anime

DanMachi, An Adventure I Could Care Less About

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A review of the 2015 spring anime “Is It Wrong to Try to Pick Up Girls in a Dungeon? (DanMachi)”

I originally entered this anime thinking “This is J.C.Staff. The genre is fantasy adventure with comedic action on the side. It looks and sounds great. I’m gonna love this show too much.” Let’s just say that I slid out of this dungeon with more scrapes and bruises than benefits (also, 😦 I didn’t get any girls).

In the dead center of the medieval city Orario, a land where Gods walk commonly in the streets, stands an impressive tower that has been nicknamed the “Dungeon.” Roaming the several floors of underground labyrinth are strange beasts and mystic lands. Killing and exploring awards adventurers with experience points, gems, and other items, which can be sold for cash or used to create weapons and armor. Bell Cranel is a noob fighter and inexperienced with the ladies, but after being adopted into the Hestia familia (Total members: now two) the big-boobed “Kamisama” raises “Bell-kun” to become a hero.

The anime kicks off excitingly, showing off neatly intertwined RPG gimmicks that actually make up the world. When the social system is based on your adventurer status and level, you’d try damned hard to beat each and every little goblin with your friends to earn the extra pocket change and EXP. Additionally, you return home to your familia each night with your respective God or Goddess smiling upon you, which only increases your determination. It’s like that for Bell, too, but Bell only has Hestia and vice versa, which mean the two quickly become best buds – “HESTIA IS BESTIA” is real BTW.

Though coins and rankings mean absolute bliss for Bell, he’s set his eyes on the gold: Aiz Wallenstein, the Sword Princess. First contact with this babe saving his life brings Bell to his weak knees, and as the series progresses, he becomes entranced with the idea of leveling up to follow her.

About half way through, when I stopped drooling over the pretty art, however, I realized that DanMachi had no idea where it was going. Bell was growing stronger to catch up to Aiz, his party was slowly increasing, and it’s confirmed that a villain looms in the background, but then nothing else was happening. What started off as a promising quest of heroism and mischievous Goddesses soiled a into fan service mess – one adventure I could honestly care less about. Each episode accomplished so little and the anime doesn’t even end properly! I had more concerns stacking up than compliments, only by the end to realize that none of the aspects the story offered were satisfying.

And what’s with that ridiculous title? It doesn’t even apply here, considering that Bell isn’t in the dungeon  to “try to pick up girls.” If anything, they follow him! An alternate translation, Is It Wrong That I Want to Meet You in a Dungeon, at least makes sense because Bell trains to be with Aiz. The subtitle Familia Myth is my favorite, though. Simple, applicable, and effective.

For characters, Bell Cranel is an adorable little fluff of white hair and red eyes. Kind, shy, and easily intimidated, he’s oblivious to all of the girls that flaunt over him, as he only sees Aiz in his heart. I’ll admit he does develop, literally standing one whopping level ahead of the other characters, but much like the show itself you start to care less and less about him because his plot armor was so thick. Hestia and Bell’s supporter, Lili, were also decent, but after their introductions, they just become more players to help Bell succeed.

I was also very unimpressed with “Ms. Wallenwhatsit,” for as one reviewer put it, she’s just a “ditz – a complete airhead.” Her one-hit K.O. slices might be muscular compared to Bell’s little knife, but Aiz is just another sleepy, dull adventurer.

As I mentioned earlier, J.C.Staff paints the colorful world of DanMachi through what appears to be the eyes of Sword Art Online. Even the voice actor for Bell is the same as Kirito! Character designs for Bell and Hestia specifically are really cool (such beautiful eyes), and the Elvish flare on other characters thrown here and there help establish the setting. The dungeon fight scenes are also very well done, slick animation with Hestia’s knife, too!

While the OST is nothing remarkable, it wasn’t a weakness, either. Some Irish tavern jigs and one epic string song for Bell are the only tracks I can recall. I enjoyed the opening “Hey World” by Yuka Iguchi, but only because of that “gif-worthy hip-swingin’ teeth-brushin’ groove that Bell and Hestia do!” The ending “RIGHT LIGHT RISE” by Kanon Wakeshima was more preferable for that cute “tutturu” of the trumpet.

At the end of the day, DanMachi is a lost little fan service/comedy/action segment that has no idea where it’s headed besides trying to be cute and leveling up the main character alone. If you have time to waste, which you shouldn’t cause you’re an anime fan with a never-ending backlog, then I suppose it’s worth a hot afternoon go. Who knows, maybe it was just a poor simulcast, and that it should have been viewed with little time in between? Otherwise, there are a plethora of fantasy comedies out there that perform the same skits with actual success.

“I didn’t want you to leave, because you’re you. I wanted to save you because you’re you.” – Bell Cranel

+ Interesting RPG world, but could have used more depth

+ Nice animation on everything but the monsters; too CG, creative character designs

+ Decently entertaining in terms of comedy and fan service

– Does not have a structured plot, just aimlessly following the “Little Rookie”

– Fantastic start, but lack of plot direction resulted in an unsatisfactory ending

In the cafe, this anime is served up with in the “Breads” category. I know DanMachi is only a small adaptation of a larger light novel series, but still, I don’t think I’d watch a sequel if it even got one. Such a shame, considering that it started off as one of the most anticipated shows of the season. Did you also think Is It Wrong to Try to Pick Up Girls in a Dungeon? was a bit lackluster? Comment below! Until next time, this has been

– Takuto, your host

The Root of All Disappointment: Tokyo Ghoul √A

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A review of the 2015 winter anime “Tokyo Ghoul √A”

Remember that fireworks analogy I made in my Tokyo Ghoul review: suspenseful start, awkward wait, explosive finish? Well, I will now describe √A using a continuation of that comparison, let’s say, what the actual firework looked like. If the first season was the bang, then this sequel is the tiny bursts of light that follow. Bursts so minor, dull and utterly disappointing that by the end of the display, you’ve realized that you purchased a cheap firework, and the only way to get your money back is by reading the manga.

***Spoilers for Tokyo Ghoul ahead

√A picks up right where we last left it. Kaneki gives into his inner ghoul and, battle after battle alongside “Aogiri Tree” unleashes more of the deadly, uncontrollable powers that Jason infected him with. Over at CCG, superior officers and Amon handle new recruits, one being Mado’s daughter, Akira. The finale takes us back to every ghoul’s favorite coffee shop, “Anteiku,” where the monstrous “Owl” reveals his identity. Carnage ensues.

And that’s about all I got. Whisked from one large-scale bloodbath to the next, there’s never a moment to just stop and think about the what’s going on. As such, there’s not really time to cram in motives for most of the major ghouls introduced in this season either. You desperately try to grasp onto any connections within the show, but nothing pieces together correctly; the plot is far too choppy.

Also, I could give one finger less about the CCG dudes and their struggle against the ghouls – Why can’t we uncover the secrets surrounding the ghouls already: Where did Ghouls come from? What determines their powers? Do the Kagunes have special properties, and how can normal people wield them? What can a half-breed do better than anyone else? How did Rize actually die?? My previous questions still go unanswered 😦

Other than Akira Mado, whose incredible intel and willingness to seek out the truth seems fresh since NOBODY ELSE KNOWS WHAT’S GOING ON, the characters in this sequel also stand as unremarkable. Even Kaneki, my previous fave attends the sidelines right up until the end, where the “plot” makes the decisions for him. I couldn’t even call his big revelation character development; it was ridiculously unreal, forced maturation. The new detectives and ghouls that come out to play also only get a ten-second flashback to fill you in, then the fight continues. What the actual f*ck? Literally, I don’t know any other characters besides the Anteiku gang. They were pretty chill ~

Animation was just as enjoyable as before, but there were several more obvious derps. For instance, during on one of the fights, they panned out to a downwards view of a ghoul in the air and some CCG dude on the ground was sliding parallel with the ghoul. So either that guy can glide over concrete or the ground was shifting below him :’D A coincidental fog also happens to blur out most of the background during the prison fight and the final confrontation. Studio Pierrot, that’s plain lazy!

Sound quality remained one of the best aspects, with phenomenal voice acting for Tsukiyami, Juuzou, and Kaneki (whenever he actually spoke) and an epic orchestral OST to back up all of that combat! There was one particular grand, foot-tapping string instrumental that caught my ear each time it played, but I can’t seem to find the name. While the opening was sadly annoying as all hell, the ending “Kisetsu wa Tsugitsugi Shindeiku” by Amazarashi had vibrant still visuals depicting the cast, which was pretty neat.

You’re probably wondering, “Takuto, if the plot was a disaster, the characters were rushed and bland, and animation is kinda sloppy, then what is there commendable, if anything, about this show?” I have to give the sole reason I liked this series to the final episode. By the end, nothing really gets accomplished, nothing is answered, and we still don’t know whom we are cheering for, but the reuniting of two characters – Kaneki and his old best friend Hide – brings EVERYTHING to a halt, where something very special happens.

In the midst of the bloody chaos on the ruined streets: wounded and dead, male and female, adult and child – all lying on the ground, Kaneki finally embraces his harsh reality in a very cold yet artistic and heartbreaking scene that chilled me to the bone. I was reminded of ALDNOAH.ZERO‘s first cour ending.

Tokyo Ghoul as a whole is extremely flawed. √A leaves off hinting a third season, but honestly, it’s not worth watching. In my defense, I have never read the manga, which I know has several significant variations, explanations, and development in it. Thus, I rate Tokyo ghoul √A a “Bread” here at the cafe, and a recommendation to ONLY watch it if you are a desperate fan of the manga. It had a beautifully choreographed ending, I’ll admit, but everything else is a complete wreck.

“I was wrong. I wasn’t eating ghouls. I’m the one . . . who was being eaten.” – Kaneki Ken

“Whether we die or not isn’t really that big of a deal.” – Insane boy Juuzou

+ Epic orchestral OST and voice acting make overall sound a near-perfect

+ Artistic and heartbreaking ending

– A mountain of unexplained plot holes, and there’s still more to the story

– Too many characters to balance, especially when all we get is combat and no pensive conversations

– Who are we rooting for again?

What did you guys think of √A? It wasn’t so bad compared to what I thought it’d be, but it was still incredibly disappointing. *sighs* If the prison scene was the climax of this season, which was built up by explanations and proper introductions of the characters, some drama here and there, then this would have been a great season. This way, the Anteiku clash could have been  the third season’s climax, with even more character development and secrets of the ghouls revealed. Gosh, maybe I should have directed this series, haha, maybe . . . Comment below with your thoughts and until next time, this has been

– Takuto, your host

End of June Update 7/5/15

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Konbanwa mina-san ~

For those in the U.S., I hope you all had a great Independence Day! Mine was pleasant. I stayed at home with my family and my mom had invited one of her friends over to spend the day. My favorite part – we ate tons of watermelon and pineapple! After dark, we went to lay out on our driveway to watch all of our neighbors light fireworks which is always a blast (hehe, get it), though the thought of getting bitten by a bug was overwhelming >.<

With all of the spring simulcasts coming to an end, I’ve been experiencing all kinds of feels! I know this update is already pretty late, but I figured I better shoot this out there before the wave of reviews hits me (gosh, I’ll never get some sleep). So here is the list:

Recently finished:

From the New World – yeah, I realize this was done a long while ago, but I have to bring it up again because I’m still thinking about it! Such a wonderful piece of entertainment, nearly a masterpiece, if you missed the review the first time, click here!

Tokyo Ghoul – a very gripping horror series that has/had a lot of potential. This first season was pretty good, though. I wrote a review on it here

Tokyo Ghoul √A – a disappointing sequel that, though not bad per se, just filled with a gazillion plot holes. The ending was nice. I have my reasons, and a review will be out sometime tomorrow

Seraph of the End – I have mixed thoughts on this one. Really darn entertaining, but when analyzed closely  it’s so terribly flawed! If you wanna, I have a review here you can read!

Is It Wrong to Try to Pick Up Girls in a Dungeon? – it was much more fun during the start, but at the end I was kinda sick of watching it. It wasn’t horrendous, but nothing like I thought it’d be, review on the way!

Plastic Memories – ironically unmemorable by this point. A slow romance built on a tragic concept that could have taken advantage of the setting, but sadly didn’t, review coming soon

Fate/stay night: Unlimited Blade Works – man, I’m really gonna miss one:'( Easily one of the best watches this season despite the rocky dialogue these past couple of weeks. Nine months have passed since I started . . . this was a good journey, stay tuned for my thoughts

Attack on Titan OVAs – YESS! More AoT! They actually came out shortly after the original series did, but I’m now just getting to them. They remind me so much as to why I fell in love with the series in the first place. I still have two left

Currently Watching:

Food Wars! Shokugeki no Soma – Megumi finally gets the spotlight, though the reason is not necessarily a good situation. I’m loving every single episode, and I can’t wait for the gang to return to the academy rather than remain at this fancy shmancy diner dash hell! 🙂

Sound! Euphonium – OMG episode 13 is going to be great, I can feel it!! This show is nearly flawless in my eyes, so please don’t let me down like some of the others! I’ll watch the contest on Tuesday, then shortly after you can expect a review

The Heroic Legend of Arslan – everyone is giving this show so much praise, but I don’t see what’s all the buzz about. I mean, it’s interesting, sure, but the animation inconsistency is driving me insane! I’ll watch episode 12 (or 13?) tomorrow and hope things get better

I also finished volumes 13 and 14 of the manga for Neon Genesis Evangelion. I didn’t read the whole series, as I just wanted the bits covered in The End of Evangelion. Things made so much more sense in those books than in the film! Like holy moly! I also finished Pandora Hearts volume 4. I’ve been wanting to make this my first manga series to read from start to finish and own, but I realized that this is going to be an expensive project that I just don’t have the money for. I’ll find it online somewhere and see if things get good. It’s pretty confusing, but the art is some of the best and characters are cool!

A few days ago I purchased an Attack on Titan Survey Corp jacket because a) I want to try out more cosplay and b) my sister wore one to Naka-Kon in March and the OVAs have rekindled my love for this show, not like it ever went out ;). I got it in the mail a couple days ago and, though the color is disappointingly and significantly lighter than the orange ones in the show, it’s still freakin’ epic! I also went cheap and only spent $16 on it, so hey, wasn’t expecting the highest quality, but this works perfectly fine. I’m waiting on that brown leather short skirt to arrive, so hopefully this all comes together well. *fingers crossed*

How have you all been? Who is excited for the summer simulcasts?! After watching so many this past season, I might hold back for a while just to ease the stress. I’ve been reading everybody’s pre-thoughts and you all have gotten me super excited – stop it! XD I’m also going to try a slightly different approach to my reviews, so I hope you notice them and enjoy the changes. I always enjoy the conversations we have, so please continue to stick around! Until next time, this has been

– Takuto, your host

Seraph of the End Review

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PLEASE, PEOPLE! It’s not Attack on Titan. It’s not even close. Sure, the main character wants to kill every last one from the enemy side – that is pretty close to Eren Yeager’s passion, though Eren is a much more dimensional character. Seraph of the End is absolutely, without a doubt nothing like the famous Titan-smashing epic, and I can confirm that by this first half alone.

Vampires crawled out of the chaos that emerged from a mysterious disease that spread like wildfire. With this disease wiping out all humans older than age 13, the scheming vampires subjugated the remaining youth like livestock, keeping them huddled together in fear as they sucked their blood whenever needing to.

Orphan Hyakuya Yuichirou survives in the slums under vampire rule. Yu hates them with a passion, but when they threaten his orphan family, his rage ignites, and he dreams to kill all of the vampires. Every last one.

Episode one of this anime is by far one of the best first episodes I’ve seen to date. Entrancing mood, exhilarating pace, musty and dark setting – you’ll easily be amazed! Not to mention, the end leaves you with such gushing emotions you can only hope they build up as the series progresses . . .

Sadly, nope. Episode two abandons our gloomy vampire paradise to bring us, yes, our overused high school setting. Ughhh. Just wait, it gets a little better, for as soon as the next couple of episodes are over, we return to the frontlines but with opposition in mind and a “Cursed Gear” in our hands. These strangely overpowered demon weapons turn vampires into dust after a single hit! Now, our true story unveils itself as we follow the Moon Demon Company, a vampire resistance team among others composed of Yu and his new friends, which sets out to eradicate the enemy in this post-apocalyptic Japan.

I admit that after episode one I, was incredibly depressed to witness a more stereotypical yet simply conventional plot. Had they taken out the whole school training thing and spent more time rescuing some encaged children and building characters this way, then I could consider forgiving the series. At least the latter half returned some interest, though very little.

Seraph‘s cast is cliché. The cocky protagonist, the “friend” that bickers with the protagonist even though they’re close buds, the shy boy, the tsundere, the a**hole chief – it’s all there, trust me. Mikaela, Yu’s orphan brother, does stray from the norm, but there’s not enough screen time of him to uncover layers of depth. Yu himself, albeit narrow-minded, still manages to be an entertaining character for me. There is, however, one individual that stands out more than Mr. OP Shounen.

Her name is Shinoa, the female protagonist whose sarcasm and merry wit stands out as a new character type for me. She’s amazing with the scythe, which would be cooler if we saw more, but Shinoa also always seems to know what’s going on (besides the end). Her ability to remain above everyone else yet not be annoying makes her interesting to watch. Hayami Saori portrays her charming mannerisms and constant teasing with little sardonic bolts of high-pitched laughter, a joy to listen to every time! 😉

The art is absolutely phenomenal!! Sharp, bold, eye candy characters against soft pastel building ruins and sunsets adds so much to the “devastated world” theme. Actual animation by Wit Studio (Attack on Titan with Production I.G.), however, sucks the bum hole. Action scenes are super awkward, as one moment you’ll watch a soldier holding up a sword to a vampire, then we skip to a character monologuing for five minutes, afterwards flashing back to view the characters in the same pose. Who decided to choreograph this, cause this is literally so awful! There are a few neat sequences involving the Cursed Gear, but that’s all you will get from the animation.

One of the main reasons I stuck with this series was for the music, but like most of it so far, I was tragically disappointed. It’s quite true to say that it’s “just more Hiroyuki Sawano,” as one reviewer put it, but it also lacks impact and stand alone pieces I’ve come to expect from him. My biggest complaint wasn’t the low quality of the tracks, though rather the placement of them. During sit-down dialogue or transitions we get music, and that’s great, yet during the hype of battle (which already suffers from lazy animation), sometimes nothing is playing!! That’s just outrageous considering the stakes! Besides the awesome techno opening “X.U.” by SawanoHiroyuki[nZk]:Gemie, there just wasn’t much going for the soundtrack.

Seraph of the End is by no means a bad show – heck no! I found enjoyment in the characters Yu, Mika and Shinoa (occasionally from Guren, a possibly back-stabbing adult . . .), the art and the music (wherever it was).From a reviewer’s point of view, the show is a terrible pile of plot holes and poor storytelling. The whole time I felt like I was being teased, much like Shinoa does to “baka Yu.” Samples of smooth animation and intense music are few and far between, enough to tie you over until the next quality moment.  Just from a casual watcher, however, I’d conclude that the show was fairly entertaining.

Thus, I will leave Seraph of the End with a “Coffee” rating (6 ish/10) and a recommendation to NOT watch it until the hopeful second season clears this mess up (Krul Tepes do something!). I will be following the second season which airs in the fall, but do note that my interest level is already scraping the damp cobblestones in front of young Yu and Mika’s home.

“I don’t ever wanna say I survived because I left someone else to die ever again!!”- Yuichiro Hyakuya

+ Sharp, bold characters against pastel backgrounds make for phenomenal art

+Shinoa’s youthful, sarcastic, easy-going yet witty personality is a new character type

+ Thrilling first episode; final episode leaves off on a good note, one refreshed and ready for a sequel

– Fine premise, very sloppy focus so far

– Most action scenes are flat and awkward

– Music not timed/placed as well – not as effective

What did you think of this spring’s Seraph of the End? It’s only the first cour, and hopefully the second is much better than this one. Still entertaining though ~ I hope my review was interesting! I appreciate all of the likes you guys leave me and the follows are also super helpful 😀 Until next time, this has been

– Takuto, your host

Tokyo Ghoul Review

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You know when you launch a firework there’s a thrilling rush as you flick the match and light the string? After, there’s this awkward wait to see if it takes off and, if it does so correctly, then it’s followed by a long, dry pause, everyone just staring at it, most losing sight of it. Finally BOOOOOOMMM!!!  it explodes furiously, and everyone applauds, expecting more to come, right?

That, friends, is Tokyo Ghoul,  a new dark fantasy/horror anime that starts and ends with quite the bang, but in the middle leaves us squinting our eyeballs to spot any real development.

Creeping around the dark alleyways of modern Tokyo are the Ghouls, monsters that devour human organs as food. Everyone knows about them, and some even fear for their lives of taking a daily death stroll, but most just continue on with their day. Why would you do something so insane?? Because these Ghouls look exactly like normal people: adults, teens, children, elderly, husbands, wives, etc. The only distinguishing feature of these demons is their black and crimson eyes that burn when they exhibit fierce emotions.

Kaneki Ken is your average college student who frequents a local cafe for one main reason: the enchanting Rize. Since they both enjoy reading from the same author, Kaneki musters the courage to ask her out, thinking that they have so much in common. Kaneki’s date quickly soils into a blood fest when Rize “the Binge-Eater” reveals her wicked Ghoul powers and then tries to kill Kaneki. Suddenly, an accident occurs in their location, and the critical medical situation results in her organs being transplanted into Kaneki to preserve his life.

But now Kaneki feels strange. All normal food makes him want to vomit, and instead he craves . . . human flesh. The story is about Kaneki’s struggle as this new “Half-Breed” for his remaining humanity, and what he’ll risk to remain moral no matter what – or give in to Ghoul within!

Right from the start Tokyo Ghoul latches on with an interesting predicament for our protagonist. The show quickly appeals to your senses when, after the operation, Kaneki tries to cram his face with his favorite foods, all to no avail. They taste like charcoal and rotten dung. Those incredibly morbid realizations that he’s become a monster attack the heart, causing you to feel all of the suffering that he does. This deep argument of human VS Ghoul develops as the show progresses, mostly to build around Kaneki and a little girl named Hinami, though.

I think Kaneki fits the mold for the intense themes of humanity and life better than any other character could have. Cocky like let’s say Eren Yeager (Attack on Titan) and everyone at the cafe will despise him. But too kind like Armin Arlert and I don’t think we’d get anywhere. Kaneki embodies the middle ground of what I’d like to call a “real human being.” He’s never too innocent, yet never totally ridiculous either, and that makes him easily likeable.

Hanae Natsuki portrays all of Kaneki’s hardships believably well, be it screaming in Ghoul mode, conversing calmly with friends, or choking on blood. He’s amazing!

The rest of the characters range from a tsundere teen somewhat goth girl, to an overly-attached whimsical genius, to a desperate family, and finally to a pair of Ghoul counter team members. Even with all of the variety, however, I just didn’t feel the characters nor relate to them in any way. In fact, I can hardly recall names, which is crucial to note because I hardly ever forget a name. Other than Kaneki and possibly Touka, another cafe Ghoul refugee, Tokyo Ghoul lacks in the character department.

Quite stunning is the art and animation by Studio Pierrot (Yona of the Dawn), who puts together intense action sequences with outrageously beautiful and surprisingly colorful animation – especially of the Kagunes, the Ghoul blood weapons. Supposedly, there’s a lot of gore, but I couldn’t see half of the screen because of all of the DAMN CENSORING!! Sheesh, like seriously, they’re only gonna make me more curious about what’s going on. And you know what, it probably wasn’t that bad of gore anyway! But I suppose that’s not the studio’s fault, as the various censoring depended on what your source you watched from.

Yutaka Yamada provides a supportive soundtrack that easily surpasses your average OST. Loneliness, tragedy, melancholy, and epicness are all packed into his tracks. “Licht und Schatten (Light and Shadow)” and a battle theme entitled “Symphony” are model examples of his high-quality work. Though the OST is a rather small one, the few tracks played are not only longer than usual but great to listen to. Quality over quantity is what I believe wins the day!

I’ve gradually become more and more familiar with Ling Tosite Sigure’s opening “Unravel,” which is a step up considering that I don’t care for that high-pitch screamo voice. The song matches the show perfectly, and it became one of my favorite parts of the experience. 🙂

As mentioned previously, the anime’s ending is an unexpected thriller, one that I didn’t see coming a mile away. The show steps away from its usual routes to do something very, very interesting – something that hopefully pays off in the second season. If you can watch the end without flinching, then congrats to your balls of steel.

And now for my major problem with the show: we don’t have explanations for anything! Where did Ghouls come from? What determines their powers? Do the Kagunes have special properties, and how can normal people wield them? What can a half-breed do better than anyone else? How is the main antagonist roped in with all of this? How did Rize actually die?? Tokyo Ghoul has a crap ton of potential, enough to be considered one of the best – that is, if the second season pans out well, because at this point, Tokyo Ghoul is definitely unfinished. If you’re gonna get into it, just be sure you can stomach the gore, and please, watch it uncensored. It tastes better that way >.<

“What is this? What is it to be a Ghoul? Killing people . . . killing each other . . .I’m not like that! I’m . . . human!” – Kaneki Ken

+ Easily likable, non-annoying lead character with good development

+ Gripping start, intense, bloody and sweaty cliffhanger

+ Quality colorful visuals, gorgeous fights, matching OST to back it up

– SO many unanswered questions, literally no explanations!

– Weak secondary character development

– Middle of show deviates from an psychological alley horror to a slice of life coffee shop drama (no JK, but seriously, what?)

I’m pretty excited for the sequel! It has a lot riding on its shoulders, and I can only hope it doesn’t disappoint (even though I heard it sucks, I will be the judge of that myself). What did you think of Tokyo Ghoul? Were you thinking “Welp, this makes absolutely no sense, why aren’t people screaming for their lives? At least it’s pretty :3” FUNimation has licensed the anime for North America with an English dub on the way, though you can watch it for free on their site if you’re +18. Clobber that like button for more material like this and until next time, this has been

– Takuto, your host

From the New World Review

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I always used to think that sci-fi was robots, high-tech cities, and people in black suits shooting guns at other people in black suits. Flying cars, neon lights, and stainless steel, right? Well I’m not all wrong, but I’m certainly not right, as here is Shinsekai Yori (From the New World), a psychological mystery drama that uses themes from the supernatural and the occult to create – yep, you got it – a science fiction anime. Prepare to abandon all sense of worldliness and jump into your traditional Japanese village, where, for some reason, something doesn’t feel quite right . . .

Unknown apocalyptic events have passed which destroyed most of the world. Taking place 1,000 years in the future, we are met with a small Japanese village of humans that have supernatural, psychic Power. Two Committees maintain peace and judgment: Ethics and Education. On the surface, they are the ones maintaining this masterful, humble utopia, but these Committees actually regulate information and manipulate reality in the village. Whether it’s by “banishing” troublesome individuals or even subverting one’s own memories, they will risk any and everything to maintain order.

There’s always this dangerous aura that spurs from the setting, making each and every day in class risky. Adventures outside of the village barrier, which no one is allowed to leave, are hazardous, yes, but exhilarating and unknowing. As far as you know, everything outside the gates is desolate and menacing. Rules upon rules established by the Ethics and Education Committees allow for “thinking in the box only,” and actions that go against these authoritative groups warrant unimaginable punishment. Thus, the theme proven most effective to preserving protection in the village is to use FEAR as a means to influence and control the youth. Well done, From the New World.

Our actual story centers around Saki and her four friends: Satoru, Shun, Mamoru and Maria. We witness the development of their Powers in school (some more than others) and the truths of the real world outside the village. From child to teen to young adult – innocence to rebellion to experienced –  we follow five youths that will inspire the drive for hopeful future of change.

What’s obviously the best part of this anime is the particular care that went into telling a great story. It seems that at all times, we are shown only what we need to be seen for the time being, much like a novel, filling holes and uncovering twists at the end of each chapter. Speaking of, the show was based on “Shinsekai Yori,” a Japanese novel by Yusuke Kishi. That’s right, not a light novel, not manga, a “book” book. That explains why the anime feels like something all teachers would make their kids read. It requires that kind of technical thinking.

But it’s not all smooth sailing – no – because like books, each “chapter” of the characters’ lives begins so painfully slow. Told from Saki as the narrator flashing back on the events, the time skips include life at ages 12, 14, 26, and 36. The pace only picks up towards the end of each arc when they decide to info dump us, a reoccurring problem.

Another issue I had with the show was actually the Powers. To what is their extent?? Levitation (of body and objects including giant rocks), pyrokinesis, the ability to reassemble glass, drawing with the mind, creating reflective surfaces out of nothing – seriously! What can they not do? I understand that each person has some sort of practice unique to them, but still, with all things considered, I feel that they could at least be living in a city with their powers rather than some weird collection of occult shanties (no offense). Also, they cannot kill another human due to the “Death of Shame,” a genetic trait which causes them to die instantaneously if they use their powers to kill another . . . umm, I guess it’s conventional, but that’s it.

The characters are developed well enough to identify definite progression since episode one, especially Saki and Satoru, but that development comes with discovering the events that led up to present-day. Well, that and the Monster Rats, humanoid mutant rats that live in colonies and obey the psychic people like gods.

In fact, the most interesting character in the entire series is a Monster Rat known as Squealer, a helper of Saki and Satoru in their early days outside the barrier. I literally can’t say anything due to spoiler’s sake, but do keep an eye on this creepy fellow – he performs some very very commendable acts as a main character . . . some wicked, Machiavellian acts we’ve all seen sometime before . . .

I found the animation by A1-Pictures to be gorgeous: soft sunrises, intense sunsets, luscious forests, and beautiful character designs. While it contributed to the atmosphere of the show marvelously, including the vast difference between the village and “Tokyo,” it’s not 100% satisfaction.

Apparently there was a change in staff when it came to design work and animation around earlier/mid episodes that fluctuated between two totally unlike styles – neither of which were bad, just noticeably different. Another weak point was the Monster Rat Colony fight scenes. The boulders are so CG and glaringly horrendous that I just laughed the whole time!

Sound-wise, hair-raising tracks boost the suspense and inevitable horror. In contrast, subtle adventurous songs for exploring helped establish various moods. A standing ovation, however, goes to “Ienikaeru (Going Home),” which is actually composed by Dvorak and coincidently, from the 2nd Movement (Largo) of the “From the New World” Symphony. Being a classical nut, this tune as the evening “children, return home” theme that plays over speakers in the village completely through me off. One of my all time favorite classical works, on the verge of tears when this played at the end 😥

Oh yeah, Yuki Kaji’s freaking awesome as always, performing the role of Satoru with such strong conviction and youthful stress. Always great to listen to him!

One of the biggest reasons I love From the New World is because it reminds me sooo much of No.6, another one of my first anime that I hold to heart. Soundtrack, dystopia, youth, romance, suspense, thriller, science fiction – it’s got it all, too, but this anime did what No.6 didn’t, and that was deliver with a fulfilling ending. I never, ever got closure from watching that anime a couple of years back, no matter how much I searched for “anime like No.6.” I can finally rest easy.

Despite being just a science fiction story, this anime feels more scary real than anything else I’ve encountered in a long while, and that could be because of its realistic characters and their actions. Its analysis of the human condition through a dark, manipulative plotline adds so much depth and curiosity that you’ll be guessing until that last episode, but no more than that. Why? Because by the end of the show, From the New World does not get very far at all, but it paves the way to a more hopeful future instead, and after all of the wrong, disturbing, and twisted carnage that I bore witness to, I could not ask for more than that.

“We have to change our way of thinking if we really want to change the future.” – Watanabe Saki

+ Mastered storytelling, made gripping and curious until the very end

+ Incorporation of “Going Home” really made the mood shine

+ Thriller tone so realistic like nothing I’ve seen in a long time; fresh, clean slate after viewing

+ Satisfying ending that delivers justice to the show

– Brief animation issues

– Info dumping in the beginning/middle of each new arc made for rugged understanding

Wow, this anime was so hard to talk about! It’s such a beautiful story that you should defiantly check it out. It’s not for everyone, but for those seeking something completely different than the norm and/or are wanting a clean slate by the end, you can watch the whole thing on Crunchyroll for FREE! Thanks so much for reading my emotional report over From the New World, and in fact, thanks world for the joyous experience! Beware the Trickster Cat, and until next time, this has been

– Takuto, your host

Log Horizon Review

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Log Horizon is the newest “stuck in a video game” anime since Sword Art Online. Rather than try to escape as the main goal, however, one brave geek steps out of his cloak and glasses to answer “Who’s gonna do what, what we’re up against, when things are going down, where we’re going next, but interestingly, not why we’re here” – and that could be Log Horizon‘s biggest fault.

Eight-year Elder Tales Veteran Shiroe among 30,000 Japanese players (700,000 worldwide) are suddenly transported into game that they all love upon installation of the “Novasphere Pioneers” expansion pack. Most everyone quickly realizes that the game is not quite as friendly when you’re actually in it: all of the food taste like the same mush, combat with the menus spinning around your head is difficult, and if you made your game avatar a little taller or shorter than in real life, well, now you have to adjust to it!

But here’s the most intriguing bit: when you die in the game, you simply revive at the cathedral, just like normal so no big deal . . .

That means you are trapped in the game.

With no known way out, no sense of order, player killers running about, and the CPUs (now “People of the Land”) acting strangely personal, the level 90 enchanter Shiroe picks up that you can’t just play in Elder Tales anymore – you have to live in it. Partnered with the faithful ninja Akatsuki and the beefy guard Naotsugu, Shiroe takes on his own quest of restoring order to Akiba, even if it means becoming a “Villain in Glasses” instead.

What’s best about this anime is the way it handles situations. Covering food to personal qualms to economics to ethics to community issues -all of these critical points in structuring modern civilization are hashed out with incredible detail and with consideration of the characters’ emotions. For instance, sparking the industry with the invention of the Crescent Burger was not only creative but it mattered in the context. The people wanted flavorful food and Shiroe need more money to execute his plan, so what a better way than that? It’s probably one of the best examples of world building I’ve ever seen.

Acting as the mastermind behind all operations is Shiroe, a socially awkward young man who is an expert strategist. To the kids, he’s a savior and a teacher, but to adults he’s a creepy guy with mysterious intentions. I’d say Shiroe’s a good mix of both; he means well, but the way he performs maneuvers could be considered rather extreme. He’s willing to make himself look like the bad/strict guy if it’s to better the people, which aggravates the ones that love him. Regardless, Shiroe’s best feature is that he values progress. He is the most achieving character I’ve seen in a long time, but often times, the plot just uses Shiroe as a means to convey this progression rather than developing his character.

Also, instead of the frontline swordsman, he’s the man pulling all the strings and gauging the stats, and makes for a really fresh, enjoyable point of view – a view not usually popular with this kind of story.

Though the majority of characters in the series lack any real development, there are several characters that I enjoyed because of their quirks: Akatsuki’s loyalty and shyness is super cute; Marielle and Henrietta (the playful Crescent Moon gals) are not only hilarious to watch, but a hardworking team, too; RUNDEL HAUS CODE and Isuzu are quarreling lovers that receive the best development; and finally Lenessia, a straightforward, lazy, cowardly princess who makes a few damn good speeches despite her lack of attention. Log Horizon‘s cast may be large and unremarkable, but it’s well-balanced and enjoyable as you’re watching.

Animation by Satelight is by far the show’s weakest point. Characters can look really botched at times, though during some of the fights scenes you’re sitting on the edge of your seat! The luscious green background of Akihabara is also standout artwork in itself. I guess the word is inconsistent.

Driving the fantasy story and installing bravery into the characters is the wonderful soundtrack composed by Yasuharu Takanashi, now a music genius in my book. The grand main theme “Log Horizon” is the most notable for carrying out Shiroe’s plans. “Daisaigai” welcomes players to foreign, mysterious lands with an eerie tone. “Akiba no Machi” celebrates with festivals, food, and friends. Finally, the “Elder Tale Waltz” elegantly reminds adventurers of their love for the game. While the story is inventive and the characters are fun, to me, the surely overused music is the best feature!

The obvious big problem for this series is that it’s only a small portion adapted from the books as well as not explaining the reason they were trapped there in the first place. Wouldn’t you be dreading to know what was happening to your body in reality? Why are we here? Apparently, the adventurers don’t seem to care, but hey, I’m glad they just didn’t drain episodes into this cause – there are a lot more interesting factors to consider besides whining to go home.

I was never much of a hardcore gamer, just glazing the surface when it tickled my fancy, and that was part of another problem as I watched this show. Terminology such as battle positions and skills/combos glazed past my ears, but the approach is what gripped me most. The show takes a very economic and political approach to a usually action-dominated premise, which is something that I am slowly starting to love. Rather than sword and shield being the issue, it’s supply vs. demand that we have to fight! Start stocking those shelves, boys! 😀

Log Horizon is a very peculiar show, as rather than acting with the laws of the land, characters like Shiroe constantly challenge the rules. He rebuilds the world with all things considered and frankly, it’s just fascinating to watch! Yes, the pacing can be slow with the kids arc, and yes, a lot of the opening dialogue is quite cheesy, but beyond that is Shiroe, a thinker, an enchanter, a teacher, a gambler, and a villain. If you understand the concept of RPG styled gaming and also love anime, drop what you are doing right now and check this show out! If not, well then, it’s completely up to you. Just know that all of us “gamer geeks” will be enjoying the ride.

“If you can’t do something, then don’t. Focus on what you can do.” – Encouraging words of Shiroe himself

+ Classic concept with a very different yet much more interesting viewpoint and approach

+ Story always seems to have some things kept secret, Shiroe’s world building experiments and rule-challenging offer engaging twists

+ Fantastic fantasy-appropriate OST with game theme included in story

– Filler episodes and slow pacing during times without Shiroe drag on

– Does not answer “why” they are there, does not end (more to come)

Presently Collections 1 and 2 of Sentai Filmwork’s Log Horizon English dub release stand fantastically on my shelf awaiting my next login to the hearty world of Elder Tales. The dub by the way is outstanding, new actors and actresses all around, my only problem being Nyanta the cat chef – what happened there?? *shakes head with disapproval*

Thanks for reading my review of a “Caffé Mocha” worthy series I absolutely love! Have you seen this anime? Comment below with your thoughts because I want to talk with you all! Want more Log Horizon? Check out my season two review here! Until next time, this has been

– Takuto, your host

Cafe Talk #2: When Anime Became Commonplace?

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Mina-san, konnichiwa ~

I’m back the second “Cafe Talk,” and today I’m here to ramble on about how I got into anime. It’s quite the embarrassing story, but I figured I let someone know. Lord, this one’s for the history books, gosh. The rest of the chat is my journey through the beginnings of anime. I hope you enjoy!

O.K. So I had known about Sailor Moon, Yu-Gi-Oh, and Pokemon when I was a young child but I never really knew that they were “anime.” In fact, I didn’t know what “anime” was. The closest things that hooked me on the Japanese culture were Ghibli films Kiki’s Delivery Service and Castle in the Sky.

How I became fully inducted into the anime life was . . . don’t laugh . . . I didn’t know what hentai was. I WAS A KID, OK! CUT ME SOME SLACK I’M NOT A PERVERT I SWEAR!!! Anyway, after searching it in Google I found a small clip of guess what? The Negima!? Spring OVA, you know, the one where they go to Ayaka’s private resort island and party hard!? It’s not a full-on hentai  by any means (not that I’d know what that’s like or anything :P), but it was far “bustier” than any cartoon or animation I had ever seen.

Yeah, that’s the one.

I watched it in three parts, and fell in love with the animation style, the art, the comedy OMG, the voices (in English – go Greg Ayres!), the boobs plot – everything! I then went on to research the main series, watch it all and if you want to know my weaboo thoughts on my first anime series, click here to read my first ever review!!

Back to the topic, for those who’ve seen Negima!?, you’ll know that besides comedy, magical fanservice and a poor shota boy-genius, there’s actually a lot of great animated action sequences to accompany the main story (that’s studio Shaft for ya’ll) – and that is what hooked me most, the gripping action.

Back on YouTube, I saw “Top 10 OPs” and “Best Fight Scenes,” and while those all amazed me (and weirded me out at the same time), what I ended up sliding the cursor over was “Japanese Tales Of Symphonia Opening.” *click*

God what I’d give to own it now on DVD . . .

I was blown away.

What I came across was an enchanting ballad where fights in glorious animation were commonplace – the Tales of Series, and specifically my favorite Tales of Symphonia. I had hit the entertainment goldmine for a youth in desperate search of heartbreaking and relatable characters, incredible stories, and all of it brought to life not as a game, however, but as video entertainment – anime.

From there, anime only continues to secretly provide me with an escape from everything in the real world, not that anything was particularly bad, but ya know, boring as all hell.

Shows like No.6 and Ef – A Tale of Memories and Melodies invoked  periods of pure sadness yet true joy at the same time through memorable romantic ties and gut wrenching tragedies.

Head-scratchers like Steins;Gate opened up my brain to its full capacity with a beautiful story revealing the cruelties of time, showing me that there’s a deeper meaning behind very tiny details (SYMBOLISM) such as blue butterflies, microwaves and lab member pins . . .

This is it right here. I’ll never look at normal things ever again. Thanks anime.

Crossover shows like A Certain Scientific Railgun/Magical Index forced me to realize that no matter your level or rank, you can still impact lives and make true friends, all while being a badass at the same time!

Even Free! – Iwatobi Swim Club inspired me to go out for my first sport ever – swimming – and I’ll never forget the fun times that they had and all the amazing memories that I would make myself!

A hundred or so anime passed. This leads me to my “common era.” I participate in simulcasts, check the anime news, indulge myself in the industry – it’s great and all, but can I just return to the old days? Even for just a sec?

Probably not. So that’s why I started reviewing.

Maybe, just maybe, I can find that thrill of untapped territory once again if I explore some of the aspects that made me love anime so much! Then, perhaps, I could uncover the sweet, sweet bliss like I did back then. Don’t get me wrong, there have been TONS of great shows that I’ve watched after that, some I’d even call masterpieces, but each anime feels different, and that feeling can be a double-edged sword. Did I get really into the show and “feel it,” or did it just have good concepts?

I’m Takuto, and while I operate this cafe and meet all of you wonderful people, I have a deeper quest, and that is to find that “feeling” I felt during those days. It’s indescribable, almost lustful at times, but I’ll find it for sure!

Chasing after the feels.

Do you understand that feel that I’m talking about, or do I just sound like a crazy guy – well, that one’s probably a guarantee, but regardless LOL, do I make sense? Did you know anime when you first saw it, or was it just a good ol’ childhood show? What was your first non-childhood anime? Also, I put pictures for the first time! Comment below because man, I’m getting tongue-tied! Haha thanks so much for reading and until next time, this has been

– Takuto, your host

Second Time Around (Sunshine Award)

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Hey everyone, I’m back!

I have been nominated again by LitaKino and Chibi Majo for the Sunshine Award, and I thank them from the bottom of my heart as great bloggers and as even greater people. But more so, seeing the comments from my update and reading these nominations have made me realize something: I have friends, and I am thankful for that now more than ever.

When I started, I had one or two customers walk in, but then wonder back out only to be unsatisfied with my material. Now, however, all you guys waltz in, check out my reviews and other posts, and even chat with me a bit. I’m a small blog, and I know that this is a small (but surely growing) aniblogger community, but in the short time I’ve been here, I’ve realized that there’s a lot of heart behind each and every one of you – more than what our words in our posts can say!

So once again (sorry for the sappy speech), I extend my thanks to LitaKino and Chibi Majo for nominating me, but also for reminding me as to why I blog. Now, let’s laugh together and answer these questions, shall we!?

Since I’ve already nominated several others in my first post, and because I’m incredibly lazy, I’m just going to relax and answer the questions, sound good?

From LitaKino:

  1. What have you found blogging has bought to you?

FRIENDS! My writing has improved and I notice all of the minuscule details in anime, sure, but nothing beats good company! I have also begun to analyze works more efficiently instead of just tossing out praise like Halloween candy: credit is given where credit is deserved.

  1. What was your favorite childhood show growing up

Growing up, I watched Pokemon, Sailor Moon, Yu-Gi-Oh, and Beyblade, but my favorite would have to go to Bakugan just because of how flawed, cheesy, yet influential it has been. My siblings and I used to hold tournaments and get-togethers for the game, and we still make gag jokes about it today! It’s an obscure show that aired in like what, 2006 or something? I can’t even remember, but it was the highlight of my elementary school days.

  1. Ramen or Sushi?

While I admire the unique, higher-quality tastes that come from sushi, ramen is cheap, and I eat it like every other day, so ramen! :3

  1. What is the most typical anime genre you end up watching a lot?

Ho oh, a good question! Typically I end up watching shows with a little more scientific thinking behind them. It’s not really its own genre, so-to-speak, but more of a subcategory. They are shows that either A) explain themselves with science or fact of the land or B) sound “sciency” enough. With its very broad and vague listings, shows IMO include: Railgun, Evangelion, Steins;Gate (Science Adventures Series), Psycho-Pass, No.6, Guilty Crown and many more.

  1. What anime character do you feel you relate to a lot?

Mikoto Misaka – a very talented girl who happens to have the whole world depend on her during very tough, complex situations. She’s gifted in her abilities, being one of seven Level 5 Espers in existence, but she doesn’t want that; Misaka just wants to escape the harsh reality she has created and venture off with her friends, wherever that leads them.

I also have to point out Shu Ouma, an ill-fated boy who has to deal with a lot of crap despite being a major introvert. Forced to make friends, take lives, and lead the rebellion to the world’s end, he lives through hell, kinda like my life (but on a much smaller scale, obviously). Similarly, he’s shy, clumsy, but caring nonetheless.

  1. What ending of an anime would you change if you had the chance too?

Oh my, another great question! I would love to change the ending to Sword Art Online Season One, and particularly the second arc because of all the hate it gets. SAO is great, but because of that darned second half, everyone loves to bash the whole franchise. I would have sought a more tragic ending (where either Asuna or more likely Kirito dies), though maybe not the correct one. For a show of its caliber – go out with a terrifying bang, not with sprinkles of fairy dust. Geez!

  1. What do you love to see in a blog?

While I seek impressive reviews and in-depth conversation, I really love seeing personality and happiness of the blogger shine through for a brief moment, the flash away. Though I don’t think he’s a blogger, GRArkada of Glass Reflection anime reviews on YouTube is my prime example. His posts/videos are extremely well-written and thought out, and he thinks of his own personal enjoyment while reviewing, but doesn’t anyone want to know more about him? I do, be it a haul video, more vlogs, personal anime life, heck, even a room tour – I don’t care! I just love seeing the bits of one’s personality briefly sprinkled throughout writing. It’s also easier to read that way!

That’s all for LitaKino, now for Chibi Majo’s questions:

  1. What got you interested in the things you blog about?

Well let’s see, I blog about anime and anime reviews, so what got me into reviewing? Watching YouTube reviews was a major influence, but wanting my own voice out there regarding anime was the strongest push. I wanted to finally join the crowd and even go against it at times – it’s much better than standing on the sidelines, trust me!

  1. Favorite food?

I believe I’ve answered this question sometime way back when, but currently, it’s rice! It goes well with about anything and I know how to make it so, what the hay – rice for nearly every meal! I also love fruit like watermelon, pineapple, and grapes, but I’m not a big meat eater, so you won’t find me at a restaurant with a juicy steak in front of me. Sawry >.<

  1. What are your hobbies outside of blogging?

I’ve recently taken up composing music, and that’s been a blast. I play the cello and I can accompany people on the guitar, too. I used to draw when I was younger, and so just two days ago I purchased a sketch pad so I can get back to it. Hopefully I’m better than I remember (eek!). I enjoy online shopping for anime merch/DVDs that I know I’ll never buy, as well as watching unboxing videos. For some weird reason, they are super relaxing!

  1. Random fact about you?

I’ve never been on a plane nor a boat, so I hope to go on at least one of them this summer, fingers crossed.

  1. Favorite animal?

This and favorite color are like the two most popular questions, but I have never had a favorite animal. I mean, I guess I like cats (booo), frogs and birds (pretty vague) . . . ?

  1. Ice cream or cake?

Cake OMG! Fun fact, the only reason I go to weddings is pretty much for the cake! SOOOO delicious, exquisite, and beautiful.

  1. What got you into anime?

I’m actually going to write a Cafe Talk about this question. Let’s just say it was a combined effort of Ghibli, Ranma 1/2, Pokemon, Symphonia, and . . . hentai??? Stay tuned.

I hope you enjoyed my answers and parts of my anime/life story! I once again extend my thanks to LitaKino and Chibi Majo for the nommie and the fun questions :). I also say hello and welcome to a new follower recently. Until next time, this has been

– Takuto, your host

End of May Update 6/3/15

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Mina-san, konnichiwa (sorry about that gif, I just had to) ~

First off, good God – it’s already June. Where did the time go?? Secondly, a warm welcome to all of my new followers and viewers, and a welcome back to my usual guests. I hit the most likes yesterday, and it’s all thanks to you guys. Thanks so much!

I’ve been scavenging for a new anime just to buy, sit down, and watch, but my pockets are empty 😦 On another note, I have a ton of shows on my list (like everyone else), so the river never runs dry!

Onto the usual anime update:

Recently finished:

Love Live! School Idol Project (1st and 2nd Season Review) – such a joyride! I am a μ’s fanboy! For a fun review under “Cakes,” look no further

Bakemonogatari – hmm, I’m not sure what to think of the Monogatari series yet, not as epic as I heard it’d be, but still an enjoyable watch, a “Coffee” review here!

Currently watching:

The Heroic Legend of Arslan – while extremely slow and dragging at first, the latest episode (was it 8 or so?) really started to kick it in, mildly interested

Seraph of the End: Vampire Reign – ugh, little by little we’re uncovering more info regarding the setting, but the characters and the story are so weak, that car scene with Yuu, Shinoa, and the guy with glasses was hilarious, though!

Is It Wrong to Try to Pick Up Girls in a Dungeon? – not really sure where this show is even going, the villain better make a move soon, Bell, Hestia, and Lili are still fairly enjoyable to watch, latest episode with Bell really shocked me, though

Fate/ stay night: Unlimited Blade Works 2nd Season – while I’m getting lost in some of the heroic dialogue, the action is still phenomenal, Lancer in UBW is X10 more loveable than the original series

Sound! Euphonium – with that last episode featuring relationships and Kosaka, everything is reallly coming together, one of the best shows this season!

Plastic Memories – it waddles around playfully with Tsukasa and Isla’s relationship; not its strongest point, cases with taking back more Giftias are still very emotional, wishing for more of that before Isla’s time expires

Food Wars! Shokugeki no Soma – still food porn, though everyone says otherwise, I’m having the best time with this show, love it so much!

I would write a review but I haven’t finished anything else, so I’ll get started on something soon. For those interested, I am writing another “Cafe Talk” because it was fun to write and the first one received a lot of positive feedback – Thanks! I was also recently nominated for the Sunshine Award, and you can check out my responses here! How are all of you doing? What simulcasts this spring season do you enjoy watching? Comment down below, I appreciate you reading and liking my posts, and until next time, this has been

– Takuto, your host