The Four Dragons Assemble: Yona of the Dawn 7-9 || 25 Days of Manga

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After years of sitting on my shelf collecting dust, I finally finish reading Yona’s first nine volumes.

Loose thoughts on volumes 7-9 of Mizuho Kusanagi’s manga series “Yona of the Dawn,” initially published in 2016 by VIZ Media. Spoilers will be present.

CLICK HERE TO READ MY THOUGHTS ON VOLUMES 4-6

History is Made at Night

Unlike the past few volumes of Yona, volume 7 opens with action. Yona and Yun begin their escape to the upper deck of Kum-Ji’s human trafficking ship along with all the other women aboard. I love this opening chapter because it gives us a glimpse into Yun’s calculated thought processes. He really is a strategist, always assessing the situation for both himself, his enemies, and now, his friends. Before, all he had was Ik-su the shepherd. Now, Yun doesn’t just look out for himself; instead, he worries about Yona, Hak, and everyone else in the party. Point is, he’s already grown a lot from when we first met him. Even though he can’t save the princess on his own, we all know that Team Yona would’ve been doomed from the start without Yun’s genius. Praise for the pretty boy!

Anime watchers will immediately recognize the downfall of Kum-Ji as the moment where Yona takes on the mantle of power and courage, officially making a name for herself among the Awa port town residents. This scene is drawn so impressively. The backgrounds may be plain, but this allows Yona to literally leap out of the page with with her sharp gaze and even sharper arrow tip. Such a legendary scene. And I’m witnessing Kum-Ji die for the second time is just the icing on the cake.

A startling reunion with Su-Won tosses the main conflict at hand–reclaiming the thrown–back into the picture. The new king sure does have a handsome face, but Yona has changed a great deal herself. Though she crumbles after their encounter, she did muster the courage to attempt reaching out for Su-Won’s sword. I don’t think she could’ve killed him. Well, maybe . . . The remainder of the volume is full of joyous celebration and, likewise, bittersweet goodbyes. The scene of Yona running back to Gi-Gan to embrace the maternal figure one last time will never fail to break my heart.

War Games

Volume 8 is by far the most different volume in the story, both in terms of narrative focus and storytelling style. The first few chapters introduce a normal campfire evening with the party. Suddenly, Yona is joined by an innocent traveler radiating the light of the sun. Little does she know that her new companion is actually the Yellow Dragon! His name is Zeno, and he’s a bit of an oddball (which is really saying something, given that this is the same team with Gija and Sinha in it). But he’s kind, caring, and observant, and these qualities mark him as a dragon even if his abilities are yet to be realized. The anime ended with Zeno’s introduction, so I’m excited to see what he does from here on out.

Shifting focus, the next few chapters are told from Su-Won’s perspective. His ventures traveling the Kohka Kingdom have shown him small ways to make major changes in a village’s prosperity, as seen in the work he does in the Earth Tribe capital. The general there, Lord Yi Geun-Tae, has enjoyed a lazy lifestyle since King Il took the throne. Lately, however, the general craves combat, as battle is the only way Geun-Tae believes he can prove his worth to the kingdom. Su-Won provides him this long desired action, but in the form of a festival celebrating the Earth Tribe and its general. We get a laydown of the festival war game rules, the entire “battle,” and even the aftermath. It turns out the festival was a way to stimulate trade in the capital once again. Whether for tea, minerals, or even soldiers, Su-Won sure knows how to encourage the masses.

Off in the forest, Team Yona reunites with Ik-Su to seek instructions on the prophesy originally bestowed upon Yona. I’m not sure if the “Shield” and “Sword” they will eventually meet refer to Hak and Su-Won(?), but regardless, Yona wants to train. Desiring to take up the sword, she is met by humorous resistance from the party. However, we all know that our dear princess always gets what she wants–even if it’s skill of swordsmanship!

The Dark Dragon and the Happy Hungry Bunch

Despite taking a dark turn in the middle, this is by far the funniest volume in the series yet. Each chapter had something that made me laugh out loud, or at least crack a pretty big smile. We get to know more about Yun, how he grew up trading with local villages in the Fire Tribe lands while also supporting them with food and health needs. Watching Yona, Hak, and the Dragons bumbling through the village insisting on helping was just the sort of mood-lightener we needed.

Quickly, Yona resolves to put together a team of “bandits” to push out greedy Fire Tribe officials. In the name of happiness and hunger, the crew strive to protect inhabitants in this roundabout way so that they can prevent the villagers themselves from rebelling (which is punishable by the selling of one’s children, yikes!). I find it interesting how Yona’s team endeavored to bring safety by wounding (but not killing) the officials’ guards. This is in direct–and definitely deliberate–contrast to the previous volume, where Su-won essentially brought the same results without the use of any violence or manipulation. Is this what the power of the true king can do . . . ?

As previously stated, volume 9 does take a brief dark detour in the midst of the action. Forced to use his forbidden ability for the first time in 14 years, Sinha awakens to a newfound desire for power spurred on by his dragon eyes. The imagery here of the giant shadow dragon devouring the guards was the stuff of legend, I absolutely loved it. It’s nice to see best boy get the glow up he deserved, though the cost is surely great. Lastly, Fire Tribe prince Kang Tae-jun is up to no good once again–especially considering that he’ll soon find out that the princess he “killed” months ago actually survived the fatal fall!

“IK-SU, THESE PEOPLE YOU PREDICTED WOULD SHAKE KOHKA UP ARE ALL IDIOTS. BUT, THEY’RE IDIOTS WHO CAN LAUGH EVEN WHEN THEY’RE HUNGRY. WHEN THEY HAVE TO DEAL WITH BIGGER PROBLEMS DOWN THE ROAD, I BET THEY’LL FACE THOSE WITH A SMILE TOO.” — YUN

Afterword

After YEARS of these books sitting on my shelf collecting dust, I’ve at last finished reading the first nine volumes of Yona of the Dawn. Although I’m done for now, you can bet my next RightStuf purchase will include the next dozen or so, as I simply love this series and its characters with all my heart! We’re finally getting past what the original anime covered (I believe . . . it’s been years since I saw it), and I’m excited to see where the story goes. If it’s as my fellow blogger and mangatuber friends are telling me, I’m in for the ride of my life! Thanks for reading, and ’till next time!

– Takuto

WE’RE BACK on the Trail: Yona of the Dawn Volumes 4-6

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After several months, we return to the story of the girl whose blazing hair boldly paints the dawn crimson red.

Loose thoughts on volumes 4-6 of Mizuho Kusanagi’s manga series “Yona of the Dawn,” initially published in 2016 by VIZ Media. Spoilers will be present.

CLICK HERE TO READ MY THOUGHTS ON VOLUMES 1-3

Finding the Blue Dragon

It’s been FOREVER since I last talked about Yona and the crew (or blogged in general, yikes)! But fear not, we’re back on track with the manga volume “reviews.” I wanted to count volumes 7-9 of Yona as part of my 25 Days of Manga reads, only to realize that I never covered 4-6 here on the blog! It’s been a minute, but I hope you’ll enjoy reading these loose thoughts.

Alright, so volume 4 basically serves as our transition volume from the Gija story to the introduction of the Blue Dragon. Gija proves his worth to the team with his ability to sense the presence of other dragons. This will be useful, especially in the start, as Yona and Hak (and Yun) have essentially NO clue where the other dragons are residing. Unlike Gija, the others seem to have deserted the typical ways of the tradition, which make them particularly tricky to find in the vast countryside.

But obviously, Gija manages to find a way. We enter the Blue Dragon’s village, which is interestingly imbedded in a series of mountain caverns. (Seems like a difficult way of life to me, but hey, I know many cultures have done it in the past.) Shunned for his cursed eyes that supposedly turn people to stone, the Blue Dragon lives with the other villagers, although away from them at the same time. His story is a sad one, filled with drama, loss, and curses from his previous master. The villagers don’t like him much (which is their loss, seeing as how the Blue Dragon is my fave), but they want to protect him all the same. Weird. But it will all work out in the end, right?

A Name is Given

I love volume 5 of this series so much. Yona moves at a decent pace, quickly assimilating the Blue Dragon into the party and moving on to find the Green Dragon. Of course, this comes after escaping collapsing tunnels, gaining the trust of an entire village, and earning respects from the Blue Dragon himself. Speaking of, we finally have a name for him–Sinha! It was Yona’s idea, that lovely girl. With his silent charm and fluffy quirks, Sinha is right at home with Yona’s crew. It’s almost as if they were destined to be together . . .

After overcoming a bizarre little sick moment, Gija sniffs out the location of the Green Dragon. The good news? He’s relatively close. The bad news: His position changes frequently, almost as if he’s flying around like a madman. Though not far from that truth, the hunt for the Green Dragon comes to a hault when Hak causes trouble in the port town of the Green Dragon. His wanted poster goes up, and now it’s incognito mode for Yona’s bodyguard. It’s a good thing that Gija can still detect the Green Dragon’s position–their encounter is one of the funniest moments in the series yet!

The fault doesn’t like completely with Hak, however; unbeknownst to the party, the Green Dragon himself also joined Hak in taking down a few local hothead officials belonging to Lord Yang Kum-Ji. They are in many ways the same, both driven recklessly by their sense of justice. Heavy taxes imposed by Kum-Ji alone make him a pretty terrible guy, but the moment we find out that Kum-Ji is the leader of a human-trafficking ring, I immediately want him taken out. Thankfully, Jaeha, the Green Dragon, and his Captain, a local pirate woman, see eye-to-eye on this, and they form a crew–and a plan–to take Kum-Ji down.

A Test of Courage

Jaeha’s captain, Gi-Gan only agrees to accepting Yona’s help if the girl can prove herself in a challenge. Yona’s test involves scaling an imposing cliffside to retrieve a healing root which only grows in the cliff. Determined (as our girl always is), Yona takes on the challenge. Though Jaeha has to come to her rescue, Yona obtains the root and returns safely, thus passing the Captain’s test. The Captain sees a rare strength in Yona–the same fire in herself–and it’s these guts which convince the Captain that Yona would never betray her friends.

During Yona’s sidequest, Jaeha starts to feel the pull of the Red Dragon residing within Yona’s blood. He resists completely joining her quest of uniting the kingdom, but now he’s at least interested (both in these sudden feelings of loyalty and the young maiden herself). Romantic tensions between Hak and Yona also increase. We find that Hak has the HOTS for our beloved red-head princess, and that he’s been holding himself back for as long as he can remember. WOW Hak, way to reign it in. At the same time, I don’t think licking Yona’s wounds is convincing to anyone that you don’t love the princess. >.<

At last, a plan to take down Kum-Ji is drafted. It will involve all of the Captain’s noble pirate crew and everyone in Team Yona. (Lady Yun returns!) Before we move on, I just wanted to say that I actually really like the Captain’s crew. Gi-Gan herself, aged and stubborn, is a rare kind of admirable elder in shoujo manga. She’s the mother Yona never had, a role model that will no doubt influence how Yona views comradeship and hardship in this difficult world. Hopefully, the Captain has taught Yona enough in this short of time to be able to pull off the hardest role in this entire operation–being taken hostage by Kum-Ji himself!

SHE GREW UP SHIELDED FROM THE WORLD’S HORRORS, BUT SOMETIMES, SHE HAS THE LOOK OF THE SOLDIER ON THE BATTLEFIELD. SHE’S LEAVING ME SPEECHLESS. — CAPTAIN GI-GAN

Afterword

Forgive me if my blogging is a bit rusty, it’s been too long. I should have taken a formal break, but instead I let the nagging pressure of eventually needing to return agonize me for weeks. I’ll try to notify you guys next time I decide to take a break. Yona’s adventures are only beginning. I’ll start reading the next three volumes tonight, and will hopefully have the next post up soon. I’m glad to be back, and I’m thankful for your continued readership. ‘Till next time!

– Takuto

Memento Mori

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All good things really do come to an end, don’t they?

Well, in part, yes. But really, ALL things in general will have an ending, good or bad.

Thankfully, I can call the efforts of Mark (Markiplier) and Ethan (CrankGameplays) a good thing, as they’ve toiled away for the past 365 days to deliver nothing but wild, cynical humor and an endearing acceptance for “the end.” With their grade-A act as a duo and lovable, contrasting characters, my 2020 has been made a little easier to bear.

And to think that Unus Annus will end in less than 14 hours from the writing of this post. I’m not gonna lie—for as long as they’ve poked fun at and prepared us for the end, I’m not ready for the channel to go.

In case you didn’t know, Unus Annus is (was) a YouTube channel created by two gamers, Mark and Ethan, in which they upload(ed) one video each day somehow related to (or shoehorned to be so) the inevitability of death. Through their silly bits and skits, obscene dares and challenges, and downright weird and stupid dialogue, the two have amassed a *literal* cult following, of which I’m proud to be a part of.

It’s too late to watch all of 365 of their videos now. But, perhaps this is for the best, as I’m sure you’d only end up spiraling down into sadness upon realizing that these two heartwarming personalities will cease to exist together as we know them now in less than 24 hours.

So, I just wanted to leave behind my own love message for the channel. (Special thanks to Megan over at Nerd Rambles for inspiring me to write this through their own post!) I’ve shared many a laughs with my siblings watching Mark and Ethan do dumb shit every day this year, and my only regret (ironically, and cruelly so) is that it all had to end so soon.

Indeed, it is time to say goodbye.

If the channel has proven one thing to me, it’s that we really don’t have enough time to do everything we’ve ever wanted to do. BUT if we can start somewhere—and maybe take a friend with us for the ride—we can hopefully make the most out of the time we’ve got. Heck, having started a YouTube channel myself in 2020, I can only thank people like Mark and Ethan for pushing the boundaries of expectation and collaboration. You guys absolutely KILLED it!!

For all their celebration of death and the great beyond, no channel will ever be able to match the unique energy and sheer spirit of Unus Annus. I’ll miss these two so much.

So, my most sincere thanks to Mark, Ethan, and Amy for giving us a year of laughs, inspiration, and memories to last a lifetime. Every video was a delight, and I wish only the best for all the exciting projects next to come! Memento Mori!

Where are the Posts??? || Quarterly Update (Fall 2020)

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Hey guys!

WOW has it been a minute. Just three months ago, we were living in an entirely different world from the one we are in now. Lots has changed, politically, socially, and otherwise. Plus, school started up again, and that’s never been good for the health of this blog. Still, though, we manage to find time for our hobbies, and so I’d like to share with you all what I’ve been going through the past few months. I imagine I haven’t done too keen of a job on keeping up with them, but let’s begin with a bit of goal reflection.

Goal Reflection

#1 – Read More Posts

Nope. I’ve been a terrible blogger buddy, and I’m sorry. While I technically have been popping in on any blog posts that I like and retweet on Twitter, I haven’t personally made my way to the WP reader in quite some time. It doesn’t help that WP is not letting my account leave likes, but I’m finding ways around that. I’ll try harder.

#2 – Write More Succinct Posts

It’s hard to say on this one. I wrote but TEN measly blog posts since last update, and only half of those were my typical review-type posts. Given this, my other announcement-y posts were technically on the shorter end, so I’ll give myself this one.

#3 – Read & Review More Books

With all the manga I’ve been talking about here and on my YouTube channel, it would seem that I hardly review anime anymore! While not entirely untrue at the moment, I do want to get back in the anime game. As for manga, I’ll be reading Yona of the Dawn and Fire Force with you guys, reviewing volumes as I go here on the blog. Soon, I’d like to start up Requiem of the Rose King, Snow White with the Red Hair, and Seraph of the End. If you’re interested in hearing my thoughts on any of those titles, do stick around for the coming months!

#4 – Write More About Me

In September and early October, I celebrated 6 years of blogging here on the cafe (thank you to all those who left me kind words) and also shared five anime that I love rewatching just because all I had been doing then was rewatching my favorites. Otherwise, I need to get back into fulfilling these tag and award posts that have been piling up in my drafts. More posts about me coming soon!

#5 – Build Up My “Personal Brand”

Like I’ve covered in previous updates, this goal took the form of my YouTube channel, Takuto. Since July, I have gained 130 new subs (we’re up to 170!) and have uploaded, like, 20 new videos. The success hasn’t gone as planned, admittedly, but I’ve never played the numbers game—neither here on my blog, nor on the channel—and I don’t plan to start anytime soon. That said, if you (or a friend) may be interested in vlog-style manga and K-pop rambling videos, consider checking the channel out! I’d greatly appreciate it!

What I’ve Read

Although I haven’t read nearly as much as I would have liked to, I’ve since (as in the past week) picked up my manga game SIGNIFICANTLY. That is, I’m currently pacing myself at a volume of manga per day. I’m not sure if this kick will last just for the Halloween festivities or if it’ll carry over long after, but regardless, I’m currently enjoying reading a bit of manga to wind down each night.

Way back at the beginning of July, I shared my thoughts on Fire Force volumes 10-12. It took me a bit to get back into the series, but very soon I’ll have reflection posts for volumes 13-15 and volumes 16-18, respectively. Guys, I love me some Fire Force, and while I’m not sure why I hesitated on reading more for so long, I’m glad nevertheless that I’m back with Company 8!

I FINALLY started reading Yona of the Dawn, which has led me to also doing 3-volume reflections over the series. I find these characters to be some of the most supportive, heartwarming kind in all of shoujo manga. Seriously, the four dragons are too good for us! Anyway, expect more Yona here soon, as with some of the other shoujo titles I mentioned above!

What I’ve Watched

Despite the sparse number of reviews that I’ve posted, I actually watched more anime this summer than I had in a long time. (And trust me, it sure felt good.) I took a general break from seasonal content to hammer away on the backlog, and thankfully the results were somewhat fruitful.

Starting with the most notable one, I finally got around to watching Demon Slayer: Kimetsu no Yaiba, which I even talked about here! And what would you know—it was exactly as good as everyone had been telling me it was. Glad to have this one under my belt after all these months of endless conversation and fame the series has gotten!

I took to my Blu-ray shelves for this next one, that being DEN-NOH COIL. You can read my review of this mid-2000s sci-fi adventure, but this series is easily one of the most underrated, least-discussed sci-fi anime out there. Sometimes it’s silly, sometimes it’s sad. But always is it smart, fascinating, and thought-provoking when it comes to humanity’s deepening relationship with technology. Check it out sometime!

Next we had more Blu-ray watches from my shelves, including Sakurada Reset (review here!). This one was understandably swept under the rug, as it’s not only slow but features some of the most BORING characters ever. For a show about esper abilities, this was a crime. On the bright side, I ended up enjoying Knights of Sidonia and its sequel Battle for Planet Nine quite a bit. They’re still on Netflix, so if I fail to review them, just know the series gets the OK from me.

Then I watched The World is Still Beautiful, which was perhaps one of the most enjoyable watches of the entire year. Although I came in with few expectations, I came out wanting so much more from Princess Nike and King Livius’ hilarious yet endearing relationship—I love them!! Defs still want to review this gem if I get the chance.

Also one of the most wholesome watches in recent years was Barakamon. YES, I finally watched the calligraphy anime. And yes, the Blu-ray is staying on my shelves. On the other hand, the Handa-kun spinoff was a total waste of time. The humor just didn’t stick with me, but I did finish it out just to give it a fair chance.

My most recent watches have all been superb ones: PROMARE (which was literally fire), Fog Hill of Five Elements (which I don’t remember much of, but it was hella good-looking), and She-Ra and the Princesses of Power seasons 1-3 (which, UGH, I freakin’ love this series)! As I near the end of She-Ra, I will also finally share my thoughts on the Netflix beauty Violet Evergarden. Hopefully I will have reviews for each of these titles SOONER rather than later!!

What Comes Next for the Blog?

The short answer: I’m not sure. School’s been kicking my butt since mid-August (hence the sudden lack of posts starting there), and any energy I do have left is divided between writing for classes and filming videos for my YouTube channel. I have considered taking a formal break from blogging, but you may want to hear the long answer first . . .

Really, I just need to manage my time better. I take plenty of naps, snack breaks, and YT breaks throughout a given day, and much of that energy could instead be redirected to the blog. The only big problem is that, when I do have the inspiration to write, it isn’t over anime. In fact, much of the shows I recently watched come from the dangling weeks of summer. Anymore, I average a couple episodes per week, which is why it’s taken me nearly a month now to finish a short title like Violet Evergarden.

So I guess the real question is not if I should blog, but rather what should I blog about? Should I really write posts about manga and K-pop and whatever else is going on in my life? (Does anyone even care about that stuff?) Or should I keep trying to make the anime thing work? It’s not that I’m tired of reviewing—I just want to make sure that I have fun writing every single post. I’d much rather avoid writing altogether than struggle to push out content. Maybe someone out there can relate, idk. But this is where we currently are, and I want to stay transparent with you all.

When I’m not writing papers, posting for class discussion boards, reading journal articles, or lifeguarding at our university’s pool (I GOT MY JOB BACK BTW!!), I really am watching YT videos, filming YT videos, and editing YT videos. And sleeping. And snacking. (Which reminds me, I ought to get back on the workout game. Yikes.)

But overall, I’m still healthy, physically and mentally, if but ~slightly~ more inactive on the blog than I usually am. How are you doing? Are you getting enough sleep? Drinking enough water? Making enough time for yourself? It sucks that we chose to adapt to this pandemic rather than fight it, but I’m sure you tried to do your part (as I did). Who knows how much longer things will last this way . . . But what I do know is that the world keeps moving, and so should we.

Whenever you can, I encourage you to watch more anime, write more posts, listen to more of your favorite music and podcasts, read your favorite manga and novels—whatever can bring you happiness and connect you with that positive and creative synergy. We need that sense of connection—either to art or the artist—now more than ever.

In the meantime, I will actively try to stop in more often. No promises, what with school pretty much ending for me in a month. But I’ll try, and I hope that will be enough to tie us over until I can get back to this full-time like I was this past summer. What a great summer that was. Man, I hate this gloomy cold. It’ll be a long winter—but knowing that you’ll be there with me almost makes the thought a tad bit warmer.

Have a Happy Halloween (I’ll be watching Fire Force Season 2 to celebrate the spooky weekend!) and stay safe, my friends! Thank you for reading, and much love for all your support! ‘Till next time! ❤

– Takuto

BLACKPINK: Light Up The Sky – An Intimate Look at the World’s #1 K-Pop Girl Group || Review

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A brief, spoiler-free review of the 2020 documentary film, “BLACKPINK: Light Up The Sky,” produced by Netflix, and directed by Caroline Suh.

The story of the #1 charting K-pop girl group finally gets told, and the whole world is watching.

Hey guys!

BLACKPINK IS IN OUR AREA for today’s video!! We’re gonna talk about YG Entertainment and Netflix’s latest K-pop documentary film, “BLACKPINK: Light Up The Sky,” which was just released on Wednesday, October 14th! No spoilers, so feel free to watch before or after viewing! (Also, there’s lots of fan rambling in this one, just thought I’d let you know 😉)

I LOVE THESE GIRLS WITH ALL MY HEART, and I hope these sentiments reach you as well! As much as I wanted to write out a review for this one, it just felt more natural to film a video instead. So, here it is, and I sincerely appreciate all those supporting my YT channel.

“When you’re working in a group, everyone has their place and a role. And when everyone settles into their roles, that’s how synergy is born. That realization changed my outlook. When everyone is where they need to be, big things can happen.”

Jisoo

I’ve actually known BLACKPINK longer than I have BTS, so this film was extra special for me to watch. While it needn’t be said, this is a certified “Cafe Mocha” film here at the cafe, and one that you should totally check out if you’re a fellow BLINK, OR if you’re wanting to get into BLACKPINK and the K-pop scene and maybe don’t know where to start. Trust me, you’ve found a great place. To those who have seen it, you’ll definitely have to let me know what your favorite part of the film was in the comments!! 🖤💖

I’ll try to come back soon with a formal update explaining what’s going on with the blog, and where we should go from here. But for now, enjoy the video, and I’ll see you soon. ‘Till next time~!

– Takuto

FIVE Anime I Love Rewatching

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Hey guys!

It’s been too long! I ended up taking the rest of September off simply because of school and work. Also, I wanted to make sure my YT channel got a bit more off the ground while I had at least some time to film videos.

BUT it’s good to be back here at home, where all of you are!

Today I just wanted to share a little topic that’s been in the back of my mind: rewatching anime.

While in the midst of rewatching one of my favorite anime (that being Fullmetal Alchemist: Brotherhood), I had this idea to share a few Blu-rays and DVDs from my collection that I love rewatching with you all. So, I quickly filmed a video, edited it a couple days later, and here it is now!

Let me know if you also have “that one” anime you love rewatching (probably more than you should 😉) down in the comments! I’ve got dozens more (trust me), but I think sharing 5 is a good start for now.

I’ll be back to regular blogging *hopefully* sooner rather than later. I’ve never taken two literature classes at once in college, and anymore, I’ve pretty much exhausted my reading and writing energy by mid-afternoon. I

’ll likely start small, maybe with a simulcast line up since FALL IS HERE I guess!?? Wow, where does the time go!

Anyway, thank you for all your support during my absence. I’ve got lots of kind comments to catch up on, so apologies in advance if I start digging up a conversation we had weeks ago! 😛

Hope your fall is going well! ‘Till next time!

– Takuto

Happy 6 Years, Takuto’s Anime Cafe!

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Hey guys!

I hope you have all been staying well these past couple weeks. I’m finally starting to get a grasp on how school is going to roll this semester. I’ve never taken virtual classes before, so it’s been a test of my time management, that much is for sure. But, after a month now, I think I know where blogging fits within all this.

Before I get back into the swing of my reviews and such, I did want to share this little announcement with you all that I accidentally missed a couple days ago:

That’s right! Takuto’s Anime Cafe is officially SIX years old, I can hardly believe it! 🥳

It was during my sophomore year of high school when I first set up shop here on WordPress. Back then, I did most of my blogging in the mornings before class in our school’s library. I can distinctly recall the table where I sat, and I reflect back on those early days with a warm fondness.

I’m now in the fall of my senior year of college—I know, where did the time go?! Well, I spent most of it here, of course (or at least, as much as I could). The WP aniblogger community is where I get my roots, and it’s honestly where most of my dearest friends come from. We’ve been through so much together!!

Thank you for sticking with me all these years. Even through my long absences and silences, you’ve sat here keeping my seat warm. This cafe wouldn’t have much business without my lovely guests. Likewise, I wouldn’t be who I am today were it not for your continued kindness, patience, and generosity. Really, I can’t thank you enough.

As we head into the blog’s seventh year (wow, that still sounds crazy), please continue to support me on here with my writing. To those who have also graciously extended their hand towards my YouTube and Insta, I can’t thank you enough. I sincerely hope you have enjoyed all that you‘ve read and watched, and I’m looking forward to making more content on all these platforms. I aim to work hard, and show you an even better side of myself!

Thank you, thank you, thank you for six wonderful years together—and here’s to a merry seventh~! 💜

With love and gratitude,

– Takuto

Celebrating the End of an Era: Millennium Actress Revisited

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Amidst birthdays, passings, and celebrations of life, join me in honoring one of the most brilliant auteurs to ever grace cinema, Satoshi Kon.

It’s been too long since I last revisited one of my favorite anime. I apologize. I meant to do one of these reflections with Code Geass following my rewatch, and perhaps I still will someday *hopefully* soon.

In the meantime, I had recently celebrated my birthday with my family last weekend. (My real birthday is actually today, so happy birthday to me I guess!) We chowed down on way too much Chinese food, played way too much BTS UNO, and double-downed on way too much cake for our own good. It was an incredible 22nd birthday, certainly much better than my lonely 21st.

But what I hadn’t realized was that, amidst a celebration of my life, anime Twitter was also celebrating another: the life of famed director Satoshi Kon.

Kon died too soon. Pancreatic cancer. He was 46, and would be 56 if he were alive today. That’s right, August 24th was the 10th anniversary of Kon’s passing.

And I—not knowing any of this—really did unintentionally rewatch Kon’s Millennium Actress on the day before this anniversary as a way to end my own birthday celebration.

In a single weekend, I celebrated the life of two people that mean quite a lot to me: myself, and director Satoshi Kon.

I put that “director” in there to establish distance between us; Satoshi Kon director Satoshi Kon led an accomplished career in the anime industry, leaving behind several legendary films that would go on to be studied in film classes around the world for years to come. He was a visionary auteur, one that would shape my own life with works like Paprika (which I’ve actually written academic papers over), Perfect Blue (which still scares the shit out of me), Tokyo Godfathers (which I still need to watch the dub of), and Millennium Actress (which I still need to rewatch).

Oh wait, I guess I can cross that last one off the list.

It’s still kind of weird to me, though. I mean, I’d never watched a single Kon film until just a year or two ago, and now I can’t imagine my MAL watch list without him. My buddy Scott really put it best when he tweeted:

A decade ago, I didn’t even know who he was. Now I know we are missing one of the greatest minds who ever lived.

Scott (Mechanical Anime Reviews)

Damn, dude. I think I really almost cried when I first read that. Thank you for sharing these sentiments.

Now that I’ve talked for over 400 words about director Satoshi Kon and how splendid my birthday weekend was, I can finally get into the meat of this post: my latest thoughts on Millennium Actress, which come exactly five months after I initially reviewed it back in March.

And I hate to have kept you in suspense this whole time, but honestly— EVERYTHING I said in that post still holds true with how I feel about it now, on the night of writing this, a day before my actual birthday.

No single shot of that film feels lazy, out of place, or lacking in value; Millennium Actress is a masterpiece of a movie, which, ironically, is about the art of film itself.

Seamlessly weaving through a thousand years of Japanese history in cinematic form, the film—unlike any of his others—honors the passage of time in a way that is truly extraordinary and awe-inspiring. In an effort that’s full of character and heart, Genya Tachibana wishes to recognize the long and accomplished life of his idol, Chiyoko Fujiwara, by placing the sweetheart of Shouwa Era cinema back in the spotlight one last time.

This act can only come thanks to the countless scores of hours that Chiyoko put into mastering her craft, but equally so the admirable number of hours that Genya spent rewatching her films over the years. A simple yet dedicated man like Genya manages to honor their time by catching Chiyoko Fujiwara on camera before the curtain on her life falls for the final time, and the result is an engaging, unforgettable ride through the life of a historic Japanese artist—and the history of Japan itself.

As we navigate through our own daily troubles and trivialities, films like Millennium Actress continue to age like a fine bottle of wine. (No, I don’t drink, but I really like the expression and thought it fit well here.) In other words, for every day that passes, Kon’s legacy only expands, drawing in new viewers, fans, and inspired artists like moths to a flame. (That’s another expression I really like using.)

Truly, the passage of time—something so inherent, basic, and unconsciously experienced—is a remarkable advent. I would try and persuade you to note it down on your calendar somewhere, but I suppose the existence of the calendar itself is proof of my point: time is strangely unforgiving, yet also tends to honor artists. You could almost call the Clock any artist’s biggest fan, but that would only make Genya jealous, wouldn’t it?

Yesterday, I was 21. Today, I’m 22. I’ll probably get a couple of congratulations from my few closest family and friends (which includes you, of course), but likely no more than that. The truth of the matter is, at this point in time, I’m only worth celebrating if only for the fact that I go to school, teach kids how to play the cello, make some people laugh, and write on the internet. (And I’m perfectly content with that!!)

But I absolutely encourage YOU to celebrate the life and death of your favorite artists as often as you can. Go rewatch your favorite films of theirs, reflect on their best works, and share them with as many others as you possibly can. Promote art, and always promote the artist with it—the only way they live on is if we continue to celebrate their works.

Maybe my passion for Kon’s films is why I decided that instead of spending another birthday evening further inflating my ego, I went ahead and showed my family Millennium Actress for the first time.

And I sincerely hope that they—and everyone else who decides to give it a (re)watch—will fall in love with a film that truly celebrates the shining end of an era—and the brilliant beginning of the next, whatever it may bring.

With feelings of gratitude for all that is good in this world, I put down my pen. Well, I’ll be leaving now.

Satoshi Kon

These kinds of posts really are my favorite to write, I ought to do it more often. Anyone else feeling kinda emotional? Just me? Well, that’s ok too. I’ll never be done with talking about this film, but I think for now this will do. In Kon’s own words, allow me to put my pen down here and offer one last tidbit before parting with Chiyoko Fujiwara’s story . . .

In her final hours, Chiyoko Fujiwara left behind a treasure trove of insight to her incredible life as an actress. In his passing, Satoshi Kon left behind a contagious love for cinema that still burns brightly in the hearts of film lovers. In my lifetime, what can I leave behind and impart with all those who come across my name?

Maybe I’ll use 22 to figure out the answer to that question.

Thank you so much for reading. ‘Till text time!

– Takuto

Demon Slayer: Crying Under the Light of the Moon || OWLS “Folklore”

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Chances are that if you were linked here from another blogger pal, then you might be new. To those first-timers, “Hi, I’m Takuto, welcome to my anime cafe!” For the OWLS blog tour’s eighth monthly topic of 2020, “Folklore,” I decided to ditch reviewing Kimetsu no Yaiba in favor of discussing the fascinating world of Demon Slayer where dark creatures of the night stalk humanity in plain sight.

This month’s OWLS topic was inspired by the name of Taylor Swift’s new album, Folklore. Yet, rather than using her conceptual definition of what “folklore” means, we are going to use its original meaning: we are going to explore the traditions and cultures of a specific group and community within pop cultural texts.

I figured it was a no-brainer that Demon Slayer would be a “Cafe Mocha” title here at the cafe, so I’m glad to be able to do something a bit more interesting than my usual review. Thanks Lyn for the prompt!

A brief discussion of the 26-episode Spring 2019 anime series “Demon Slayer: Kimetsu no Yaiba,” animated by ufotable, directed by Haruo Sotozaki, and based on the manga of the same name by Koyoharu Gotouge. Images may include spoilers!

A demon killed his family. But, when faced against the darkness, Tanjiro hesitates to pull his sword.

Enter the Taisho Period

High up in the mountains, young Tanjiro Kamado works hard to sell charcoal for his less-than-fortunate family. Although his father passed away when he was young, Tanjiro has shouldered the burden of supporting his entire family with admirable optimism. On his way back up the mountain one wintry night, Tanjiro takes shelter in the house of a strange old man who also tells Tanjiro to be wary of flesh-eating demons that roam in the shadows.

To his disbelief, Tanjiro returns home the following morning to the horrifying sight of his whole family, slaughtered and soaked in crimson blood. Worse yet, his sister Nezuko somehow managed to survive—only now she has been turned into one of those bloodthirsty demons of lore. Overwrought with rage, Tanjiro swears to avenge his family and save his dear sister’s remaining humanity. Guided by his unusually keen sense of smell, Tanjiro seeks a way of getting stronger, which leads him to joining a secret society devoted to slaying demons and protecting mankind: the Demon Slayer Corps.

Perhaps one of the most fascinating aspects of the series is its setting’s historical roots—Demon Slayer is actually set during the Taisho Period of Japanese history (think early 1900s). It was the beginning of modernity for Japan, but all kinds of traditional charms are still adorned by the setting in characters. Tanjiro’s signature green-checkered haori, for instance, is an artifact that embeds us in this era. The same could be said of the traditional blue tile-laden roofs of the various tatami-lain village houses that decorate the landscape. Demon Slayer unashamedly embraces history, and I find that to be one of its greatest strengths.

To Devour and Destroy

On the surface, Demon Slayer is your typical shounen action anime with all kinds of exciting supernatural twists and powers. The demon slayers bravely traverse the land to vanquish human-hunting demons, despite the risks to their own lives out in the dangerous wilderness. Their main objective: tracking down and eliminating Muzan Kibutsuji, a heartless progenitor demon whose rare ability to turn normal people into powerful, murderous demons leaves carnage and bloodshed wherever he goes. It’s a simple premise, yet one carried out with remarkable pacing and world-building.

And it’s actually on that note that I want to talk about the demons from the human POV. No matter how you spin it, guys, the world would be far better off without these creatures. They indiscriminately destroy lives, taking whatever life they can for themselves just so they can continue devouring the next day. It’d be near impossible to convince someone that they are a benefit to human society. Thus, the demon slayers are wholly good and just in their mission, right?

Right?

It doesn’t take Tanjiro long to figure out that, yes, even demons have souls. After all, these creatures were once human, and they still retain some remnants of their humanity in their mannerisms, desires, and deepest wishes. Seeing their entire lives flashing before his eyes upon death, Tanjiro comes to realize that no demon truly wanted to become such a creature. Whenever he swings his sword to kill, he really is taking a human life.

Tanjiro’s continuous encounters with the demons compels him to deliver not curses, but salvation to the demons he slays. To that end, Tanjiro arms himself against these creatures not with blind hatred, but a newfound sympathy for their individual struggles and heartache. I guess trying to understand the demons only makes the job of extinguishing them that much harder, though . . .

Something More than Survival

Although we are only teased with a brief inside look at Muzan Kibutsuji’s deadly league of demons, the Twelve Kizuki (or Moon Demons), we can see that the demons aren’t simply a chaotic mess of evil like folklore might dictate. Over and over again we are told that the demons blindly consume, thinking only of themselves and answering to no one. This is not true. Yes, some demons are doomed to roaming the countryside, aimlessly fending for themselves, by themselves. Others decide to move in groups, however, and this single fact changes everything for the Demon Slayer Corps.

Over time, Muzan Kibutsuji has silently amassed a force of demons that swear absolute fealty to only him (else they be shredded to pieces by Kibutsuji himself). He manipulates the hearts of people with little chance or will for themselves, transforming them into these horrid creatures and commanding their lives henceforth. Some of the Twelve Kizuki follow him out of a sick devotion to his cause; others out of blackmail. But all obey him out of fear, and there is no undoing his curse.

Under the light of the moon, the Twelve Kizuki commit cruel organized crimes and claim their territories by staining them with blood. Using the terrifying powers gifted to him by Kibutsuji, one particular Twelve Kizuki tries to establish a family of demons for himself, something which has never been heard of before (save for the case of Nezuko Kamado). While his means are grim and appalling, he’s a breathing example of defying the common lore surrounding the demons. Yes, they kill a lot of people—but is there something more beyond merely wanting to survive as a demon? In this society where demons stalk the shadows of the mortal world, one can never truly trust the legends.

What the Stories Don’t Tell You

Like the silk of a spider’s thread, Demon Slayer navigates through an intricate web of conflicts where the main goal is to survive through the night. When two cultures collide, one supersedes the other, proving that the two cannot thrive simultaneously. Similarly, as Tanjiro and the other demon slayers uncover more about the suffering of their common enemy, the line dividing murdering out of hatred and murdering to protect becomes increasingly blurred.

Despite how purely wicked some of these demons seem—despite how earnestly I wish Tanjiro would just cut them down and move on with things—I can’t help but feel pity for the demons. Really, it’d almost be easier if Tanjiro didn’t get that glimpse of their life right before their inevitable death—if he didn’t see their tears bubbling forth as their decapitated head rolls to the floor. It’s just . . . sad. (But it’s a greater shame that some demons, like some humans, choose to do evil for evil’s sake, and thus are hard to earn sympathies from.)

At the end of the day, I’m honestly not sure I could do the work that Tanjiro and the demon slayers do. The Demon Slayer Corps hypes up this idea that killing demons is a just and noble thing. Meanwhile, the demons are drowning in their suffering, agonized and deeply tormented day and night by their conflicting urges to kill for survival and earnest wishes to remain human. So, raise your blade, but keep your ears and heart open: What the stories don’t tell you is that there’s a lot of loss, grief, and pain in the life–and death—of a demon. 

“Those who regretted their own actions. I would never trample over them. Because demons were once human too! Just like me, they were human too!” — Tanjiro Kamado

Afterword

I find it most difficult to talk about the series that are most popular, but there you have a few of my thoughts over Demon Slayer. It’s an incredibly compelling piece by studio ufotable, and one that I’m so glad I finally got around to! If it weren’t obvious enough, Demon Slayer: Kimetsu no Yaiba is a certified “Cafe Mocha” title, and a series you should absolutely check out if supernatural action anime are your thing. Even if you’re not a fan, there’s enough historical depth and cultural exploration that makes Demon Slayer‘s world so intriguing on its own. But hey, you can let me know: if you were in Tanjiro’s shoes, could you be a demon slayer?

This concludes my August 20th entry in the OWLS “Folklore” blog tour. My good friend Irina (I Drink and Watch Anime) went right before me with a fantastic post discussing the mundane yet charming yokai that are tsukumogami, which you can read right here! Now, look out for Dale (That Baka Blog) with a post coming Tuesday, August 25th! Thank you so much for reading, and until next time!

– Takuto

Sakurada Reset: Supernatural Mysteries and Missed Opportunities || Review

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A brief spoiler-free review of the 24-episode Spring 2017 anime “Sakurada Reset” (also translated as “Sagrada Reset”), animated by David Production, directed by Shinya Kawatsura, and based on the light novel by Yutaka Kouno.

Haruki can reset time but forget she ever did. Meanwhile, Kei remembers everything.

A Town of Supernatural Gifts

Sakurada isn’t your average seaside town. Unknown to anyone else, its inhabitants are born with strange psychic powers. Upon being summoned to the school rooftop one day, Kei Asai meets Misora Haruki, a quiet apathetic girl with the power to reset time. Her gift comes with certain limits, however: she can only go back up to three days, and she can’t use it within 24 hours of the last reset. To make matters more complicated, she doesn’t ever remember using her power when she resets time!

This is where Kei comes in. His ability to remember everything and anything allows him to recall changed timelines and Haruki’s resets. Together, they wield their unique powers with their Service Club friends to aid the problems of others. As the club starts taking on increasingly difficult and crucial missions for the mysterious Administration Bureau—an organization which manages all the abilities in Sakurada for the sake of justice—Kei finds that the machinations of eerie organization go far beyond simple acts of service.

I love time travel stories. I know many people dislike the trope, but it never ceases to entertain me. When paired with a plot like Sakurada Reset‘s—saving others, government conspiracies, romance drama, etc.—you basically get a knock-off Steins;Gate (which is one of my faves). The only problem is that, aside from the last couple episodes, the series is really, really boring. Given that I find everything else about the series to be incredibly interesting, I’m chalking up Sakurada‘s slow and lackluster nature to the direction. At least our time traveling heroes are somewhat inspiring, right? Right???!

sakurada characters

Apathy is Contagious

Sorry to be the bearer of bad news, but Kei is one bland dude. Despite possessing one of the coolest abilities in the series, photographic memory, the gift does very little to make him likable. Like, he’s not rude or disrespectful, but he’s not exactly exciting to be around, either. I suppose he’s a SAFE option as a lead, but I’d rather my time travelers have a screw or two loose (like they tend to do) or have one overwhelmingly eccentric trait than be completely nonchalant about everything.

And sadly, Kei’s partner in crime isn’t much more interesting than him. In fact, Haruki’s hallmark is her absolute BLANDNESS, which allows Kei to tell her whatever he wants and she’ll do it. While I appreciate the sense of mutual trust that slowly starts to develop between them, I did notice that this kind of just left Haruki to be another tool for Kei to use (and not in the fascinating way that Code Geass‘ C.C. is to Lelouch). I’ll say that she’s reliable as a heroine, but not much else.

The rest of the cast ranges from similarly bland (man, apathy sure is contagious!) to unnecessarily complex. One example of bland is Kei’s best friend, Tomoki, whose abilities as a telepath makes him little more than the series’ top CHAD. Another is Seika, a girl who can communicate with cats, but is a weirdo and hard to converse with. On the flip side, Eri Oka, a punkish girl introduced later on who can implant memories, did nothing but make me want to pULL MY HAIR OUT, she’s so annoying. Same with Murase, a girl with an amazing power that basically makes her invincible, but boy is she a grade-A B*TCH to deal with sometimes. I could go on with describing my frustrations. Point is, they’re all good kids (kinda), just needlessly stubborn.

sakurada ocean

Calm and Quiet Seaside Energy

As Kei and friends continue to explore the city, I did slowly start to fall in love with Sakurada. Many sights became familiar, almost nostalgic, and I do think that the seaside setting does wonderful things for the story. Having the plot unfold in a smaller community than, say, Tokyo, allows characters to conveniently run into each other on the streets (which happens quite often) without seeming far-fetched. Plus, they have the ocean, and the sea is always a magical place for me.

If I had to describe the art and animation, I’d say what I have been about basically everything else—it’s safe. Not below average by any means, but decently pleasant, if not stiff and stale. (It sure doesn’t help that the MC’s script is boring as hell.) David Production took zero risk in making the powers in Sakurada look cool or exciting, which is SUCH a missed opportunity given how intriguing espers can be. Bummer. At least the music was good.

I couldn’t find credits for any other well-known work, but Rayons’ orchestral soundtrack compliments the pace of Sakurada Reset very well. The way some of the sad piano pieces transition to some of the series’ more casual, slice-of-life moments almost feels more like it’s music for a visual novel than an animated series. (There’s one particular piano/vocal track that really tugged at my heart.) This becomes more apparent when you start to realize that, for some reason, the music plays at a consistent volume THE ENTIRE TIME. No one “heartbreaking” moment felt more dramatic than the next, and I strongly believe that’s because the sound direction here—like the rest of the series—is so friggin’ lame. Again, good OST, just missed opportunities. WEAVER’s work on the second OP was BANGERS though!!

sakurada op

A Series of Missed Opportunities

For a supernatural school drama anime with mystery and time travel at every turn in the road, Sakurada Reset comes together as a strikingly unremarkable package. Its direction is steady (and sometimes quite artistic), but otherwise too slow to convince me to get excited about anything. Despite possessing unique super powers, the characters’ personalities are either disappointingly ordinary or straight-up noisome. And that’s too bad, really, because nothing about the series is terribly bad. It’s just average, and probably forgettable give or take a month or two.

If you came from a show like In Search of the Lost Future (wow, now THAT takes me back) and were hoping for something a bit more, Sakurada Reset will serve you well. It explores living with regrets, human longevity, and trust much better than other time travel romances do. However, if you came expecting a masterpiece like Steins;Gate, prepare to be disappointed—you won’t gain much from these long 24 episodes.

sakurada tree

We’re connected by our abilities. Since we have abilities, the two of us were able to stay together all the time, automatically, as a matter of course. — Kei Asai

Afterword

In continuing to tackle my never-ending backlog, I was happy to be able to cross this one off the list. It sure was mediocre, but not something I regret watching. For all those curious, I consider Sakurada Reset a “Coffee” rating, and only recommend it if you’re longing for a particular kind of feeling, something transient and fleeting but, also, not wholly unenjoyable. If you have taken the one-way train to Sakurada by chance, be sure to let me know your thoughts about the series in the comments! Thanks for reading, and ’till next time!

– Takuto