though their 300 years on Earth has given them much time to play and mess around, having a hardness of only 3.5 makes them more fragile than glass on the battlefield. Set in a tribe-like school of sorts where one’s hardness determines whether they are deemed fighters or medics, Phos is neither suited for battle nor the books. As such, Phos is treated trivially, and is often met with belittlement or noisome glares by their peers.

Phos’s feelings of being an outcast diminish when Kongou (Adamantine), the master of Gems, assigns Phos the unique task of creating a natural history encyclopedia, an archive of the nature of their world. Though everyone—including Phos—knows that the pointless job is just to keep them out of trouble, no one could’ve imagined the incredible journey Phos was about to take, and the impact their transformation would have on their entire civilization.

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From the synopsis alone, Land of the Lustrous (what a cool title, BTW) already sounds plenty weird. The anime is categorized under the genres of action, fantasy, and seinen, but it proves itself even more interesting by also harboring an underlying mystery element. Who are the Lunarians, and why do they really want the Gems? What is Master Kongou’s relation with the moon people? What truly happened to humanity? Constantly, I found myself hitting the next episode button in eager anticipation of learning the secrets to this fascinating world. And the sudden loss of Amazon’s Anime Strike program (you will NOT be missed) allowed me to stream seamlessly without fear of paying double the price. I generally like to take my time watching a series; rarely do I gulp an entire series down in a single weekend, but I finished all 12 episodes in just two days. Yes, it was that entertaining. Not all my questions got answered, but it definitely ends ready for more, and it did encourage me to want to start reading the manga.

While its premise, setting, and characters are all quite creative, humanity’s nature is unchanging. Much like any child would, Phos experiences loneliness and a sense of uselessness, but through their peers, Phos also comes to understand important values like perseverance, respect, kinship, and the payoff of hard work. They also face the realities of their once thought-to-be fairy-tale world, revealing that life does have its cruelties. The anime’s messages are endearing, even if we’ve already seen them a hundred times, and that’s probably thanks to Land of the Lustrous‘s fantastic set of characters: the 28 Gems that make up this sparkling society.

Shine Bright Like a Diamond

Variety is the greatest spice of life, and Land of the Lustrous‘s gleaming cast of Gems is definitely the series’s leading feature. Ordered appropriately according to the Mohs scale of mineral hardness, the jewel people are all given characteristics that match the features of their own gemstone. Cinnabar is a soft toxic mercury ore (the same bold red used as a pigment); correspondingly, Cinnabar’s character only has a hardness of 2, and their ability to produce a lethal poison prevents them from interacting with the other Gems. And just as how diamonds are used for precious moments, and are regarded as the world’s prettiest jewel, “Dia” is literally a sparkling, pure, kind-hearted individual with hardness 10, and is almost always seen “engaged” (see what I did there) with a certain Gem.

The attention to detail here goes far beneath the surface, feeling much richer than some cheap gimmick. Here, an imaginative use of characterization births some of the most unique and heartwarming characters I’ve ever seen, and though each gem’s screen time is limited to showcase one another’s distinctive traits, you still get a wholesome feel for who most of these polished beauties are. I imagine that this show would be any mineralogist or gemologist’s wet dream!

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Shout out to all the fans and artists over on Twitter for convincing me to watch this show, and for making me love the characters beyond what the series presents! So much pretty artwork, and I can’t get enough of it! Oh yeah, and Antarcticite is best . . . Girl? . . . Boy? . . . Androgynous gem person!

This IS the Best CG Anime EVER

I was incredibly surprised with how 2017’s Kado: The Right Answer was able to shake up the CGI reputation in anime. It crafted a setting in which CG-animated elements not only worked, but actually enhanced the out-of-this-world story being told, as well as the wondrous anisotropic devices presented. Complaints were still to be made, however, most regarding that the normal people were also animated in CG when they totally didn’t need to be. In typical CG fashion, it made the character actions look a tad awkward.

But from characters to concept, Land of the Lustrous both fits as a CG anime AND looks absolutely stunning doing so. First, the CG mapping allows the character designs to appear consistently gorgeous. The beautifully colored jewel people’s hair radiates with a twinkling, glistening shine—something that could only be achieved using this 3D technique—and their fights against the Lunarians prove to be engaging, expectation-shattering spectacles! Not to mention, the 2D painted backgrounds are works of art all on their own! This 2D-3D blend was clearly well-thought out and executed marvelously, for all that glitters IS gold on the animation front.

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Before I leave the production side of things, I do want to mention that Yoshiaki Fujisawa’s soundtrack provides such an atmospheric, entrancing allure that I can only express in these words: it is a soundtrack suited perfectly for this anime.

Bonds Stronger Than Any Glue: Phos’s Transformation

As stated previously, Land of the Lustrous is a coming-of-age tale where a clumsy, useless, and worthless individual tries to find not only a reason to live, but a place to belong. It’s a story about being useful to those you value, even if those people don’t value your own effort to establish teamwork.

Like people, Gems can be brittle beings with fragile hearts. Phos both mentally and physically “breaks” several times throughout the course of the series. In the search to finally be useful to others, Phos seeks change. Phos just . . . wants to be special. Well, change of any kind comes at a price—to gain something new, something must be lost—and unfortunately, that price is the precious time of others. Or, at its worst, the life of a friend. With an almost foolish bravery and air of bad luck, Phos pursues many partners in an effort to improve—to refine those blemishes of their personality, and to forever eliminate the imperfections that cause them mockery and shame.

But change is scary. It can be painful, it can be sudden, and it can be dangerous.

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Every try, every fail—no matter what, Phos desperately continues to pursue a reason for being. And through each failure, Phos learns a priceless lesson about what it means to feel valued and helpful. Smash your frail legs? Find stronger ones to replace them. Fracture your tiny arms? Hunt for a material that can better weather the crushing pain of defeat. Lose a beloved friend:

Make them proud by living for them. Do what they couldn’t by becoming someone you would both be proud of. Being immortal means each rupture can and DOES lead to a chance to return stronger and shinier than before—to feel reborn anew, to feel revived. And Phos doesn’t let that precious opportunity go to waste.

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Putting the Pieces Back Together

Change involves suffering, but that grief is a necessity for growth. Phos will shatter again, and again, and again, picking up the sad, broken pieces of their shiny shell. Yet with the help of some friends, these shards can be pieced back together to continue fighting on. The bonds that Phos forms, unlike their lustrous figure, are unbreakable. It’s a powerful positive transformation, absolutely, but it comes at very critical costs.

Phos can do it, though. Slowly but surely, Phos comes to realize that self-worth isn’t determined by the people around you, but rather what YOU make of yourself. With great determination, Phos knows the road to truly reviving their spirit is paved with hardship and loss. The world is cruel, after all. But so long as we can hope to become better individuals—actively seeking to help others in return—change and improvement just might someday find us, too. And it’s that seemingly small sentiment that makes Land of the Lustrous shine brighter than all the diamonds in the night sky.

You’ll grow stronger. You’ll be fine . . . Somebody will figure out a way. You won’t get any worse. You must change. You must find courage. You’ll make it. But you don’t have time. – Voice from the ice floes, the reflections of our innermost thoughts

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As emotional as I make it sound, Land of the Lustrous is just such a cool, unique show unlike ANYTHING I’ve ever seen. It’s a neat twist on science matched with a budding mystery that I cannot wait to uncover in the manga! I’m awarding Land of the Lustrous with the “Cake” title, as it’s certainly an elegant show, but its lack of a “true ending” leaves many titillating questions unanswered. You ought to let me know what you thought of this anime or this post down in the comments, as this “hidden gem” (haha ok I’ll go home) was a big hit for some and a sleeper for many others!

Oh, and if you enjoyed this series, consider checking out Yuki Yuna is a Hero for scarily similar-looking antagonists (and overall concept of fighting), A Lull in the Sea for its similar take on village life and growing up, or lastly From the New World because, well, just trust me on this one. In the meantime, I’ll be praying for a classy LTD ED release of this show by Sentai Filmworks, hopefully complete with Yoichi Nishikawa’s end card art cause HOLY BAUBLES, them beauties!

This concludes my January 10th entry in the OWLS “Revival” blog tour. Moonid (Random Garage) went right before me and wrote a bit of a character analysis over Nightingale from the Chinese fantasy web novel Release that Witch. Now, look out for Zoe (Let’s Talk Anime) with ReLIFE, a title that I really need to watch, and Arata’s second chance at youth on Friday, January 12th! Thank you so much for reading, and until next time, this has been

– Takuto, your host

Expanding My Anime Film Collection in 2017! | Blogmas 2017 Day 11

Hey everyone, welcome to (a very belated) day 11 of Blogmas (whoops)!

We’re nearing the final days, but there are still a couple of BIG things that made my 2017 a landmark year for exploration; one is on the anime side, the other on the blogging side. Today, we’ll briefly talk about anime movies, and how I went from disliking their short length and randomness to simply being enamored by their ability to tell a “complete,” charming story full of virtues. And yes, my film collection did exponentially EXPLODE this year as a result!

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Expanding My Anime Film Collection

(This is in regards to films that don’t belong to existing franchises. Ex. No titles labeled “The Movie”)

Like I was saying, I used to not be big on anime movies. Sure, there’s those fave Studio Ghibli films that everyone grows up with (special shoutout to Kiki and Laputa), but otherwise, you wouldn’t find me browsing for some little indie film or original short. Looking back on 2017 now, I think it was the tail end of 2016 where I caught the film fever.

I took a painting class during my last semester in high school. With little imagination (or teaching for that matter) to go off of, I turned to anime as inspiration, like we all do. I had seen Makoto Shinkai’s The Garden of Words sometime in 2016, and I was simply blown away with what I call the “Shinkai Aesthetic.” It’s clean, chic, picturesque, semi-realistic, and most of all, has wicked good lighting. I could go on, but there’ll be a HUGE post about this guy’s art coming soon! Many of my paintings were inspired by Shinkai’s style as a result (well, that and Studio Khara’s Eva Rebuild Series). Specifically speaking, Shinkai’s iconic skies. I’ll share some of them with you guys later if you’re interested!

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Anyway, I started to grow as an artist after creating these paintings, noticing the subtle (or drastic) differences in other anime directors’ styles: Hayao Miyazaki (and Studio Ghibli), Mamoru Hosoda, Satoshi Kon, the Project Itoh films, Mamoru Oshii, Yasuhiro Yoshiyura, and of course, Makoto Shinkai. Thematically, they all tackle different issues in different ways, and learning about not just how but why a director wants to send out a certain message through a particular scene became something that I could apply to my own writing, namely, my OWLS posts. As cheesy as they previously seemed, I learned to love life lessons and the things we can learn from entertainment.

During my Shinkai painting phase, I was also watching Ghost in the Shell for the first time, exploring the ENTIRE franchise from its first 1995 film to the Arise series and even Paramount’s 2017 live action. My mind kept expanding with every episode, every iconic shot, and the urge to recreate them in my drawing class just couldn’t be ignored. I was absolutely OBSESSED with cyberpunk by this point, and I thank all the directors and their unique styles for inspiring me so much!

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This brings us to my collection, and my [terrible] need to buy everything that I watch. Thanks to Amazon Prime’s wicked ability, which allows me to buy a single item WITHOUT reaching a certain paywall for free shipping (cause I ain’t ever gonna pay for that, mhmm), I would literally buy every single anime film that fell below $15-ish. One. At. A. Time. Spoiler alert: that’s a lot of them. Here was my anime film collection in 2016:

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Pretty basic, got classics like Paprika and Ghost in the Shell, and cool lesser-known titles like Time of EVE and The Empire of Corpses. Neat.

Here’s my collection now, at the end of 2017:

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Oh dear god.

I went out and bought every Ghost in the Shell Blu-ray that I could (excluding Stand Alone Complex, as the reviews for the Blu-rays were horrendous). I loaded up on Shinkai, I snagged some Hosoda (well, received them as gifts, rather), I picked up modern classics like In This Corner of the World and classic-classics like Akira that arguably shaped anime as we know it! Honestly, I’m not sure why it took this long for me to get around to Akira. As for that whole gorgeous-looking set of black on the far left . . .

Thanks to GKIDS and their re-licensing and re-releasing of ALL the Studio Ghibli films, I bought all the ones that were on “sale,” and you can already bet that I’m going back for more as soon as the others lower in price. These are some high-ass quality releases, definitely much better than Disney’s [ugly] shiny gold releases. Then again, ANYTHING is better than the oooold DVDs that were first released, so I bought all the new Blu-rays to replace the ancient DVD copies we’ve had (which were re-gifted as priceless memories to my siblings for their own collections, haha)!

But yeah, there it is, the physical representation of my growing appreciation for the art of film, all in the beloved media that inspires me to create and explore—anime. Throughout the years, I’ve neglected so many astounding masterpieces and modern classics, and all because I wouldn’t have wanted their short stories to end. What can you get out of a measly 2 hours, anyway? However, through some incredible directors and artists in the anime industry, I’ve learned that the journey can still be magnificent and awe-inspiring, regardless of how long or short the story is. Now I can’t wait to see which films I watch next, and the adventures that they take me on!

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How big is your personal anime film collection? Did you see any title up there that is a personal favorite of yours? What other anime movies should be in my collection? Let me know so I can go and buy it after writing this! This post will ALSO be logged as a “Cafe Talk,” so share your thoughts to your heart’s content!

I’m on a bit of an odd schedule now thanks to the holidays, but this concludes Blogmas Day Eleven of the 12 Days of Anime. Only one left! Thanks for reading, and I’ll catch you shortly with the last post!

– Takuto, your host

Anime at the Theaters: My “Your Name” Experience! | Blogmas 2017 Day 10

Hey everyone, welcome to (a very belated) day 10 of Blogmas (whoops)! I know today’s topic isn’t necessarily “new” for 2017 (nor is it for years prior), but this was the first year I was able to attend a theater to watch anime on the big screen!

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Anime at the Theaters!

From Funimation’s screenings of films for Project Itoh, Dragon Ball, Fairy Tail, One Piece, Black Butler, Attack on Titan, Psycho-Pass, The Boy and the Beast, and In This Corner of the World, to live action films like Tokyo Ghoul, Rurouni Kenshin, and Shin Godzilla, anime has been on the rise, as most of these titles were indeed screened this year. And they’re not stopping at 2017; they’ve already lined up the beginning of 2018 with theatrical releases for the widely anticipated first Eureka Seven Hi-Evolution film!

Heck, even Viz Media had joined in on the fun with its grand premiere of Sailor Moon R: The Movie this past winter (which was, by the way, promoted with the red carpet treatment, complete with a voice actor/pro-cosplayer meet-up, AND a spotlight on Snapchat—FREAKIN’ SNAPCHAT). The same goes for Aniplex of America and their latest (successful) efforts with Sword Art Online: Ordinal Scale and Fate/stay night: Heaven’s Feel. Oh, and we can’t forget Sentai Filmworks with the big debut of the No Game No Life: Zero! Though Aniplex has been in the game much longer, it’s only now that their publicity has reached far enough to include theater screenings not just limited to the California area. And this trend will likely increase for all of these companies as the years go on, which is awesome because when more anime goes around, we get more of it!

I unfortunately wasn’t able to see this film (or any of the ones listed above, for that matter), but I did try, I did! ;_: Now I own the DVD. :3

It’s not often that anime “strikes rich” with U.S. audiences, though. The fan base and popularity expand, sure, but the monetary gain from screening anime films in the U.S. is nothing compared to what Warner Bros., Sony Pictures, Walt Disney Studios, or even some indie films earn. But every bit helps, and seeing as how screenings of our favorite niche titles keep popping up, we can only imagine that it’s all helping the anime industry in Japan. Anime News Network wrote an article during the film screening boom awhile back, so you might want to check that out if you’re curious to know the “science” behind it all.

As I was saying, very rarely do anime films earn household names thanks to theater screenings: Akira, Ghost in the Shell, and most Studio Ghibli films are pretty well recognized thanks to their unique artistic styles and of course, classic nature. Just this past spring, Funimation streamed a little title called Your Name.—ever heard of it? Yeah, I’m sure you have, and you’ll probably already know that it’s now the world’s highest-grossing anime film, finally beating out Ghibli staples like Spirited Away (2nd), Howl’s Moving Castle (3rd), and everyone’s favorite fish-girl with the round tummy, Ponyo (4th). No, it’s not a competition, but credit should be given where it’s due, and Your Name. IS one incredible, breathtaking film. While Japan is still loyal to Spirited AwayYour Name. did manage to climb all the way up to become the fourth highest-grossing film in the nation. If that doesn’t speak volumes about the film, I’m not sure what will.

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My “Your Name.” Experience

(This is not a review. That will come out in early 2018, fingers crossed >.<)

Have you ever been to a Warren Theatre? They’re apparently prominent in the big midwestern cities, but essentially, they are luxurious movie theaters heavily decorated and inspired by Hollywood during the Roarin’ Twenties. Very Gatsby-esque and decked out to the extreme, one wearing athletic shorts and a t-shirt (me) would feel very out of place. EVERYTHING is gold in that place—no, literally, there are tall pillars embossed with shiny gold-colored plating. Exquisite paintings hang on the gorgeously patterned walls, and the staff are finely dressed in slick black suits. Even the bathrooms are paved with solid ebony marble flooring with rows upon rows of ridiculously clean stalls. There are several open little outlets that line the curtained walls, each containing waiting rooms with comfortable maroon leather couches and, wait, yes, a fireplace.

 

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All-in-all, my mom, dad, and sister and I were very shocked. Very shocked. The place was simply stunning, and I couldn’t recommend it enough. The Warren is an experience, not just another place to watch movies.

 

[They even had this cool giant promotional poster for the Ghost in the Shell live action, which I was absolutely enamored by! You can bet I took pictures posing by this, haha!]

So the Warren was hella lit, but what made the three-hour journey to see Your Name. all the more worth it was the meet-up. (Woah, Taku has friends that like anime IRL?! Yup, you bet.) If you didn’t already know, music was my thing from basically birth up through high school (and even now, too). I play the cello, and on my second year with the All-State Orchestra, my sister made friends with her fellow stand partner. He was also Asian, so there’s kinda that instantaneous bond right there, and we all kept in contact after that fateful encounter.

Flash forward, and he starts talking about this film he saw on his way back from Japan, a title that, though unfamiliar with my sister, was screaming at me because of all the recent hype: Your Name., Makoto Shinkai’s latest creation. He recommended the film because he’d seen it, I knew how to get us to see it, and my sister was the glue that held us all together. The only problem—he lives across the state, over three hours away, and while it might not seem like much for the average traveler, you can’t forget that we’re youngins, and that distance was enough to keep us apart.

So we agreed to meet halfway. He chose a conveniently located place where we’d meet up to eat (which was a really awesome and tasty Japanese restaurant similar to how Qdoba or Chipotle are fashioned—how fitting, I know), I found the Funimation-approved theater, and my sister kept us all excited (well, more than we were, at least)! Several laughs later, it was time to make our way across the parking lot, and before we knew it, we were ushered into the theater balcony where we were seated before a giant red curtain. That’s right, this movie theater opens and closes its screenings with the grand red curtain. God, did I mention that I love this place??

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So the great curtain raised and the great curtain lowered. The film was over, and it was admittedly hard not to cry. So many things had led up to this one moment:

  • Hearing about the rapid success of Your Name.
  • Attending All-State Orchestra and meeting a new friend
  • Funimation announcing a theatrical release
  • Reconnecting via technology and setting up a reunion
  • Traveling the distance, meeting the other halfway
  • Walking into the Warren
  • Reuniting for a delicious lunch
  • Seeing one of the greatest films ever created
  • Feeling the emotions of the characters, together

I mean, all this considered, it was so very difficult to believe that this dream of mine would quickly come to an end. It was not only a bittersweet ending for Mitsuha and Taki, but for the three of us, too. Honestly, bidding farewell to a friend had never been harder. But we agreed to meet again, and sure enough, just this past weekend, we met halfway once again to have fun at the city’s mall. We were going to ice-skate all together, but he had a piano competition coming up and his mom didn’t want him risking his wrist—perfectly understandable, and we had fun nonetheless. (Our family did go ice-skating, though :P)


Thoughts on Life, Transience, and Memories

It’s not often that an anime film gets screened here in the states. And it’s also not often that said movie becomes the highest-grossing anime film in the world.

Similarly . . . 

It’s not often that we get to have perfect long-distance friendships. And it’s also not often that we get to cross that seemingly great distance to have our own Your Name. experience. Little did we know it, we, too, traversed the state in search of the other and promised to meet up again someday. And when someday finally came, we were all just so, so happy.

We have to take advantage of the fleeting opportunities that life presents us with. Not every moment will be magical, but when you make the most of what you have—pouring all your heart into what you want most—sometimes chance grants you that picture-perfect moment . . .

Only for it to quickly fade into a memory. 

Cherish the friendships you currently have, relish in the art that entertains you, and I cannot express this last one enough: Take as many photos as you can. I say it all the time, but the reality is that life goes by quicker and quicker with each passing day. Don’t let thinking about the “could have beens” before they even happen stop the “can be” that you can make possible. There was a point where I considered not reaching out to my sister about the film because I thought it wasn’t going to work for some reason. I was wrong. We can make beautiful memories to last a lifetime, and we can take risks to pursue happiness.

It’s all a matter of taking the first step and hoping that it leads you to enjoying the step after that.

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Wherever you are in the world, I’ll search for you. – Taki Tachibana


Maybe now you understand why getting to see Your Name was one of my highlights of 2017. Did anyone else have the opportunity to visit anime in theaters this year? If so, what did you see, and how was your experience? I’d love to know! I’ll be logging this as a “Cafe Talk,” so feel free to let your thoughts loose on this post or anything else related to it!

I’m on a bit of an odd schedule now thanks to the holidays, but this concludes Blogmas Day Ten of the 12 Days of Anime. Thanks for reading, and I’ll catch you shortly with another belated post!

– Takuto, your host

“DIVE!!” Flops as a Summer Sports Anime | Blogmas 2017 Day 8

Hey everyone, welcome to day 8 of Blogmas! This past summer, two sports anime aired simultaneously, and I decided to follow them to see which would wind out on top! Today I present a review of the show that finished airing first, the anime about a boys diving club and their ambition to enter the Olympics!

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The Summer of Sports: A Review of DIVE!!


A brief spoiler-free review of the summer 2017 anime “DIVE!!,” produced by Zer-G, directed by Kaoru Suzuki, based on the novel series by Eto Mori. 

Gazing up at the Concrete Dragon

A young Tomoki Sakai was inspired to join the Mizuki Diving Club (MDC) after witnessing its pride and joy member Yoichi Fujitani dive from high up off a giant captivating “Concrete Dragon.” Though the imposing diving platforms don’t literally stretch into the sky like a dragon would, the 10-meter height is enough to turn off most children and adults alike. But to Tomoki, Yoichi’s single dive proved that people can reach even greater heights through the daring sport, and thus he joins.

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Years of practice and good memories pass. Eventually suffering from significant financial troubles and on the verge of closure, the MDC hires a new coach as a last-ditch effort to promote its divers. This new coach manages to persuade the club’s sponsors to stay open, but only on one condition: the club must send one of its members to the Olympics in just a year’s time.

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If DIVE!! had one big gray area where it needed work, it’s right here in the plot. True sports anime have this natural tendency to hype you up as you’re watching. You may not know the rules of the sport, nor the backgrounds of all the characters, but there’s still a level of heart-pounding adrenaline to every failed goal, missed shot, or faulty start. DIVE!!, simply put, isn’t all that exciting. Even at its climax, I couldn’t help but compare it to how another water sports anime, Free!, handled its enthusiasm through its incredible character growth and thrilling animation sequences. It just wasn’t there for DIVE!! (which is ironic, because its title boasts two exclamation points), and I think there are other reasons for why it flopped as a sports anime.

Where most sports anime dedicate a decent portion at the beginning to understanding why the sport is so beloved by its cast, we only really have two characters to go off of: Yoichi and Tomo. Even then, Tomo just wants to feel special and catch up to Yoichi, while Yoichi seems like he could hardly care less about it all—he happened to be born with diving talents, that’s all. The goal is the Olympics, but I can’t even seem to muster the heart to cheer for these boys during practice when they keep skippin’ all the time! Sure, characters like Okitsu’s grandfather and Coach Asaki fill in that void later on, but by then, most of my interest had already been lost.

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Also, and this is a nitpick, as many good sports anime can still be notorious for this, but the lack of explanation of how scoring works, or why certain techniques are more difficult than others not only increases my disinterest, but it hurts the series’s ending: Were Yoichi and Tomo’s scores really that good? What does a standard Olympic score even look like, and where do those numbers come from anyway? What makes a triple flip that much more special than a quadruple, and what kinds of people can achieve this level of technique? Tomo is seriously just a middle schooler—can middle schoolers even enter the freakin’ Olympics?? So many questions, and no answers to be found anywhere. It almost begs me to ask whether this show is worth watching anymore. Well, if it weren’t for the characters, I’d give it a hard pass for sure.

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How Realism Shakes Up the Status Quo

As I mentioned earlier, we reach a point in the story where club members start dropping practice one-by-one, each rotating back in only for another overly sensitive boy to leave. Not everyone likes the new competition brought by suddenly raising the bar. Coaches Asaki and Fujitani (Yoichi’s dad) quickly pick their favorites, and it is that favoritism which causes jealousy and rage to seed themselves within the minds of Ryou and Reiji, Tomo’s “friends.” Ryou’s straightforwardness constantly clashes with Coach Asaki’s partiality to Tomo, and Reiji faces his own internal conflict of competition anxiety. It’s a lose-lose situation for both parties, yet it all somehow feels so . . . real. While anime like Free! glorify friendship and rivalry during swim meets, DIVE!! says that sometimes athletes don’t recover from lost pride, and that team members DO in real life leave the teams that isolate them. Aside from the MDC boys feeling way too young for the Olympics, it’s DIVE!!‘s realism that almost saves it in the end.

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Take Yoichi, for instance. He’s basically perfect: talented, hardworking, a natural born leader, has a great body, etc. But the guy can’t get a girlfriend, and he eventually faces burnout due to, well, a couple reasons. One is that he feels pushed by everyone, especially his father, to make it into the Olympics—and he totally wants to go, but he becomes sick of the pressure and expectations set by all those around him. The second is his realization that the Olympics almost seems to market its athletes more than support them. In what is definitely DIVE!!‘s saving plot point, understanding how the Olympics’s way of promoting and advertising its fine athletes affects people like Yoichi opens up a whole new level of devastation. It was, to be frank, Yoichi’s unexpected fall from grace. Ka-chan, an aniblogger friend of mine detailed Yoichi’s character conflict with the Olympics’s abuse of athletes for money in a very interesting post, which I’ll link here!

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MDC’s latest member, the towering island boy Okitsu, also has a short yet fairly impressive arc dedicated to his own passion for diving. Born and raised along the coast, Okitsu’s only ever been familiar with ocean diving. For him, the pool is like a cage, but he joins MDC nonetheless after Coach Asaki enlightens him on his late grandfather’s stunning pro-diving career. It was honestly a well-done plot point, and I likely won’t ever forget it. Watching a coach bond with her pupils like this was how it should’ve been done for everyone; she’s an integral character for this story. But there’s one character that caught Coach Asaki’s eye more than anyone.

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“Why is Tomoki so special?” Very good question. Nicknamed “Diamond Eyes” for his dynamic vision, Tomo’s as natural a diver as they come. And like all diamonds, they need a fair amount of polishing in order to truly shine. Between Coach Asaki’s intense regimen to shape Tomo into one of Japan’s greatest divers to experiencing a sense of betrayal by his closest friends, including his girlfriend, Tomo comes to realize that many sacrifices must be made to excel at something: sleep, food, free time, energy for other passions, a chance at friendship and love. Admittedly, Tomo being that distraught about losing hid girlfriend and moping about it the whole time was dumb. He’s slow to others’ feelings, and that too is quite frustrating. But nonetheless, he learns that sometimes being good at something requires you to distance yourself from others. Having him voiced by Yuki Kaji was a HUGE win for me, but ultimately, Tomo is one of the weaker characters in the story.

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Diving So Stiff that it Hurts to Watch

As I mentioned earlier, the best sports anime usually have decent to top-tier animation. It sounds very privileged of me to say that a certain anime needs to look this way or that, but man, a huge problem with DIVE!! is that it’s just not pretty to look at. Artwork? Absolutely gorgeous color palette with chiseled abs (for those in need). The water? Looks smooth enough. The divers themselves? Let’s just say they are animated so stiffly that it hurts your back to watch.

The soundtrack though, oh my gosh, it’s surprisingly great! Kohta Yamamoto hasn’t done much work for anime, but he knows how to rouse up a dramatic track when it’s needed. It helps that the music was credited to two individuals, however, the second being the great Yuuki Hayashi (Robotics;Notes, My Hero Academia!, Death Parade)! And while the OP  “Taiyou mo Hitoribocchi” by Qyoto pumped you up (for what you thought would be some good sports fun), the ED “NEW WORLD” by Yuuta Hashimoto was THE REAL BOP OF THE SUMMER. SERIOUSLY GUYS, “NEW WORLD” IS PROBABLY MY FAVORITE SONG OF ALL THE SIMULCASTS I STREAMED THIS YEAR. It’s just so melancholic, so bittersweet, so befitting of everything that DIVE!! tried to be.

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Surpass the Limits You Set for Yourself

Arguably, DIVE!! is not a sports anime, but rather a character-driven coming-of-age story for the main characters. It highlights the experiences—both good and bad, done with a team and alone—that sports can bring, as well as the realities plaguing growing teenage athletes. Unlike the happy-go-lucky Free!DIVE!! teaches us that sometimes being good at something requires you to distance yourself from others. You must decide for yourself what’s best for you, and sometimes that choice doesn’t follow what others want—that’s ok. Through diving:

  • Reiji found excitement and adventure in his otherwise risk-less yet worrisome life
  • Okitsu left the ocean and fell in love with his grandfather’s calling
  • Yoichi experienced burnout after dealing with the reality the adults preordained for him, but thanks to his team found his passions once again
  • And lastly, Tomo gained a pastime that provided him many friends and opportunities, but he had to give up many things to have even the slightest chance at victory

Unlike any sports anime that I’ve ever seen, DIVE!! focuses on the things given up or lost, rather than what is gained. Diving is solely an individual, all-or-nothing sport, after all. But even as a “diving anime,” I couldn’t distinguish between a good dive and a bad one due to the uneven animation, not that it mattered because the plot was so unfocused (the finale looked great, though). Much like its characters, DIVE!! tried to pave its own destiny, but ultimately flopped as truly engaging sports anime—or even as a piece of entertainment for that matter.

Diving is a competition that requires many long years of practice. Their future is a long one. Our duty isn’t to show them the shortcuts, but rather to teach them about the length. – Coach Fujitani

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Don’t get me wrong—despite all the crap I gave its animation and plot issues, I still actually like DIVE!!. At the very least, I clearly tried to see the good in its character development . . . maybe it’s because water sports resonate so much with me, or that I just like sports anime too much. It’s not unbearable, but you’re better off watching something else if you’re craving the thrill that comes from the genre. It’s been a while since I awarded anything with this, but DIVE!! deserves the “Coffee” recognition, as there is some decent content hidden deep below the water’s depths—if only the plot development didn’t merely skim the surface.

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Let me know what you thought of DIVE!! if you happened to watch it! Not many people did, but I’d still love to know your experience with it. This wrap up Blogmas Day Eight of the 12 Days of Anime, as well as part 1 of “The Summer of Sports!” Thanks for reading, and I’ll catch you all tomorrow for part 2!

– Takuto, your host

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Completing My First “Tales” Game! | Blogmas 2017 Day 7

Hey everyone, welcome to day 7 of Blogmas!

Another quickie today, but a celebration nonetheless! This past early spring, I completed my first Tales game. For those unfamiliar with the massive franchise, the title Tales refers to a sprawling series of games, most unrelated, created by the game company Bandai Namco in Japan. They’re known for their iconic and elaborate character designs, fantasy-inspired landscapes, Celtic-inspired soundtracks, and most of all, their deep, thought-provoking adventure stories that can take just as long as a Final Fantasy game to complete. We’re talking about clocking no less than 30 hours per game!

Anyway, the Tales franchise means a lot to me. Not because I am overly familiar with the gameplay (as you can see by the title of this post, I’ve actually played very little Tales in my life T__T), but because I get my roots as a fan of entertainment in general from the fantasy genre, the Tales franchise being rich in the source. I’m a kid born and raised on attending Renaissance Festivals and Madrigal Feasts, often loosing myself in the adventurous worlds of tabletop gaming like (our adapted version of) HeroQuest (anyone remember that), TCGs like Pokemon and Magic the Gathering, books like John Flanagan’s Ranger’s Apprentice series, or even iconic films of the genre, Lord of the Rings and The Hobbit to name a couple. I love fantasy—essentially, its themes of valor, honor, and justice compose my heart for entertainment.

Most importantly, Tales of Symphonia: The Animation is one of only a handful of shows to get me started on anime. If  didn’t come across the Japanese opening of the game, “Starry Heavens,” which I’ll link below, I would never have discovered the wondrous world of Japanese animation.

So here we go: to the best of my ablility, I will briefly discuss my experiences playing both Tales of Symphonia and Tales of Zestiria on the PS3 from the weak non-gamer perspective that I have!

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Loose Discussions on My Experiences Playing a “Tales” Game

(These will DEFINITELY NOT be formal reviews.)

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Tales of Symphonia

Looking back on it, Symphonia‘s anime does a really, really good job at sticking to its source material. It’s got all the major locations, major backstory elements pertaining to the main characters, and even some of the minor characters. Heck, even most of the theme songs for specific characters and towns were brought back for the anime! But this isn’t about the anime, I suppose. Back to the game.

One of the biggest problems I had with the game was the use of annoying side mazes that involved using a “magic ring” to properly traverse. It’s gimmicks like these that tend to ward me off of games—I JUST WANT TO SEE THE STORY. Some of those were really hard, too; as a beginner, I found myself referring to YouTube walkthroughs more and more as the game’s climax neared just to get passed these stupid little travel puzzles.

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OH MY GOD WELGAIA’S FREAKIN FLOORS SCREW THIS

Another beef I had with it was the English audio. As a who’s fan loyal to what I hear first, that being the anime in fansubs, I couldn’t stand the English voices for Lloyd or Zelos. This was easily fixed by changing the game’s audio back to the original Japanese, however, so it’s not so much of a problem as it was just a preference. Raine’s VA for both  was good though, so way to go Kari Wahlgren!

Where it has its minor issues, I found myself immensely enjoying all of the sidequests or story elements that were dropped in the anime adaptation; piecing together the events and locations, however major or minor, that were missing from the anime was tons of fun, as I learned many new things about Symphonia‘s two worlds and their peoples. And while I did think that the final confrontation with Mithos, the ultimate antagonist, was a bit lousy in game format (or at least it had way less of an emotional appeal to it, though movies do tend to resonate with me more), I much rather preferred the game’s handling of tying up all the loose ends—specifically, resolving the pact with Origin and the birth of the new World Tree. It had more time to fully explain itself, and now after all these years I FINALLY understand who Origin is! Woohoo!

All-in-all, finally getting around to playing (and actually finishing, holy shit) Tales of Symphonia (PS3) after six LONG years of putting it off, I can’t help but feeling so complete—the story has finally come full-circle, the adaption introducing me to anime as a media and the PS3 game engrossing me in JRPGs. Do I now despise the anime for excluding so many “crucial” plot points? Absolutely not. I still hold Tales of Symphonia: The Animation in the highest regard, as it’s still a beautiful, moving tale of the harsh realities of racism and revenge, and the hope that comes with uniting two fundamentally broken worlds—I love both iterations of the story, and I probably always will. I DO recommend both the anime and the game, so pick your poison and head out on your own adventure ASAP! (Or be like me and experience both! More Symphonia is a very good thing.)

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Ultimately, I was just so happy I could say I completed my first Tales game, but I immediately knew that It wouldn’t be the last. In fact, my second Tales adventure was awaiting me just around the corner—the end of a good school year, and the start of a brilliant summer!

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Tales of Zestiria

I remember seeing a promotional poster for the anime Tales of Zestiria the X circulating years back, and I do recall being excited for it despite not knowing anything other than that it was another Tales adaptation by the GOD STUDIO, Ufotable. After getting to see the English voice actor for Zestiria‘s MC, Robbie Daymond, in person at this year’s Naka-Kon, I knew the first thing to do as soon as I got home: purchase the PS3 game (I actually ended up doing it in the hotel room, tho >.<).

My recent success with Symphonia set my passions ablaze for tackling the next big JRPG. Once you’ve played one JRPG, you’ve played them all, right? Or perhaps, you want to play them all. From the reviews alone, I already knew that this one was going to be the easiest-to-understand in the entire franchise so far, and that it was arguably the “not-very-smart one” in the series. The character designs charmed me too much, however, and the sparkling armitization sequences just blew me away! The real draw-in for this series, voice actor meeting aside, was the anime’s OP theme, “Kaze no Uta” by FLOW. It was just the smooth, crisp 60 fps display plus the ridiculously catchy tune that made this show a MUST for me. Anyone see a trend here?

That’s right, both Tales games that I have played drew me in through their gorgeous, catchy openings. I suppose that should speak volumes about their music choice and soundtracks, no? Easily some of the best stuff I’ve ever listened to. And I still jam to this song every time I’m working out (which is rare) or whenever I need something to lift my spirits (which is often).

Unlike Symphonia, however, Zestiria had yet another thing winning for it: the fandom. Oh the ships, all the ships, I tells ya!! I’m such a sucker for anything Sorey and Mikleo, Alisha and Lailah. They’re all just so pretty, AHH!!

EHERM. Tales of Zestiria, despite all my senseless fanboying, is a beloved game that, honestly, treads many of the same lines that Symphonia did: two races trying to coexist, one “chosen” person designated to heal the land, a loudmouth (yet adorable) MC and his reserved, intelligent best friend. “Best friend ;)” All of the parallels and similarities just make me glad that Zestiria, though argued as the “dumb one,” was my second Tales game.

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As a PS3 game itself, the reviews ARE true in that the game is likely one of the easier ones in the franchise. I had very few problems in it . . . as in literally none at all. Sure, the story isn’t as deep or intricate (or emotional) as I would have wanted it to be (AKA more like Symphonia’s darkness), but that in itself makes Zestiria‘s almost overwhelming optimism contagious, and fun to play regardless of whatever mood you’re in. The visuals are, holy god almighty, some of the finest I’ve ever seen in gaming (THOSE SKIES THO F*CK ME), and the orchestral soundtrack should be on EVERY tabletop gamer’s background music playlist. Like, shit, need something that sounds absolutely LEGENDARY for a whole freakin’ hour, here you go:

To recap the Zestiria (PS3) experience, it was easy, simple, fantasy fun at its finest. You don’t need to collect many bonus items (if any at all, I skipped most of them), and the fights themselves are, WOAH, WHAT’S THIS, the most FUN part of the gameplay! I’m no gamer, and I found swingin’ around Sorey’s massive armitized swords, bow, giant fists—what have you—to be greatly pleasurable. If you’re not looking for the deepest Tales game, but one that’s great for a first-timer, Zestiria is the one for you. I recommend it.

FUN FACT: After meeting Robbie Daymond, I played through all of the game in English and loved it—proof that once again, whatever you hear first is likely your favorite. I was also incredibly hyped for the anime adaption, as it looks like the best thing to come from Ufotable besides Fate/stay night: Unlimited Blade Works, and that’s one of the most top-tier anime you could ask for! I’m currently watching the anime, and while the inclusion of the Berseria *promotional episodes* were pointless and time-draining, it’s a pretty good show. I won’t make any judgement calls now, but I’d love to review it whenever I finish! Also, for all I know, Berseria could very well end up being my next Tales game to experience, as it, too . . . well, I bet you can already guess.

It had a rockin’ OP. 🙂

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What did you think of Symphonia or Zestiria? Any opinions on their anime adaptations, either? For the record, I have seen the Tales of the Abyss anime, but that was also very long ago, so want to rewatch that some day. Lastly, are there any particular favorites or recommendations from the Tales franchise out there? Let me know! I’ve heard that Symphonia is actually one of the bests, and though I haven’t played the others, I’m gonna probably call it as my favorite. Sorry, it’s just first-timer’s bias. This wrap up Blogmas Day Seven of the 12 Days of Anime! Thanks for reading, and I’ll catch you all tomorrow!

– Takuto, your host

In This Corner of the World: A History Lesson on Hope & Healing | OWLS “Warmth”

Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” As part of the OWLS blog tour’s twelfth monthly topic, “Warmth,” I decided to incorporate what would have been my standard review of In This Corner of the World into a sympathetic discussion on the hardships of war and loss, and how love gives us the strength to continue being compassionate through even the worst of times.

It’s the season of joy, thankfulness, and love. This month’s topic is “Warmth.” Whether it is spending time with family members during the holiday season or with that special someone during New Year’s Eve, we will be discussing moments in anime and pop culture media that convey a feeling of happiness in our hearts. During times of struggles, we look towards the things that matter to us as a source of strength, hope, and happiness. We hope you enjoy this round of posts and that you, too, will have a wonderful holiday season!

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I’ve nothing else to say for the intro! Thank you Lyn for twelve consecutively thoughtful topics to ponder each month—I’ve enjoyed writing for all of them!


A brief spoiler-free discussion on the fall 2016 anime film “In This Corner of the World,” produced by studio MAPPA, directed by Sunao Katabuchi (“Black Lagoon”), based on Fumiyo Kouno’s award-winning manga of the same name.

New Life, New Opportunities

In 1944, life for Suzu Urano starts slipping through her tiny calloused fingers. For one, she is married to Shuusaku Houjou, a reserved young clerk, and is sent off to the small town of Kure in Hiroshima where her husband works at the local naval base. Now living with the Houjou family, Suzu must adjust to her new life, which is made especially difficult since she quickly becomes an essential meal-making, chore-doing crutch for the family. She does all of the daily housework during the tough wartime conditions, and the familial disconnect Suzu experiences between her sister-in-law—timed with the regular air raids—makes both the political and household climates feel like battlefields.

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When intense bombings by the U.S. military finally reach Kure in 1945, devastation to Hiroshima and its townsfolk, as well as its culture, forever shake the nation, and Suzu’s life is permanently impacted by the tragedies. “Much is gained by living in Kure, but with war, many things cherished are also lost.” It is only through the greatest perseverance and courage that Suzu manages to continue caring for those around her, and to truly live life to the fullest.

“Torn apart by war. Brought together by love.”

By its end, In This Corner of the World is a somber ode to history, wherein the tragedies of WWII’s Hiroshima bombing are experienced firsthand by the main characters. But before the bomb is dropped, the entire first half of the film winds us back to the 1920s, Suzu’s peaceful childhood. It starts this way to not only show Suzu’s developing story from beginning to end, but also to create the picturesque vision of pre-war times in Japan, specifically Hiroshima and its surrounding towns. As every 5 or 10-minute interval—marked by on-screen dates—brings us closer to that horrific day, August 6, 1945, your stomach starts churning in dreadful anticipation; you know what’s about to happen, and you’re almost left disbelieving how Suzu’s whole life could just fall apart in an instant.

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Akin to African author Achebe’s world-renowned novel, Things Fall Apart, which was written to show that life, law, and liberty already existed before the white man saw the need to organize, colonize, and, get this, “save” Africa, Fumiyo Kouno’s story serves to inform the viewer about the other side of the Pacific. You are put through the trials and tribulations of Suzu’s daily life, from learning to properly make a meal using rations to understanding the familial benefits of marriage, in order to hopefully understand that despite their differing customs, both the attackers and the attacked have things they want to protect.

I set up a pretty overwhelming historical background here, but the film really isn’t that political at all. Rather, its a drama centered around one little girl’s average life during WWII, and how no matter the global circumstances plaguing a household cause ruin and chaos, life goes on. That’s right, life will always go on. There are always things to be fixed, clothes to be washed, and food to be cooked. Suzu understand this, and that’s why she faces each painstaking day blessed that there’s still a roof above her family’s head. In This Corner of the World, though rife with tragedy, is ultimately a heartwarming tale of Suzu’s prevailing love and healing hands.

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A Hero at Home: Suzu Urano

Characterized as tiny, optimistic, and a bit aloof at times, Suzu Urano goes through great lengths to help in anyway she can, even if her assistance comically ends up backfiring in the end. She’s also incredibly creative, shown in both her beautiful landscape sketches and paintings, as well as when she wields her knowledge of samurai food rationing to construct some, at the very least, “interesting” dishes. Her artistic talents act as a sort of sanctuary for her, and it is through her simple yet gorgeous works that she meets many new friends and even potential lovers. But like all artistic endeavors, chores come first, and slowly you start to see the hobbies that she once did for herself fade away to make room for aiding the family.

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On top of working her hardest around the house (her efforts eventually exceeding those of everyone around her), Suzu is a girl, a soon-to-be-woman who undergoes all of the same treatments that Japanese women received during the 1900s. From stricter expectations in the kitchen and household to family-controlled courtship, rarely is Suzu the master of her own fate. Yet somehow, Suzu makes the best of what is given to her, for merely being allowed to experience the tranquility and joys of everyday life in Kure is enough to give her hope and purpose. Honestly, what a woman!

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Suzu only speaks out once or twice in the entire film—remember, this is a film that chronicles Suzu’s ENTIRE life! She many not be honest to herself all the time, frequently disregarding her own happiness and well-being for the sake of her family and her nation’s pride, but Suzu knows how to fight the good fight, as well as when to keep pushing on through the toughest of hardships. Between watching her frugal attempts at fitting in with her husband’s family, her struggle to adjust to life in Kure, and the tragedies of war she later encounters, it feels as if you physically and emotionally cannot go through as much heartache that is thrust upon her and make it out ok. Yet Suzu manages to bandage up her scars and continue making herself useful to everyone. The warmth she brings to the war-torn world embodies the purest light of hope in a time of darkness.

Visually, the Softest Movie I’ve Ever Seen

“It was like Studio Ghibli meets the Peanuts and together they talk about some pretty serious stuff.” This was my immediate reaction to the film which I posted on Twitter, and I still stand by these words now. The backgrounds are painted so smoothly, giving off an immense sense of ease, and the magical watercolor touch just feels so right. Even the characters, for a lack of a better word, look so . . . “soft.” There’s a lack of detail in their physical features, but it’s their sometimes cute, sometimes sorrowful mannerisms and words that convey their true characters. Seeing characters this adorable almost feels wrong for the tone of the film’s second half where the air raids become prominent, but it somehow works altogether as one moving, breathing, snapshot of history.

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(If you watch the special feature clip “Hiroshima & Kure: Then & Now,” you’ll understand how and why it all looks so historically accurate; the attention to detail in re-creating several destroyed sites where famous architecture once stood was very commendable.)

The luscious animation is accompanied by equally gentle music, as kotringo’s (Rieko Miyoshi) soundtrack matches perfectly with the tone. At times uplifting, other times more tender or melancholic, tracks like “Kanashikute Yari Kirenai” or my personal favorite, the ED theme “Migite no Uta (みぎてのうた)” provide lovely messages to live by: “Even in this painful and broken world, there IS hope.”

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Learn From Fiction: Heartwarming Tenderness Comes From How We Live

It is stories like Suzu Urano’s that give us all the fuzziest feelings of contentment and comfort. But like all stories, they eventually end, and once they’re over, the books get placed back on the shelves, and the DVDs and Blu-rays are ejected from their players. And that’s it. It’s all just entertainment, anyway.

*If you’ve ever thought this, then you completely missed the point as to why certain works even exist in the first place.

All fiction is written with messages, no matter how significant or insignificant. With the case of In This Corner of the World, it’s to showcase the tragedies of war firsthand, and the devastation that comes with violence. That should’ve been apparent from the synopsis alone. Looking deeper, we can understand more big takeaways from the film:

  • Hardships exist everywhere—someone is always struggling
  • Protect family, for without it we are fundamentally alone
  • Gender roles can limit individuals from reaching their full potential
  • The youth of today ARE our future
  • With destruction comes the joy of rebirth
  • By rebuilding from the ground up, we build a stronger foundation than the one before it
  • Make the most of your life—you only get one, and it goes by incredibly fast
  • WE ALL have the choice to be happy or sad, rude or nice—live the way you want to
  • Be thankful for what the earth provides, and what you can do for it in return
  • And lastly, to quote The End of Evangelion, “Anywhere can be paradise, so long as you have the will to live”

Just LOOK AT ALL OF THOSE THINGS I CAME UP WITH. And that only took me a couple minutes of reflection.

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History will always be our greatest teacher

Authors, directors, artists, musicians—Creators improve on what skills they already have in order to teach us invaluable lessons about the human experience. They have the power to take all the world’s evil and tell us that life can be incredible, so long as we don’t repeat history’s mistakes. Don’t just watch a film: enjoy what it is trying to show you. Don’t just read a book: revel in the messages left in-between the lines. Take what you learn and monopolize on it! Essentially, BE the good in the world!

In This Corner of the World presents the catastrophic effects of humanity’s cruelty, savagery, and barbarity—yes, absolutely. But it also exists to tell us that through the ashes, we can rebuild; that we can be kind to others, even if they treat us harshly; that most of all, we have the choice to see the good in this wild, wicked, unfair world.

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As a race, we have this terrible tendency to appear on the wrong side of history (if you know what I mean). The title In This Corner of the World refers to both Suzu’s tiny Kure house on the hill AND a state of harmony achieved by acknowledging and balancing the positives and negatives that life throws at us. A heartbreaking historical ballad for those we have wronged, and the terrible things we have done, In This Corner of the World is here to say that life goes on, and that as long as we try to understand one another, hope and a warm heart will always allow us to move forward.

We can love. We can rebuild. We can move on. But we’ll never truly forget.

There is only one corner of the universe you can be certain of improving, and that’s your own self. – Aldous Huxley


This can be a hard film to watch, but it all depends on how seriously you decide to take it. It has several comedic points of value in it, as well as a very cute presentation style, but don’t let those two aspects close you off from In This Corner of the World‘s subtle brilliance and emotional depth. As a powerful, touching work of art, this film is awarded the “Caffe Mocha” seal of approval, a rating for those special titles that I consider to be a must-watch!

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This concludes my December 20th entry in the OWLS “Warmth” blog tour. Arria Cross of Fujinsei went right before me and expressed her sincere gratitude to all of her fellow readers, bloggers, and OWLS members in one emotional, heartwarming post. Now, look out for fellow aniblogger LitaKino (Lita Kino Anime Corner) with a surprise celebratory birthday video this Friday, December 22nd! Thank you so much for reading, from my first OWLS post in January to here at the end—I do hope you have enjoyed them, as I do really, really like writing them! Until next time, this has been

– Takuto, your host

Double the Uniqueness! Keiko & Crimson’s Nominations | Blogmas 2017 Day 6

Hey everyone, welcome to day 6 of Blogmas!

So some good news and bad news for today:

The Good—In the past 24 hours, I have read over 45 OWLS posts from May, June, and July, and now I only have August, September, October, November, and December left. Wow, ok, so it sounds like I still have a long ways to go, haha, but it’s still progress! I’ve also, for the most part, kept up with the “12 Days of Anime,” and that’s been a blast!

The Bad—Due to prioritizing my OWLS binge (plus I have my December post coming out TOMORROW, woohoo!), today’s post will be pretty short. I’ll be falling back on the “personal” post option that I established in the intro’s guidelines, so it should still be a fun read. Plus, it’s an award—these are things to celebrate!

Without further ado, here are two very belated Unique Blogger nominations, but ones that I promised to fulfill! I’m always very thankful to be able to leave an impression of myself upon others, and that I get to be a part of such a loving community of anibloggers. It’s through these seemingly trivial awards and nominations that meet so many new faces, and I learn so much about my online friends. So thank you both, Keiko and Crimson!

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Keiko and Crimson’s Unique Blogger Award Nominations

The Rules:

#1 – Share the link of the blogger who has shown love to you by nominating you.

#2 – Answer the questions.

#3 – In the spirit of sharing love and solidarity with our blogging family, nominate 8-13 people for the same award.

#4 – Ask them 3 questions.

About Keiko (nominated 10/26/17)

Seeing as how we only met recently, I admittedly don’t know too much about Keiko. I DO, however, know that she writes many, many detailed episodic reviews for the given simulcast season, and that though her blog is self-named “A bubble of crappy anime reviews and the likes,” her reviews are neither crappy nor average. She’s cynical at times, yet seems fun to talk to, so go give her blog some love! (Keiko’s Anime Blog)

Keiko’s 3 Questions

1. If you were stuck in an anime universe, which would it be and why?

Assuming I would have been allowed the choice, hmm, that is hard. You see, I always find myself swaying between two genres: science fiction and fantasy, my mind and my heart. Since I’ve been in the sci-fi mood lately, however, I’ll pick the world of A Certain Scientific Railgun. Functioning as a sister series to A Certain Magical Index, the main story, Railgun seems light-hearted when it in fact is rife with some of the darkest secrets within the entire franchise. Why Railgun then? In Academy City, which is home to 2.3 million, most of the populace are espers, beings capable of utilizing their brain to achieve their own realities via special powers. Plus, the city has such a chic, hopful, futuristic aesthetic that is to DIE for.

Should I be allowed to pick a second universe, I’d go with Ghost in the Shell, a franchise that fully embraces cyber enhancements and the free, vastly infinite nature of the internet. You can become anyone and do anything in the future.

2. What anime left the biggest impression on you?

Easy one. Steins;Gate. It started me on the path to exploring science fiction in anime , leading me to discover more dystopian sci-fis like Ghost in the ShellPsycho-Pass, and of course, Neon Genesis Evangelion , my favorite anime of all time. Steins;Gate is just bloody brilliant, and I consider all of these works masterpieces.

3. If you were an animal, what would you be?

Kind of an odd question, haha, but one that still leaves me torn. Cats seem to live such peaceful lives, but that of a dolphin is much more exciting, where it is free to explore the entire depths of the great sea. Then there are birds, which can fly freely and soar above the clouds. I’ve always wanted to fly. If I had to pick, birds are the way to go.

Thanks again Keiko! Now onto Crimson!


 

About Crimson (nominated 10/15/17)

If y’all didn’t already know, Crimson and I go waaay back. Heck, we’ve even met in person! While I’ve remained here the whole time, Crimson has gone through much more blogging experience, including owning multiple blogs at once. Currently, she writes at “Crimson Blogs” the most. Anyway, she’s very funny, down to earth, and she loves to both write AND read, which are essential for being a great blogger. She also loves her fandoms, frequently getting me sucked into them through her wicked ways (My hero Academia). I always love reading her posts, as she frequently throws a personal twist in them that makes me understand her a bit more each time. If you’re not already, GO FOLLOW HER. DO IT! Tell her Takuto sent you, too. 😛

Crimson’s 3 Questions

1. If you could turn into any mythical creature, which would you be and why? And what would you do as this mythical creature?

Oh no, back with the creature-transformation questions, haha. As for what I’d like to be . . . can I make up my own? Similar to Paprika (from, well, the film Paprika) or even Reina Izumi from Myriad Colors Phantom World, I’d like to be a dream-eater. No, NOT the stealer of good dreams, but of bad dreams—nightmares, visions that put one on edge, causing constant anxiety throughout the night. Does something like this already exist? Anyway, I’m no therapist in real life, but I do think that people should get good sleep. By hovering around troubled individuals in spirit form, I could enter their dreams and help them fight off the force of evil eating away at their precious rest time. Then I could ease them into the deep, healthy REM sleep that they deserve. Call me your Dream Healer, or your Prince of the Night. What do you think of that?

2. Oh no! It’s the zombie apocalypse! What are your weapons of choice (up to 3 that you can realistically carry around) and what 3 bloggers would be on your survival team? Yes I’m thinking something similar to L4D.

OH CRAP, NOT ZOMBIES. I know virtually NOTHING about them, other than what is common knowledge, or what could be grasped from anime like Attack on Titan or Kabaneri of the Iron Fortress. Three weapons, hmm, can they be from games or anime LOL? If so, I’d pick the Portal gun, the Dominator from Psycho-Pass, and the thermoptic suit from Ghost in the Shell. Smart pick that last one is, no? Portal open—Dominator destroy—thermoptic effects on—Repeat. If you can’t beat ’em, RUN LIKE HELL.

Now for three bloggers? Hmm, Matt (Matt-in-the-Hatt) is too good of a Christian (bless your heart). Kausus (Otaku Gamer Zone) would just be inspecting my gadgets all the time, so he’s out too (sorry boo). Rocco B (In the Cubbyhole) is . . . actually, where have you been, buddy? We need to chat more!

You know, I’m just gonna play it safe and call on the Owlets, a trio of female anibloggers who run the Otaku Warriors for Liberty and Self-Respect, or OWLS (see, they’re already warriors, it’s only the best pick)! Composed of President Kat Sade (Grimm Girl) and the two lovely PR ladies, Naja (Nice Job Breaking It, Hero) and LitaKino (Lita Kino Anime Corner), these strong women already know how to fight the good fight, as they are constantly helping others overcome their insecurities while highlighting the good in the world. You three are my pick for the zombie apocalypse. And oh, if you’re not too busy Crimson, you can come too. ^.^

Seriously though, check out all of these wonderful people. 🙂

3. Related to Q2, what is your zombie apocalypse team survival playlist? Add as many or few songs as you’d like!

Since three seems to be the magic number here, I’ve got three hot tracks for ya:

AND OF COURSE . . .

Thanks again, Crimson! I won’t be nominating anyone due to these already being long-overdue, but they were tons of fun! Next time, hopefully I’ll be the one nominating you guys!


I’ve STILL got tons of catching up to do, what with OWLS posts and all the comments stacking up from the start of this holiday season, so this’ll wrap up Blogmas Day Six of the 12 Days of Anime! Thanks for reading, and I’ll catch you all tomorrow!

– Takuto, your host

The Year of Anime on the GO! | Blogmas 2017 Day 5

Hey everyone, welcome to day 5 of Blogmas!

Today’s post will be pretty short, as I have skipped out the past few days of reading through the monthly OWLS tours due to being busy. But of course, we still have something from 2017 to celebrate today, and that is the rise of mobile apps relating to anime. While most if not all of these have been out since before this year, 2017 was when I found myself using them to their fullest potential.

So yeah, in no particular order of favorites, here we go!

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Favorite Anime-Related Mobile Apps of 2017

Crunchyroll 

Startin’ off easy. EVERY anime fan in the U.S. should have Crunchyroll. It’s FREE to download, and you get access to basically everything in their catalog—which is a lot, a lot, of subbed anime. From seasonal simulcasts to binging old classics, Crunchyroll is about the best you can get. I do pay for a premium membership ($60/year), and that gets me instantaneous access to the latest episode of simulcast shows in near-real time. Pretty sweet.

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Funimation Now

What would be one best girl without the other, right? Funimation made major improvements over their old streaming app, the biggest being that you do have to pay up front to use it (if you use their website, most not new, age-appropriate titles can be viewed for free). I believe it’s also around $60/year, BTW. So between Crunchyroll and my Funimation Now account, $120 gets me access to just about 4/5 of all the anime I’ve ever wanted to watch, subbed AND dubbed. I admittedly haven’t used the Funimation account to watch their simuldubs yet, but I’m sure in 2018 that I’ll cave in.

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Vudu

This year, I did start utilizing those “digital download codes” that come primarily come in anime films, and you know what, this app was surprisingly nifty! With the exciting announcement of newly released full SERIES by Funimation including digital downloads, I can only see myself using this app more and more in the future.

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VRV

Acting as a partnership app between Crunchyroll and Roosterteeth (with a little Funimation in the mix), VRV mixes parts of both catalogs as well as some J-dramas and cartoons into its own interface. I haven’t used this app much at all, but I did download it, and for the most part, its basic features ARE free!

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Pokemon GO

With its worldwide popularity seemingly plummeting after its summer 2016 release, there are surprisingly still many who play Pokemon on the go, which is cool! I’ll admit, I didn’t go Pokemon hunting much this year myself (I wish it didn’t take so long to load >.<), but seasonal events like the Halloween special did bring me back into the digital world. I just LOVE its simple use of virtual reality, and I really do hope it doesn’t die out completely in the coming year.

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Fate/Grand Order

I’m pretty sure Fate GO was the app I used most this year, and it absolutely deserves the shoutout! Highly anticipated by myself and much of the the Fate fandom, Aniplex of America’s version of the hit Japanese mobile game was widely received when it came out this summer, scoring quite well into the top 100 apps at the time. Though I have lost a little steam thanks to the large time gap in story content being updated, I still loyally check my phone DAILY to rack in all of the streak benefits. Like Pokemon GO, I’m definitely not “the best” or a “pro” at the game, but I do have fun playing, and hey, that’s all that matters, right? I’ve lost so many hours playing this amazing game, and it’s so awesome being able to plug in the fragments of what I knew and what I now know with the greater universe of Fate!!

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I told you it’d be a pretty short read! What anime subscriptions do you use? Which ones do you pay for? Does ANYONE use Amazon’s infamous Anime Strike? Also, what anime-related apps did you use this year? Any saucy otome games for iOS LOL?? Askin’ for a friend, heh heh, so let me know!! If I want to stay on schedule, I’ve got three months of OWLS tour posts to go read now, so this’ll wrap up Blogmas Day Five of the 12 Days of Anime! Thanks for reading, and I’ll catch you all tomorrow!

– Takuto, your host

2017: The Year of the SEASON 3 Announcements! | Blogmas 2017 Day 3

Hey everyone, welcome to day 3 of Blogmas!

If 2017 meant anything for some of the biggest anime franchises out there, it was THE YEAR of season three announcements. Many of my favorite franchises received surprising third season announcements, some of them being announced directly after the last episode of their second season (which would have aired, BTW, just this year), others miraculously being blessed despite years of pleading.

Without further ado, let’s into this appropriately labeled day 3 of season 3 announcements! Like with day 2’s “Top 10 Long-Awaited U.S. Anime Releases” (which you should totally check out if you haven’t yet!), I’ll be ordering these in least-to-most anticipated. (But know that I desperately want ALL OF THESE!)

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Top 6 Season Three Announcements Made This Year

#6  Sword Art Online: Alicization 

Airing in 2018

If one stuck around for the credits of the franchise’s first film in February, Ordinal Scale, they would’ve seen an ominous message: “SAO will return.” Following the next arc in the hit light novel series, the Alicization arc covers volumes 9 through 18, which would make it SAO‘s largest arc to date. Will the anime cover that much? Oh god I hope not. Well, unless this “third adaption” gets more cours. Length is unknown, but despite the negative press coverage and stereotypes, SAO has always been entertaining to me, and I can’t wait to see what its arguably strongest arc holds in store for me! [link to official ANN article here]

***NOTE: Also recently announced was a SAO spin-off series, which features a new cast of characters gaming in the second series’s Gun Gale Online. I’m also excited for that!

#5  Food Wars! The Third Plate

Airing now, in 2017 fall

This was one of those sequels announced following its second season’s run. I’m a little late to the Food Wars! game, but don’t get me wrong—THIS SHOW IS THE SHIT, YO. I can recall so many humbling memories of chatting with aniblogger Jamie, my Food Wars! buddy, about this crazy show. Advertised as the “Battle against the Council of Ten,” The Third Plate will continue the trend of leaving off exactly where its predecessor left off. Now, J.C. Staff acts fast, as this announcement was made only with only ONE SUMMER between the two seasons. You know what that means—almost ALL of season three is already out, and we can only hope that we’ll hear about a fourth sometime soon!! [link to official ANN article here]

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#4  My Hero Academia 3rd Season

Airing in 2018

TODOROKI, MY GUY, YOU GETTIN’ A THIRD SEASON BOI. While I found the first season to be “good” at best, season two turned up the freakin’ heat with a kickass TOURNAMENT ARC followed by one intense hero-killing act. Now I can’t stop watching this show, and I can’t wait to see what this fun, lovable, and creative cast does next! Forest school trip?? SIGN ME THE F*CK UP. [link to official ANN article here]

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#3  Free! (subtitle TBD)

Airing in 2018 summer

Ok, ok, before I freak out, Free! has one ~wild~ franchise:

Free – Iwatobi Swim Club –  Aired 2013, first season, 12 episodes + some OVA shorts. Follows the rebirth of the Iwatobi swim club and its four main members, as well as their struggle against rival team Samezuka and their team’s leader.

Free – Eternal Summer –  Aired 2014, second season, 13 episodes + one water-gun war OVA. Continues the story of the two swim clubs into their next year of high school—for some, their last. Resolves the relationships and rivalries between all of the boys, and opens us up to their possible futures.

High☆Speed! – Free! Starting Days –   Aired 2015, film. A prequel to the first season which is an adaptation of light novel High☆Speed!. It’s all about Haru and Makoto’s first relay, I believe.

Free! Movie 1 – Timeless Medley – Kizuna (Bonds)   Aired 2017, film. Recap of the first season, focusing on the Iwatobi Swim Club.

Free! Movie 2 – Timeless Medley – Yakusoku (Promise)    Aired 2017, film. Recap of the second season, focusing on the Samezuka team and Rin and Sousuke’s relationship.

Free! – Take Your Marks –   Aired 2017, film divided into four episodes. A sequel to the second season (NEWEST MATERIAL), taking us to early spring time as Haruka prepares to graduate.

AND NOW . . .

[Untitled] Free! Season Three   Airing 2018. Unknown. Freaking stoked.

[link to official ANN article here]

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#2  Attack on Titan Season 3

Airing in 2018 summer, after third compilation film in January

Announced first on Twitter directly following the final episode of the thrilling second season, this was one of the more unexpected announcements. Having already been truncated to half its length (from 24 episodes like season one to 12), many thought that the Attack on Titan anime had lost popularity with its fan base. It was disappointing, honestly. BUT NO, far from it, for just as if it had been secretly planned and intended from the start, the second season’s finale brought the hype back, and this season three announcement sealed the deal: Attack on Titan WILL be back, and when we do return, we’re heading seaward. WOAHHHH!!! [link to official ANN article here]

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BEHOLD, the kinkiest AoT poster I’ve ever seen. But what does it all mean???

#1  A Certain Magical Index III

Airing in 2018

Like we were graced with license rescues including the long-awaited Hyouka and Gosick, 2017 was full of all sorts of surprising saves, this one arguably being the coolest!! This past spring, author Kazuma Kamachi and his editor Miki attempted to calm and reassure fans that a third season of the hit light novel series (which I just started reading—it’s good) was plausible, and that we just needed to “Wait a little longer.” WELL, the wait is FINALLY over, as J.C. Staff will be delivering the continuation of the highly anticipated A Certain Magical Index, announced October 1st, which will likely cover the events of WWIII (though it’s too soon to say for “certain”). But that’s not even the best part—the series was announced as part of  “A Certain Project 2018” (2018-Nen To Aru Project), which insinuates that the possibility of a Railgun 3rd season is not too far off either. I’M PRACTICALLY SCREAMING. [link to official ANN article here]


And there you have it. BOOM. Season three coming soon. 2018 is sure going to be “magical,” and I can’t wait for it all. I guess I say that every year, though. 😛 Were there any second, third, or fourth season adaptions from this year that shocked you? What about films, or new adaptations of beloved novel series? Also, are you excited for any of these? Let me know! This wraps up Blogmas Day Three of the 12 Days of Anime! Thanks for reading, and I’ll catch you all tomorrow!

– Takuto, your host

My Top 10 Long-Awaited U.S. Anime Releases from This Year| Blogmas 2017 Day 2

Hey everyone, welcome to day 2 of Blogmas, or as everyone else calls it, the “12 Days of Anime!” This year was pretty BIG for us anime collectors in the states; several titles that had gone unlicensed for the looooongest time were FINALLY license-rescued and saw physical releases this year. Most were given that Blu-ray touch for the first time ever, and some even lucked out by getting an English dub, despite the YEARS of neglect. That’s pretty awesome of them.

Particularly, from 2016 September to the earlier parts of 2017, Funimation led the rescue front, releasing long-awaited titles like Haruhi Suzumiya, Code Geass, The Vision of Escaflowne (via Kickstarter), and more. For this post, I’ll be highlighting my favorite titles that I picked up from this year alone. So yeah, these are my top 10 releases from least to most anticipated. Here we go!

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TOP 10 U.S. ANIME RELEASES IN 2017

Honorable Mention:   The Disappearance of Haruhi Suzumiya

This film needs no introduction, as it means A LOT to many, many, MANY fans out there. Unfortunately, at the time of writing this, I have not seen Haruhi Suzumiya. BUT, I did manage to snag one of the last copies of the collector’s edition before they went out of stock, as well as a copy of this film when it came out. In other words, I’m saving it for one epic rainy day, but should I had seen it by now, I’m sure it would’ve been close to the top. GOD BLESS FUNI for saving this film and bringing it to Blu-ray with the rest of the franchise!

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This set’s simple red-lettered theme is to DIE for

#10  The Vision of Escaflowne

Escaflowne may have been my first Kickstarter I campaign to participate in, but it most certainly won’t be my last. Recorded over with a brand new English dub (I did try out the old one, wasn’t too big a fan), Escaflowne was a blind buy, and I have to say it was a pretty neat show. Surprisingly, I haven’t reviewed it yet, but maybe after I get around to the film I’ll just review the entirety of the franchise. While this limited edition Kickstarter exclusive box is fairly nice looking, it’s nothing compared to the gorgeous hand-drawn art style of the collector’s edition. At least the reverse covers make it look like a complete set.

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I showed the back side of the box because the front is the same as the little art pamphlet. It’s also cooler.

#9  Miss Hokusai

By far the oddest entry on this list that you will read, this film has some very odd history. To be fair, I hadn’t heard of this film before either—it wasn’t until I came across a English trailer on YouTube featuring Erica Lindbeck that I immediately put everything that I was doing now to rush and preorder it on Amazon. There was just an underlying charm or witty humor in its delightful trailer, and Erica’s brief yet strong and somehow resilient portrayal as the lead (presumably the titular Miss Hokusai at the time) was enough to convince me it was worth it. The film ended up being fairly good, nothing like a Ghibli film (though it’s not really fair to compare like that). I think a second rewatch would have allowed me to place it higher up on this list.

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MAH GURL, KILLIN’ IT

#8  Code Geass: Akito the Exiled

Ever since I heard that more Code Geass existed—and it served to fill in events that took place during the series—I knew that Akito was a must. And though it doesn’t quite live up to the original’s masterful characterization and story (not even close, but it’s a tough show to beat), I did enjoy this little set of OVAs—the dub was pretty solid too, complete with accents! And ooh look, pretty art cards!

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Shin Godzilla was definitely a highly-anticipated release, but I’m just reusing pics here to save me time 🙂 

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#7  Sailor Moon Crystal Season II

Now, y’all already know that I love me some Sailor Moon, especially Crystal for its more accurate take on the manga’s rich story of betrayal and tragedy. Despite what anyone says about the CG animation or the ridiculously long legs, I still love Crystal, almost as much as the original; for me, both are necessary to bring out the depth of Usagi’s tale. That said, Crystal II was definitely a step down from the first. The plot was fine, accomplishing what took R +30 episodes in like 12, but the same main problem prevents Crystal from matching its predecessor—the characterization (particularly of the villains this time around) is incredibly weak. Aside from Usagi, Mamoru, and Chibiusa, there is very little time left for everyone else. I still love this saga, however, and I CANNOT wait to pick up Crystal III! The English dub is excellent for this one, BTW.

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The holographic finish on these Crystal covers is gorgeous—I only wish there was a consistent theme between all of them.

#6  Sailor Moon R The Movie

Anyone remember when this film was subtitled “Promise of the Rose” by Dic? Yeah, well I still call it that >.< and I have no regrets. Though a technically A-OK film, much of the nostalgia was lost with the removal of the English insert song “The Power of Love,” which I still jam to daily! The original Japanese song is, to be fair, still kickass. I didn’t get to witness R The Movie on the big screen like everyone else, but now I’ll be able to watch it whenever I like!

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I think this cover art was exclusively created for Viz’s release, so HUGE props to them on that cause it’s absolutely gorgeous.

#5  Sailor Moon S 

YASSSS SAILOR MOON S AND THE OUTER SCOUTS!!!! Of all the releases to come before it, this was the one I was most excited for—and boy did it live up to its reputation! You see, as a child, I watched this series on like 4 or 5 VHS tapes. Those tapes chronicled all of the Sailor Moon knowledge that I had, until I picked up Viz’s first release of it and watched the whole thing in sequential order. My childhood self was absolutely SHOOKETH to find out just how dark the real, uncensored story was. I’m still partially in disbelief at S‘s ending. But alas, the show goes on, and I cannot wait for SuperS in the spring!

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Viz’s other Sailor Moon DVD sets continue to look pretty bland, but at least they look nice together as a set.

#4  Your Name

Does this film even need an introduction? I mean, seriously, it was advertised like hell in 2016, and has been praised ever since. And you know what? It’s deserving of every good thing said about it. Now that I own the Blu-ray myself, I’ll elaborate more on this one in a review and theater experience coming up soon, heh heh heh. But for now, know that this one was a short, painful wait, yet one made all the more worth it because of the immediate NEED to experience it all over again.

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THE HOLOGRAPHIC FINISH ON THE SLIP COVER IS EVERYTHING. I tweeted my reaction to this surprise and Funimation retweeted it, causing it to blow up to 200 likes in one day. I’m famous now.

#3  Steins;Gate The Movie – Load Region of Deja Vu

In terms of looooong-awaited releases, this entry is hard to beat. I’m a huge Steins;Gate boy. In fact, it’s in my top 5 favorite anime of all time. When the film first came out in Japan, of course I -illegally- streamed it somewhere on the internet, and I have no regrets for doing so, as little did I know that it would not see a U.S. release for FOUR YEARS. Well, after a little bit of time travelin’ myself, four years are up, and now I can relive—what I like to believe is—one of the most perfect films to follow up an anime series. Long story short, I’m very happy to have this, and to FINALLY listen to J. Michael Tatum, Trina Nishimura, and the rest of the spectacular English dub in all their glory!

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I’m at a loss for words. The art parallels between this set and the series is just so damn clever.

#2  Hyouka 

We’re down to the last two—IT WAS SO HARD TO PICK. But of course it made a spot in the top five! Hyouka‘s lead, Oreki Houtarou, has been the face of this cafe for years now. That said, you can probably expect this to be one of the most celebrated releases for me in recent times. Hyouka was one of those Funimation license rescues that took FIVE years to get here. This is why, upon its announcement, that many thought the show would receive the sad DVD/sub-only treatment. Boy were we surprised. Not only would it get the Blu-ray combo pack special, but IT GOT A FREAKIN’ DUB. To make things even better, THE DUB IS FANTASTIC!!! (Sadly, there was no LTD ED box, but I made my own thanks to Simply Gee’s help, so we’re good I guess.) No words can honestly express my excitement, but there is still one title that deserves the real gold here . . .

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I was absolutely stunned with how much official artwork Funimation was able to obtain for these releases. Where they don’t have a cozy official box to slide into, the art more than makes up for it. Also, what do you think of my own DIY box? 😛

#1  Gosick

I watched this show in the spring of 2014. That’s three years ago, but it’s not as long as some fans have been waiting for. Gosick is SIX, almost SEVEN years old. SEVEN, and it had gone unlicensed for all this time. Some of you may argue that Hyouka is far better than Gosick, both as mystery shows and physical releases. And you know what, I kinda agree. But riddle me this: How much do you value the first anime you ever watched? Gosick is not that title, but it was one of the firsts that wowed me as a youngster—everything from the silly, lovable characters, the old-fashioned European atmosphere, and that EPIC ending theme that triumphantly rang at the end of each episode just enthralled me, it really did.

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And just like with Hyouka, holy crap—Funi was able to get like every single cover from the Japanese releases, and used them in a practical way that features all at once. I JUST LOVE THIS SO MUCH. (Also, another homemade box.) 

So here we are, so many years later, and so many anime have gone by since. On over 20 occasions, I was THIS close to just buying a bootleg of this series (heck, not sure how, but it supposedly even came with a soundtrack!). But I had faith, a near-unwavering faith that one day, however long it would take, someone would save this show. Once it left Crunchyroll a few years back, I had officially lost all ties with it—but I still carried my faith with me. And then Funimation finally lifted my prayers: “GOSICK Blu-ray/DVD English Dub & Sub COMING SOON.” That’s all it took to make this year awesome for me as a collector and a fan. Even though the dub is merely serviceable, I still have the sub; Even though it didn’t come with a fancy box to house the two parts, I made my own; EVEN THOUGH it took SIX YEARS to be rescued, it’s always better late than never.

God, I love Funimation. And for all these reasons and more, this why I love the exciting, unpredictable industry that is anime. 

(still praying for ya, Tales of Symphonia and Black Rock Shooter—you got this!)

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Let me know if you had any favorite anime releases from this year! Heck, I didn’t even get around to the magic happenin’ at Sentai lately (to be fair, I haven’t picked up their latest LTD EDs yet, though—still lookin’ at you, Haikyuu)! This wraps up Blogmas Day Two of the 12 Days of Anime! Thanks for reading, and I’ll catch you all tomorrow!

– Takuto, your host