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Love, Chunibyo & Other Delusions! Review

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Ah yes, adolescents at its finest. I too, “suffered” from chunibyo, Japanese term for eight grader syndrome, when I was younger, though I wouldn’t call it suffering by any means. Sure, mine was only from elementary school until sixth grade or so, yet they were some of the most fun, carefree years of my life. Today, we invest ourselves in a girl who claims to “live in the world beyond” – yet she’s an incoming freshmen in high school.

The “Dark Flame Master,” AKA Yuuta Togashi intended to leave behind his embarrassing past when his family moved to a different city. Wanting to start anew with his freshman year in high school, he tries to make a fresh batch of friends. This changes when a mysterious girl appears climbing out of her apartment. That neighbor – that same delusional girl in his class, Rikka Takanashi the “Wicked Eye,” hears him speak of his past when he lets it loose on the school balcony for relief. She becomes fascinated, hooked – drawn in by his cool display of chunibyo. This crazy chick is the full on thing, though – eye patch, umbrella shield, battling with the “priestess” (her sister) and more ridiculousness. Together, the two recruit members for a trivial club and hilarity ensue.

Let’s just face it: the characters in this anime are beyond incredible. Yuuta is a simple boy desiring to leave behind his childishness. He’s awkward when trying to meet people such as Makoto Isshiki, a kid who attempts to rate the girls in his class; however, the two become best of friends. Isshiki’s love, Kumin-senpai, spends the majority of the show sleeping – no joke – but is still adorable.

Another duo is Shinka Nibutani, class representative, cheerleader, popular, yet ex-chunibyo sufferer “Mori Summer,” and the middle school servant of “The Wicked Eye,” Sanae Dekomori. Nibutani is beautiful and regarded as gentle or sympathetic by her classmates, but when playful Dekomori is found carrying around a book written by Shinka from her delusional days, she does everything in her power to protect her image by retrieving the tome.

Dekomori’s extremely long blonde twintails, her preferred weapon, are very original in design. She even loads them with weights when she enters harsh combat against the “fake Mori Summer,” for she doesn’t believe that Nibutani wrote the book. Also, unlike Rikka, Dekomori is the highest in her class – smartest, cutest, and rich. This background gives Nibutani and Dekomori great depth and memorable scenes. I love them both :3

Rikka is the epitome of Yuuta’s past, and thus presents major problems to the guy – well, just comedy for us. She finds pleasure in the smallest of things that we as viewers often forgot ourselves, be it in the form of a calculator lock taped to her door or spinning around an umbrella as a sword. But she’s more than just creative, as the two develop genuine feelings for one another to the point where they start dating. Even Nibutani backs down to kindly support Rikka and her motives, returning as “Mori Summer” when absolutely necessary. They don’t get very far at first due to Takanashi’s delusional state of mind, but that’s the time when we get to enjoy the couple, cause from here on the story sadly loses its touch.

The second half of the series throws in a concept that I absolutely love, yet classically hits the viewer like a bus – drama. Rikka’s family and past are delved into with sudden furiousness that made me go “wut, I thought this show was built upon light-hearted comedy and romance, not overused dramatic clichés.” Sure, the events improve Rikka as a character and explain her motives, but that development throws the rest of the plot down the drain. Takanashi and Togashi spend several episodes apart which made me drop most of the momentum their relationship carried through the first half; they had worked so enchantingly hard to sculpt an unfinished project. The writers took the “Chunibyo & Other Delusions!” out of the show, leaving a failing “love” to support the title.

A better side to the show is its visuals. If I tell you anything, it’s that this show is cute! J Kyoto Animation, as always, does a remarkable job capturing the youthfulness of the characters by using bright colors and outlines. Movements are extremely fluid to the point where any few seconds of the show would make a hilarious gif. Characters are lively and background sceneries stand appealing.

The OST, though nothing fancy, sounds fairly decent. To contrast the energetic or more comedic moments in the show are lovely slow-moving piano pieces played during depressing/relaxing scenes. The opening, “Sparkling Daydream” by Zaq is paired up with fun, fast visuals of the characters doing what matches their personality and Rikka shakin’ her ass, which is just awesome!

So, is Love, Chunibyo & Other Delusions! worth the watch? Yeah, I think it is. I feel younger and older audiences can appeal to the characters equally. The show’s highlights were any of the cute chunibyo-filled scenes and quick-witted character interactions, though they substitute those later on for more, and I put this in double quotes, “”character development.”” Chunibyo is definitely better than most rom-com anime out there, and I enjoyed it a lot; however, I wanted to watch these lovable “kids” goofing around doing stupid stuff and not worrying about real life. It’s a shame we all have to grow up sometime . . . “Reality, be rent. Synapse, break. Banishment, this world!!!”– Rikka Takanashi

You can watch the series to its entirety for free over on Crunchyroll, as it has a really enjoyable Japanese voice cast. Also, it has been licensed by Sentai Filmworks if you wanna pick up a copy. Thanks for reading and hit the like button if you thought this review was somewhat decent! Until next time, this has been

– Takuto, your host

Guilty Crown Review

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If I ever were to become a writer, should I ration out all of my “good” ideas for other works or use them on one? Well that depends, really. Am I writing to cover my point only; for no sequels whatsoever, am I trying to make my work the next big series, or am I trying to get famous for the sake of being such? The anime Guilty Crown attempts all three ideas and, let me say, puts all of its eggs in one, crushed basket.

Ever since “Lost Christmas,” an apocalyptic virus pandemic that swept through Japan in 2029, Japan has been under the influence of a government organization called GHQ that is set out on curing the virus while managing public safety. Shu Ouma, your average normal high school teen who is bound by “fake” friendships, is thrown into a rebellious group by the cold name of Funeral Parlor when he gets infected with a stolen Void Genome. Given the “King’s Power,” a biological weapon that allows him to draw out voids, which are physical manifestations of one’s heart or soul, distraught Shu is forced to fight on the front lines against the twisted government and their ultimate plan to resurrect the “Eve” of the apocalypse virus.

When I summarize the plot for my reviews, I do so with the intent of leaving out any spoilers that might ruin one’s experience, like ya do. But in this anime’s case, I left out A LOT. For spoiler’s sake? No. Simply because there is way too much going on in Guilty Crown. I know this anime was wanting to be the next “end of the world” type that covers every single detail to the finale, and that’s fine, but some of these ideas don’t even flow well together. The show’s story steals something precious from every solid robot/action anime prior to its own existence, so why would I not want to watch it? It’s too choppy; fails to explain itself and its motives by just throwing in ridiculous action scenes, one-liners, or ways to put the main character through hell.

While many people disagree with the many, many characters, I think that they are one of this show’s few saving graces. I found Shu Ouma to be a very relatable character (I love his hair). He lacks confidence and so he regrets his mistakes too much – but that’s what makes him such an ideal protagonist. He is, in his friend Hare’s words, “The Kind King.” You can especially witness his behavioral changes a little more than halfway through the series. There is the most powerful and memorable event in the anime (I cried, and I don’t ever cry for anime).

Gai Tsutsugami is the other male lead. He acts without feelings to his followers yet when he does express the slightest emotions, they are meaningful and inspiring. Leadership is one of the story’s main themes, and Gai presses that issue to the point where you’d follow him to the end, too. Though corrupt, he truly is a good leader.

I was actually a bit disappointed in the show’s female lead, Inori Yuzuriha. I can’t mention a whole lot about her for spoiler’s sake, but she is pretty static as a character. I mean, she’s a famous Japanese pop singer, a dangerous fugitive of Funeral Parlor, and more. She plays the role she is given, but you’d wish she did a little more in the first half of the show. However, she does have brilliant costume designs if that counts for anything!

As I mentioned earlier, the animation by Production I.G is stunning. Everything from the vivid voids, the sharp, geometric architecture, and detailed characters are brilliantly done up. There are many unique character outfits, so that is also a plus. The animation quality remains strong to the end.

The openings, “My Dearest” written by Supercell, performed by Koeda and “The Everlasting Guilty Crown” by Egoist, a unique band from the show featuring the voice of Inori, show rapid flashing images with upbeat tempos. The sweet first ending, “Departures – Anata ni Okuru Ai no Uta,” is also performed by Egoist. A shout out to “Euterpe,” the best insert song I have ever heard and have even memorized the lyrics to J which is also performed by Egoist.

Hiroyuki Sawano brings to the show epic techno soundtracks that add to the wonderfully choreographed battles. He provides suspense and drama in softer times, too. “Bios Delta,” the main theme of the show, is just mindblowing – a perfect interpretation of Shu Ouma’s struggle! Give all of the songs I listed a listen – you won’t regret it!

Now back to the top, Guilty Crown is a huge, disastrous train wreck, but at that, one hell of a ride. In a similar way to Sword Art Online, I feel that younger viewers would see past the bi-polar character motives and glaring plot errors to just focus on the action and character relationships – well, that and the awesome music! At its time in 2011, the anime tried to be the next big thing, and sadly because of that goal, it was just visually epic; failed to deliver a consistent story to the end. If you enjoy a decent crack at science fiction and the apocalypse, amazing action and intricately romantic scenes, then hey, give it a go. Otherwise I think you can skip this one; it’s just a messy conglomeration of past sci-fi anime. I liked it way more than I should have, though, and its impact on me couldn’t be replaced by any other anime!!

I admit I LOVED GC, and presently, FUNimation’s limited edition copy of Guilty Crown occupies a neat section of my shelf, waiting to be downloaded and heard by the world as the song of the apocalypse. “The right to use my friend as a weapon – that is the sinful crown I shall adorn.” What a great caption for Shu.

And with that I hope you all have a less complicated day! I say “Hi and welcome to Takuto’s Anime Café” for all new followers and viewers. You’re awesome 😉 Hit that like button if you enjoyed this review and until next time, this has been

– Takuto, your host

The Devil is a Part-Timer! Review

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These past couple of weeks I have been telling myself that I just need go out to my local Hastings, pick up an anime, and marathon the whole thing regardless of time. Well, I got to do that, and let me just say that I wish it didn’t ever end. Today I will review The Devil is a Part-Timer!, a light-hearted comedy-adventure of the Devil and the Hero struggling in modern-day Japan.

Years of war have resulted in bloodthirsty demons conquering about ¾ of Ente Isla, the foreign medieval world. When the Devil’s palace is stormed by armies of rebelling humans led by Emilia the Hero, Satan, lord of all demons, and his general, Alciel, flee through a portal to the human realm with the Hero tagging along. They find themselves in present day Tokyo, a world deprived of magic and mana. Without his demonic force slaving away for him, Satan adopts the name of Sadao Maou, rents a cheap apartment shack, and gets hired as the “perfect employee” at the local MgRonald’s. Alciel, now Shirou Ashiya, remains as a “stay at home mom” for Maou, tending to all of the basic needs of the household, cooking included. With this new unexpectedly mundane lifestyle Emilia, now just Emi Yusa, finds employment as a call center agent all the while keeping a watchful eye on the humble demon king.

One of this anime’s best features is its fresh plot. The top moments, in fact, are merely watching the Devil and the Hero struggle with the basic troubles of our own lives – missing a wallet, paying for rent, acquiring a job, and even getting a tummy ache.

What the story also wants us to notice are the setting/character/stereotype relationships. The Devil is supposed to be evil. The hero is good. The Devil is a Part-Timer! puts Satan in a position where he can’t necessarily commit evil, so why should he? And with the Devil just trying to earn enough money to feed himself, does the Hero really need to step in? No. And that’s why this anime is so good at deconstructing the “good guy” and “bad guy” roles – heck, Satan even saves some humans in later episodes, so I guess you can’t judge based on appearance alone! The characters are fun and bring out their true selves when they are simply around each other, eating plentiful quantities of udon.

While the animation by White Fox is nothing fancy, it gets the job done. The show uses bright colors on in-anime advertisements to support itself. Great dynamic moments include the many expressions of the show – Emi in particular has many rage faces that are just awesome.

There are few notable tracks, such as “The Strength of the Hero and the Devil” and “Give Up on Ente Isla,” which are both stand-out pieces. Otherwise, the OST is plain silly, complimenting the tone of the anime quite nicely. The opening, “ZERO!!” by Minami Kuribayashi, though nothing special at first, really grew on me after a while. It’s catchy, upbeat, and has decent animation sequences to go along with it.

The only problem I had with this near-perfect anime was, well, it ended. Maou and Emi never completely sort things out and the *spoiler* main antagonist is technically still around. I hope a second season is produced, otherwise this first season of great material kinda goes to waste.

The Devil is a Part-Timer! is a wonderful yet short anime. The English dub is also really good! I recommend this anime to anyone simply because it’s a light-hearted comedy show, but specifically because of the interesting characters getting worked up over simple things like cash and noodles. Comedy shows depend on your tolerance of humor alone. But if you’re like me, it’ll make you laugh a genuine laugh, and you’ll want to find a job at a fast food restaurant, trust me. The show is a juicy hamburger complete with crunchy lettuce and melted cheese that will inevitably be eaten up by your eyes – but “would you like some black pepper fries with that, sir or madam?” – Maou

I believe you can watch the whole series subbed on FUNimation.com, or you can support the official release like I did! A copy of The Devil is a Part-Timer! rests on my shelf awaiting the next hungry customer. This is one anime that you won’t fully appreciate until it’s over! Agh:)

Thanks for reading! Hit the like button if you enjoyed this review or if it inspired you to check it out. Same with the follow button – stay up to date with me and read other material I’ve written. Till next time! ~

– Takuto, your host

Oreimo 2 (season two) Review

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Of course I had to continue with Oreimo 2 because the first season was so eccentric! If you haven’t already, check out my anime review of Oreimo (season one) for a better reinstating of the plot. Also, watch the first season before you read this, as a spoiler or two might be present in this review.

Following Kirino’s departure to America in season one (OVAs), the sequel picks back up on the average life of Kyousuke Kousaka. When the older brother demands his sister’s return, even traveling all the way to America himself to do so, things between the two begin to break apart again. After all of the work in season one Kirino still seems just as tsundere as ever. Drama rears its ugly head, however, when Kuroneko, Ayase, Kirino and the rest reveal their mixed feelings for our bumbling brother. The story goes from otaku culture in society to relationships with siblings and others.

This second season crushes the majority of the characters by turning them on their own heads. Specifically speaking, the hot-headed and sophisticated Ayase is no longer that. Do you recall the moments when she detested Kyousuke, eroge, and everything else that he was involved in? How about the episodes of time where she would yell at Kyousuke and even Kirino just to try to cleanse Kirino of her hobbies? That signature kick that she would deal upon him when he was against Ayase – well, that’s still here, but anyway, the series suddenly turns her into an active yandere without even a second thought. She was one of the few serious characters, now diminished to a lover and a dreamer. A shame.

Kirino remains true to her tsundere influenced setup. In fact, she still gets mad at Kyousuke, yells at him, and then kicks his door. I love Kirino as a character; even in this second season, she realizes the bad things she does and tries to take care of it, though this usually fails and then gets cleared up by Kyousuke. She’s just a teenage girl – she makes mistakes but grows through them. The only difference in her mood is that towards the end, she somewhat realizes her love and dependence on Kyousuke. It’s weird and strays away from the original plot, but touching nonetheless. After watching the strange ending, I now understand Kirino and Kyousuke as characters much more than before.

If you liked Kuroneko, Saori, and Manami, you’ll be pleased to know that they have improved. Kuroneko gets her own little arc with Kyousuke, but I found it less right than him and Kirino. Kuroneko and Kyousuke didn’t go well together; I couldn’t feel the connection between them like I did with his sister, and I know it’s “wrong” to say that. Saori receives a nice embellishment with her sister and her past, which many people skip by, but I found those episodes to be more enjoyable than the entire Kuroneko arc – and that’s saying something!

Enough about characters. The soundtrack is pretty much the same quirky OSTs as last season. Some new tracks are added to the romantic moments, though. The opening, which I can’t even remember, is just another J-pop song. Yeah it’s fine, but nothing I can recall.

Animation has improved. And saying that the quality before was fine, this was even more enjoyable. I like the concept art of Kirino and the other girls’ characters. They are soft, yet gorgeous and just overall well presented.

Oreimo 2 is a very good anime; it just fails to deliver as a sequel to an amazing first season. This season drops most of the otaku acts and focuses on forced cliché relationships. I guess if you love drama, then here you go, but I watch this particular anime for the struggles of otaku life and comedy – Oreimo is not a serious show, so why should it start being so now? For people who followed the first season, feel free to watch the sequel, just know that it’ll break your views of the interesting characters we encouraged for the previous twelve lovely episodes.

And with that, I conclude my overall thoughts Oreimo – My Little Sister Can’t Be This Cute! Currently, though I do not own a copy of the series, you can watch it for free over at Crunchyroll, but you can also slide on over to my place because “The only one I sexually harass is you!” – Kyousuke

Hehe, if you found this review at all helpful or interesting, go ahead and slap dat like button. You know you want to. 😉

– Takuto, your host

selector infected WIXOSS Review

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Black*Rock Shooter + Yu-Gi-Oh + Puella Magi Madoka Magica. That’s all I’m gonna say.

A popular teen card game called WIXOSS carries a dark secret. LRIG cards (girl backwards – honestly took me a while) are rumored cards that contain the live consciousness of girls, and those females who obtain an LRIG are known as Selectors. When drawn into battle, Selectors face off against each other in another land, aggressively trying to win enough victories to have their wishes invoked by their LRIG. When Ruko Kominato gets infected by “Tama,” a cute yet battle-driven LRIG, she is tossed into the dark and twisted lies of the Selectors’ game. She’s good at first, but what happens when you lose . . .

Do not be dismayed by the fact that the show is based on a card game. I feel that that was the turnoff that makes this show less well-liked or popular. The rules to the game occur in a simple pattern that needs no explanation, so you can sit back and relax, that is to say, on the edge of your seat >.< Instead of trying to grasp the workings of the game, just watch the show – the game is just a way to convey the dark plot (not gonna spoil), making the kids think it’s just a harmless teen card battle. That aside, the plot of selector infected WIXOSS is somewhat to understand, gripping, and tragic. Heads up on Hitoe, though, as she makes the whole thing confusing by the end.

Pick a color of the basic rainbow and that’s how many characters there are. Literally, each character has that one attribute that makes them so generic. Sure, they all have their quirks that make me feel bad for them, and it sure sucks to be them, but I feel it was done better in other anime (see top). Ruko, however, acts as a white sheet of paper, being drawn on by the other characters until it’s hard to make out who she is. At the beginning, she has one mindset, but by the end, boy, she rounded out very nicely! The only other character I thoroughly enjoyed was Akira. I LOVE CRAZY characters! They are unpredictably creepy and enforce amazing plot twists. Akira was no exception to my standards.

The animation, done by J.C.Staff (A Certain Scientific Railgun and many others) was, well, bland. I know the atmosphere that they were going for was dreary like a rainy day, but did it need to be like that all the time? The only interesting scenes were when battles went down. I love the darkness that swells around the girls in the mysterious world.

Sound-wise was also kinda dim. The OST had no stunning tracks whatsoever, but the mood was never lost. The opening, “killy killy JOKER” by Kanon Wakeshima is amazing though! I play the cello, so I definitely know quality tone when I hear it, and man, I heard it. Give it a listen; it is the essence of the show. Also noteworthy is the ending, “REALIZE – Yume no Matsu Basho” by Cyua. Really amazing OP and ED this time around.

So with so-so animation, soundtrack, and characters, is the anime worth watching? Actually, yes. Pacing is well thought out, so getting bored doesn’t happen often. If you want to see what happens when dreams turn corrupt or want a thought-provoking battle of emotions and desires, then this is the show. It’s sorrowful, tragic, and sweet. The thing is, this core idea is not new. Watch Puella Magi Madoka Magica and you’ll see the many similarities the shows have (PMMM is much better). Finally, the ending is like really really  awesome for a first season. A real game changer. I had a decent good time watching it. “Tama, GROWWW!!”

I hope this review sparked any interest in watching selector infected WIXOSS. You can watch the full series over at FUNimation.com. If you enjoyed this review, give it a like! I’d appreciate it :3 Until next time, this has been

– Takuto, your host

Attack on Titan Review

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I actually watched the anime this past summer and my god, why didn’t I see it earlier? I guess I was put off by its gruesomeness and the fact that it looked too . . . I don’t want to say stupid, but seriously, it looked dumb. It wasn’t my cup of tea, but whatever; I gave it a go since it was so popular. Well, let me fully retract that outdated statement and write wrong (cause this is a written review, get it) with my anime review of the epic, Shingeki no kyoujin – Attack on Titan! Caution: a spoiler or two ahead!

Mankind retreated behind 50 meter tall walls Maria, Rose, and Sina in order to survive an onslaught of giants known as titans. To avoid extinction, humans began to fight, at first by cannon fire, but soon by omni-directional mobility gear, AKA their little hook-shot gas-powered motors that let them fly. Now in year 845, the “colossal titan” breaks a hole in the outermost wall, Maria, causing the titans to flood in. Eren Jaeger, a witness to his mother’s death by titan, vows to “destroy every last one.” Humanity must rise to fight once again, willing to sacrifice everything, or else be eaten alive by the blood n’ flesh-coated terrors!

Attack on Titan has outrageous pacing. Five years fly in five minutes, while one afternoon might span nine episodes. I didn’t really fancy that aspect, as it meant that there would be periods of epic combat followed by droughts of political chatter. I also found myself lost in their debates on occasion because they talk like real politics, speaking for the good of people and for themselves.

To counter those many moments of boredom or repetition, AoT did something truly neat. At the end of each episode, they would reveal something stunning, be it another way to defeat the titans, a death of a character, or a secret key to the underlying plot. Those last few seconds caused the series to roll and roll and roll until you found yourself out of episodes to view! The show is a bolder on a hill, only gaining momentum until it inevitably crashes into a house or a tree . . . or a wall . . .

All of the characters in Attack on Titan are just amazing. Even the guy who just cries about giving up his life like 300 times! They are all important because they symbolize the one thing that drives this show: fear, and what better way to represent such a characteristic than with the masses of soldiers marching to their inevitable death? Specifically speaking, Eren Jaeger is a badass! Like seriously, he is my favorite character, as he makes me remorseful when he makes mistakes, flinch when he takes on pain, and he makes me internally cry when he suffers. There are very few characters that have the balls like Eren does, and I respect that. God I love Eren.

And that’s not all, Mikasa, Armin, Jean and the rest are all just so cool. Mikasa’s amazing skills along with her faith in Eren and Armin make her a very strong female lead. I can see why many people like her. Sure many of the characters don’t have back stories, but they are not necessary to the plot, for before the titans came, they lived average lives. The squad members are brave, cowardly, innocent, greedy, appealing, dark and human. For once, there is a cast that actually fears the enemy to death! “Why risk my damn life out there when I could be with my family?” They make me stronger the more I think about them. By the way, the deaths in this anime are realistically carried out. I honestly felt sick when they were bringing in carts of the dead. It makes me realize that “this world is so very beautiful, yet so cruel (Mikasa Ackerman).” As a side note for those who haven’t seen this series, this is where that “potato girl” is; took me a while to figure that out LOL.

I was drawn away from the animation, but after finishing the series I was totally used to it. The bold lines on faces and on character outlines drove me insane at first. They do, however, add to the intensity of the show, so maybe that is why they are there. Regardless, it is interesting and new. Also, the fight scenes are beautifully choreographed from many angles, making them thrilling to the bone! The effective use of CGI in the buildings and ODM gear is also spectacularly done. By far one of my favorite action anime; it’s worth watching just for that.

Along with great animation is an epic soundtrack that beckons with awesomeness! Hiroyuki Sawano, the guy who composed such brilliance, did a very good job at keeping up with the thrill and suspense that is generated by Attack on Titan. My favorite parts of the OST would be when the chimes are just hammered away on, creating a creepy and rushing feel that was to die for! I also love both of the openings, “Crimson Bow and Arrow” and “The Wings of Freedom” by Linked Horizon. While the first one keeps with the idea of fear and death, the second song is about celebration, breaking free, and victory. Both songs accurately depict Attack on Titan. The show couldn’t have had better openings. Seriously, go listen to them, like now.

Attack on Titan is a visual masterpiece, telling the tale of humanity’s fear of something that is above them on the food chain. Would we act in the same manner? This anime is worth the watch for anyone who can stand the bloody gore of human flesh being ripped apart. Other than that, this show has a nice set of characters that will inspire you to be stronger, physically and mentally. The show is thrilling from the very beginning up until the last seconds of the final episode. It’s seriously great, so check it out if you haven’t done so already. Once you get past the first episode, though, you might as well finish the rest of the series – it’s that addicting.

Presently, the limited edition copy of parts one and two in the exclusive ender box that is available by FUNimation entertainment with a wonderful dub (besides Eren’s English voice being a little too raspy for me) and subs included rests valiantly on my shelf, awaiting my next visit to the year 845 – the year that “mankind received a grim reminder. We lived in fear of the titans, and were disgraced to live in these cages we called walls (Eren Jaeger).”

Thank you so much for reading my opinions on Hajime Isayama’s Attack on Titan! Did you watch this anime, if so, what did you think of it? Please feel free to leave a comment below! Until next time, this is all that is on today’s menu.

– Takuto, your host

Oreimo (season one) Review

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Hi. Let me just say that all anime fans and people who disgrace anime alike should watch this series. Oreimo is much more than eroge and brotherly love, as it hits home in the idea of anime and its view to the public. What does it take to be an A+ student, skilled athlete, gorgeous model and all-around perfect?? Balance. And my friends, Kirino Kousaka tries so very hard to keep this balance, even though she is a complete otaku on the inside. Café goers, my mocha and whipped cream for you is the review of Oreimo – My Little Sister Can’t Be This Cute! And trust me, this one’s on the house!

Set in your average Japanese household, the Kousakas appears to be the ideal family, that is, until you catch the weak link. Enter Kyousuke Kousaka, the plain 17 year-old teen boy and older brother *Aniki* of Kirino, his hot-headed 14 year-old sister. Kirino, as mentioned before, is an angel to her peers. She is ranked highest in her class, is great at track, has many friends and is even a part-time model for a popular girl’s magazine. Kyousuke on the other hand only has his childhood friend, the even plainer Manami Tamura, and the honor of being “Kirino’s brother.” Not gonna lie, Kyousuke’s life sucks, but it gets even worse as he grows apart from his sister throughout middle and high school. The two practically don’t even speak to each other until one faithful day when Kirino, on her way out as usual, drops a DVD of a well-known magical girl eroge, which Kyousuke happens to witness.

I don’t know about you, but if I was (am) an intelligent, fairly popular student, and I dropped a porno in front of my siblings, I would absolutely die of embarrassment, shock and anger! Even if you don’t decide to finish the series – for whatever reason – first episode itself is worth the watch. The anime is set up similar to a visual novel, showing the multiple endings with the different girls, yet keeping a real end in mind. The anime kicks off strong, introducing all major characters in the first couple episodes.

Speaking of characters, this is one cast to be remembered. When Kirino “needs Kyousuke’s advice,” he recommends that she finds friends to talk to about her hobby. Kirino, willing to do anything to chat with others about “Meruru,” quickly agrees and the two end up at a café meet-up, kinda like ours, actually! There she is introduced to goth-loli Kuroneko and kind, advising Saori, two committed otakus. Add in Ayase, Kirino’s best friend at school and drama begins to spread between the five girls. I love all of them – they are so unique, well designed, and entertaining.

Throughout the series, I started to get really mad at Ayase when she wouldn’t accept Kirino’s otaku ways. Like I was pissed. They have such a strong bond between each other that it shouldn’t matter if anime or eroge made the other happy – Ayase should have known that. True friendship is formed when individuals understand each other, respect each other, and do what it takes to keep things positive, honesty kept in mind.

A neat thing about Oreimo is that AIC’s animation really goes with the soundtrack, and vice versa. You’ll know when Kyousuke gets himself into an awkward situation, as his facial features change, loveably funky music plays, and the voice acting becomes heated and hilarious. Yuichi Nakamura, Ayana Taketatsu, and Saori Hayami, respectively as Kyousuke, Kirino, and Ayase, do amazing jobs with the dialogue! It’s like they were actually in those ridiculous situations, merely trying to talk their way out of trouble. Quality voice acting. Also, I love the opening “irony” by ClariS! So cute!:)

I love Oreimo, I truly do, but the characters I wanted to see, namely Kuroneko and Saori, did not receive enough screen time. They had so many quirks and awkwardness that I really wanted to invest myself in them. I know that there is a second season, so I will definitely check that out.

Is Oreimo worth the watch? Absolutely. Take a break from your hardcore action or intense drama series and laugh a little with this one. The series contains many important ethics regarding anime in society and additionally, it is downright funny! It’s one of those shows that you might not want to binge, however. Oreimo’s heartwarming environment is one that will be missed when it’s over.

Presently, though I did not purchase a subbed copy by Aniplex of America, you can watch Oreimo to its entirety for free on Crunchyroll! Have fun and thanks for reading! Did you watch Oreimo? Let me know in the comments! With that, as I kick your door on the way to my own bedroom, I’ll still smile, because – “I need your advice. . .”

– Takuto, your host

ALDNOAH.ZERO Review

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Fellow Café members, let me just start with what this experience was – a coincidence. Ever heard of one? Yes, I thought so. I’ve seen the masterpieces that are Puella Magi Madoka Magica and Fate/Zero prior to this series, and little did I know that this one was written by the same guy. Gen Urobuchi, for the better, you got me again!

Humankind began migrating to Mars when an ancient alien hypergate was discovered on the moon in 1972. Using the Aldnoah technology they had additionally discovered, the VERS Empire was formed. Soon after, the VERS Empire declared war on Earth. This war caused the destruction of the Moon and the gate, creating a belt of debris around Earth and disabling any known connections. Presently in 2014, the princess of VERS travels to Earth only to be attacked and “killed” during a peace mission. The people of VERS are now furious and stand determined to take Earth this time around as both races are thrown back into war.

Isn’t that a cool concept? Aldnoah.Zero dives into the aspect of human separation, and how it is not Terrans versus Martians so much as it’s humans on Earth and those on Mars against each other. They all want each other’s’ blood even though it is actually the same type. Add this dark theme and giant robot, or “kataprakt,” fights and you have yourself a show that is interesting and worth one’s time.

Speaking of, one flaw that I would like to point out is the fact that the Martian’s could have easily squashed any human resistance with their super powered Aldnoah kataprakts, but what would be the good in that, right? Like seriously, one of the enemy robots can create a dimensional barrier that absorbs all forms of energy, allowing it to walk through buildings without any struggle. WHY DID THEY NOT MAKE MORE OF THESE?? This forced the opening fight to require Inaho’s smarts, as he literally couldn’t go rushing in at the enemy. Perhaps if a fight on this scale of strategy was at the end, then maybe the final boss wouldn’t have been such a snooze.

Our true story centers on the triangle between the Terran Inaho (Orange), Princess Asseylum Vers Allusia, and the Terran Slaine (Bat). Inaho is quiet, resourceful, and a calm, quick thinker. This makes me love him yet dislike him at the same time, for although he rarely says stupid stuff, he follows the bland archetype hero.

On another note, Asseylum receives asylum by Inaho and co. upon her arrival (Hehe, puns). She is a dutiful young lady who, for housing the mysterious power of the Aldnoah, one would think she would have some kind of combat skills, but it’s whatever. In that aspect, she reminds me of Princess Lenessia from Log Horizon. They both act in amateurish ways, thinking that a simple meeting would solve planetary war.

Slaine is the crux of emotional occurrence in ALDNOAH.ZERO. Throughout the entirety of the series, the Terran-born boy struggles between supporting the Terrans and/or the Martians. He doesn’t fully support the Martians, but simply Asseylum. When I think of it this way, it clears a lot of the mud that crowds Slaine’s decisions.

In Slaine’s regard, the end of the first half of the series is probably one of the most suspenseful and unexpected twists I have ever seen. Because I don’t want to spoil too much it will remain your unknowing secret. I can understand complex emotions, but wow, I was not expecting that. For those who have seen the end of the series, how shall we encrypt that last line? I guess we’ll just have to wait for season two in 2015. It’s going to be a long wait. . .

The animation quality for this show is phenomenal! Not only that, but the soundtrack by Hiroyuki Sawano contains epic, pumped up techno action pieces that engage me into combat. It fits the high-tech battlefield mood perfectly. The show is filled with awesome robot combat and explosive maneuvers that left me swerving in my seat to dodge flying metal fists or energy blades of death! It is interesting to note that the studio that animated ALDNOAH.ZERO also did the infamous Sword Art Online, a series which had a second season running at the same time. A-1Pictures must have been very busy, as the animation quality for both series is top-notch – definitely some of my favorite animation.

With Urobuchi comes Kajiura, as Kalafina performs the series’ amazing opening “heavenly blue.” Jesus, I love this music so much! Kajiura pulls out all of the stops in this new opening: the techno groove is hot and upbeat. The show’s ending theme, “I Say Cry” by aLIEz (also by Hiroyuki Sawano), also deserves an honorable mention. Both of these are a must-listen.

I fully recommend ALDNOAH.ZERO to fans of Urobuchi’s works and for people that are looking for something with sci-fi action-packed fights with great background music, and a well-paced plot to where you want more after every damn episode. So isn’t that everyone? Well, yes and no. The last few “bosses” are lack luster and require Inaho to just hack and slash; no real strategy is required. Because of such a loss, the crafty interest in both Inaho and the Martain generals drop tremendously. Nevertheless, I will be awaiting the second half for this great adventure of revenge, tragedy and hope. “Let Justice Be Done Through The Heavens Fall.”

At the moment, you can watch all of ALDNOAH.ZERO on Crunchyroll.  I really hope the show receives localization and a dub, because yeah, I thought it was worth watching again. Leave a comment below and thanks for reading! Till next time this has been

– Takuto, your host

Ufotable Fate/stay night: Unlimited Blade Works Episode 0 Impression

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The fall season starts strong by throwing us back into the godly and epic Holy Grail War! The hype for this episode 0 could not be contained, oh my goodness!
In this first episode we return to Fuyuki City through the eyes of mage Rin Tohsaka. Rin was one of my favorite characters in F/s N, so it is a treat to review the rules and premise of the Holy Grail War in her stead rather than Emiya’s.

I’m gonna be honest, Archer in F/s N pissed me off. He was rude, annoying and disrespectful to his master at times. Here however, he was witty and a gentleman. The banter between Tohsaka and Archer was just awesome. I now withdraw any negative thoughts on him. It was that good. One of the best scenes regarding characters was seeing him recognize Rin as a powerful master. Their realizations between each other clicked so perfectly, and the bond they share now has purpose, unlike the 2006 anime.

Animation – holy freakin’ crap! Ufotable, you got me in Fate/Zero, and you pull out all of the stops in the new anime – and it’s only episode 0! The gradients on the faces, streets, buildings, everything was beautiful. I didn’t even realize how pretty Rin’s eyes were. The Archer vs Lancer battle was brilliant. Like wow. Sparks fly and asphalt cracks with articulate force. The sounds that went along with the scene were just so crisp and high def that I felt like I was there watching the thrilling fight. Plus, there were so many different view points, never leaving a dull moment.

Yuki Kajiura returns with her heavenly scores to deliver the most moving music. I love all of her work, she is just so amazing!😄 It truly feels like we never left Fate/Zero thanks to her. By the way, the ending theme, which I believe is the new opening, is so so awesome! I think it’s by Lisa, which means of course it’ll be good.

As you can tell, I am just off the wall with this new anime. I am totally stoked for the next episode because, friends, it’s going to be a great anime season. Anyway, I just had to vent this epic episode 0 review. I hope you liked it as much as I did! What was your favorite part – leave a comment below! Mine was definitely when Saber showed up at the end, nearly wiping out Rin. Saber is a goddesses! 😍 Definitely looking forward to more of her and Rin’s fierce fighting and beauty. This has been such a strong kickoff to fans of the Fate series!

I’ll talk to you all later!

– Takuto, your host

Tales of the Abyss: The Animation Review

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After watching Tales of Symphonia I just had to check out more from the Tales series. Sadly, Tales of the Abyss was more of a letdown for me. So if I didn’t care for it then why write a review? Plot ideas can be tricky to come up with, I’ll admit, but when a story has too many ideas it ends up as a convoluted train wreck. The main story of Abyss derails itself so often that I found myself sleeping during the show, only waking myself up to see the character back stories. With that said, I want to inform you of the really cool aspects of this show, the occasionally crumbling plot aside.

Set in the common medieval atmosphere the Tales series likes to enforce, Auldrant is a world run by the Score, a prophecy written many years ago. Luke fon Fabre, the spoiled yet confined heir of the kingdom of Kimlasca, spends his afternoon in sword training with Master Van until a mysterious woman by the name of Tear Grants shows with the intent of taking Van’s life. Suddenly, Luke and Tear are warped across the world to the opposing empire of Malkuth. Now that Luke has the freedom he has dreamed of for so long, he begins to realize why he was restricted from the world, who he really is, and what his hidden powers are. All the while there is a band of look-alikes that are trying to kill the heroes, a not-so-holy church that wants Luke, a sea of miasma that threatens to destroy the planet, and an oncoming war between the two kingdoms.

These plot ideas sound kinda cool, no? But when all of them are thrown together it doesn’t benefit the anime.  Speaking of adaptations, Tales of the Abyss the Animation is actually based on an RPG, but an anime was released later on. You can ask anyone, but Tales of the Abyss is by far the closest recreation of a Tales RPG in anime format. Most of the scenes are translated exactly like they appear in the game, not taking away from the Abyss vibe.

I do not remember all of the characters from this series, and that is really a bummer because they all link together in one way or another.  Tear, a Seventh Fonist for the Order of Lorelei is a character I enjoyed because of her straight forwardness and her knack of guiding Luke in the right direction. She remains a strong and reserved character through the duration of the story. Though she acts coldly to Luke on occasion, she is quite respectful and well-mannered to everyone else. A second character whom I enjoyed was Jade Curtiss, the necromancer of fonic artes and a Malkuth army colonel. He is a generally happy character, but he doesn’t reveal his preferences or personality, making him seem complex to the other characters. With his dark background, one couldn’t tell if Jade was acting for the greater good or if he had something planned up his sleeve. The only problem with Jade was that some of his later happenings were predictable, but it is also like this in the game, so whateves. I love the way the Japanese always pronounced him as “Jeido Kaatisu” – I still call him that today!

Other than those couple characters, I found the rest of the cast to be decent, but nothing spectacular. Most of the best scenes were not when something epic was happening, but when all of the characters were just conversing with one another. The interactions were golden, especially any of them with Jade or Tear. The anime had also included many notable flashback scenes in just the right places to help flush out characters. A character death in particular made me bawl for hours; it was the way in which he made it sound that did me in. With as big a cast as this one, it felt as if some characters (clones or noblemen) were placed in just to balance another, and that is not how it should be! But it is an RPG, so some of those characters are necessary. Other than that, character motives made sense and dialogue was pretty interesting.

The OST for Abyss stands as . . . suitable, actually. Listening then and now, the concert band songs are beautiful and express grandeur. They keep to a fantasy adventure theme that sounds as if the pieces came straight out of the game, which they might have. Some tracks like Tear’s song that she sings and “Peaceful Times” are especially easy to remember. Most of the characters have a fitting theme that is a perfect reflection of their personality. The opening theme “Karma” by BUMP OF CHICKEN is the same opening the game uses, so fans of the game can appreciate that. Personally, I rock out to that song! All-in-all, the soundtrack is decent classical dance as it appropriately captures the moments from traumatizing to engaging.

Tales of the Abyss was animated by Sunrise Inc. in 2008, and they did a great job of adapting the art from the game into an anime. Again, I have not played the game, but if you view some concept art you will notice the breathtaking similarities. One of the highlights for this show was the artwork for the landscapes. Characters might just be conversing or walking into town and the background animation is just splendid! Adding in that and the year it was done up makes Tales of the Abyss one of the best animated adaptations for the Tales series.

While I may have been bored or confused at times, that does not mean that the entirety of the show was uninteresting. There were many entertaining scenes that make up for the tedious ones. The anime is definitely an adventure, but whether it is one I would traverse, I would have to say no. Show-wise I was amused, but it was not a driving force by any means; it is not one where you would drop whatever you were doing just to watch it.

I was not changed or moved in any way by this anime. It was good, yes, but no more than that. Other than a few characters and plot points, I can’t recall much from this anime other than it was a mess. While this show did not push me to do anything in particular like high-ranking anime should, this show was my first “okay” anime, for everything up until then was no letdown. If you enjoy somewhat heart-filling adventures with action and great music, are investing yourself in the vast Tales series, or are looking for new ideas to use in writing, gaming, or whatever, then this show is for you. Otherwise, spend your time with something more beneficial and organized.

Though I didn’t pick up a copy, you can purchase all four parts by Bandai Entertainment (sub only) on Rightstuf.com. I’m sorry if I sound like I hate this anime – maybe I just can’t appreciate all that it has to offer. Hopefully you will have better luck with this one! Until my next review, I’ll pass on Tales of the Abyss with a push of my sketchy Jade glasses and a wave of fonon arte magic as I steal an apple from the Malkuth marketplace, because, you know, “why do I have to pay for it?”

Thanks for reading!

– Takuto, your host